The Sacrilege s-3

by John Maddox Roberts

  "Hermes, you amaze me," I said. "That is very astute."

  "I told you I thought better on a full stomach."

  There are stages in the investigation of a crime, conspiracy or other mystery that involves many people acting from many motives. At first, all is confusion. Then, as you gather evidence, things get even more complicated and confusing. But eventually there comes a point when each new fact unearthed fits into place with a satisfying click and things become simpler instead of more complex. Things begin to make sense. I now felt that things had reached that stage. It seemed to me that my guardian genius, my ferret-muse, hovered near and was aiding me to untie this knot of murder and intrigue. Or perhaps it was just the wine.

  Chapter XII

  Rome was decked out in full holiday attire, with garlands and wreaths and fresh gilding everywhere. Statues of heroes had been given fresh victory crowns so that they could share in the triumph. Incense burned before the shrine of every smallest god, and the greatest deities of the state were carried through the streets in solemn processions, seated in ornate litters borne on the shoulders of attendants.

  It always did my heart god to see the city like this, even when it was to celebrate the triumph of someone I detested. Everywhere one looked, people were reeling through the streets, singing triumphal songs and giving the wineshops a tremendous business. Labor had ceased and the farmers had poured in from the countryside, along with what appeared to be the entire populations of several nearby towns. Children dashed about, freed from the tyranny of their schoolmasters for a few precious days.

  All was gaiety, but my spirits were depressed by the thought that I would have to spend the morning at Pompey's theater, watching some tedious old Greek's contribution to Athenian culture. I would far rather have gone to see the mimes in the old wooden theaters, or to the Circuses, where lusiones and animal shows would be going on all day. But that was out of the question. The Senate, the equites and the Vestals would have to attend the theatrical display in the new theater. To fail to do so would insult not only Pompey, a prospect many of us would have relished, but also the gods of the state.

  We marshalled in the Forum, and the state freedmen got us into the proper order, with the Consuls in front, followed by the Censors, the praetors, the Vestals, the pontifixes led by Caesar, the flamines, then the main body of the Senate with the Hortalus as Princeps in front, followed by the consulars and all the rest in order of their enrollment in the Senate. The result was that I was at the very end of the procession. Ahead of me were some men very nearly as undistinguished as I. It was a long march out to the Campus Martius and the complex of buildings surrounding the new theater.

  Off we trooped, amid shouts of " Io triomphe!", showered with flower petals. It might be wondered that there were such petals available at that time of year, but Pompey was not about to let his triumph be marred by the season. Against just such an eventuality, he had collected vast quantities of them and had them dried, supplementing them with shiploads of petals brought in from Egypt at intervals to assure that there would be a leavening of fresh flowers for throwing and making wreaths. Huge baskets of them stood along all the streets.

  "The whole city's going to smell like a whorehouse for weeks," groused a young Senator in front of me.

  "It didn't smell all that good before," someone pointed out.

  Because of the huge new building project, half the Campus Martius was a jumble of building materials, with heaps of cut stone and rubble fill everywhere, along with mountains of concrete and great stacks of wood for scaffolding. Half-built walls stood, abandoned for the holiday by the workmen.

  "You know," I remarked, "if you aged things a bit and added a few lurking animals, this gives an excellent idea of what Rome would look like in a state of ruin."

  "You're in a fanciful mood this morning, Metellus," said a Senator who had been a quaestor in the same year as I.

  "Fancy is in the air," I said. "Take Pompey: that theater over there." I pointed to the squat hulk of white marble that had just begun to rise from its supporting platform. "I've heard that when it's finished, it will hold ten thousand spectators. Pompey has a most unrealistic idea of the Roman capacity for Greek drama."

  "I don't think that's what he intends it for," said a Senator named Tusculus, who was rumored to be the great-grandson of a freedman. "I've spoken with his spectacle-planner. He says that the inaugural games for the theater when it's finished are to include a whole city sacking onstage, complete with cavalry and infantry and catapults."

  "That would give old Euripides fits," I said. "Roman tastes in entertainment are a bit more robust than those of the effete Greeks."

