Works of Ivan Turgenev (Illustrated)

by Ivan Turgenev

  Colibri craned her neck like a bird ... she listened. Kuzma Vassilyevitch was alarmed.

  “Emilie?” he asked.

  “No.”

  “Someone else?”

  Colibri shrugged her shoulder.

  “Do you hear something?”

  “Nothing.” With a birdlike movement, again Colibri drew back her little oval - shaped head with its pretty parting and the short growth of tiny curls on the nape of her neck where her plaits began, and again curled herself up into a ball. “Nothing.”

  “Nothing! Then now I’ll ...” Kuzma Vassilyevitch craned forward towards Colibri but at once pulled back his hand. There was a drop of blood on his finger. “What foolishness is this!” he cried, shaking his finger. “Your everlasting pins! And the devil of a pin it is!” he added, looking at the long, golden pin which Colibri slowly thrust into her sash. “It’s a regular dagger, it’s a sting.... Yes, yes, it’s your sting, and you are a wasp, that’s what you are, a wasp, do you hear?”

  Apparently Colibri was much pleased at Kuzma Vasselyevitch’s comparison; she went off into a thin laugh and repeated several times over:

  “Yes, I will sting ... I will sting.”

  Kuzma Vassilyevitch looked at her and thought: “She is laughing but her face is melancholy.

  “Look what I am going to show you,” he said aloud.

  “Tso?”

  “Why do you say tso? Are you a Pole?”

  “Nee.”

  “Now you say nee! But there, it’s no matter.” Kuzma Vassilyevitch got out his present and waved it in the air. “Look at it.... Isn’t it nice?”

  Colibri raised her eyes indifferently.

  “Ah! A cross! We don’t wear.”

  “What? You don’t wear a cross? Are you a Jewess then, or what?”

  “We don’t wear,” repeated Colibri, and, suddenly starting, looked back over her shoulder. “Would you like me to sing?” she asked hurriedly.

  Kuzma Vassilyevitch put the cross in the pocket of his uniform and he, too, looked round.

  “What is it?” he muttered.

  “A mouse ... a mouse,” Colibri said hurriedly, and suddenly to Kuzma Vassilyevitch’s complete surprise, flung her smooth, supple arms round his neck and a rapid kiss burned his cheek ... as though a red - hot ember had been pressed against it.

  He pressed Colibri in his arms but she slipped away like a snake - - her waist was hardly thicker than the body of a snake - - and leapt to her feet.

  “Wait,” she whispered, “you must have some coffee first.”

  “Nonsense! Coffee, indeed! Afterwards.”

  “No, now. Now hot, after cold.” She took hold of the coffee pot by the handle and, lifting it high, began pouring out two cups. The coffee fell in a thin, as it were, twirling stream; Colibri leaned her head on her shoulder and watched it fall. “There, put in the sugar ... drink ... and I’ll drink.”

  Kuzma Vassilyevitch put a lump of sugar in the cup and drank it off at one draught. The coffee struck him as very strong and bitter. Colibri looked at him, smiling, and faintly dilated her nostrils over the edge of her cup. She slowly put it down on the table.

  “Why don’t you drink it?” asked Kuzma Vassilyevitch.

  “Not all, now.”

  Kuzma Vassilyevitch got excited.

  “Do sit down beside me, at least.”

  “In a minute.” She bent her head and, still keeping her eyes fixed on Kuzma Vassilyevitch, picked up the guitar. “Only I will sing first.”

  “Yes, yes, only sit down.”

  “And I will dance. Shall I?”

  “You dance? Well, I should like to see that. But can’t that be afterwards?”

  “No, now.... But I love you very much.”

  “You love? Mind now ... dance away, then, you queer creature.”

