Naked Moon

by Domenic Stansberry

  NAKED

  MOON

  ALSO BY DOMENIC STANSBERRY

  The Ancient Rain

  The Big Boom

  Chasing the Dragon

  Manifesto for the Dead

  The Last Days of Il Duce

  The Confession

  The Spoiler

  NAKED

  MOON

  Domenic Stansberry

  This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

  NAKED MOON. Copyright © 2010 by Domenic Stansberry. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

  www.minotaurbooks.com

  Library of Congress Cataloging-in-Publication Data

  Stansberry, Domenic.

  Naked moon / Domenic Stansberry.—1st ed.

  p. cm.

  ISBN 978-0-312-36454-0

  1. Private investigators—Fiction. I. Title.

  PS3569.T3335N35 2010

  813’.54—dc22

  2009041527

  First Edition: March 2010

  10 9 8 7 6 5 4 3 2 1

  Sunshine isn’t enough.

  —Nathanael West

  PART ONE

  ONE

  Dante Mancuso lay on the dead woman’s bed, listening to the alley. The previous tenant, an old woman, had collapsed on the stairs of the hotel some days before, but the room had not been cleaned out. Her spotted dishes were in the drainboard, and an unfinished meal in the refrigerator. This part of town, management was not concerned with such details. Ultimately, neither was Dante. He had other reasons for being here. No matter the dead woman’s reading glasses rested on the bed stand, next to his revolver, and her clothes still hung in the closet.

  He picked up the gun and eased toward the window.

  Pigeons scuttered and cooed along the sill, and so he moved cautiously. He didn’t want to rile the birds or call attention to his form behind the tattered sheers.

  The hotel stood just off Portsmouth Square, in Chinatown, and noise from the square echoed down the narrow alley. It traveled oddly, so that individual sounds—coughing, footsteps, snatches of talk—were unnaturally distinct yet somehow disembodied, their origins hard to trace. At the same time, he could hear one of Ching Lee’s rally trucks. The mayoral candidate had a number of such vehicles working the neighborhood: old Fords, loudspeakers planted on the hood, rollicking in Chinese.

  For a moment it sounded as if this truck were right out front, then no … maybe Stockton Street….

  It was hard to tell how close … how far….

  But through all that noise, he had heard, he was all but certain, the clanging of an iron gate.

  Dante Mancuso had checked in the night before, but he hadn’t given his real name. The hotel was nameless, or rather had too many names for any of them to be useful. An engraving in the cornerstone called it the Fortunato Building—named after some Italian immigrant, long since forgotten—but the fading lettering on the side entrance called it the Three Prosperities.

  Meanwhile, a sign hung from the side corner, Chinese writing, neon, glass broken, shattered in such a way that the underlying ideogram—whatever it might have been—was no longer decipherable.

  There was no front desk, in the traditional sense, just a clerk in the gimcrack shop below, in what used to be the building’s lobby. The clerk had given him a stamped receipt with no information other than the date, and even that was not legible.

  In his other life—his real life, as it might be called—Dante lived not so far away, just the other side of Columbus, in what remained of the Italian neighborhood. He had made his way over to the hotel by means of an elaborate dodge, but in the end he had no idea if the ruse had worked. It might have been wiser to take up residence at someplace more distant, but he first had an errand to run and needed to be here, in Chinatown, within striking distance of the Wu Benevolent Association.

  Rumor had it that Teng Wu, the founder of the association, still lived in the upper story. Or Love Wu, as the man was known.

  Other rumors had it Wu died long ago.

  Now a large pigeon flew onto the sill, scattering the smaller birds. Dante stood behind the sheers, peering down, gun in hand. The sky was still blue and brilliant overhead—too blue, it seemed, too brilliant. Closer down, dusk had gathered in the alley and the shadows darkened. Emerging from these shadows was the figure of an old Cantonese, who by some special arrangement had a key to the iron gate and lived at the end of the alley.

  The alley led back behind the tenement, growing narrower with each turn, eventually ending in a patch of pavement, a dead end, cloistered in on three sides by brick buildings. The Chinaman kept his bedroll there, and a small cookstove, and a container of food with a plastic top to keep out the rats.

  Earlier, exploring the alley, Dante had come across the old man at the end of the alley in the lotus position, meditating, humming one of those low Buddhist chants that was like a noise from the center of the earth.

  Aside from the alley—which offered no real exit—there were two other ways out of the hotel. One down a narrow set of stairs that opened onto Grant. The other by means of a wide staircase that descended into the gimcrack shop below.

  Dante had come here dressed like a workingman who had suffered some bad luck, self-inflicted or otherwise. Pants too big, loose at the hips, fabric worn and shiny at the knees. A gray work shirt buttoned to the collar. He looked like himself but not himself. He also wore sunglasses and a painter’s cap. At a glance, he fit in well enough—his expression was drawn, and he had the hunched look of a convict. But his face gave a lie to the whole thing. He was still recognizable up close, if for no other reason than his nose.

