The Grand Hotel
Page 21
‘Any more and the drunk’ll strike,’ Tom String replied between hefting. ‘Do they have a union for alcoholic horses, Mrs Sweeney?’
‘I’m sure I don’t know, Tom, but I doubt it. There’s no union for swimming publicans after all.’
Tom String half laughed, half hefted now, causing himself to snort, as if he was the horse in question. ‘Nor for overweight slushies like myself.’
‘Oh I wouldn’t know about that. But I don’t like to hear you call yourself a slushy, Tom. Where would The Grand be without you? Where would I be?’
Tom String scoffed. ‘Oh you’d be fine, missus. There’s plenty of other fellas about who can pour a drink.’
‘Oh yes? And plenty of others who can brew a beer as good as you? And punt the barrels back and forth between the hotel and your camp upstream? And smithy for the nags of the clientele? Polish the fish cutlery, the bone-tweezers, the crab scoops? Remove the brawlers? Boil the eggs for the bar? And all with a lady for a boss, a widow? No, no, Tom, in my experience a slushy is a down-and-out who you feel sorry for, some old swaggie who needs a few bob, some fella with the DTs who you haven’t the heart to throw on the tip. Or a boy for that matter, who can run the glasses and plates for a loose bob. Now that’s a fact, Tom String. I know your mum was native born and I’m from the city, but I’m speaking from experience and you should know better than to call yourself such a thing.’
For a moment the chips of coal ceased thudding into the cart. A gull squawked nearby. There was a tapping sound on fabric as if Tom String was searching in his pockets for a jocular reply.
But then there was a rich knocking sound of wood on wood: his pipe on the edge of the coal-cart. And he said, ‘Phew, missus. There’s no need to get so het up about it. I was only having a lend.’
‘Yes, well nevertheless ... it’s an important trait ... for a man to know what he is worth.’
‘That it is, Mrs Sweeney. And for a horse.’
Now there was silence again – if you could call it that, with the ocean so close – and eventually the sound of a match being struck. Then the crackle and pucker of a pipe being sucked.
‘It always buggers me,’ Tom String said, ‘the way those gannets dive out there like that. You’d think their heads would explode as they hit the water.’
‘You would, Tom String. I suppose God made the world though.’
‘Do you think so, Mrs Sweeney? Nah. Tough birds. Hungry birds. It’s amazin’ what you’ll do to get a feed.’
‘I suppose they’ve worked out how. Do you not think there’s a god, Tom?’
‘Do you, missus?’
‘Sometimes, on days like this. When it’s fine enough to swim.’
‘Well, as you know, I’m no swimmer.’
‘Nor was your father?’
‘No, Mrs Sweeney, I don’t believe he was. Always said there was nothin’ but your own nous. He believed the world gone wrong, you see. Since the devil got into it.’
‘The devil?’
‘Man. Mankind.’
‘And what was it like before that?’
‘He said it was like early autumn on the northeast side of King Island. Calm weather and plenty of seals.’
‘But no one to sell the skins to, Tom.’
Tom String paused to suck at his pipe. ‘I suppose you’ve got a point there, missus. No mistakin’ your husband was a lawyer, eh?’
‘Well, I didn’t get my ability to reason from him.’
‘No? Where did it come from then?’
‘Same place as those gannets I suppose.’
Tom String chuckled again; it seemed he couldn’t resist a joke. ‘Yairs, well, there are some at the hotel who call you a tough bird.’
Joan Sweeney laughed too now. ‘Oh, Paul,’ she exclaimed, talking to the horse, ‘no wonder you get cranky with him.’
Maria was on the edge of her seat, feeling both the pleasure and the strain. She couldn’t help but keep expecting the tranny to glitch or for Kooka’s sleep to roll over into some other blank style of restfulness, but it didn’t. This time it stayed constant and clear. Now Tom String and Joan Sweeney were getting up on the cart to ride back to The Grand.
‘Ho, thee! Up there, Pauly!’
Tom String had no plaited whip but a wattle-switch whose leaves could be heard rustling in the air before he brought it down on the flank of the horse. As the cart moved up off the beach and onto the beach track, the timber wheels and joints knocked and jostled, and the iron parts rattled with the uneven ground. ‘He’ll be right when we get him past this shoulder, round the hook and up through the elbow there,’ said Tom String in an anxious voice. ‘Ho, thee, Paul, my friend. Up, up!’
