Dark Triumph (His Fair Assassin #2)

by Robin LaFevers

  It is not until I dismount and hand my reins to Yannic that I see the marques. There, on that man-at-arm’s brow—a man whose name I do not even know. Winnog too is marqued, I see, as he walks by and gives me a jaunty wave. Alarm clangs through me like a bell.

  My gaze searches among the camp for the greenlings. I find them just beyond the clearing, practicing their skills. Henri and Claude also bear marques. As does Jacques. More than a dozen men bear the marque, and cold understanding creeps along my skin.

  Ismae was right. These men cannot all be traitors to our country. Nor does it make sense for Mortain to have marqued them all at once if I am to be the one to kill them. It can only mean they are to die. Tonight, or more likely on the morrow, during our assault on Morlaix.

  Even though I have eaten nothing all day, I fear I will be sick.

  Beast.

  Dreading what I will find, but desperate to know, I go in search of Beast. He has already called the captains to him and begun telling them what we have learned. I ignore the others, my eyes devouring the ugly face that has grown so dear to me. While it is not one whit prettier and is covered in dark stubble, it bears no marque.

  It is all I can do not to whoop with joy, but the marques I see on de Brosse and Lorril sober me. While I knew that men would die in this battle, it is hard—so very hard—to know who will not be returning.

  I join Beast and the others at the small map table that Yannic has set up. I glance once at d’Albret’s former jailor and am relieved when I see that he too is unmarqued.

  “There are three points of attack,” Beast is saying. “We will send two parties north, to take out the cannon on either side of the bay. Erwan, I will want at least half the party to be your charbonnerie.

  “The second defense we will hit is the massive chain they have strung across the narrow mouth of the bay. If we can cut that down, some of the smaller British ships will be able to sail directly into the town quay and disembark there.

  “Last, the majority of our forces will strike here. Lazare and Graelon have developed a plan to immobilize most of the French troops.”

  Lazare’s thin serious face breaks into a rare smile. “We will smoke them out,” he says.

  It is a bold and desperate plan, and because of that it just might work. Under the cover of night, the charbonnerie will bolt the sleeping garrison in, then set fires at two of the windows and direct the smoke to fill the room. That will leave one window—the one with a twenty-foot drop outside the city walls—through which they can escape. Many broken bones will ensue, and not nearly enough deaths to make the men happy, but it is the fastest way to free the town of the troops’ presence so the British can land.

  “Have your men catch some sleep,” Beast tells them. “We will move at midnight so we are in place well before dawn and can strike while the French are still unsuspecting.”

  As the captains leave to give their men their orders, I move to stand beside Beast. “How do you do it?” I ask, my gaze on the departing men. “Send men to their deaths?”

  Beast looks at me, surprised. “You know they will die?”

  I nod without looking at him. “De Brosse and Lorril are marqued. As are a dozen other men, including Winnog and Jacques.”

  “They are not all traitors.”

  “No,” I agree. “They are not. Which is why I ask you: How do you do it?”

  He is silent, then, as he watches the men he will send to their deaths. “I have sworn to support the duchess with my life. I do not ask of anyone that which I am not also willing to do. I believe that this cause is worth fighting for.”

  “And is it?” I stare at Jacques, who is laughing with Samson and Bruno, boasting of his hoped-for valor in tomorrow’s mission.

  Beast is silent a long moment before he speaks. “That is one of the hardest things, and we will not know until later. Sometimes much later.”

  We are both quiet awhile, lost in our own separate thoughts. Finally, I turn to him. “What is my role in tomorrow’s assault?”

  At his blank look, I fold my arms and scowl at him. “You cannot think I will sit here quietly and wait with the other women?” But I see that is exactly what he had hoped I would do. So he will not suspect how much his concern touches me, I mock him. “You cannot tell a handmaiden of Death that it is too dangerous.”

  He sighs and runs his hand over his head. “I suppose I cannot, although I would like to.” He turns to me then, his piercing blue eyes studying me intently. “Could you see a marque on yourself, if there was one?”

  “I do not know,” I admit, his question filling me with curiosity. “But you can be sure of one thing. I will not die until d’Albret is defeated. “

  The two parties headed for the north of the bay are the first to leave, for they have the farthest to go. Sir Lannion is leading one group, Sir Lorril another. There are as many charbonnerie in the parties as soldiers, for the plan is not only to take out the men guarding the cannon, but also to find a way to disable the cannon themselves. We talk briefly about using them against the French, but there is no way to do that without also injuring the townspeople, and that we are not willing to do.

  I cannot take my eyes off the cheerful, gangly Winnog and the faint black marque that sits on his forehead. Against my better judgment, I search out Lazare, who has also been placed on the cannon detail.

  At my approach, he eyes me suspiciously. “What?” he asks.

  “I want you to keep a close watch on Winnog.”

  “Winnog? You are daft if you suspect him of any trickery or deceit.”

  “I suspect him of no such thing,” I say sharply. “I tell you because he is marqued for death.”

  Lazare’s dark eyes widen in both fear and awe. “You can see such a thing?”