  All this conversation with accomplished with rigid faces, barely moving our mouths, coupled with the most rigid bearing. It would not have done to allow our gravitas to slip before the eyes of the citizenry. Once we were within the nascent theater we could relax, because there was no seating for the lower orders, all of whom went off to see livelier entertainments. I wished I could go with them.

  The more lordly personages took their seats nearest the orchestra, just in front of the stage. Only these seats had been completed, and were made of white marble. The rest were temporary bleachers of wood. The stage itself was also of wood, as was the immense, three-tiered proscenium that rose behind the scaena. Eventually, this would all be rebuilt in stone, but no effort had been spared to make the temporary structure sumptuous, and all was bright with new paint and colorful hangings. Fountains sprayed perfumed water in high arcs, helping to dull the odor of fresh paint and new-cut pine.

  "If I get pinesap on my new toga," said an eques behind me, "I'll bill Pompey for it." This raised a laugh. Now that the mob had hied away, we could revert to our natural state, which is to say, a pack of outspoken Italians.

  "Here comes Pompey!" someone shouted. We all stood up and applauded dutifully as the great man made his appearance. He was wearing a golden wreath and a triumphator's voluminous purple toga picta covered all over with golden stars.

  "Well, that's a pit premature, isn't it?" said Tusculus. "The procession's not until tomorrow."

  "No," I said. "As giver of the games, he's entitled to the picta, worse luck. He just wants to get us used to seeing him wearing it. He intends to make it his full-time dress." There were a lot of boos from the anti-Pompeian faction, together with some of the ruder noises possible with the imaginative employment of lips and tongue. He did not deign to hear.

  With Pompey's party I saw young Faustus Sulla, and they all took their places in the front row with Caesar, Crassus, Hortalus and the rest of the great men.

  After a lengthy exchange of greetings, good wishes and insults, we all settled down to be bored into a state of deathlike stupefaction. As the chorus came out to begin their intolerable chanting, we surreptitiously rummaged through the contents of our togas. One of the few advantages of the great ceremonial toga is that it provides innumerable stashing-places for snacks and drink. I had brought along a skin of decent Vatican. It would have been criminal to store really good wine in a skin.

  Of course, it was strictly forbidden to eat or drink during a performance, but who was going to bother us? All the important men were down in front, pretending to understand what was going on on the stage, where a troupe of men was mincing across the scaena, masked and dressed as women.

  "Disgusting," I grumbled. "At least in the Italian mime, women's roles are still played by women."

  "And none of those ridiculous masks, either," said a Senator. "Wigs and face paint are good enough. All a lot of Greek degeneracy, if you ask me."

  "Everybody knows playgoing is bad for the public morals," I said. "Just ask Cato." I tossed a handful of parched nuts and peas into my mouth.

  Caesar turned around and glared at the rear rows of Senators.

  "Uh-oh," said an eques, "there's old Caesar, giving us the holy look."

  "Good thing his wife must be above suspicion," said Tusculus. "Mine certainly isn't." We all tried not
to laugh too loudly.

  Some actors began screeching in horrid falsettos. One of them, Hecuba, I think, or perhaps it was Andromache, began to wail something about the gods and how they had made a fine old mess of Troy. I had to admit that the man had a fine command of feminine gestures. Every movement made his long gown sway gracefully.

  Suddenly, I was absorbed in the performance and I took no note of my neighbor's rude comments. It was not that I had precipitously acquired an appreciation for Greek tragedy; rather, I felt that I stood on the verge of something. As the actor continued to intone I scanned the stage lineup of men in women's garments, then the front row of seats where sat Caesar and Crassus, Faustus and Pompey. Pompey, in his purple robe.

  I was overcome by a blinding revelation from the gods, forgetting, in the exultation of the moment, that the gods always mean trouble when they send you a revelation like that. I felt as if surrounded by a golden nimbus as I leapt to my feet, abruptly caught up in the Greek spirit of things.

  "Eureka!" I shouted.

