Delphi Complete Works of William Dean Howells

by William Dean Howells

  But the Spanish street is rarely the theatrical spectacle that the Italian street nearly always is. Now and then there was a bit in Madrid which one would be sorry to have missed, such as the funeral of a civil magistrate, otherwise unknown to me, which I saw pass my cafe window: a most architectural black hearse, under a black roof, drawn by eight black horses, sable-plumed. The hearse was open at the sides, with the coffin fully showing, and a gold-laced chapeau bras lying on it. Behind came twenty or twenty-five gentlemen on foot in the modern ineffectiveness of frock-coats and top-hats, and after them eight or ten closed carriages. The procession passed without the least notice from the crowd, which I saw at other times stirred to a flutter of emulation in its small boys by companies of infantry marching to the music of sharply blown bugles. The men were handsomer than Italian soldiers, but not so handsome as the English, and in figure they were not quite the deplorable pigmies one often sees in France. Their bugles, with the rhythmical note which the tram-cars sound, and the guitars and mandolins of the blind minstrels, made the only street music I remember in Madrid.

  Between the daily rains, which came in the afternoon, the sun was sometimes very hot, but it was always cool enough indoors. The indoors interests were not the art or story of the churches. The intensest Catholic capital in Christendom is in fact conspicuous in nothing more than the reputed uninterestingness of its churches. I went into one of them, however, with a Spanish friend, and I found it beautiful, most original, and most impressive for its architecture and painting, but I forget which church it was. We were going rather a desultory drive through those less frequented parts of the city which I have mentioned as like a sort of muted Naples: poor folk living much out-of-doors, buying and selling at hucksters’ stands and booths, and swarming about the chief market, where the guilty were formerly put to death, but the innocent are now provisioned. Outside the market was not attractive, and what it was within we did not look to see. We went rather to satisfy my wish to see whether the Manzanares is as groveling a stream as the guide-books pretend in their effort to give a just idea of the natural disadvantages of Madrid, as the only great capital without an adequate river. But whether abetted by the arts of my friend or not, the Manzanares managed to conceal itself from me; when we left our carriage and went to look for it, I saw only some pretty rills and falls which it possibly fed and which lent their beauty to the charming up and down hill walks, now a public pleasaunce, but formerly the groves and gardens of the royal palace. Our talk in Spanish from him and Italian from me was of Tolstoy and several esthetic and spiritual interests, and when we remounted and drove back to the city, whom should I see, hard by the King’s palace, but those dear Chilians of my heart whom we had left at Valladolid — husband, wife, sister, with the addition of a Spanish lady of very acceptable comeliness, in white gloves, and as blithe as they. In honor of the capital the other ladies wore white gloves too, but the husband and brother still kept the straw hat which I had first known him in at San Sebastian, and which I hope yet to know him by in New York. It was a glad clash of greetings which none of us tried to make coherent or intelligible, and could not if we had tried. They acclaimed their hotel, and I ours; but on both sides I dare say we had our reserves; and then we parted, secure that the kind chances of travel would bring us together again somewhere.