‘Right you are, Tom,’ Joan Sweeney replied.
The cart jostled on, with Paul snorting, his shod feet clinking on what sounded like shelly rather than stony ground. The coal in the back could be heard too, shifting about lightly as first one wheel of the cart then the other rose and fell on the rooty camber. Occasionally, too, the ratcheting sound of a wattlebird would pierce all this with harshness.
Apart from Tom String’s geeing of the horse, neither he nor Joan Sweeney spoke for some time now, presumably until the difficulties of the track had been negotiated. Either that or they were absorbed enough by their progress to sit silently on the dray in the sunshine, as Paul did the work. But when eventually the publican did speak, it was to point out a burrowing echidna that had stopped Paul in his tracks.
Tom String had put the sudden halt down to his horse’s pure contrariness and had begun to curse. ‘You can’t prop here and leave us hangin’ off the hillside! C’mon, horse, it’s not just me and the coal you’re haulin’. Think of your good friend, Mrs Sweeney, damn you!’
Then Joan Sweeney had called out, ‘It’s a hedgehog, Tom, in the middle of the track. That’s what’s stopped him.’
Sure enough the next thing was Tom String jumping down off the cart and shoo-shooing the echidna. He knew Paul wasn’t budging and he grew increasingly frustrated, caught as he was between the stubborn self-preserving instincts of two animals. Eventually he asked Joan Sweeney to pass him down the mattock from the cart. ‘Nothing that a bump on the scone won’t fix,’ he said.
In The Sewing Room Maria was alarmed, but quickly there was a dull thump, a crunch, and then a bosky slither-sound in sandy soil, as Tom String pushed the dead echidna to the side of the track. By the gristly noise of it he gutted the creature right on the spot and then picked it up, no doubt tentatively, and placed it with the coal in the back of the dray. He laid the mattock in its toolbox, hauled himself back into position with a grunt, and once again geed the horse. With the echidna out of his line the tinkle of Paul’s harness resumed, as did the wooden music of the dray.
When they reached the top of their climb, the effort in Paul’s nostrils grew easy, and he was even congratulated by Tom String. ‘There’s a boy, Pauly, we’re back on top of the world now, old son.’
‘Yes, and thanks to you we’ve got a hedgehog to boil tonight,’ Joan Sweeney chimed in. ‘Good work, Pauly.’
‘Now don’t get too excited, missus,’ said Tom String. ‘One won’t go far in the ’otel. Unless you’re Jesus Christ.’
‘Mmm, that’s right. It’s a delicacy, Tom. I’d nearly eat one all by myself. If we see another one heading back, let’s get it.’
‘Rightio, missus. And look out for some pigface would ya, to cut the fat.’
The level ground now reduced the sound of the dray, and the tread of the palomino’s hooves was duller in the dirt. Tom String had mentioned the Boatbuilder’s Track previously, and naturally Maria took it to be what these days we call Boatbuilder’s Road. So now she pictured the dray heading across the long ridge to where the Boatbuilder’s eventually descends steeply down onto the riverflat.
As they jigged along more easily, Joan Sweeney discussed hotel matters with her right-hand man while he pursed away again at his pipe.
‘Mr Arvo suggested he might stay another
week,’ she said matter-of-factly. ‘Said he approves of the fare and there’s no point leaving the sea in fine weather.’
‘Exotic lodgers eh, Mrs Sweeney?’ replied Tom String, his voice suddenly a little surly. ‘Well, a few extra coins I suppose. Mind you he’s got the top room. But make sure he pays in pounds and shillin’s. Not books like last time. Come to think of it, what do they use for money in the Baltic?’
‘I asked him, Tom. It’s markkas where he’s from. But he’s not out here for the gold. And he only left the books last time because I suggested it – for the hotel shelf. A bit of reading matter for weary travellers. Don’t you worry, he’ll have the right stuff.’
‘Oh well, you know best. But don’t get me wrong, missus. I don’t mind Mr Arvo.’
‘Turn it up, Tom String, that’s not what I heard.’
‘How do you mean, missus?’
‘I heard you told him to stop singing the other night.’
