Bridge of Birds

by Barry Hughart

  The monster slowly rose to the surface. What had been invisible was now covered with black lava, and we gazed in terror at an enormous hairy hand, perhaps sixty feet long. The palm was up, and the fingers were tightly clenched, and suddenly it jerked convulsively and the fingers opened. They weren't fingers at all, but the legs of a giant spider, and the heel and palm was a loathsome bloated sac! A cluster of evil eyes glared up at us, and a hideous round mouth opened and displayed a circle of gigantic pointed teeth, and then lava poured into the mouth and the Hand That No One Sees sank forever beneath the fiery surface of the lake.

  The Bamboo Dragonfly flew steadily on, and the tragic shattered city faded behind us. We sat in shaken silence, and finally Li Kao cleared his throat.

  "I suspect that it was simply an oversized relative of the common trapdoor spider," he said thoughtfully. "Invisible, because before the eruption it had lived underground, where there was no need for sight perception. Nature is astonishingly adaptable, and there are a great many sea creatures that have become transparent to the point of invisibility, and a few insects."

  He turned and gazed back as the city dwindled to a tiny speck in an endless expanse of white salt.

  "It really is a pity that we couldn't keep the body to study. I would have liked to learn how it managed to eat during the centuries after it devoured the inhabitants of the city, and whether its eyes were atavistic or acquired. A remarkable specimen! Nonetheless," said Master Li, "I do not think that we will mourn its passing."

  20. The Cavern of Bells

  Hour after hour the palm-leaf blades whirled overhead and flames and smoke spurted out behind us as the incredible Bamboo Dragonfly flew across the searing white salt. We used our tunics to guide us around whirlwinds, and the heat from the desert was like fiery fingers that pushed us higher and higher into the sky. With the last light of the setting sun, Miser Shen pointed ahead to a long dark line on the horizon.

  "Those are trees!" he exclaimed. "The Desert of Salt is coming to an end."

  The best proof of that lay in the dark clouds that were building up. Lightning flickered in the distance, and I doubted that it had rained in the desert for a thousand years.

  "Gentlemen, we could be in bad trouble if the basket that we're riding in fills with water," Li Kao pointed out.

  We pried three bamboo pieces from the framework at the bottom of the basket, which not only made a drainage hole but also provided us with three poles for umbrellas. Thin strips from the circular rim provided the frames, and our trousers served as the covers. We finished just in time. Lightning flashed and thunder roared and rain fell in torrents, but we clutched our umbrellas and sailed through the storm quite comfortably.

  "I have always wanted to fly through a thunderstorm!" Master Li shouted happily.

  "Magnificent!" Miser Shen and I yelled as one.

  It really was spectacular, and we were rather disappointed when the storm passed and the moon and stars came out. Wind whistled around our ears and a river gleamed like silver far below us. The Bamboo Dragonfly flew steadily on, and flames and smoke spurted out behind us as we drifted gently across the deep purple sky of China; a tiny spark that flickered beneath the glow of a million billion trillion stars.

  Miser Shen dozed off, and then Master Li, and I rode through the night staring up at the stars and down at the moonlit earth far below. The sensation of flight was far different from that which I had experienced in my dreams, and to tell the truth, I far preferred dream flight. Then I was like a bird, using the wind like the current of a stream, delighting in almost total freedom, but now I was simply a passenger riding in a basket beneath whirling blades, and I silently chided myself for being too cloddish to appreciate properly an experience that was very close to being miraculous. Master Li was also chiding himself, as I learned when he began to mutter in his sleep, but for a different reason.

  "Fool," he muttered. "Blind as a bat. Use your head." Then he shifted restlessly and scratched his nose. "Why not on the island, waiting at the end of the bridge?" he muttered angrily. "Stupid! Makes no sense."

  He fell silent again, and it occurred to me that if he was dreaming about the Hand That No One Sees, he had a good reason to think that it made no sense. Assuming that the Hand guarded the duke's treasure trove, as the tide had guarded the first one, why not put the monster on the island silently and invisibly waiting at the other end of that narrow bridge? Anyone who approached the treasure would simply be serving breakfast in bed to a hungry spider.

