The Incredulity of Father Brown

by Gilbert Keith Chesterton

  'It's all about a curse,' he said; 'a curse on the place, according to the guide–book or the parson, or the oldest inhabitant or whoever is the authority; and really, it feels jolly like it. Curse or curse, I'm glad to have got out of it.'

  'Do you believe in curses?' asked Smaill curiously.

  'I don't believe in anything; I'm a journalist,' answered the melancholy being, 'Boon, of the Daily Wire. But there's a some–thing creepy about that crypt; and I'll never deny I felt a chill.' And he strode on towards the railway station with a further accelerated pace.

  'Looks like a raven or a crow, that fellow,' observed Smaill as they turned towards the churchyard. 'What is it they say about a bird of ill omen?'

  They entered the churchyard slowly, the eyes of the American antiquary lingering luxuriantly over the isolated roof of the lych–gate and the large unfathomable black growth of the yew looking like night itself defying the broad daylight. The path climbed up amid heaving levels of turf in which the gravestones were tilted at all angles like stone rafts tossed on a green sea, till it came to the ridge beyond which the great sea itself ran like an iron bar, with pale lights in it like steel. Almost at their feet the tough rank grass turned into a tuft of sea–holly and ended in grey and yellow sand; and a foot or two from the holly, and outlined darkly against the steely sea, stood a motionless figure. But for its dark–grey clothing it might almost have been the statue on some sepulchral monument. But Father Brown instantly recognized something in the elegant stoop of the shoulders and the rather sullen outward thrust of the short beard.

  'Gee!' exclaimed the professor of archaeology; 'it's that man Tarrant, if you call him a man. Did you think, when I spoke on the boat, that I should ever get so quick an answer to my question?'

  'I thought you might get too many answers to it,' answered Father Brown.

  'Why, how do you mean?' inquired the Professor, darting a look at him over his shoulder.

  'I mean,' answered the other mildly, 'that I thought I heard voices behind the yew–tree. I don't think Mr Tarrant is so solitary as he looks; I might even venture to say, so solitary as he likes to look.'

  Even as Tarrant turned slowly round in his moody manner, the confirmation came. Another voice, high and rather hard, but none the less feminine, was saying with experienced raillery: 'And how was I to know he would be here?' It was borne in upon Professor Smaill that this gay observation was not addressed to him; so he was forced to conclude in some bewilderment, that yet a third person was present. As Lady Diana Wales came out, radiant and resolute as ever, from the shadow of the yew, he noted grimly that she had a living shadow of her own. The lean dapper figure of Leonard Smyth, that insinuating man of letters, appeared immediately behind her own flamboyant form, smiling, his head a little on one side like a dog's.

  'Snakes!' muttered Smaill; 'why, they're all here! Or all except that little showman with the walrus whiskers.'

  He heard Father Brown laughing softly beside him; and indeed the situation was becoming something more than laughable. It seemed to be turning topsy–turvy and tumbling about their ears like a pantomime trick; for even while the Professor had been speaking, his words had received the most comical contradiction. The round head with the grotesque black crescent of moustache had appeared suddenly and seemingly out of a hole in the ground. An instant afterwards they realized that the hole was in fact a very large hole, leading to a ladder which descended into the bowels of the earth; that it was in fact the entrance to the subterranean scene they had come to visit. The little man had been the first to find the entrance and had already descended a rung or two of the ladder before he put his head out again to address his fellow–travellers. He looked like some particularly preposterous Grave–digger in a burlesque of Hamlet. He only said thickly behind his thick moustaches, 'It is down here.' But it came to the rest of the company with a start of realization that, though they had sat opposite him at meal– times for a week, they had hardly ever heard him speak before; and that though he was supposed to be an English lecturer, he spoke with a rather occult foreign accent.