  I did not visit the palace, but the Royal Armory I had seen two days before on a gay morning that had not yet sorrowed to the afternoon’s rain. At the gate of the palace I fell into the keeping of one of the authorized guides whom I wish I could identify so that I could send the reader to pay him the tip I came short in. It is a pang to think of the repressed disappointment in his face when in a moment of insensate sparing I gave him the bare peseta to which he was officially entitled, instead of the two or three due his zeal and intelligence; and I strongly urge my readers to be on their guard against a mistaken meanness like mine. I can never repair that, for if I went back to the Royal Armory I should not know him by sight, and if I sought among the guides saying I was the stranger who had behaved in that shabby sort, how would that identify me among so many other shabby strangers? He had the intelligence to leave me and the constant companion of these travels to ourselves as we went about that treasury of wonders, but before we got to the armory he stayed us with a delicate gesture outside the court of the palace till a troop for the guard-mounting had gone in. Then he led us across the fine, beautiful quadrangle to the door of the museum, and waited for us there till we came out. By this time the space was brilliant with the confronted bodies of troops, those about to be relieved of guard duty, and those come to relieve them, and our guide got us excellent places where we could see everything and yet be out of the wind which was beginning to blow cuttingly through the gates and colonnades. There were all arms of the service — horse, foot, and artillery; and the ceremony, with its pantomime and parley, was much more impressive than the changing of the colors which I had once seen at Buckingham Palace. The Spanish privates took the business not less seriously than the British, and however they felt the Spanish officers did not allow themselves to look bored. The marching and countermarching was of a refined stateliness, as if the pace were not a goose step but a peacock step; and the music was of an exquisitely plaintive and tender note, which seemed to grieve rather than exult; I believe it was the royal march which they were playing, but I am not versed in such matters. Nothing could have been fitter than the quiet beauty of the spectacle, opening through the westward colonnade to the hills and woods of the royal demesne, with yellowing and embrowning trees that billowed from distance to distance. Some day these groves and forests must be for the people’s pleasure, as all royal belongings seem finally to be; and in the mean time I did not grudge the landscape to the young king and queen who probably would not have grudged it to me. Our guide valued himself upon our admiration of it; without our special admiration he valued himself upon the impressive buildings of the railway station in the middle distance. I forget whether he followed us out of the quadrangle into the roadway where we had the advantage of some picturesque army wagons, and some wagoners in red-faced jackets and red trousers, and top-boots with heavy fringes of leathern strings. Yet it must have been he who made us aware of a high-walled inclosure where soldiers found worthy of death by court martial could be conveniently shot; though I think we discovered for ourselves the old woman curled up out of the wind in a sentry-box, and sweetly asleep there while the boys were playing marbles on the smooth ground before it. I must not omit the peanut-boaster in front of the palace; it was in the figure of an ocean steamer, nearly as large as the Lusitania, and had smoke coming out of the funnel, with rudder and screw complete and doll sailors climbing over the rigging.

  But it is impossible to speak adequately of the things in that wonderful armory. If the reader has any pleasure in the harnesses of Spanish kings and captains, from the great Charles the Fifth down through all the Philips and the Charleses, he can glut it there. Their suits begin almost with their steel baby clothes, and adapt themselves almost to their senile decrepitude. There is the horse-litter in which the great emperor was borne to battle, and there is the sword which Isabella the great queen wore; and I liked looking at the lanterns and the flags of the Turkish galleys from the mighty sea-fight cf Lepanto, and the many other trophies won from the Turks. The pavilion of Francis I. taken at Pavia was of no secondary interest, and everywhere was personal and national history told in the weapons and the armor of those who made the history. Perhaps some time the peoples will gather into museums the pens and pencils and chisels of authors and artists, and the old caps and gowns they wore, or the chairs they sat in at their work, or the pianos and violoncellos of famous musicians, or the planes of surpassing carpenters, or the hammers of eminent ironworkers; but these things will never be so picturesque as the equipments with which the military heroes saved their own lives or took others’. We who have never done either must not be unreasonable or impatient. It will be many a long century yet before we
are appreciated at the value we now set upon ourselves. In the mean while we do not have such a bad time, and we are not so easily forgotten as some of those princes and warriors.