  "Children," Master Li muttered, restlessly turning and shifting. "Games. Stupid or childish? A little boy?"

  He sighed and his breathing grew more regular, and then I heard nothing but deep snores. Miser Shen was dreaming too, and a tear was trickling down the sharp curve of his nose. He was making faint sounds, and I leaned close.

  "Ah Chen," he whispered, "your father is here."

  He said no more, and finally I too fell asleep. When I awoke I discovered that we were flying through pink and orange clouds, pale against a turquoise sky, and the morning sun was shining upon mountain peaks all around us as Li Kao and Miser Shen used their tunics to guide the Bamboo Dragonfly through a narrow pass where fantastic trees precariously perched, spreading their branches to capture wisps of clouds and to weave them into the patterns of dreams, like the landscapes of Mei Fei. I yawned and spread my tunic behind me like a rudder, and we passed so close to one high jagged peak that I let go with one hand and reached out and scooped up a handful of snow, which tasted delicious. Then we sailed through the pass and began to fly over a beautiful green valley, where tiny wisps of smoke drifted up from fields where farmers were burning weeds, and the breeze was fragrant with wet earth and trees and grass and flowers.

  Around mid-morning the tubes of Fire Drug began to sputter and fizzle. The palm-leaf blades whirled slower and slower, and we began to descend toward a small village nestled beside a broad river. You may be sure that peasants gathered from miles around to watch the gradual descent of a fire-breathing bird from Heaven. We hovered above the village square, and the Fire Drug produced one final spurt of flame and puff of black smoke, and then we settled lightly to earth. The crowd gaped at three Chinese gentlemen, tastefully attired in loincloths and money belts, who stepped grandly from the basket clutching umbrellas.

  "My surname is Li and my personal name is Kao, and there is a slight flaw in my character," said Master Li with a polite bow. "This is my esteemed client, Number Ten Ox, and this is Old Generosity, formerly known as Miser Shen. We hereby donate the incredible Bamboo Dragonfly to your delightful village. Build a fence around it! Charge admission! Your fortunes shall be made. And now you may direct us to the nearest wineshop, for we intend to stay drunk for a week."

  Miser Shen would have liked to do just that, but by some incredible stroke of luck our flying machine had brought us very close to the Cavern of Bells. It was only a short distance downstream, so we bought a boat and shoved off into the current, and two days later Miser Shen pointed ahead.

  "Stone Bell Mountain," he said. "The entrance to the Cavern of Bells is at the water's edge, and we should be able to sail right inside."

  Li Kao nudged my arm.

  "Ox, I have heard that the duke's tax trip takes him past Stone Bell Mountain," he whispered. "If the painting in the Cavern of Bells is as Miser Shen described it, then the Duke of Ch'in may have more than a casual interest in the place."

  I remembered his earlier warning, and I peered around fearfully for two-hundred-foot armor-plated winged water moccasins as our little boat glided through the dark entrance. But then I cried out in wonder and delight. It was like sailing into one of those beautiful undersea palaces in Buddhist fairy tales. Sunlight from the entrance struck emerald water that glittered like green fire, and then the rays bounced up the stone walls that were studded with crystals that sparkled with every color of the spectrum. It was a world wrapped in rainbows. The strangest rocks that I had ever seen pointed up through the water and down
from the roof. They were like spears, but turned around so that the thick handles pointed out. Li Kao had never visited the cavern before, but he had read a great deal about it.

  "The bell stones," he said. "When the water rises, it strikes the stones on the bottom, which ring like bells, and the vibration causes the stones on the ceiling to respond with bell sounds of their own. The phenomenon is called sympathetic resonance. Deeper in the cavern are other stones formed from soft rock, through which tiny holes have been worn, and when the water rushes through the holes it provides more music to accompany the bells. Su Tung-po has written an interesting monograph on the subject."