  'You see, my dear Professor,' cried Lady Diana with trenchant cheerfulness, 'your Byzantine mummy was simply too exciting to be missed. I simply had to come along and see it; and I'm sure the gentlemen felt just the same. Now you must tell us all about it.'

  'I do not know all about it,' said the Professor gravely, not to say grimly, 'In some respects I don't even know what it's all about. It certainly seems odd that we should have all met again so soon, but I suppose there are no limits to the modern thirst for information. But if we are all to visit the place it must be done in a responsible way and, if you will forgive me, under responsible leadership. We must notify whoever is in charge of the excavations; we shall probably at least have to put our names in a book.'

  Something rather like a wrangle followed on this collision between the impatience of the lady and the suspicions of the archaeologist; but the latter's insistence on the official rights of the Vicar and the local investigation ultimately prevailed; the little man with the moustaches came reluctantly out of his grave again and silently acquiesced in a less impetuous descent. Fortunately, the clergyman himself appeared at this stage – a grey–haired, good–looking gentleman with a droop accentuated by doublet eyeglasses; and while rapidly establishing sympathetic relations with the Professor as a fellow–antiquarian, he did not seem to regard his rather motley group of companions with anything more hostile than amusement.

  'I hope you are none of you superstitious,' he said pleasantly. 'I ought to tell you, to start with, that there are supposed to be all sorts of bad omens and curses hanging over our devoted heads in this business. I have just been deciphering a Latin inscription which was found over the entrance to the chapel; and it would seem that there are no less than three curses involved; a curse for entering the sealed chamber, a double curse for opening the coffin, and a triple and most terrible curse for touching the gold relic found inside it. The two first maledictions I have already incurred myself,' he added with a smile; 'but I fear that even you will have to incur the first and mildest of them if you are to see anything at all. According to the story, the curses descend in a rather lingering fashion, at long intervals and on later occasions. I don't know whether that is any comfort to you.' And the Reverend Mr Walters smiled once more in his drooping and benevolent manner.

  'Story,' repeated Professor Smaill, 'why, what story is that?'

  'It is rather a long story and varies, like other local legends,' answered the Vicar. 'But it is undoubtedly contemporary with the time of the tomb; and the substance of it is embodied in the inscription and is roughly this: Guy de Gisors, a lord of the manor here early in the thirteenth century, had set his heart on a beautiful black horse in the possession of an envoy from Genoa, which that practical merchant prince would not sell except for a huge price. Guy was driven by avarice to the crime of pillaging the shrine and, according to one story, even killing the bishop, who was then resident there. Anyhow, the bishop uttered a curse which was to fall on anybody who should continue to withhold the gold cross from its resting–place in his tomb, or should take steps to disturb it when it had returned there. The feudal lord raised the money for the horse by selling the gold relic to a goldsmith in the town; but on the first day he mounted the horse the animal reared and threw him in front of the church porch, breaking his neck. Meanwhile the goldsmith, hitherto wealthy and prosperous, was ruined by a series of inexplicable accidents, and fell into the power of a Jew money–lender living in the manor. Eventually the unfortunate goldsmith, faced with nothing but starvation, hanged himself on an apple–tree. The gold cross with all his other goods, his house, shop, and tools, had long ago passed into the possession of the money–lender. Meanwhile, the son and heir of the feudal lord, shocked by the judgement on his blasphemous sire, had become a religious devotee in the dark and stern spirit of those times, and conceived it his duty to persecute all heresy and unbelief among his vassals. Thus the Jew,
in his turn, who had been cynically tolerated by the father, was ruthlessly burnt by order of the son; so that he, in his turn, suffered for the possession of the relic; and after these three judgements, it was returned to the bishop's tomb; since when no eye has seen and no hand has touched it.'

  Lady Diana Wales seemed to be more impressed than might have been expected. 'It really gives one rather a shiver,' she said, 'to think that we are going to be the first, except the vicar.'