‘Aw, that was only because he was making the beer go flat.’
Joan Sweeney scoffed in amusement.
‘No, but in all seriousness, missus, a few of the boys were concentratin’ hard on Bertie Bolitho’s round of poker. Didn’t want any blood spilt. Not from the old Balt. Plus, his music’s from a different country to mine. Must say, though, he was quite accommodatin’ when I put it to ’im.’
‘I bet he was. A man of your size.’
‘Well, you know me, missus. I don’t throw me weight around unless it’s warranted.’
‘That’s true, Tom. But Mr Arvo doesn’t know that.’
For a moment then the tranny glitched, Maria gave a start in the wicker chair, and Kooka adjusted himself in the bedclothes. Her thirst was raging as she watched him hunch up his shoulders and chap his lips together, before turning off his side and away from where he’d been facing the tranny, to lie flat on his back right in front of her. The tranny spluttered, as if mis-receiving short wave, once again she bit her lip, not able to bear the thought that she’d lose contact, and then, as a gust of night wind fluttered the curtains in the inland window beyond the pool of light, the transmission cleared. Kooka chapped his lips together one last time, and the sound of the rollicking cart, with its load of black Bass Strait coal and a gutted echidna, disappeared from the room.
Naming the Winds
It was around ten o’clock that night, after my Black Velvet session with The Lazy Tenor, when The Blonde Maria made an unexpected but brief visit downstairs. She burst frantically into the bar, started fossicking madly around in the spirits store for booze, before dashing straight back out again with a bottle of Yarra Valley Marsala in her fist. Of course by that stage I was too drunk to take any notice and she was too desperate to get back upstairs to Kooka to mention a word of what was happening up there to me.
Earlier on The Lazy Tenor hadn’t hung around after we’d polished off the Black Velvets. He said it was all too much, he was having too much fun. He left me alone in the bar, with more end-of-the-day customers rolling in. It was hopeless; even then I was too far gone to run the Happy Hour, and dinnertime was fast approaching. Veronica was rostered to handle the food, Darren would be in at some point, but they’d need a hand, and frankly I didn’t feel up to it.
But I kept drinking – something was willing me on. I poured a few Dancing Brolgas for the punters in the bar, gingerly handwashed Aunty Rita’s Laliques in the sink and realised I hadn’t refreshed the loop in Duchamp. We still had an old bush verse in there from the day before. It had been Nan Burns’s choice. She’d dug it out of a book in her fire tower. We couldn’t get Kooka to read it – he was snoring his head off at the time – so we’d had an impromptu lucky dip in the bar to see who’d do the honours. Joan and Jen’s youngest, Dougie, was the name we pulled out of the hat. He was up for it, keen to be involved, so it was his clear as crystal eight-year-old voice that went onto the loop. Given his vintage it was inevitable his performance had a whiff of hip-hop about it.
Though the rich lie soft, yet we sleep well
On our bed of the fragrant leaves;
And we’re better than those who in mansions dwell
In this – that we fear no thieves.
Dougie was chuffed with his contribution. He’d hovered outside the toilet door all the previous evening, listening for himself on the loop and also for the comments at the pissoir. Before he went home that night, he told me his brother Dylan had renamed him DJ Dunny, and Joan, who with his broken arm and hangdog heart needed cheering up, apparently thought this was every bit as funny as Dougie did.
I decided, conveniently for me, that given how much Dougie had enjoyed his debut on Duchamp it would be okay to leave his contribution there for another night. That, at least, was one responsibility I didn’t have to deal with. And then just as I was pouring myself a glass of the Finnish wine I’d been serving up to Kooka at lunchtimes, and consoling myself that I’d been working too hard, too hard in fact to find time for a swim or to get drunk, and that today was the day to do both, Jen Sutherland walked into the bar and declared herself available as her husband’s replacement.
‘There’s only one condition,’ she said. ‘I want Frankie with me behind the bar. A kindred spirit to talk to, you know.’
