Poltergeist II - The Other Side

by James Kahn

  IS THERE NO

  GETTING AWAY FROM IT?

  POLTERGEIST II

  THE OTHER SIDE

  The Freeling family has moved to Phoenix, far away from their Cuesta Verde home, which was the site of so much mayhem. But they are haunted again, by . . . An angry voice . . . a swarm of bees . . . slime-oozing beasts . . . a walking dead man.

  They seek help to free themselves from the unknown terror that haunts them—and find themselves in an adventure no one ever could have dreamed of.

  A FREDDIE FIELDS Presentation of

  A VICTOR-GRAIS PRODUCTION

  Starring JOBETH WILLIAMS • CRAIG T. NELSON

  POLTERGEIST II

  THE OTHER SIDE

  HEATHER O’ROURKE • OLIVER ROBINS

  JULIAN BECK • ZELDA RUBINSTEIN

  WILL SAMPSON • GERALDINE FITZGERALD

  Music by JERRY GOLDSMITH

  Director of Photography ANDREW LASZLO, A.S.C.

  Visual Effects Supervisor RICHARD EDLUND

  Executive Producer FREDDIE FIELDS

  Written and Produced by

  MICHAEL GRAIS & MARK VICTOR

  Directed by BRIAN GIBSON

  A Del Rey Book

  Published by Ballantine Books

  All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.

  Sale of this book without a front cover may be unauthorized. If this book is coverless, it may have been reported to the publisher as "unsold or destroyed" and neither the author nor the publisher may have received payment for it.

  ISBN 0-345-33382-9

  First printing June 1986

  MANUFACTURED IN THE UNITED STATES OF AMERICA

  PROLOGUE

  A strong Santa Ana blew over the brush-covered hills and down the canyons of Cuesta Verde, California. The tract houses were spaced so regularly along the roads, they created more of a wind tunnel than a blind, so that the blue pickup truck, on turning into the housing development, seemed almost to be pulled of its own accord—or perhaps with the accord of other, less familiar forces. The man driving the blue pickup was Taylor. A man of less familiar forces.

  Taylor was part Hopi, part Anglo, part Navajo—and full brother to the spirits of the earth. Broad in the shoulder, he was yet tall enough to appear wiry; the brown-red weathered furrows of his face seemed sufficiently deep nearly to hide his eyes—just as the dry gullies of the land where he lived sometimes hid flecks of opal, fire agate, or bright obsidian. And such were the colors of his eyes.

  But still, a gentle face. A face of many smiles, many sorrows.

  In years, he was fifty, though in wisdom twice fifty; and in visions twice that again. It was his custom to wear faded denim, the color of the sky before an autumn rain; and a tan Stetson hat, the color of the same sky clouded by sandstorm; and the feather of an eagle in the hatband; and his black-and-moonlight hair braided in the manner of his people.

  He drove the old dented flatbed past a sign that read: WELCOME TO CUESTA VERDE—WHERE DREAMS COME TRUE. This made him smile and nod. Bad dreams, he thought, and fingered his medicine bag.

  He drove past house after house, scanning the terrain. It looked unremarkable at first, like any suburban housing development. Except, Taylor remarked, there were no people. The houses were abandoned—some windows boarded, some broken. The lawns were overgrown with crabgrass, dandelions, tall weeds, dead gardens. There were no dogs, no tricycles, no cars. FOR SALE signs flapped in the dry desert wind, their paint peeling after a dozen seasons of sun, rain, dust, and neglect.

  It was a modern, middle-class ghost town.

  For just a moment, Taylor heard music. Dangerous music, spirit music, like the nocturne of madmen, reedy, full of harmonics. He turned up the next street to follow the sound, but it disappeared. Perhaps it was only the Santa Anas gusting. Still, he knew he was close. Again he touched the amulet he wore around his neck, his rawhide bag of totems.

  And then a new sound rose with the dust on the wind: the sound of distant motors, engines in the earth. Taylor drove toward the sound. The sound grew louder.

