The Good, the Bad, and the Uncanny

by Simon R. Green

  Larry and I made our way down, heading for the more dangerous platforms and the more dangerous destinations. The crowds began to thin out. We passed a whole new bunch of buskers. A burning man stood stiffly among leaping blue-white flames that blackened and split his flesh but failed to consume him, singing a wistful song of unrequited love. A blind busker sang a torch song in Greek, about his mother. And a shadow blasted onto a wall sang a sad song in Japanese. I dropped them all a few coins without getting too close. Larry ignored them.

  When we finally got to the deepest platform of all, it was practically empty. Only a couple of knights in dark armour, grim and threatening. They both bore Satanic markings on their breast-plates, daubed in fresh blood. Deep red flames burned behind the eye-slits of their steel helms, following Larry and me as we passed. I couldn’t help remembering King Artur, of Sinister Albion. A different history, where Merlin Satanspawn never did reject his father. King Artur was currently missing, presumed killed by Walker. I wondered whether I’d find the dark King in the Collector’s lair, part of his new collection ...

  A tall, naked woman, generously daubed with blue woad, ignored Larry and me completely as we passed, immersed in her Wall Street Journal. A man with a fossilised penis in a glass tube hanging round his neck sat by himself, looking very glum. And a soft ghost drifted along behind us, barely there at all, tugging wistfully at Larry’s sleeve with transparent fingers. Larry just walked faster until he’d left it behind.

  We stopped at the end of the platform, and I looked thoughtfully at the destinations board on the wall opposite. All the usual stations on the Infernal Line, from the well-known halts like Shadows Fall, to the disturbing Red Lodge, to the enigmatic Slaughter Towen. But the more I stared at the board, the more my gift insisted there ought to be one more name, at the very end of the line. A very old name, of a place no-one went to any more.

  Lud’s Gate.

  The next train came rushing in, blasting a wave of displaced air ahead of it, heavy with the scent of attar and myrrh. Deep claw-marks gouged into the side of one carriage were already healing. Nightside trains have to travel strange and dangerous ways to get to some of their destinations. Larry and I got into the carriage nearest the driver’s cab. The other people on the platform decided to wait for the next train. I get that a lot. Larry didn’t even notice. The train waited a moment, just to be sure, then the carriage doors slammed together, and the train set off. The journey was unremarkable, no problems, no attacks, but still no-one got on at any of the other stops. I lounged easily on my seat, while Larry sat stiffly upright, staring straight ahead; and whatever he was thinking didn’t touch his dead face at all.

  The train finally reached the end of the line, and slowed to a halt at Slaughter Towen. The carriage doors slid open, and Larry and I didn’t move from our seats. The train huffed and puffed for a bit, waiting for us to make up our minds, and finally I stood up and addressed the blank steel wall that separated us from the driver’s cab. There was no driver, of course. No human driver could stand the strain. In the Nightside, the trains run themselves, and very efficiently, too. The trains are perfectly safe. As long as you’re careful to avoid the mating season.

  “Hello, train,” I said cheerfully. “This is John Taylor. And I want to go to the next station. The station no-one goes to any more. I want to go to Lud’s Gate.”

  The train powered down. The carriage stopped vibrating, the lights dimmed, and the engine was ominously silent. The train was sulking.

  “Take us to Lud’s Gate,” I said, “or I will find out when your holidays are and have them all cancelled.”

  There was a long pause, then the train powered up again. The lights blazed, the carriage doors slammed shut, and the engine made a series of rude noises before engaging. The train set off, and I smiled a bit as I sat down again. Larry looked at me.

  “You fight really dirty, don’t you?”

  “You just have to know how to talk to them,” I said solemnly.

  The train ran smoothly through the dark, not turning at all; heading in a remorseless straight line for Lud’s Gate. Once, something outside in the dark ran its fingernails along the side of our carriage, a soft scraping sound that made all the hairs on the back of my neck stand up. Larry stared straight ahead, as though he hadn’t heard anything; and perhaps he hadn’t. There are some things only the living can hear because warnings are wasted on the dead. We travelled on for ages, the air growing steadily colder. Frost appeared on the inside of the carriage, forming harsh abstract faces on the inner walls. I huddled inside my trench coat, my hands thrust deep in my pockets. Larry didn’t feel any of it. Not even when frost began to form whorled patterns on his dead face.

