Lark Rise to Candleford

by Flora Thompson

  Then there was a young married woman named Gertie who passed as a beauty, entirely on the strength of a tiny waist and a simpering smile. She was a great reader of novelettes and had romantic ideas. Before her marriage she had been a housemaid at one of the country mansions where men-servants were kept, and their company and compliments had spoiled her for her kind, honest great cart-horse of a husband. She loved to talk about her conquests, telling of the time Mr. Pratt, the butler, had danced with her four times at the servants' ball, and how jealous her John had been. He had been invited for her sake, but could not dance, and had sat there all the evening, like a great gowk, in his light-grey Sunday suit, with his great red hands hanging down between his knees, and a chrysanthemum in his buttonhole as big as a pancake.

  She had worn her white silk, the one she was afterwards married in, and her hair had been curled by a real hairdresser—the maids had dubbed together to pay for his attendance, and he had afterwards stayed for the dancing and paid special attention to Gertrude. 'And you should've seen our John, his eyes simply rolling with jealousy… .' But, if she managed to get so far, she was then interrupted. No one wanted to hear about her conquests, but they were willing to hear about the dresses. What did the cook wear? Black lace over a red silk underslip. That sounded handsome. And the head housemaid and the stillroom maid, and so on, down to the tweeny, who, it had to be confessed, could afford nothing more exciting than her best frock of grey cloth.

  Gertie was the only one of them all who discussed her relations with her husband. 'I don't think our Johnny loves me any more,' she would sigh, 'He went off to work this morning without kissing me.' Or, 'Our John's getting a regular chawbacon. He went to sleep and snored in his chair after tea last night. I felt that lonely I could have cried me eyes out.' And the more robust characters would laugh and ask her what more she expected of a man who had been at work in the fields all day, or say, 'Times is changed, my gal. You ain't courtin' no longer.'

  Gertie was a fool and the hamlet laughing-stock for a year or so; then young John arrived and the white silk was cut up to make him a christening robe and Gertie forgot her past triumphs in the more recent one of producing such a paragon. 'Isn't he lovely?' she would say, exhibiting her red, shapeless lump of a son, and those who had been most unsympathetic with her former outpourings would be the first to declare him a marvellous boy. 'He's the very spit of his dad; but he's got your eyes, Gertie. My word! He's going to break some hearts when the time comes, you'll see.' As time went on, Gertie grew red and lumpy herself. Gone were the wasp waist and the waxen pallor she had thought so genteel. But she still managed to keep her romantic ideas, and the last time Laura saw her, by that time a middle-aged woman, she assured her that her daughter's recent marriage to a stable-boy was 'a regular romance in real life', although, as far as her listener could gather, it was what the hamlet people of the preceding generation would have called 'a pushed on, hugger-mugger sort of affair'.

  Laura did not like Gertie's face. Her features were not bad, but she had protruding pale blue eyes of which the whites were always faintly bloodshot, and her complexion was of a sickly yellowish shade. Even her small mouth, so much admired by some of the hamlet judges of beauty, was repulsive to a child. It was drawn up so close that the lips made tiny wrinkles, like stitches round a buttonhole. 'A mouth like a hen's backside', one rude man said of it.

  But there was one visiting neighbour Laura loved to look at, for her face reminded her of that on the cameo brooch her mother used to pin her lace collar on Sundays, and her black hair rippled down from its centre parting as though that also was carved. Her fine head had a slight droop that showed up the line of her neck and shoulders and, although her clothes were no better than those of other people, they looked better on her. She was always in black, for no sooner was the year and a half mourning up for one great-uncle or first or second cousin than another died. Or, failing an actual death, she decided it would not be worth while to 'bring out her colours' with some distant relative over eighty or 'just at the last'. If she knew that black suited her, she was too wise to mention that fact. People would have thought her vain, or peculiar, to wear black for choice, whereas mourning there was no gainsaying.

  'Mother,' said Laura one day after this neighbour had gone, 'doesn't Mrs. Merton look lovely?'

  Her mother laughed. 'Lovely? No. Though some might think her good-looking. She's too pale and melancholy for my taste and her nose is too long.'