  The large Italian nose—from his mother’s side—dignified or absurd, depending upon how you viewed things.

  A nose like Caesar, his grandmother used to say. Like some long-dead Italian pope. Like Pinocchio, trapped inside the belly of a fish.

  The joke in the middle of this face.

  He stripped off his clothes and lay back down in the dead woman’s bed, listening. He had not slept much the last few days and did not know if he would ever sleep again. He carried a vial of amphetamines in his pocket but yearned for sleep.

  He had a longing in him he could not describe. He was thinking of the dead. He was thinking of the old-timers who had walked these streets before. The Irish dead and the Italian dead and the German Jews, all with their demon smiles and fat suspenders, fresh from the two-dollar whore-house that used to be around the corner from the Hall of Justice, on the other side of the square, before they’d torn down the station and the morgue and moved it all South of Market. A cement-colored hotel stood there now, towering over the men playing mah-jongg.

  Dante was thinking of the life he had not meant to live, but lived anyway. Of the people he had helped along into the land of the dead.

  Of people he himself had killed and those whom he had caused to be killed. He was thinking of his cousin, the fool, lying on the floor with the big gash around his neck. Of his boss at the agency, Jake Cicero. And of a woman in a white dress. He imagined her in a place far away. A place that was like this place, but not like here. Foreign tongues and the smell of tropical flowers, and dark alleys that opened into a sunlit plaza underneath a church with high spires. Behind his closed eyes the woman emerged from one of those alleys into the plaza, standing in her white dress at the stairs at the foot of the church.

  Meanwhile, overhead, that same sky … too blue … too beautiful….

  There was no escape.

  If he did not run their errand, if he refused, his old frien
ds would kill him. But he knew, too, on the other hand, if he cooperated, once the errand was done, they had no intention of letting him walk away.

  He had a third alternative.

  He could flee.

  He had lived underground, and he could get another identity. He could hide indefinitely. But even if he were able to hide, the same was not true of the woman in the white dress.

  They would find her. And he would die another kind of death.

  TWO

  Two weeks earlier, Dante had stood with his back to the window—in the family house on Fresno Street. He had not known what was coming then, though perhaps he should have known. He had started out with SFPD after all, and worked as an investigator now. Then there were those long years in between—years he did not talk about—when he’d worked out of New Orleans. Regardless, his attention that night had been in front of him. He peered across the darkness of his father’s old bedroom at the woman sitting there at the edge of the mattress, knees crossed.

  Her name was Marilyn Visconti. They had known each other since they were young.

  “So what have you decided?” she asked.

  Since his father’s death, Dante had rented the place out off and on, and the latest tenants had left a box spring on the floor. Three years now since the old man’s death—tenants had come and gone—but Dante had not yet cleared out his parents’ belongings. The attic and the basement were still littered with his parents’ stuff.

  “Nothing. I’m just going through their things.”

  Marilyn and Dante had conversations like this, more or less, every time the house went vacant. The radio crackled with a nostalgic tune, from a warbler whose name had been well known in his parents’ prime but that now was pretty much forgotten. There was a noise on the street, and a creaking on the inside stairs, but these were familiar sounds. There were always noises out in the street. The house always creaked.

  Meanwhile, Marilyn sat on the edge of the bed in a loose-fitting shift, her face in the shadows, away from the hard light falling through the window. She was an old-fashioned-looking girl some ways, with a body that had some handle to it, full lips, dark hair. Her face was scarred, though, and there were suture marks, the result of an accident—a fire, some time back now, almost a year, that had broken out unexpectedly at a legal fund-raiser out in Oakland. She’d gotten good care and learned, too, the art of applying Lycogel, the burn makeup. He could not see her scars from where he stood, across the darkened room, but they were still there, he knew, and there was more scarring along her abdomen, her arms, on the thighs underneath the black tights.

  “I guess there’s no rush,” she said.

  “No.”

  “But this place—it could use some paint, at least.”

  He and Marilyn had been together off and on. He’d known her before he’d gone away, and after he came back, and they’d put each other through the usual kinds of difficulties, but there was still, despite everything, the same electricity between them. She was in her mid-thirties, some five years younger than himself.

  “I guess it depends on how you want to live. If you mean to rent the place out, or live here yourself …”

  They did not talk about the fact that Marilyn had been gone for the last ten days. Dante did not ask and she had the delicacy not to tell him, though he knew well enough.

  She’d been to Santa Barbara—in the company of David Lake.

  David Lake was a widower, a few years older than Dante, who had taken an interest in her after the accident.

  Wrong place, wrong time.

  My fault, Dante thought, because he’d taken her to Oakland that night. Because the event had been in behalf of some client at Cicero’s Investigations, where Dante worked. Dante and Marilyn did not talk about that, however, nor did they talk about David Lake. They talked instead about the empty house, and about his parents. They talked about his cousin Gary, who was having legal troubles out at the warehouse, and about Gary’s wife, Viola, who wanted a divorce, and wanted it now, before the Feds moved in and took everything. They talked about his grandfather’s old felucca, a small sailboat of the sort once used by the Sicilian fishermen. It sat unused in a slip down at the Marina, and it was one of the things Dante had resolved to let go.