  XXI

  Colibri stood on the further side of the table and running her fingers several times over the strings of the guitar and to the surprise of Kuzma Vassilyevitch, who was expecting a lively, merry song, began singing a slow, monotonous air, accompanying each separate sound, which seemed as though it were wrung out of her by force, with a rhythmical swaying of her body to right and left. She did not smile, and indeed knitted her brows, her delicate, high, rounded eyebrows, between which a dark blue mark, probably burnt in with gunpowder, stood out sharply, looking like some letter of an oriental alphabet. She almost closed her eyes but their pupils glimmered dimly under the drooping lids, fastened as before on Kuzma Vassilyevitch. And he, too, could not look away from those marvellous, menacing eyes, from that dark - skinned face that gradually began to glow, from the half - closed and motionless lips, from the two black snakes rhythmically moving on both sides of her graceful head. Colibri went on swaying without moving from the spot and only her feet were working; she kept lightly shifting them, lifting first the toe and then the heel. Once she rotated rapidly and uttered a piercing shriek, waving the guitar high in the air.... Then the same monotonous movement accompanied by the same monotonous singing, began again. Kuzma Vassilyevitch sat meanwhile very quietly on the sofa and went on looking at Colibri; he felt something strange and unusual in himself: he was conscious of great lightness and freedom, too great lightness, in fact; he seemed, as it were, unconscious of his body, as though he were floating and at the same time shudders ran down him, a sort of agreeable weakness crept over his legs, and his lips and eyelids tingled with drowsiness. He had no desire now, no thought of anything ... only he was wonderfully at ease, as though someone were lulling him, “singing him to bye - bye,” as Emilie had expressed it, and he whispered to himself, “little doll!” At times the face of the “little doll” grew misty. “Why is that?” Kuzma Vassilyevitch wondered. “From the smoke,” he reassured himself. “There is such a blue smoke here.” And again someone was lulling him and even whispering in his ear something so sweet ... only for some reason it was always unfinished. But then all of a sudden in the little doll’s face the eyes opened till they were immense, incredibly big, like the arches of a bridge.... The guitar dropped, and striking against the floor, clanged somewhere at the other end of the earth.... Some very near and dear friend of Kuzma Vassilyevitch’s embraced him firmly and tenderly from behind and set his cravat straight. Kuzma Vassilyevitch saw just before his own face the hooked nose, the thick moustache and the piercing eyes of the stranger with the three buttons on his cuff ... and although the eyes were in the place of the moustache and the nose itself seemed upside down, Kuzma Vassilyevitch was not in the least surprised, but, on the contrary, thought that this was how it ought to be; he was even on the point of saying to the nose, “Hullo, brother Grigory,” but he changed his mind and preferred ... preferred to set off with Colibri to Constantinople at once for their forthcoming wedding, as she was a Turk and the Tsar promoted him to be an actual Turk.

  XXII

  And opportunely a little boat appeared: he lifted his foot to get into it and though through clumsiness he stumbled and hurt himself rather badly, so that for some time he did not know where anything was, yet he managed it and getting into the boat, floated on the big river, which, as the River of Time, flows to Constantinople in the map on the walls of the Nikolaevsky High School. With great satisfaction he floated down the river and watched a number of red ducks which continually met him; they would not let him come near them, however, and, diving, changed into round, pink spots. And Colibri was going with him, too, but to escape the sultry heat she hid, under the boat and from time to time knocked on the bottom of it.... And here at last was Constantinople. The houses, as houses should, looked like Tyrolese hats; and the Turks had all big, sedate faces; only it did not do to look at them too long: they began wriggling, making faces and at last melted away altogether like thawing snow. And here was the palace in which he would live with Colibri.... And how well everything was arranged in it! Walls with generals’ gold lace on it, everywhere epaulettes, people blowing trumpets in the corners and one could float into the drawing - room in the boa
t. Of course, there was a portrait of Mahomet.... Only Colibri kept running ahead through the rooms and her plaits trailed after her on the floor and she would not turn round, and she kept growing smaller and smaller.... And now it was not Colibri but a boy in a jacket and he was the boy’s tutor and he had to climb after the boy into a telescope, and the telescope got narrower and narrower, till at last he could not move ... neither backwards nor forwards, and something fell on his back ... there was earth in his mouth.

  XXIII

  Kuzma Vassilyevitch opened his eyes. It was daylight and everything was still ... there was a smell of vinegar and mint. Above him and at his sides there was something white; he looked more intently: it was the canopy of a bed. He wanted to raise his head ... he could not; his hand ... he could not do that, either. What was the meaning of it? He dropped his eyes.... A long body lay stretched before him and over it a yellow blanket with a brown edge. The body proved to be his, Kuzma Vassilyevitch’s. He tried to cry out ... no sound came. He tried again, did his very utmost ... there was the sound of a feeble moan quavering under his nose. He heard heavy footsteps and a sinewy hand parted the bed curtains. A grey - headed pensioner in a patched military overcoat stood gazing at him.... And he gazed at the pensioner. A big tin mug was put to Kuzma Vassilyevitch’s lips. He greedily drank some cold water. His tongue was loosened. “Where am I?” The pensioner glanced at him once more, went away and came back with another man in a dark uniform. “Where am I?” repeated Kuzma Vassilyevitch. “Well, he will live now,” said the man in the dark uniform. “You are in the hospital,” he added aloud, “but you must go to sleep. It is bad for you to talk.” Kuzma Vassilyevitch began to feel surprised, but sank into forgetfulness again....