  XI

  One of the first errors of our search for the Archaeological Museum, promoted by the mistaken kindness of people we asked the way, found us in the Academy of Fine Arts, where in the company of a fat and flabby Rubens (Susanna, of course, and those filthy Elders) we chanced on a portrait of Goya by himself: a fine head most takingly shrewd. But there was another portrait by him, of the ridiculous Godoy, Prince of the Peace, a sort of handsome, foolish fleshy George Fourthish person looking his character and history: one of the most incredible parasites who ever fattened on a nation. This impossible creature, hated more than feared, and despised more than hated, who misruled a generous people for twenty-five years, throughout the most heroic period of their annals, the low-born paramour of their queen and the beloved friend of the king her husband, who honored and trusted him with the most pathetic single-hearted and simple-minded devotion, could not look all that he was and was not; but in this portrait by Goya he suggested his unutterable worthlessness: a worthlessness which you can only begin to realize by successively excluding all the virtues, and contrasting it with the sort of abandon of faith on the part of the king; this in the common imbecility, the triune madness of the strange group, has its sublimity. In the next room are two pieces of Goya’s which recall in their absolute realism another passage of Spanish history with unparalleled effect. They represent, one the accused heretics receiving sentence before a tribunal of the Inquisition, and the other the execution of the sentence, where the victims are mocked by a sort of fools’ caps inscribed with the terms of their accusal. Their faces are turned on the spectator, who may forget them if he can.

  I had the help of a beautiful face there which Goya had also painted: the face of Moratin, the historian of the Spanish drama whose book had been one of the consolations of exile from Spain in my Ohio village. That fine countenance rapt me far from where I stood, to the village, with its long maple-shaded summer afternoons, and its long lamp-lit winter nights when I was trying to find my way through Moratin’s history of the Spanish drama, and somehow not altogether failing, so that fragments of the fact still hang about me. I wish now I could find the way back through it, or even to it, but between me and it there are so many forgotten passes that it would be hopeless trying. I can only remember the pride and joy of finding my way alone through it, and emerging from time to time into the light that glimmered before me. I cannot at all remember whether it was before or after exploring this history that I ventured upon the trackless waste of a volume of the dramatists themselves, where I faithfully began with the earliest and came down to those of the great age when Cervantes and Calderon and Lope de Vega were writing the plays. It was either my misfortune that I read Lope and not Calderon, or that I do not recall reading Calderon at all, and know him only by a charming little play of Madrid life given ten or fifteen years ago by the pupils of the Dramatic Academy in New York. My lasting ignorance of this master was not for want of knowing how great he was, especially from Lowell, who never failed to dwell on it when the talk was of Spanish literature. The fact is I did not get much pleasure out of Lope, but I did enjoy the great tragedy of Cervantes, and such of his comedies as I found in that massive volume.

  I did not realize, however, till I saw that play of Calderon’s, in New York, how much the Spanish drama lias made Madrid its scene; and until one knows modern Spanish fiction one cannot know how essentially the incongruous city is the capital of the Spanish imagination. Of course the action of Gil Bias largely passes there, but Gil Blas in only adoptively a Spanish novel, and the native picaresque story is oftener at home in the provinces; but since Spanish fiction has come to full consciousness in the work of the modern masters it has resorted more and more to Madrid. If I speak only of Galdos and Valdes by name, it is because I know them best as the greatest of their time; but I fancy the allure of the capital has been felt by every other modern more or less; and if I were a Spanish author I should like to put a story there. If I were a Spaniard at all, I should like to live there a part of the year, or to come up for some sojourn, as the real Spaniards do. In such an event I should be able to tell the reader more about Madrid than I now know. I should not be poorly keeping to hotels and galleries and streets and the like surfaces of civilization; but should be saying all sorts of well-informed and surprising things about my fellow-citizens. As it is I have tried somewhat to say how I think they look to a stranger, and if it is not quite as they have looked to other strangers I do not insist upon my own stranger’s impression. There is a great choice of good books about Spain, so that I do not feel bound to add to them with anything like finality.