Perhaps if I’d been sober I would’ve argued the point – not about the canary, but about her as a barmaid – but in my velveteen state I immediately grew fond of the idea. For a start the Sutherlands would be getting a double income – a thought that appealed. I’ve always liked the idea of money going to a good home. And if I was perfectly honest with myself, I had to admit that I also liked the idea of having Jen around the place all the time. I watched her slip around behind the bar and pick up a dishrag, all the time pretending that she hadn’t noticed I was drunk, and I thought she looked about as good as a woman could in jeans and a freshly ironed Miller shirt. And then Darren walked in and between them they started organising things for Happy Hour. They went straight into action. It was seamless. The Grand Hotel was fast becoming a well run pub as well as an emotionally dysfunctional off-the-wall folly. Satisfied, I dug out a longneck of Coopers Stout from the coolroom and made straight for The Horse Room to continue my session.
With the barman problem fixed for the time being, and none of us any the wiser about what was going on up in The Sewing Room, we could continue our usual routines and events. Jen performed more than adequately that first night, and there were a lot of wry jokes about Joan never getting his job back. She seemed to take it all in her stride, so much so that she left me sprawled over the pool table in The Horse Room at stumps, snoring my head off. Perhaps on Darren’s advice she didn’t bother to wake me but instead just tucked a cushion between my head and the hard edges of the corner pocket, placed a blanket over me and locked up on her own.
The next morning, of course, I felt terrible about this but had no time to dwell on it because it was not only banking day but also the day we’d set aside for our Naming the Winds garden party. As I opened my eyes on the dust motes of The Horse Room, I realised we hadn’t even sorted through the entries.
My head felt as leaden and spiky as a late summer haybale, but I levered myself up off the pool table and went and had a shower upstairs. The hot jet of tangy Mangowak water soothed me as it hit my skin. Then, just as I started to feel normal enough to attempt an in-the-shower version of ‘Flame Trees’ by Cold Chisel, I heard someone else singing through the walls. Of course it was The Lazy Tenor and his morning aria.
I turned off the water and slowly dried myself to this exceptional accompaniment. He was right next door in his room. The song was so close I fancied I could hear The Blonde Maria gasping with pleasure as he sang, but I’m sure my hungover mind was playing tricks on me. Still, the aria was worth a gasp or two, and when it finally came to an end I was almost tempted to drop my towel and applaud.
Skipping breakfast, but for a can of Coke, or ‘Choke’ as we call it around these parts, due to its ability to help start a hungover early-morning engine,
I drove around the winding road of the coast to Minapre to do the banking. I had the windows wound up in Kooka’s Brumby but still the cold southerly found its way into the cabin to keep me alert. The Wake-Up Wind, I ventured aloud as I drove, thinking of the contest scheduled for later that day. Or maybe Hair of the Dog.
By eleven o’clock I was back in Mangowak with hamburger stains on my shirt, fully fed and with the banking all done, ready for the specially convened Naming the Winds luncheon scheduled for 12.30pm in the beer garden behind the hedge. Yes, we were opening uncharacteristically early and had thirty-two bookings for the lunch. I had no doubt others would turn up unannounced as well, given that it was a Friday.
In the bar Oscar, Nan and Ash Bowen were cooking up a storm, while out in the beer garden Jen was setting tablecloths and placing flowers on all the tables, and putting our best fish cutlery down as well. With the tea tree hedge in bloom and morning coastal cloud clearing from the sky overhead, everything looked set for a royal afternoon.
We’d had a Naming the Winds box and an information sheet in the bar for over a month, explaining the rules and purpose of the competition. Of course if you dangle something as contested and provocative as theories on the local weather in front of the locals as they drink every night, you’re gonna get a genuine discussion. I’d heard a lot of anecdotes and ideas over the preceding couple of weeks, and a lot of potential names for all directions of the compass, as well as for the often more conspicuous gradations in between.
Travellers passing through had also put their two bob’s worth in, and in fact it was our Dutch guest from Room Two who had unwittingly kickstarted the whole idea. One night he was telling a few of us in the bar how he grew up in a little farming town just out of Rotterdam called Skee. Apparently in Skee there were two distinctive local winds. One was an icy breeze that sprang out of a nearby lake, even in the middle of summer. He said that no matter the temperature of the air, as the wind rolled from the north towards the lake, by the time it got to the other side of it and reached Skee it was freezing, as if the lake itself was acting like some kind of Coolgardie Safe. He said the locals in Skee called this wind the Ousburg Opspringen, or Ousburg Shiver in English, after the Ousburg lake.