  Next morning the doctor appeared. Kuzma Vassilyevitch came to himself. The doctor congratulated him on his recovery and ordered the bandages round his head to be changed.

  “What? My head? Why, am I ...”

  “You mustn’t talk, you mustn’t excite yourself,” the doctor interrupted. “Lie still and thank the Almighty. Where are the compresses, Poplyovkin?”

  “But where is the money ... the government money ...”

  “There! He is lightheaded again. Some more ice, Poplyovkin.”

  XXIV

  Another week passed. Kuzma Vassilyevitch was so much better that the doctors found it possible to tell him what had happened to him. This is what he learned.

  At seven o’clock in the evening on the 16th of June he had visited the house of Madame Fritsche for the last time and on the 17th of June at dinner time, that is, nearly twenty - four hours later, a shepherd had found him in a ravine near the Herson high road, a mile and a half from Nikolaev, with a broken head and crimson bruises on his neck. His uniform and waistcoat had been unbuttoned, all his pockets turned inside out, his cap and cutlass were not to be found, nor his leather money belt. From the trampled grass, from the broad track upon the grass and the clay, it could be inferred that the luckless lieutenant had been dragged to the bottom of the ravine and only there had been gashed on his head, not with an axe but with a sabre - - probably his own cutlass: there were no traces of blood on his track from the high road while there was a perfect pool of blood round his head. There could be no doubt that his assailants had first drugged him, then tried to strangle him and, taking him out of the town by night, had dragged him to the ravine and there given him the final blow. It was only thanks to his truly iron constitution that Kuzma Vassilyevitch had not died. He had returned to consciousness on July 22nd, that is, five weeks later.

  XXV

  Kuzma Vassilyevitch immediately informed the authorities of the misfortune that had happened to him; he stated all the circumstances of the case verbally and in writing and gave the address of Madame Fritsche. The police raided the house but they found no one there; the birds had flown. They got hold of the owner of the house. But they could not get much sense out of the latter, a very old and deaf workman. He lived in a different part of the town and all he knew was that four months before he had let his house to a Jewess with a passport, whose name was Schmul or Schmulke, which he had immediately registered at the police station. She had been joined by another woman, so he stated, who also had a passport, but what was their calling did not know; and whether they had other people living with them had not heard and did not know; the lad whom he used to keep as porter or watchman in the house had gone away to Odessa or Petersburg, and the new porter had only lately come, on the 1st of July.

  Inquiries were made at the police station and in the neighbourhood; it appeared that Madame Schmulke, together with her companion, whose real name was Frederika Bengel, had left Nikolaev about the 20th of June, but where they had gone was unknown. The mysterious man with a gipsy face and three buttons on his cuff and the dark - skinned foreign girl with an immense mass of hair, no one had seen. As soon as Kuzma Vassilyevitch was discharged from the hospital, he visited the house that had been so fateful for him. In the little room where he had talked to Colibri and where there was still a smell of musk, there was a second secret door; the sofa had been moved in front of it on his second visit and through it no doubt the murderer had come and seized him from behind. Kuzma Vassilyevitch lodged a formal complaint; proceedings were taken. Several numbered reports and instructions were dispatched in various directions; the appropriate acknowledgments and replies followed in due course.... There the incident closed. The suspicious characters had disappeared completely and with them the stolen government money had vanished, too, one thousand, nine hundred and seventeen roubles and some kopecks, in paper and gold. Not an inconsiderable sum in those days! Kuzma Vassilyevitch was paying back instalments for ten years, when, fortunately for him, an act of clemency from the Throne cancelled the debt.