  The train suddenly screeched to a halt, rocking Larry and me back and forth in our seats. The carriage doors jerked open, a few inches at a time, splinters of ice falling from the frozen metal frame. I got to my feet and moved over to the doors, standing well back as I looked out. Larry got up and stood behind me. Outside, on the platform, the lights were a corrupt yellow glow, more organic than electric, like something from the sick-room. Dust and cobwebs everywhere, and deep dark shadows. Hot sweaty air gusted in through the open carriage doors, heavy with the stench of dying things. The frost on the doors melted and ran away. Larry moved forward to leave the carriage, but I stopped him with a raised hand. There was no-one out there on the platform, no obvious threat, but still I felt uneasy. Someone was watching.

  Larry stirred impatiently, and I made myself step out of the carriage and onto the platform. Sweltering hot air hit me like a slap in the face. Larry was at my side, glaring about him. The frost on his dead face quickly melted, running away like unfelt tears. The carriage doors jerked together behind us, and the train roared away, getting the hell out of the station before something bad happened. Ahead of me, the old station sign of Lud’s Gate was set out in heavy black Gothic lettering. The bottom of the sign was soaked in old dried blood.

  Thick mats of vine and ivy covered the station walls, stirring slowly when I looked at them, agitating in long green tremors beside me as I walked slowly down the platform. Fierce bright eyes peered out of the heavy greenery. Black flowers thrust up through the platform floor, turning slowly to watch as Larry and I passed them by. One of them hissed at Larry, and he deliberately stepped on it, crushing it under his heel.

  “Plants should know their place,” he said loudly.

  His voice didn’t echo at all in the quiet. The silence was so deep and long-established it seemed to swallow up all new noises, including our footsteps. It was like walking through a painting of a place rather than the place itself. Larry stopped abruptly and glared about him.

  “Is this supposed to scare me?” he said loudly. “I’m dead! My house is spookier than this!”

  “Way too much information,” I murmured. “And so much for the element of surprise.”

  “Leave it out,” said Larry. “This place is deader than I am. Whatever happened here, it’s over. We missed it. This ... is just the mess it left behind. I want the Collector. Where is he?”

  “He must know we’re here by now,” I said. “But it’s a big station. The entrance to his lair could be concealed anywhere. And I really don’t feel like wandering around ... Lud’s Gate had a really bad reputation back in the day, before the old Authorities sent a squad in to shut it down.”

  “Hadleigh led that squad,” said Larry. “Back when he was the Man ... Didn’t you know?”

  “No,” I said. “But the Nightside does so love its little coincidences.”

  “Couldn’t you ... ?”

  “No, I couldn‘t,” I said quickly. “The Collector knows me of old. The number of times I’ve casually wandered into his secret hideouts and made a complete nuisance of myself, he’s bound to have set up booby-traps, keyed to my gift.”

  “That’s right,” said Larry. “You and he go way back. What’s he like?”

  “Crazy, spiteful, and vindictive, and dangerous with it,” I
said. “He’s lots of other things, too, as the mood takes him, but those are the ones to bear in mind.”

  “I meant,” said Larry, “what’s he like as a person?”

  I thought about it. “I’m not sure how much of a person is left any more. He didn’t always use to be like this. He had a name once, a position, friends, and a life. But one by one he gave them all up to pursue his obsessions. And now he’s just the Collector.”

  “So how do we find him?”

  “We won’t have to,” I said. “He’ll find us.”

  We both looked round sharply as a spotlight stabbed down out of nowhere, a brilliant shimmering pillar of light filling one of the exit arches, clear and sharp against the rotten corrupt light of the platform. And in that spotlight, glaring at me: the Collector. A barely medium-height man, badly overweight, wrapped in a simple white Roman tunic. His face was red and sweaty, his piggy eyes were fixed solely on me, and his podgy hands clenched and unclenched at his sides.