  "Who do you think you are, Metellus?" hissed somebody. "Bloody Archimedes? Sit down or you'll be arrested!" I ignored everything but my own brilliance.

  "They were all there!" I said, not quite shouting. "All dressed as women!"

  Now the whole front row had turned around, staring at me. My father looked close to apoplexy. Nobody looked pleased. A praetor pointed toward me, and a crowd of lictors began to march up an aisle between the seats, the axes gleaming in their fasces. My exultation evaporated as swiftly as it had come upon me, and I realized with dread what a terrible blunder I had made. I stumbled into an aisle and began to dash toward a gap in the barely begun outer wall.

  "Must be a case of the runs," I heard somebody say as I got clear of the bleachers. Amid hooting and clapping, I dashed out as fast as my toga would allow. I glanced back over my shoulder to see if any lictors were in pursuit, but they were not. It would have been beneath their dignity. I slowed to a fast walk. Not only was running awkward, but heat built up beneath the heavy woolen toga at a tremendous rate.

  A bit of my god-visited mood returned as I reentered the city, and the city itself was like something seen in a dream. It was all but deserted, with the whole populace packed into the two huge Circuses and the theaters. Adding to the dreamlike quality was the profusion of triumphal decorations, the heaps of flower petals that lay everywhere. The Forum was like a city of gods, populated by statues. I glanced up toward the Temple of Jupiter Capitolinus. Within its dimness, through the smoke of the incense burning to the god's honor, I could just descry the great statue of Jupiter, the one that was supposed to give us warning of plots against the state. I threw the god a salute. If I could manage it, Pompey would not sacrifice in that temple on the morrow.

  My slave Cato gaped as I came in through my front gate.

  "Senator! We'd not expected you until this afternoon! There's a lady here to see you, but we told her-"

  "Where's Hermes?" I said, brushing past him. Then his words sunk in and I turned. "What lady?"

  "A lady Julia, one of the Caesars. She insisted on waiting for you to return. She's in the atrium."

  I entered the atrium and Julia was there indeed, rising from a chair with a look of unutterable relief.

  "Decius! How glad I am to see you alive. You're in terrible danger!"

  "I know that," I said. "But how did you find out so fast?"

  "So fast? But I only learned late last night."

  "This is all too confusing," I said. "Just a moment. I must speak with my slave."

  "No, you must speak with me!" She grabbed both my arms with surprising strength and swung me around to face her. "Decius, Clodius came to see my uncle last night. He wants to kill you. He was raving like a madman!"

  "Of course he was," I said. "He is a madman. What had Caius Julius to say to that?"

  "He was terribly angry. He shouted that you were not to be killed for any reason whatsoever, but Clodius wouldn't listen. My uncle said: 'If I learn that you have the blood of Decius Metellus on your hands, I will solemnly pronounce the curse of Jove Optimus Maximus upon you before the whole Roman people.' "

  This was a serious threat. It would mean that no Roman citizen anywhere in the world could so much as speak to him or give him any aid. No allied king could take him in. He would become a rootless wanderer among barbarians.

  "And what did Clodius answer?"

  "He laughed. He said: 'Jove need not concern himself. Charun will have him.' I don't know what he meant by that."

  I felt as if I had fallen into the cold pool at the baths. "He means that he has set his Etruscan priests on me."

  "I wish I could have stayed to hear more, but I'd had to tiptoe from my own quarters when I heard the shouting, and I might have been discovered at any moment. I couldn't leave the house until my uncle left for the theater, and I had no way of getting word to you earlier."

  "I don't know how I can thank you," I said, my mind whirling. "But you dare not be seen with me. Just coming to my house put you at terrible risk." Further implications hit me. "They could be out there already. There's no place to hide in these deserted streets. You have to stay here until dark."

  "Would they dare attack me?" she asked, all patrician haughtiness.

  "Ordinarily, no," I answered her. "Clodius fears Caius Julius. But now his derangement has entered a particularly lurid stage, and he is liable to do anything. And the Etruscans are fanatics. Only Pompey can call them off, and he's not about to do that. Not after the theater this morning."

  "What?"