  He reached a cul-de-sac, stopped his truck, took off his hat, got out. The rumbling was palpable; dust swirled thickly all around, almost like smoke, unsettled by the vibrations in the ground, snatched up by the wind.

  Taylor walked toward an empty lot between two houses that was surrounded by a high chain-link fence. Lights flashed across his face, bright enough in this twilight to make him squint momentarily—though he was all inside his head now and couldn’t have said whether these lights came from the earthly plane or the other.

  When he reached the fence he found the gate open, so he walked in. The rumbling was quite loud there, and the air was thick. He removed the red bandanna from his neck and tied it over his mouth to help him breathe. That’s when he heard the voice.

  “Taylor . . . over here . . .”

  He walked over a rise toward the voice. Just at the top the lights washed across his face again, but he saw it was the flashing yellow of a bulldozer just rising from a giant pit in the ground, and the flashlights of two workmen in hardhats walking beside it; in front of them, standing tense and breathless, Tangina Barrons.

  She spoke again when his gaze came to rest upon her. “I think we’ve found the core,” she shouted over the noise of the bulldozer. Then, suddenly, the motor stopped, and she spoke more quietly: “This is directly below the old graveyard. Directly below . . .”

  She turned and walked back into the pit as if Taylor had been standing there for hours, waiting for her pronouncement—as if he would simply follow her now, without salutation or explanation.

  He followed her.

  She walked to the back of the excavation, to a section where the bulldozer had actually undercut a thick shelf of earth, creating a sizable niche. Sizable, but not so high that Taylor didn’t have to stoop beneath the overhang. This wasn’t a problem for Tangina, of course; she was a dwarf.

  This stratum of earth above them had once been a graveyard, and after that, the foundations upon which a house had rested. The Freeling house. Bones protruded from it now: a femur, part of a skull. They were the recent occupants of the defunct cemetery, though—hardly fifty years old—and of concern to neither Tangina nor Taylor.

  Their concern was the core.

  She stopped at a man-size hole in the ground. Here Taylor caught up with her as the two workmen shined their lights down the shaft. Taylor was struck by a sensation of putrescence—almost a smell, but less physical—like an ancient wind rising from this portal. It made Tangina stumble, but she caught herself. Taylor made no move to help her.

  One of the workmen descended the ladder into the hole first, to give light and brace the rungs for the others. Tangina followed, then Taylor, then the second hardhat. When she reached the bottom of the small cavern Tangina recoiled—her breathing became labored; she sat down hard. The workmen looked concerned, but Taylor merely observed her, though he could feel with clarity, like her, what the workmen could not.

  “There’s a presence,” she whispered to him, unnecessarily. “Something terrible. Too much power . . .”

  Too much for her. Not, perhaps, for him. He bent on one knee beside her, touched her forehead tenderly, tried to make available to her some of his spirit.

  She could still only whisper, though. “I can’t go on . . .”

  It was a hard admission to make, to herself and to her old friend. But hard admissions were her only strength. As if her best armor was to declare her vulnerability out loud. “I’ll be okay,” she we
nt on. She even smiled vaguely. She certainly didn’t want Taylor’s focus diverted because he was worrying about her. “It’s just too much for me right now,” she explained, as if to say that she would soon recover, that he should go on without her.

  He nodded, understanding that she would not soon recover, that she had been undone by her fear . . . but that he must go on, with or without her, in any case.

  He walked down the shallow grade, following the twists of the cavern as it wound deeper into the earth. After a moment’s hesitation, the workmen followed him with their lights; and finally, because she was more afraid to be left alone than she was to go deeper toward the Place, Tangina, too, crept along behind. But she felt cold inside, and she had difficulty making her legs move.

  A tunnel took them lower still, to the next cave down. The darkness here was dense and all but swallowed the thin flashlight beams. Taylor felt along a damp, slippery wall, his fingers coaxing, seeing, remembering. Here. No, a little farther, and not so high. He lit a match, held it to the stone. The workmen gasped. “Wow,” one of them whispered.