  “The buyer, he’s taking title Saturday.”

  “Are you going to take it out one last time?”

  “Maybe.”

  “You should.”

  “It’s an idea.”

  “It’s nice out there, on the water.”

  “Friday?”

  Marilyn had grown close to David Lake, Dante knew. Before the accident, she worked down at Prospero Real Estate, and Lake had gone to her with some property he wanted to sell. Whether there had been anything between them back then, Dante wasn’t sure. Either way, Lake had money—and after the incident, arranged for an eye specialist, then trips down to Los Angeles to a plastic surgeon. The surgeon was one of the best. She was lucky her injures were not worse. Lucky, too, that the widower David Lake had taken an interest in seeing her mend.

  It was not an unselfish interest, but few things were.

  She had most all her vision in one eye, but the other one was glass—or plastic, more accurately, as that was the way they made them now, with some kind of material in the artificial surface designed to mimic the good eye, so both eyes appeared to shift and track. The effect was imperfect at times, disconcerting.

  “We could take the boat out to Angel Island,” Dante said. “The weather’s been good.”

  Angel Island was an uninhabited island in the middle of the bay. They used to take the boat out when they were younger and things had been simpler between them. Cut the engine. Let it drift.

  “What did the doctor say?” he asked. Her eyes skittered over him, the good eye and the bad eye.

  “It’s coming along.”

  The surgeries were over. This latest examination could have been done locally, but Lake had taken her down to the specialist’s clinic in Ysidro, at an old ranch in the Santa Barbara foothills. A healing resort. Mud baths and physical therapists and the swimming pool where Carole Lombard once swam. Ysidro was where the Hollywood people went these days to recuperate after plastic surgery.

  “Let me see,” he said.

  She had a primness that had not been there before and stiffened, just a little, when he reached toward her. He reached anyway and put a finger on her lips, just touching, then brushed the hair back from her face. Despite her involvement with David Lake, they were still intimate from time to time. They kissed, and he felt a sharp desire and for an instant imagined a distant shore someplace, an ancient alley, the cathedral in a picture she had shown him once upon a time. She had told him—self-deprecating, laughing at herself—how she used to imagine, when she was a girl, that she would get married in Italy, in a picture like that. But that was some time ago when she told him that, and they had both been a lot more innocent then, lying together fully dressed, legs twisted, chests pushed one against the other, and he pulling up her shirt so he could press her stomach to his. They lay on the bed now, similarly entangled, but they were—both of them—thinking about David Lake.

  Dante lifted his head, and she pulled away, lying beside him but not touching. She petted his enormous nose for a little while, but it was more like the petting you would give a lost dog. He walked away to the window and lit a cigarette and stared down into the shadows.

  “He asked me to marry him,” she said.

  She sat on the edge of the bed, knees together. Her blouse was open, unbuttoned at the top, and she wore a camisole beneath. The clothes were new. Purchased in a boutique down in Santa Barbara, maybe. She and David Lake, out shopping. A moment before, he had been running his hands up over her slacks. Expensive. He liked the feel of them, of running his hands up over the fabric, over the zipper at the front, feeling the warmth beneath. He was tempted to get on his knees now and crawl back to where she was and put his head down so he could bury his nose in the fabric between
her legs.

  David Lake.

  She regarded Dante with the dead eye. The oracular eye. Reading his mind, maybe. Glimpsing for an instant all that stuff inside. He wondered what she saw, but in truth, the good eye was downcast, and it was just the other eye, stubborn, confused by the darkness. Not following its mate.

  His cell phone sat on the table next to the bed. The ringer was off, but it started to vibrate, shaking, a thrumming noise, small-throated, persistent.

  That was when it had all started, he would think later. With the shaking of the phone on the tabletop. That was the moment leading to the moment when he would find himself at the nameless hotel. When he would hear at once the old Buddhist moaning in the alley and the assassin’s cord whipping the air behind him and see the flames rising at his feet. The moment in which you saw backward and forward and realized there was no such thing as time, no such thing as space, only the instant of death. All of life was spent in this instant, but he did not see this now, not yet. He saw only Marilyn sitting there on the bed.

  “Gary?” she asked.

  It was a reasonable guess. His cousin had left him a number of messages these past days, his voice more urgent with each call. There had been some kind of scene, Dante knew, out at Rossi’s place, between his cousin and Joe Rossi, the former mayor, whose daughter was running for office. Then there was this new man Gary had been meeting with, Dominick Greene.

  “Is it your cousin?”

  “I don’t think so.”

  “Work?”

  “Maybe.”

  The number was not one Dante recognized, but this was often true in his line of work. Some of Cicero’s clients were not particularly savory, and they used disposable phones that were difficult to trace. Either way, he decided not to pick up, not now. He looked at Marilyn across the room.

  I am going to get on the floor, he thought. I am going to drop to my knees and crawl.