  The pioneer with the big moustaches and the broken English did not descend after all by his favourite ladder, which indeed had only been used by some of the workmen conducting the excavation; for the clergyman led them round to a larger and more convenient entrance about a hundred yards away, out of which he himself had just emerged from his investigations underground. Here the descent was by a fairly gradual slope with no difficulties save the increasing darkness; for they soon found themselves moving in single file down a tunnel as black as pitch, and it was some little time before they saw a glimmer of light ahead of them. Once during that silent march there was a sound like a catch in somebody's breath, it was impossible to say whose; and once there was an oath like a dull explosion, and it was in an unknown tongue.

  They came out in a circular chamber like a basilica in a ring of round arches; for that chapel had been built before the first pointed arch of the Gothic had pierced our civilization like a spear. A glimmer of greenish light between some of the pillars marked the place of the other opening into the world above, and gave a vague sense of being under the sea, which was intensified by one or two other incidental and perhaps fanciful resemblances. For the dog–tooth pattern of the Norman was faintly traceable round all the arches, giving them, above the cavernous darkness, something of the look of the mouths of monstrous sharks. And in the centre the dark bulk of the tomb itself, with its lifted lid of stone, might almost have been the jaws of some such leviathan.

  Whether out of the sense of fitness or from the lack of more modern appliances, the clerical antiquary had arranged for the illumination of the chapel only by four tall candles in big wooden candlesticks standing on the floor. Of these only one was alight when they entered, casting a faint glimmer over the mighty architectural forms. When they had all assembled, the clergyman proceeded to light the three others, and the appearance and contents of the great sarcophagus came more clearly into view.

  All eyes went first to the face of the dead, preserved across all those ages in the lines of life by some secret Eastern process, it was said, inherited from heathen antiquity and unknown to the simple graveyards of our own island. The Professor could hardly repress an exclamation of wonder; for, though the face was as pale as a mask of wax, it looked otherwise like a sleeping man, who had but that moment closed his eyes. The face was of the ascetic, perhaps even the fanatical type, with a high framework of bones; the figure was clad in a golden cope and gorgeous vestments, and high up on the breast, at the base of the throat, glittered the famous gold cross upon a short gold chain, or rather necklace. The stone coffin had been opened by lifting the lid of it at the head and propping it aloft upon two strong wooden shafts or poles, hitched above under the edge of the upper slab and wedged below into the corners of the coffin behind the head of the corpse. Less could therefore be seen of the feet or the lower part of the figure, but the candle–light shone full on the face; and in contrast with its tones of dead ivory the cross of gold seemed to stir and sparkle like a fire.

  Professor Smaill's big forehead had carried a big furrow of reflection, or possibly of worry, ever since the clergyman had told the story of the curse. But feminine intuition, not untouched by feminine hysteria, understood the meaning of his brooding immobility better than did the men around him. In the silence of that candle–lit cavern Lady Diana cried out suddenly: 'Don't touch it, I tell you!'

  But the man had already made one of his swift leonine movements, leaning forward over the body. The next instant they all darted, some forward and some backward, but all with a dreadful ducking motion as if the sky were falling.

  As the Professor laid a finger on the gold cross, the wooden props, that bent very slightly in supporting the lifted lid of stone, seemed to jump and straighten themselves with a jerk. The lip of the stone slab slipped from its wooden perch; and in all their souls and stomachs came a sickening sense of down–rushing ruin, as if they had all been flung off a precipice. Smaill had withdrawn his head swiftly, but not in time; and he lay senseless beside the coffin, in a red puddle of blood from scalp or skull. And the old stone coffin was once more closed as it had been for centuries; save that one or two sticks or splinters stuck in the crevice, horribly suggestive of bones crunched by an ogre. The leviathan had snapped its jaws of stone.