  We reached a wooden pier and tied our boat to one of the posts. A flight of stone steps led up to the great hall of the cavern, where a shrine had been set up. We appeared to be the only visitors, and the shrine was tended by four monks. Three of them wore black robes, and the fourth wore crimson, and the one in crimson came trotting up. He was a tiny fellow with a high squeaking voice.

  "May Buddha be with you," he said with a deep bow. "I am the custodian of the Temple of the Peddler, and my three brother monks belong to a different order nearby. In the passage to your left you will find the sacred painting of the deity of the Cavern of Bells. It is very ancient and very mysterious, and neither I nor my predecessors truly understand it. It is undeniably divine, and I live in hopes that some day a visitor will be able to explain it to me. May you be the wise visitors I seek," he said with another bow. "Will you forgive me if I do not accompany you? My brothers and I are slowly going mad as we attempt to balance our subscription books."

  The little monk pattered back to join the others, and we walked down the passageway that he had indicated. At the end of it there were flickering torches that framed something upon the wall, and Miser Shen pointed to it.

  "The painting that I spoke of," he said, while Li Kao and I stared at ghosts.

  There could be no question about it. The painting depicted an old peddler with his back to us who was facing the murdered maiden whose ghost we had seen at the Castle of the Labyrinth. To her left stood the murdered maiden whose ghost had appeared on the island, and to her right stood a third girl who could have been their sister.

  Li Kao snatched one of the torches from the brackets and went over the painting inch by inch. The peddler's robe was covered with colored pearls and lotus blossoms, and he was supported by a crutch beneath his left armpit. His hands were extended to the maidens. In the left hand he held three tiny white feathers, and in the right hand he held a miniature flute and crystal ball that were precisely like the ones in Li Kao's belt, as well as a tiny bronze bell. The painting was very ancient, but what did it mean?

  "The emblems on the lame peddler's robe usually signify Heaven, in which case this might be a painting of T'ieh-kuai Li, the Fourth Immortal," Master Li said thoughtfully. "But two things are wrong, and one of them rules out such an interpretation. He should be carrying a large calabash on his back, and he could not possibly be leaning upon a wooden crutch. After all, the name means Li with the Iron Crutch."

  He went back over the painting, with his eyes no more than an inch from the surface.

  "On the other hand, the emblems on the robe can signify the supernatural, and that includes the evil supernatural," he muttered. "We know that two of the girls were murdered, and I am willing to lay enormous odds against the possibility that the third girl died peacefully in bed. The maddening thing is that I can find no trace of something that should be included."

  I looked at him inquiringly.

  "Ginseng," he explained. "Ox, for some mysterious reason our quest for the Great Root and the ghosts of the handmaidens are linked together, and so are the games of children, the village of Ku-fu, Dragon's Pillow, nonsense rhymes, feathers, birds that must fly, the Duke of Ch'in — all of the dukes, come to think of it — and Buddha knows what else."

  He straightened up and shrugged.

  "If we ever figure it out, it should make a marvelous story." he sighed. "Let's go see if those monks can tell us something useful."

  The three monks in black had disappeared, but the little monk in crimson was more than helpful. "No, we have never been able to grasp the meaning of the trinkets and the feathers," he said. "The feathers are particularly puzzling, because there is another painting deeper in the cavern that depicts feathers. It is so old that most of the paint has worn away, but one can clearly make out feathers and the symbol of the constellation Orion. Again I have no idea what it means."

  Li Kao's eyes were sparkling. "Ox, in ancient times a roof, three beams, and the number three formed the ideograph for Orion. It was also used to signify ginseng, particularly when the symbol for heart was at the point of the beams, and that would mean the Heart of the Great Root of Power," he whispered.

  I was beginning to catch some of his excitement myself, and we eagerly followed the little monk to the opening of another tunnel. He offered us torches from the wall brackets.

  "You will find the painting at the end, and in the meantime you will learn why we are certain that the Peddler is divine," he said. "Fortunately you have arrived during the rainy season, and the water has begun to rise in the Peddler's cavern. Soon it will strike the bell stones, and only Heaven could produce such music. The stones are deep beneath the tunnel, but there are side passages that will enable you to hear the music clearly."