  Mrs. Merton, as Laura remembered her in after years, might have sat for a picture as the Tragic Muse. She was of a melancholy nature. 'I've supped sorrow with a spoon,' she was never tired of saying. 'I've supped sorrow with a spoon and sorrow will always be my lot.' Yet, as the children's mother reminded her, she had little to complain of. She had a good husband and not too large a family. As well as the distant relations, some of whom she had never seen, she had lost one child in infancy and her father had recently died of old age, and the loss of her pig from swine fever two years before was admittedly a serious affliction; but these were losses such as any one might experience. Many had, and yet managed to get over them without talking about supping sorrow.

  Does melancholy attract misfortune? Or is it true that past, present and future are one, only divided by our time sense? Mrs. Merton was fated to become in her old age the tragic figure she had looked when young. Her husband was already dead when her only son and two grandsons were killed in the 1914-18 War and she was left practically alone in the world.

  By that time she had gone to live in another village, and Laura's mother, herself bereaved by the War, walked over to see her and sympathize. She found her a sad but resigned old woman. There was no longer any talk about supping sorrow, no mourning her own woes, but a quiet acceptance of the world as it then was and a resolute attempt at cheerfulness.

  It was spring and her room had flowers in pots and vases. The air was rather faint with the scent of them, her visitor noticed; then, looking more closely, she found they were not garden flowers. Every pot and jug and vase was filled with hawthorn blossom.

  She was rather shocked at this, for, although less superstitious than many countrywomen, she herself would not have brought may blossom indoors. It might be unlucky, or it might not, but there was no sense in running unnecessary risks.

  'Aren't you afraid all this may'll bring you bad luck?' she asked Mrs. Merton as they sipped their tea.

  Mrs. Merton smiled, and a smile from her was almost as unusual as to see may indoors. 'How can it?' she said. 'I've got nobody else to lose. I've always been fond of those flowers. So I thought I'd bring some of them in and enjoy them. My thread's spun as far as luck's concerned.'

  Politics were seldom mentioned by the women. If they did come up it was usually by way of comment on some husband's excessive zeal. 'Why can't he leave such things alone? 'Tis no business of his'n,' some wife would say. 'What does it matter to him who governs? Whoever 'tis they won't give us nothing, and they can't take nothing away from us, for you can't get blood from a stone.'

  Some would discriminate and say it was a pity the men had taken up with these Liberal notions. 'If they've got to vote, why not vote Tory and keep in with the gentry? You never hear of Liberals giving the poor a bit of coal or a blanket at Christmas.' As, indeed, you did not, for there was no Liberal in the parish but bought his own coals by the hundredweight and might think himself lucky if his wife had a blanket for each bed.

  A few of the older men were equally poor-spirited. One election day the children, coming home from school, met an old, semi-bedridden neighbour, riding, propped up with cushions, in a luxurious carriage to the polling station. A few days afterwards, when Laura had taken him some small delicacy from her mother, he whispered to her at parting: 'Tell y're dad I voted Liberal. He! He! They took th' poor old hoss to th' water, but he didn't drink out o' their trough. Not he!'

  When Laura gave her father the message he did not seem as pleased as their neighbour had expected. He said he thought it wa
s 'a bit low down to roll up in anybody's carriage to vote against them'; but her mother laughed and said: 'Serves 'em right for dragging the poor old hunks out of bed in that weather.'

  Apart from politics, the hamlet people's attitude towards those they called 'the gentry' was peculiar. They took a pride in their rich and powerful country-house neighbours, especially when titled. The old Earl in the next parish was spoken of as 'our Earl' and when the flag, flown from the tower of his mansion to show he was in residence, could be seen floating above tree-tops they would say: 'I see our family's at home again.'