  “John Taylor,” he said heavily. “Once again you come knock knock knocking at my door. How did I end up with you as my personal cross to bear? It’s not as if I shot an albatross. And which part of secret lair do you find so hard to comprehend? If I wanted visitors, I’d advertise. And who the hell’s that?”

  “That’s Larry Oblivion,” I said. “You’ll have to excuse his manners. He’s dead.”

  The Collector looked Larry over and shrugged. “I’ve already got a zombie. And a lich. I used to have a mummy, but the damn thing fell apart when I tried to steam-clean its bandages. What do you want this time, Taylor? Whatever it is, you can’t have it. I’m very busy right now.”

  “What’s with the new outfit?” I said cunningly. The Collector never could resist showing off his latest acquisitions.

  “Oh, this old thing?” said the Collector. “It is rather fine, isn’t it? This is the very tunic Pontius Pilate was wearing when he washed his hands. Would you believe I found it tossed away in a laundry basket? If people can’t be trusted to look after things, they shouldn’t be allowed to have them.” He scowled suddenly as he realised he’d allowed himself to be distracted. “Why can’t you just leave me alone, Taylor? What did I ever do to you?”

  “You know what you did,” I said, and he looked away, not meeting my gaze.

  “That was a long time ago,” he said. “How many times must a man pay for his sins? There ought to be a statute of limitations on guilt.” He glared at me sullenly. “You can’t keep on dropping in on me, whenever you feel like it! If I wanted company, I’d put a personal ad in the Inquirer! Oh hell, tell me what you want this time, and let’s get on with it. I’d keep guard dogs, but they pee on the exhibits.”

  “You were right,” Larry said to me. “Crazy as a bag of arse-holes.”

  “Shut up, grave dodger,” said the Collector.

  I cut in quickly. “The last time we met, Collector, you said you were busy with something new. And now you say you’re still busy ... I have to ask: have you taken on a new interest? Something ... different?”

  The Collector stared at me for a moment. He seemed honestly puzzled. “No ... Not really. I’ve spent most of my time recently trying to pin down a particularly elusive Arthurian artefact that isn’t when it’s supposed to be, but that’s not enough to bring you here ... So, what is it, Taylor? Spit it out!”

  “Word is, you’ve started collecting people,” I said bluntly. “Unique, important, and significant individuals. Larry thinks you’ve got his brother Tommy here, because of his gift. Have you?”

  The Collector actually gawked at me. “That’s it? That’s why you’re here? Are you crazy? What the hell would I want with people? Nasty, noisy, demanding things. Which part of I live alone in secret lairs as far from bloody people as I can get have you failed to grasp? I collect rare and fascinating objects, from all ages of history. Mainly to protect them from other people, who wouldn’t appreciate them. I like things. You know where you are with things. Oh ... come and take a look, then, if that’s what it will take to get rid of you. You can have half an hour to admire my collection and satisfy yourselves that I’m not stockpiling people, then I’m throwing you out of here.”

  He turned and stalked away into the recesses of the station, and his spotlight went with him. Larry and I hurried after. We’d barely passed through the exit arch when a dozen of the Collector’s personal security robots appeared out of nowhere to stride along beside us. I dropped a warning hand on Larry’s arm to keep him from reacting, but he shrugged me off. All his attention was fixed on the Collector’s back. He hadn’t believed a single word the Collector had said. I wasn’t sure myself. Walker wasn’t usually wrong about things like this, but ... the Collector was right. He really didn’t care about people. Only things.

  Like the elegantly long-legged rococo cat-faced robots that were walking with us, which he’d picked up from some future Chinese time-line. Gleaming curves of metal, more works of art than functional servants, topped with stylised cat faces, complete with jutting steel whiskers and slit-pupilled eyes that glowed bright green in the gloom. They moved with an eerie grace, tap-tapping along on their tiny metal paw-like feet. Now and again, one of the robots would flex its steel-clawed hands, as though considering what it would like to do if it wasn’t bound by the Collector’s commands.

  It was dark all around us now, the only illumination spilling out from the Collector’s spotlight.