  What they saw were Indian drawings on the rock-face. Pictograms, signs, glyphs. One in particular caught Tangina’s eye instantly—it seemed to take her breath from her. She couldn’t inhale, yet she couldn’t look away from it, couldn’t let it go. It was a picture of a man with a snake writhing from his mouth. Tangina could almost feel the serpent, as if it were coiled down her own throat, choking off her breath, its belly pressing her tongue, its head squirming between her lips. She gagged. She looked away.

  Taylor was on the move again. The cave narrowed and dipped; the path was soon blocked by a dark pool of water. Half out of the water, half embedded in the stuff of the cave wall, was a decayed human skeleton. Taylor began wading into the pool.

  “Hey, you don’t know how deep that thing is,” one of the workmen warned. He was starting to feel a little sick himself. Taylor took the man’s flashlight and continued slowly into the pool.

  “Why not wait until we pump the water out?” said the second workmen.

  “Yeah,” the first agreed. Then: “Taylor?”

  Taylor was moving, though; he wasn’t listening. He had to concentrate on this thing before him, this thing . . .

  The water rose to his thigh gradually, then quickly there was a step-off, and he was chest-deep. It was cold. Still he advanced, shining the light before him, shuffling his boots along the slick stone basin. Slowly the water receded as he waded to the opposite shore.

  This cavern was lower than the previous one, but the acoustics were different, so the wind that trickled in through the tunnels from the outer world curled around the walls with a pitiful moaning sound.

  Bones littered the ground. Human skeletons, arms outstretched, sprawled in agony and isolation or huddled, the skulls of adults nestled with those of children. Unending death lived here; even Taylor had to breathe with care.

  He walked to the top of a low rise where a silted-over, mummified corpse seemed to hold court over these ruins. Its face was rotted, grinning, its arms upraised. It seemed almost alive.

  Taylor stared but did not go near. Instead, he walked back to the stagnant pool. Tangina was there, and the other two—they had carried her across. She was shivering badly, though. She looked at Taylor and then up at the laughing cadaver upon whom Taylor still had his gaze fixed.

  “I have seen him,” said Taylor. “In dreams.”

  Tangina nodded. “I, too.”

  Taylor looked up at the ceiling of the cavern—through the ceiling, the rock, the earth, the graves, the concrete foundation—to where a house had once stood but stood no more. “Where is the family now?”

  The wind rose, not quite to a howl.

  “Phoenix,” Tangina told him, for good or ill.

  CHAPTER 1

  Saturday morning at the Mesa Mall, about twenty miles outside Phoenix, Robbie Freeling stood in front of the Adobe Videotronics Trading Post watching ten television sets through the window. Four were tuned to the Dodger game, three to music video shows, two to a toy company’s stop-motion cartoon about space aliens, and one to an old Three Stooges movie. Robbie, now almost thirteen, had been culturally deprived of TV by his parents since the age of nine, so watching four shows on ten sets was about as close to the angels as Robbie was likely to get without dying. He took his chances in public places.

  Robbie was like a lot of boys, in most ways: he had braces, which he hated, which sometimes caught his lip and painfully pinched it, and which withered his smile in self-conscious mortification; he liked baseball, didn’t like school, understood video games, didn’t understand girls.

  But there was a uniqueness about Robbie, too, something unshared with his peers. A separateness. A loneliness he seemed to nurture like an old friend. In fact, he didn’t really have any friends, except his sister Carol Anne; and she was somehow more than a friend.

  They were nearly inseparable, almost as if they were afraid of letting each other out of sight. They played together, read together, did nothing together. They were quite a pair.

  Carol Anne emerged now from the adjoining pet store with their mother, Diane. And if Robbie was a little different, Carol Anne was positively irregular. She wore a fey, secret smile most of the time, as if she were a million miles away. The smile faded if someone tried to intrude on it, though; she was afraid of people, by and large. Especially strangers.

  She had dreams that frightened her, though she couldn’t remember them when she awoke. Her mother had taken her to therapists for years but had finally given up. She simply comforted the child when possible or did some unstructured art therapy with her in the evenings.