  They sometimes saw him pass through the hamlet in his carriage, an old, old man, sunk deep in cushions and half-buried in rugs, often too comatose to be aware of, or acknowledge, their curtsies. He had never spoken to them or given them anything, for they did not live in his cottages, and in the way of Christmas coals and blankets he had his own parish to attend to; but the men worked on his land, though not directly employed by him, and by some inherited instinct they felt he belonged to them. For wealth without rank or birth they had small respect. When a rich retired hatter bought a neighbouring estate and set up as a country gentleman, the hamlet was scandalized. 'Whoo's he?' they said. 'Only a shopkeeper pretending to be gentry. I 'udn't work for him, no, not if he paid me in gold!' One man who had been sent to clean out a well in his stable-yard and had seen him, said: 'I'd a good mind to ask him to sell me a hat'; and that was repeated for weeks as a great joke. Laura was told in after years that their better-educated neighbours were almost as prejudiced; they did not call on the newly rich family. That was before the days when a golden key could open any door.

  Landowners of established rank and stern or kindly J.P.s and their ladies were respected. Some of the sons or grandsons of local families were said to be 'wild young devils' and were looked upon with a kind of horrified admiration. The traditions of the Hell-Fire Club had not entirely faded, and one young nobleman was reputed to have 'gambled away' one of his family estates at one sitting. There were hints of more lurid orgies in which a bunch of good-looking country girls were supposed to figure, and a saintly curate, an old white-haired man, went to admonish the young spark, at that time living alone in a wing of the otherwise deserted family mansion. There was no record of the conversation, but the result was known. The older man was pushed or kicked down the front door flight of steps and the door was banged and bolted against him. Then, the story went, he raised himself to his knees and prayed aloud for 'the poor sinful child' within. The gardener, greatly daring, supported him to his cottage and made him rest before attempting to walk home.

  But the great majority of the country gentlepeople lived decent, if, according to hamlet standards, not particularly useful lives. In summer the carriage was at the door at three o'clock in the afternoon to take the lady of the house and her grown-up daughters, if any, to pay calls. If they found no one in, they left cards, turned down at the corner, or not turned down, according to etiquette. Or they stayed at home to receive their own callers and played croquet and drank tea under spreading cedars on exquisitely kept lawns. In winter they hunted with the local pack; and, summer and winter, they never failed to attend Sunday morning service at their parish church. They had always a smile and a nod for their poorer neighbours who saluted them, with more substantial favours for those who lived in the cottages on their estates. As to their inner lives, the commonalty knew no more than the Britons knew of the Romans who inhabited the villas dotted about the countryside; and it is doubtful if the county families knew more of their poorer neighbours than the Romans did of theirs, in spite of speaking the same language.

  Here and there the barrier of caste was overstepped. Perhaps by some young man or girl who, in advance of their time, realized that the population beyond their park gates were less 'the poor' in a lump than individual men and women who happened to have been born to poverty. Of such it was sometimes said: 'He's different, Master Raymond is; you can say anything to him, he's more like one of ourselves than one of the gentry. Makes you split your sides, he does, with some of his tales, and he's got a feeling heart, too, and don't button his pockets too tight. Good thing if there were more like him.' Or: 'Miss Dorothy, now, she's different. No asking questions and questions when she comes to see anybody; but she sets her down and if you've a mind to tell her anything, you can and know it won't go no further. I udn't mind seeing her come in when I was in the godspeed of washday, and that's saying something.'

  On the other hand, there were old nurses and trusted maids who had come to be regarded as individuals and loved as true friends, irrespective of class, by those they served. And the name of 'friend', when applied to them in words, gave them a deeper satisfaction than any material benefit. A retired lady's maid, whom Laura knew later, spoke to her many times with much feeling of what she evidently regarded as the crown of her experiences. She had been for many years maid to a titled lady moving in high society, had dressed her for royal courts, undressed and put her to bed in illness, travelled with her, indulged her innocent vanities, and knew, for she could not help knowing, being so near her person, her most intimate griefs. At last 'Her Ladyship', grown old, lay upon her deathbed and her maid, who was helping to nurse her, happened to be alone in the room with her, her relatives, none of whom were very near ones, being downstairs at dinner. '"Raise me up," she said, and I raised her up, and when she put her arms round my neck to help lift her, she kissed me and said, "My friend,"' and Miss Wilson, twenty years after, considered that kiss and those two words a more ample reward for her years of devotion than the nice cottage and annuity she received under the will of the poor lady.