  I have tried to give a sense of the grand-opera effect of the street scene, but I have record of only one passage such as one often sees in Italy where moments of the street are always waiting for transfer to the theater. A pair had posed themselves, across the way from our hotel, against the large closed shutter of a shop which made an admirable background. The woman in a black dress, with a red shawl over her shoulders, stood statuesquely immovable, confronting the middle-class man who, while people went and came about them, poured out his mind to her, with many frenzied gestures, but mostly using one hand for emphasis. He seemed to be telling something rather than asserting himself or accusing her; portraying a past fact or defining a situation; and she waited immovably silent till he had finished. Then she began and warmed to her work, but apparently without anger or prejudice. She talked herself out, as he had talked himself out. He waited and then he left her and crossed to the other corner. She called after him as he kept on down the street. She turned away, but stopped, and turned again and called after him till he passed from sight. Then she turned once more and went her own way. Nobody minded, any more than if they had been two unhappy ghosts invisibly and inaudibly quarreling, but I remained, and remain to this day, afflicted because of the mystery of their dispute.

  We did not think there were so many boys, proportionately, or boys let loose, in Madrid as in the other towns we had seen, and we remarked to that sort of foreign sojourner who is so often met in strange cities that the children seemed like little men and women. “Yes,” he said, “the Spaniards are not children until they are thirty or forty, and then they never grow up.” It was perhaps too epigrammatic, but it may have caught at a fact. From another foreign sojourner I heard that the Catholicism of Spain, in spite of all newspaper appearances to the contrary and many bold novels, is still intense and unyieldingly repressive. But how far the severity of the church characterizes manners it would be hard to say. Perhaps these are often the effect of temperament. One heard more than one saw of the indifference of shop-keepers to shoppers in Madrid; in Andalusia, say especially in Seville, one saw nothing of it. But from the testimony of sufferers it appears to be the Madrid shop-keeper’s reasonable conception that if a customer comes to buy something it is because he, or more frequently she, wants it and is more concerned than himself in the transaction. He does not put himself about in serving her, and if she intimates that he is rudely indifferent, and that though she has often come to him before she will never come again, he remains tranquil. From experience I cannot say how true this is; but certainly I failed to awaken any lively emotion in the booksellers of whom I tried to buy some modern plays. It seemed to me that I was vexing them in the Oriental calm which they would have preferred to my money, or even my interest in the new Spanish drama. But in a shop where fans were sold, the shopman, taken in an unguarded moment, seemed really to enter into the spirit of our selection for friends at home; he even corrected my wrong accent in the Spanish word for fan, which was certainly going a great way.

  XII

  It was not the weather for fans in Madrid, where it rained that cold rain every afternoon, and once the whole of one day, and we could not reasonably expect to see fans in the hands of ladies in real life so
much as in the pictures of ladies on the fans themselves. In fact, I suppose that to see the Madrilenas most in character one should see them in summer which in southern countries is the most characteristic season. Theophile Gautier was governed by this belief when he visited Spain in the hottest possible weather, and left for the lasting delight of the world the record of that Voyage en Espagne which he made seventy-two years ago. He then thought the men better dressed than the women at Madrid. Their boots are as “varnished, and they are gloved as white as possible. Their coats are correct and their trousers laudable; but the cravat is not of the same purity, and the waistcoat, that only part of modern dress where the fancy may play, is not always of irreproachable taste.” As to the women: “What we understand in France as the Spanish type does not exist in Spain... One imagines usually, when one says mantilla and senora, an oval, rather long and pale, with large dark eyes, surmounted with brows of velvet, a thin nose, a little arched, a mouth red as a pomegranate, and, above all, a tone warm and golden, justifying the verse of romance, She is yellow like an orange. This is the Arab or Moorish type and not the Spanish type. The Madrilenas are charming in the full acceptation of the word; out of four three will be pretty; but they do not answer at all to the idea we have of them. They are small, delicate, well formed, the foot narrow and the figure curved, the bust of a rich contour; but their skin is very white, the features delicate and mobile, the mouth heart-shaped and representing perfectly certain portraits of the Regency. Often they have fair hair, and you cannot take three turns in the Prado without meeting eight blonds of all shades, from the ashen blond to the most vehement red, the red of the beard of Charles V. It is a mistake to think there are no blonds in Spain. Blue eyes abound there, but they are not so much liked as the black.”