  Miser Shen's previous visit had been during the wrong season for bell music, and he was rather skeptical about it. As we moved down the low dark tunnel the slap of our sandals was joined by the sound of water lapping against rocks, far below us and to the left side. Then the water rose high enough and we knew that the monk had not lied. This was the music of Heaven.

  A stone bell chimed. Just as the echo was fading away it was answered by a second bell that was soft and sweet and slightly blurred, as though the sound were sifted through honey. Another bell answered, higher and clearer and perfectly in harmony, and then bell after bell chimed in: big bells, small bells, loud bells, soft bells, clear bells, cloudy bells, and we walked along in enchantment while our torches cast immense shadows upon the stone walls. I cannot describe the beauty of the stone-bell song. Then the water reached the soft rocks and began to rush through tiny holes, and the bells were joined by the sound of a thousand silver lutes being stroked by a million murmuring bees. The combination of sounds was lifting our souls right out of our bodies, and ahead of us was a side passageway that was large enough to enter. The music poured from it, and we turned as one and trotted down the passageway toward the ravishing song. Tears were streaming down Miser Shen's cheeks. He began to run, with his arms spread wide to catch and embrace the music, and we were right at his heels while our shadows leaped and jumped all around us. A rock moved beneath Miser Shen's foot, and I heard a harsh metallic whang.

  Miser Shen lifted into the air and flew backward into my arms, and I stared stupidly at the iron shaft of a crossbow bolt that was protruding from his chest.

  21. A Prayer to Ah Chen

  We dived to the floor, but no more bolts flew. I laid an ear against Miser Shen's chest. His heart was still beating, but faintly. "The painting is a trap," Master Li whispered in my ear. "The acoustics of the tunnel permit the monks to hear what's being said, and when they heard that we recognized the maidens and linked them to the Duke of Ch'in, the monks in black slipped ahead to cock a crossbow and set the trigger."

  He cautiously lifted his torch and waved it around, and finally we spotted it. A single crossbow, fixed in a wall bracket and aimed at the center of the passageway.

  "Why only one?" Master Li muttered. He carefully felt beneath the stone that Miser Shen's foot had pressed. There was a metal rod which ran back beneath the surface of the path. "Ox, do you see that large flat white stone?" Master Li whispered. "It has raised slightly, and I rather believe that we are supposed to step on it as we run for our lives."

  I picked up Miser Shen and we carefully inched around that stone as we made our way back
to the main tunnel. Li Kao picked up rocks and hurled them, and on the third try he hit the raised white stone. With a horrible crash a good fifty feet of the roof collapsed, and a great cloud of dust and whining splinters of rock shot from the mouth of the passageway. Anyone in there would have been crushed like an ant beneath an elephant's foot.

  "We can't trust the acoustics," Li Kao whispered in my ear. "If we go back, they'll probably be ready for us. We have to follow the tunnel and trust to luck."

  He led the way with a torch in one hand and his knife in the other. The tunnel was sloping up, and the beautiful bell song was growing fainter. The only other sounds were the hiss of the torch and the slap of our sandals, and then Miser Shen groaned. His eyes opened, but they were feverish and puzzled and he did not seem to recognize us. We stopped and I set him down, with his back propped against the tunnel wall, and his lips moved.

  "You are the priest?" he said hoarsely to Li Kao. "My little girl has been murdered by the Duke of Ch'in, and they tell me that I will feel better if I burn a prayer and send it to her, but I do not know how to write."

  For Miser Shen it was forty years ago, when the death of his daughter had begun to drive him insane.

  "I am the priest," Master Li said quietly. "I will write down your prayer for you."

  Miser Shen's lips moved silently, and I sensed that he was rehearsing. Finally he was ready, and he made a terrible effort to concentrate on what he wanted to say to his daughter. This is the prayer of Miser Shen.

  "Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you.