  Carol Anne liked drawing pictures. Often she did pictures of her dreams, which felt good at times and creepy at other times; she could never predict which it was going to be.

  She frequently understood what animals were saying, too—or at least what they wanted. But no one believed her about that any more than they believed her dreams were real, so she usually didn’t talk about it.

  And finally, though she was going on nine, she looked hardly older than she’d looked over three years before, when her family had left Cuesta Verde to come live with Gramma Jess near Phoenix. In fact, Robbie, too, seemed younger than his years—as if something had happened to arrest his development at a point in time, some suffocation of spirit.

  But today was a day of shopping with Mom at the mall. And that was always just pure fun.

  Carol Anne was pleading as she exited the pet shop with Diane. “But Mom—I talked to the kittens. They wanna come home with us.”

  “I know, sweetheart, but E. Buzz would get upset.” E. Buzz was the family dog. “Robbie, come on.”

  Robbie didn’t budge as Carol Anne and Diane moved slowly along the walkway toward the stairwell—this would be his last moment of TV for at least another week, and he wanted to savor it, to make it last.

  Mother and daughter continued their debate. “But why?” said Carol Anne.

  “Because E. Buzz isn’t used to having other pets around,” explained Diane. “How would you like it if I brought home a new baby?” She looked around at Robbie, still glued to the window. “Robbie!” she called.

  Carol Anne thought about her mother’s proposal. “I’d love it, Mom,” she replied, beaming.

  “Robbie—we’re going!” Diane raised her voice again. Then, to Carol Anne: “We’ll ask your dad.”

  This was an unexpected concession. “Wow, you really think he’ll let us bring home a new baby?”

  Diane looked confused—this conversation had suddenly left her behind. Best to stick with things you understand, she thought. So she ordered, “Robbie! This instant!” And he came.

  The three of them jostled past shoppers until they reached the stairway to the lower level, where Diane brought the company to a halt in order to reorganize her packages before descending. Robbie took one of the smaller bags as Carol Anne looked over the railing to the hundreds of milling people be
low. That’s when she saw him.

  A man. Tall he was, and so thin that Carol Anne looked quickly from him to her own fingers and then back again to see which was thinner. He wore a black broad-brimmed hat, a long black linen coat, threadbare black pants, and black leather shoes that laced up high. Old-timey clothes, they looked like. History book clothes. It made Carol Anne think he must be an old preacher.

  Or maybe that was the music in her head. Like an old hymn—it sounded as if the man was humming it, though Carol Anne knew she couldn’t have heard from that far away. The music was familiar, too. She’d heard it before; she just couldn’t place it. Familiar and scary. Then the man looked straight at her.

  It made her tighten up all over. She knew him, but she didn’t know from where. A hollow man, full of shadow things. He smiled at her, a chilly smile, and began walking toward the stairs . . . and walked through one of the people in his way.

  Through him and out the other side, and on toward the stairs.

  Carol Anne jumped. “Mom!” she whispered. “Look.”

  Diane looked down to where her daughter was pointing, but all she saw was Saturday shoppers. “What is it?” she asked the girl.

  The man was lost in the crowd, though. “I don’t know,” said Carol Anne, unsure now. “Someone . . . gone now.”

  Diane looked a bit concerned. She didn’t like it when Carol Anne saw things Diane couldn’t. The girl’s imagination was altogether too vivid. “Well, come on, then,” she said, and took the kids downstairs.

  Carol Anne kept looking around behind her, but the man seemed to have disappeared. Still, she’d hear fragments of that song and turn to find it . . . but it would fade into the chattering bustle of the crowd.

  Diane stopped in front of a store that held little interest for kids. “I’ve gotta pick something up,” she instructed. “You can wait out here if you promise to stay put. Okay?”

  “I’ll watch her, Mom,” said Robbie.

  “Carol Anne?” Diane prodded. She didn’t like leaving the girl alone, but at the same time she knew she had to let go a little. Release them into the world. They had to grow up, like anybody else.