  XXVI

  He was himself at first firmly convinced that Emilie, his treacherous Zuckerpüppchen, was to blame for all his trouble and had originated the plot. He remembered how on the last day he had seen her he had incautiously dropped asleep on the sofa and how when he woke he had found her on her knees beside him and how confused she had been, and how he had found a hole in his belt that evening - - a hole evidently made by her scissors. “She saw the money,” thought Kuzma Vassilyevitch, “she told the old hag and those other two devils, she entrapped me by writing me that letter ... and so they cleaned me out. But who could have expected it of her!” He pictured the pretty, good - natured face of Emilie, her clear eyes.... “Women! women!” he repeated, gnashing his teeth, “brood of crocodiles!” But when he had finally left the hospital and gone home, he learned one circumstance which perplexed and nonplussed him. On the very day when he was brought half dead to the town, a girl whose description corresponded exactly to that of Emilie had rushed to his lodging with tear - stained face and dishevelled hair and inquiring about him from his orderly, had dashed off like mad to the hospital. At the hospital she had been told that Kuzma Vassilyevitch would certainly die and she had at once disappeared, wringing her hands with a look of despair on her face. It was evident that she had not foreseen, had not expected the murder. Or perhaps she had herself been deceived and had not received her promised share? Had she been overwhelmed by sudden remorse? And yet she had left Nikolaev afterwards with that loathsome old woman who had certainly known all about it. Kuzma Vassilyevitch was lost in conjecture and bored his orderly a good deal by making him continually describe over and over again the appearance of the girl and repeat her words.

  XXVII

  A year and a half later Kuzma Vassilyevitch received a letter in German from Emilie, alias Frederika Bengel, which he promptly had translated for him and showed us more than once in later days. It was full of mistakes in spelling and exclamation marks; the postmark on the envelope was Breslau. Here is the translation, as correct as may be, of the letter:

  “My precious, unforgettable and incomparable Florestan! Mr. Lieutenant Yergenhof!

  “How often I felt impelled to write to you! And I have always unfortunately put it off, thou
gh the thought that you may regard me as having had a hand in that awful crime has always been the most appalling thought to me! Oh, dear Mr. Lieutenant! Believe me, the day when I learnt that you were alive and well, was the happiest day of my life! But I do not mean to justify myself altogether! I will not tell a lie! I was the first to discover your habit of carrying your money round your waist! (Though indeed in our part of the world all the butchers and meat salesmen do the same!) And I was so incautious as to let drop a word about it! I even said in joke that it wouldn’t be bad to take a little of your money! But the old wretch (Mr. Florestan! she was not my aunt) plotted with that godless monster Luigi and his accomplice! I swear by my mother’s tomb, I don’t know to this day who those people were! I only know that his name was Luigi and that they both came from Bucharest and were certainly great criminals and were hiding from the police and had money and precious things! Luigi was a dreadful individual (ein schröckliches Subject), to kill a fellow - man (einen Mitmenschen) meant nothing at all to him! He spoke every language - - and it was he who that time got our things back from the cook! Don’t ask how! He was capable of anything, he was an awful man! He assured the old woman that he would only drug you a little and then take you out of town and put you down somewhere and would say that he knew nothing about it but that it was your fault - - that you had taken too much wine somewhere! But even then the wretch had it in his mind that it would be better to kill you so that there would be no one to tell the tale! He wrote you that letter, signed with my name and the old woman got me away by craft! I suspected nothing and I was awfully afraid of Luigi! He used to say to me, ‘I’ll cut your throat, I’ll cut your throat like a chicken’s!’ And he used to twitch his moustache so horribly as he said it! And they dragged me into a bad company, too.... I am very much ashamed, Mr. Lieutenant! And even now I shed bitter tears at these memories! ... It seems to me ... ah! I was not born for such doings.... But there is no help for it; and this is how it all happened! Afterwards I was horribly frightened and could not help going away, for if the police had found us, what would have happened to us then? That accursed Luigi fled at once as soon as he heard that you were alive. But I soon parted from them all and though now I am often without a crust of bread, my heart is at peace! You will ask me perhaps why I came to Nikolaev? But I can give you no answer! I have sworn! I will finish by asking of you a favour, a very, very important one: whenever you remember your little friend Emilie, do not think of her as a black - hearted criminal! The eternal God sees my heart. I have a bad morality (Ich habe eine schlechte moralität) and I am feather - headed, but I am not a criminal. And I shall always love and remember you, my incomparable Florestan, and shall always wish you everything good on this earthly globe (auf diesem Erdenrund!). I don’t know whether my letter will reach you, but if it does, write me a few lines that I may see you have received it. Thereby you will make very happy your ever - devoted Emilie.