  “I have to be careful,” the Collector said abruptly. “There are people out there who would stop at nothing to rob me of my lovely treasures. Other collectors, rogue traders—thieves, the lot of them!”

  “Indeed,” I murmured. “How dare they steal the things you stole first?”

  “I appreciate them!” the Collector said haughtily. “And I never give up anything that’s mine. My lovely things.”

  Light flared up around us, and Lud’s Gate Station was gone. A new warm, golden glow revealed a huge warehouse, sprawling away in all directions. Massive glass display cases held all the wonders of the world, arranged in rank upon rank for as far as the eye could see, along with shelves and shelves of curios and collectables, the popular trash of decades past and future, everything rare and valuable from every period of Time. It was a maze, a labyrinth, of rarities and marvels, toys and trinkets, objets d‘art and objets trouvés ... If it was bright and shiny, the Collector had an eye for it.

  “You can look,” the Collector said grudgingly. “But don’t touch! Every time I let you in, Taylor, things get broken. But see for yourself: there are no people here! Unless someone’s tried to break in again. I haven’t checked the traps recently.”

  I looked at Larry and had to grin. His dead face finally held an emotion, and it was as much shock as awe. Like many people, he’d heard about the Collector’s legendary hoard, but the reality was so much bigger. The Collector had promised us half an hour, but you couldn’t manage a proper look around in under a month. Not that I felt the need to examine everything. If the Collector had started picking up people, they’d have been set out on prominent display, in pride of place, so he could gloat over them. And there weren’t any.

  I wandered down the aisle before me, Larry stumbling along behind. I pointed out a few things of particular interest. A stuffed waterbaby, covered in thorns; a frozen water ghost in a refrigerated container; and the original sketches for the Turin Shroud. Two of the cat robots followed us at a respectful distance, ready to tell on us to the Collector if we got too close to anything. After a while, I stopped before a diorama of stuffed giant albino penguins and looked at Larry.

  “Walker lied,” I said.

  “It would appear so,” said Larry. “But why would he lie about my brother?”

  “The devil always lies,” I said. “Except when a truth can hurt you more. But you’re right; why would he lie about this?”

  The Collector laughed harshly, and we both looked around. He was watching from a safe distance, surrounded by his cat robots.

  “If yo
u’ve started trusting Walker, you’re really letting the side down, Taylor. He always has a plan inside a scheme inside an agenda, and he’ll tell you whatever he needs to tell you to get you to do what he wants you to do. Face it, Taylor; he sent you on a wild goose chase to get you out of his way; and you fell for it.”

  “Looks like it,” I said. “Sorry to have troubled you. Show us the way out, and we’ll be going.”

  “No,” said the Collector. “I don’t think so.” He leaned casually against an old-fashioned grandfather clock, with a cobwebbed human skeleton propped up inside it. His gaze was clear and cold, and he didn’t seem nearly as out of it as he had before. “I’ve been thinking, Taylor, and it seems to me ... that you owe me far more than I owe you. I lost my leg to those giant insects at the end of Time, all because of you.”

  Larry looked at me. “You do get around, don’t you?”

  “I’ve replaced the leg a dozen times,” said the Collector, still glaring at me. “I’ve used machines, cloned tissues, even regrown it using a lizard serum; but it never feels right. I still have nightmares about the insects eating my skin and burrowing into my flesh, while you stood by and did nothing.”

  “Is that right?” said Larry.

  “Sort of,” I said. “There was more to it than that. He was planning to do something far worse...”

  “Shut up!” said the Collector. “This is my moment, not yours! If you’d just left me alone, I might have let bygones be bygones ... but no, here you are again, intruding and interfering and insulting me in my own home. Relying on my guilt over a few minor past indiscretions to keep me in line ... Well, I have had enough of you, John Taylor. I don’t care if you are Charles’s son. I don’t care about Charles or Henry or your mother, or any other ... people. I don’t care about people! They always let you down. I like my things, my wonderful things. You can depend on them to be what they are and nothing else, forever and ever. So I’m going to flush you out of my life, Taylor, because I don’t care any more.”