  XX Mrs. Herring

  When Laura said she had seen a ghost coming out of the clothes closet in the bedroom she had not meant to tell a lie. She really believed she had seen one. One evening, before it was quite dark and yet the corners of the room were shadowy her mother had sent her upstairs to fetch something out of the chest, and, as she leant over it, with one eye turned apprehensively towards the clothes closet corner, she thought she saw something move. At the time she felt sure she saw something move, though she had no clear idea of what it was that was moving. It may have been a lock of her own hair, or the end of a window-curtain stirring, or merely a shadow seen sideways; but, whatever it was, it was sufficient to send her screaming and stumbling downstairs.

  At first, her mother was sorry for her, for she thought she had fallen down a step or two and hurt herself; but when Laura said that she had seen a ghost she put her off her lap and began to ask questions.

  At that point the fibbing began. When asked what the ghost was like, she first said it was dark and shaggy, like a bear; then that it was tall and white, adding as an after-thought that it had eyes like lanterns and she thought it was carrying one, but was not sure. 'I don't suppose you are sure,' said her mother dryly. 'If you ask me, it's all a parcel of fibs, and if you don't look out you'll be struck dead, like Ananias and Sapphira in the Bible,' and she proceeded to tell their story as a warning.

  After that, Laura never spoke of the closet to any one else but Edmund; but she was still desperately afraid of it, as she had been as long as she could remember. There was something terrifying about a door which was never unlocked, and a door in such a dark corner. Even her mother had never seen inside it, for the contents belonged to their landlady, Mrs. Herring, who when she moved out of the house had left some of her belongings there, saying she would fetch them as soon as possible. 'What was inside it?' the children used to ask each other. Edmund thought there was a skeleton, for he had heard his mother say, 'There's a skeleton in every cupboard,' but Laura felt it was nothing as harmless.

  After they were in bed and their mother had gone downstairs at night, she would turn her back on the door, but, if she peeped round, as she often did—for how otherwise could she be sure that it was not slowly opening?—all the darkness in the room seemed to be piled up in that corner. There was the window, a grey square, with sometimes a star or two show
ing, and there were the faint outlines of the chair and the chest, but where the closet door should have been was only darkness.

  'Afraid of a locked door!' her mother exclaimed one night when she found her sitting up in bed and shivering. 'What's inside it? Only a lot of old lumber, you may be sure. If there was anything much good, she'd have fetched it before now. Lie down and go to sleep, do, and don't be silly!' Lumber! Lumber! What a queer word, especially when said over and over beneath the bedclothes. It meant odds and ends of old rubbish, her mother had explained, but, to her, it sounded more like black shadows come alive and ready to bear down on one.

  Her parents disliked the closet, too. They paid the rent of the house and did not see why even a small part of it should be reserved for the landlady's use; and, until the closet was cleared, they could not carry out their plan of removing the front, throwing the extra space into the room, and then running up a wooden partition to make a small separate bedroom for Edmund. So her father wrote to Mrs. Herring, and one day she arrived and turned out to be a little, lean old lady with a dark brown mole on one leathery cheek and wearing a black bonnet decorated with jet dangles, like tiny fishing rods. The children's mother had asked her when she arrived if she would not like to take off her bonnet, but she had said she could not, for she had not brought her cap; and, to make it look less formal for indoor wear, she had untied the ribbon bow beneath her chin and flung a bonnet string over each shoulder. Thus unmoored, the bonnet had grown more and more askew, which went oddly with her genteel manner.

  Edmund and Laura sat on the bed and watched her shake out old garments and examine them for moth holes and blow the dust off crockery with her bellows which she had borrowed, until the air of the clean, bright room was as thick with dust as that of a lime kiln. 'Plenty of dust!' their mother said, wrinkling her pretty nose distastefully. But Mrs. Herring did nothing to abate it. Why should she? She was in her own house; her tenants were privileged to be allowed to live there. At least that was what Laura read in the upward movement of her little pointed nose.