  Lady Diana was looking at the wreck with eyes that had an electric glare as of lunacy; her red hair looked scarlet against the pallor of her face in the greenish twilight. Smyth was looking at her, still with something dog–like in the turn of his head; but it was the expression of a god who looks at a master whose catastrophe he can only partly understand. Tarrant and the foreigner had stiffened in their usual sullen attitudes, but their faces had turned the colour of clay. The Vicar seemed to have fainted. Father Brown was kneeling beside the fallen figure, trying to test its condition.

  Rather to the general surprise, the Byronic lounger, Paul Tarrant, came forward to help him.

  'He'd better be carried up into the air,' he said. 'I suppose there's just a chance for him.'

  'He isn't dead,' said Father Brown in a low voice, 'but I think it's pretty bad; you aren't a doctor by any chance?'

  'No; but I've had to pick up a good many things in my time,' said the other. 'But never mind about me just now. My real profession would probably surprise you.'

  'I don't think so,' replied Father Brown, with a slight smile. 'I thought of it about halfway through the voyage. You are a detective shadowing somebody. Well, the cross is safe from thieves now, anyhow.'

  While they were speaking Tarrant had lifted the frail figure of the fallen man with easy strength and dexterity, and was carefully carrying him towards the exit. He answered over his shoulder:

  'Yes, the cross is safe enough.'

  'You mean that nobody else is,' replied Brown. 'Are you thinking of the curse, too?'

  Father Brown went about for the next hour or two under a burden of frowning perplexity that was something beyond the shock of the tragic accident. He assisted in carrying the victim to the little inn opposite the church, interviewed the doctor, who reported the injury as serious and threatening, though not certainly fatal, and carried the news to the little group of travellers who had gathered round the table in the inn parlour. But whereever he went the cloud of mystification rested on him and seemed to grow darker the more deeply he pondered. For the central mystery was growing more and more mysterious, actually in proportion as many of the minor mysteries began to clear themselves up in his mind. Exactly in proportion as the meaning of individual figures in that motley group began to explain itself, the thing that had happened grew more and more difficult to explain. Leonard Smyth had come merely because Lady Diana had come; and Lady Diana had come merely because she chose. They were engaged in one of those floating Society flirtations that are all the more silly for being semi–intellectual. But the lady's romanticism had a superstitious side to it; and she was pretty well prostrated by the terrible end of her adventure. Paul Tarrant was a private detective, possibly watching the flirtation, for some wife or husband; possibly shadowing the foreign lecturer with the moustaches, who had much the air of an undesirable alien. But if he or anybody else had intended to steal the relic, the intention had been finally frustrated. And to all mortal appearance, what had frustrated it was either an incredible coincidence or the intervention of the ancient curse.

  As he stood in unusual perplexity in the middle of the village street, between the inn and the church, he felt a mild shock of surprise at seeing a recently familiar but rather unexpected figure advancing up th
e street. Mr Boon, the journalist, looking very haggard in the sunshine, which showed up his shabby raiment like that of a scarecrow, had his dark and deep–set eyes (rather close together on either side of the long drooping nose) fixed on the priest. The latter looked twice before he realized that the heavy dark moustache hid something like a grin or at least a grim smile.

  'I thought you were going away,' said Father Brown a little sharply. 'I thought you left by that train two hours ago.'

  'Well, you see I didn't,' said Boon.

  'Why have you come back?' asked the priest almost sternly.

  'This is not the sort of little rural paradise for a journalist to leave in a hurry,' replied the other. 'Things happen too fast here to make it worth while to go back to a dull place like London. Besides, they can't keep me out of the affair–I mean this second affair. It was I that found the body, or at any rate the clothes. Quite suspicious conduct on my part, wasn't it? Perhaps you; think I wanted to dress up in his clothes. Shouldn't I make a lovely parson?'

  And the lean and long–nosed mountebank suddenly made an extravagant gesture in the middle of the market–place, stretching out his arms and spreading out his dark–gloved hands in a sort of burlesque benediction and saying: 'Oh, my dear brethren and sisters, for I would embrace you all….'