  She was not the only one with questions. Just then I was wondering why Caius Julius was so determined to keep me alive. It was a relief to know that there was someone who was not out for my blood, but I could think of no reason why in Caesar's case. Doubtless all would be made clear in time, when more pressing matters were settled.

  "Oh, I made a bit of a scene this morning. A great revelation came to me while we were watching Trojan Women"

  "A vision from Apollo!" she cried, clapping her hands. "But of course! Euripides is the most sublime of playwrights, and Trojan Women was the most inspired of his plays. I love Euripides."

  "Indeed?" I said. Women are difficult to fathom. "Well, in any case, I was suddenly vouchsafed a glimpse of the meaning of a number of anomalies. It was the sight of all those Greek men in women's clothing, and Pompey sitting there like a puffed-up bullfrog in his triumphator's robe. And do you know what my first thought was? Without even knowing why it came to me, I thought, 'Milo will be pleased.'"

  "You make no sense whatever," she said with considerable restraint.

  "Made no sense to me at first, either. That's the way it is with divine revelations. You see, my friend Milo wants to marry Fausta. He was very displeased when he heard that you saw her there that night when she had no right to attend the Mysteries but didn't join you unmarried women. He hinted that he might be quite unhappy with me should I implicate her in any wrongdoing, and Milo is not a man I would want to fall afoul of. So imagine my relief when I understood that she was not there that night!"

  "But I saw her," Julia said coolly. "Do you think I am a liar, or merely a fool?"

  "No, no, nothing of the sort," I said, laughing and shaking my head. I must have looked and sounded truly demented. "You see, that wasn't Fausta you recognized. It was her twin brother, Faustus, dressed as a woman!"

  Her jaw dropped gratifyingly. "Dressed as a woman? Like Clodius?"

  "Yes, like Clodius. And Pompey, and your uncle, Caius Julius. I suspect that Crassus was there as well. Pompey was wearing the dress of the peasant herb-woman, a purple dress. He does so love to wear purple."

  "But Uncle Caius? Can you be sure?"

  "He was supposed to spend that night at the house of Metellus Celer, but he went out, ostensibly to look for omens on the Quirinal. I checked at the Temple of Quirinus and found out that he did not go out through the Colline Gate that night. I think he, too, must have donned women's clothing and w
ent into his own house thus disguised. And if Caesar, Pompey, Clodius and Faustus were there, then Crassus was most likely involved as well."

  "Oh, dear," she said weakly. "But why? Why meet together in such a bizarre fashion?"

  "That is what I am about to find out," I said. "Come along. Let's have a few words with my slave boy, Hermes."

  "Your slave?" she said as she followed me to the rear of my house, Cato close behind us.

  "Exactly." I threw open the door to his cubicle, and the boy backed against a wall, white-faced. "Where is it, you thieving little swine?" I shouted.

  "What do you mean, master? I don't know what you're talking about!" At least he had the grace to look as guilty as Mars in Vulcan's net.

  "I mean the things you stole from the body of Appius Claudius Nero, you disgusting creature!" I slapped his face twice, forehand and backhand.

  "Under my bed!" he cried, all but bawling.

  I threw back his pallet, revealing a cache of rings, bracelets and coins in a hollow scooped into the dirt floor. Among the glittering loot was a plain bronze cylinder as long as my palm and as big around as my thumb.

  "You couldn't resist, could you?" I said. "You went back out there that night and stripped the body. That's pretty low, Hermes, robbing a corpse!"

  "Of course it's low!" he yelled. "I'm a slave! What do you expect! You noblemen can murder each other in the streets, and the praetor sends you out of town for a year or two. We get sent to the cross! I couldn't just leave him lying there with all that gold on him. Anyway, I sacrificed to Mercury, and he's the god of thieves."

  "Admirable piety. Well, you may have cleared things with the gods, but not with me. You made a mistake, Hermes. You came back here with your ill-gained loot and you had to gloat, didn't you? It was still dark, but you couldn't resist trying the quality of the gold." I held the poison ring before his nose. There were teeth marks on its capsule.