  “Yes, that is one of the powers my god has given me.”

  Lazare’s gaze drifts upward as if he would look upon his own forehead. I bite back a smile. “You bear no marque,” I tell him. “I do not know if we can outsmart Death, but I am willing to try. Watch him carefully and keep him as safe as the mission allows.”

  Lazare gives me a fierce smile. “If there is anyone who can outsmart Death, it is the Dark Mother. I will watch out for Winnog. And thank you.” Our eyes hold for a long moment, then he joins the main party, moving to stand near Winnog.

  I cannot save them all, but the innocents, the ones who do not fully understand the duty they have signed up for, those I shall try to save.

  My own party is next to leave. We are to travel west to where the river narrows just before reaching the town, where we will wrest control of the chain and lower it into the river so ships can get through. Sir de Brosse will lead our party, and while I hold no great love for him, it is an uncomfortable thing to see him marqued for death and say nothing. In the end, I cannot stay silent. Just before we leave, I approach him. He lifts one side of his mouth in a lazy smile. “My lady?”

  “I just want to warn you to be careful,” I say.

  He lays his hand on his chest. “Have my lady’s feelings for me softened?”

  I roll my eyes. “No. Just do not do something stupid and get yourself killed.”

  He frowns in puzzlement. “I will try not to, my lady.”

  I give a curt nod, then fall back to check my knives and Ismae’s rondelles and make certain the crossbow is secure upon its chain. Before I can join the others, Beast draws near. “Are you certain you will not stay here and wait?”

  “I am certain. Besides, I must stick close to Jacques and the others. I do not want to be the one to tell his mother that she has lost her son.”

  He nods his understanding, and even though he is not marqued, my heart is in my throat, worried for him, for the danger that might find him while I am away from his side. His eyes have begun to burn with some eerie inner light so that they shine like twin blue flames.

  He steps closer and places his hands on my arms. “We will meet again on the other side of this, for what is between us is not finished by half.
”

  “Does your god tell you this?”

  He grins. “No—yours does.” Then he leans in and plants a quick, fierce kiss on my lips. A flash of heat and hunger and something so sweet I dare not name it, and then he is gone, striding off to lead the remainder of the men to town.

  A quarter moon hangs in the sky, shedding just enough light that we can see where to put our feet but not so much as to expose us utterly, even once we step out of the shelter of the trees. We are most vulnerable while crossing the northbound road, but with the countryside occupied by French soldiers, most of the small folk keep to their beds with their doors and windows locked.

  There are only eight of us, but still it feels like far too many. I have only ever fought alone or with Beast and Yannic at my side. I already miss the little jailor’s excellent aim and keen timing.

  The night has leached all the color from our surroundings so that everything around us is cast in shades of silver and gray and black. The tall trees are but darker shadows and smudges against the sky. The greenlings blend in well with the others, and I am proud that they make no more noise than do de Brosse and his soldiers. Their nervousness and excitement hangs in a thick cloud around them.

  We finally come to a stop on a hillock overlooking the bay. A small copse of trees sits atop it, like a crown. We tie our horses up here and I suggest Claude be set to guard them. He accepts the assignment grudgingly, but up here, out of harm’s way, he will be one less person I must watch after. Careful to stay hidden among the trees, we move to the edge of the hill, the hearty scrub grass cushioning our footsteps. Looking down, we can see the small, square rock shelter built for the chain winch. Beyond it, the water of the bay is flat and still and silver, like a mirror. The thick heavy chain spans the width of it, and on the other side, the full forest descends all the way to the water line.

  De Brosse motions two of his men forward, and they disappear down the hill to learn how many guard the winch and where they are posted. Behind us, one of the horses blows gently, and I hear Claude move to quiet him.

  Although we do not wait more than a few minutes, it feels like hours until the scouts return. They speak quietly to de Brosse. There are at least six soldiers and three archers, possibly more inside. I glance at the marqued Jacques and de Brosse and wonder what Mortain would think if He knew I was planning to thwart His will.

  We ignore the footpath and, instead, approach slightly from the south, using a deer track through the bracken.

  Bruno and Samson are to stay back, as we will need their strong arms to free the chain. Jacques and I are to slip down and take out as many of the sentries as we can before being noticed. Once the alarm goes up, de Brosse and the other soldiers will leap into the fray and engage the soldiers directly.

  Luckily, it is near the end of the Frenchmen’s watch, and they are tired. Perhaps even a little complacent as they lean against the trees, talking quietly among themselves. I shut my ears to their voices. Hearing them talk of their wine or dicing or women will not make them any easier to kill. I lean into Jacques. “You take the one on the left, I’ll take the two on the right.”

  He nods, his whole body atremble, and begins creeping toward his target. I pull a crossbow bolt from the frame and stick it in my belt for quick access, then draw my knife.

  As silent as one of the shadows, I approach my target. He is listening intently to some story the other fellow is telling him. Closer and closer I creep. When the man throws his head back to laugh, I step silently forward, reach around with my knife, and slit his throat. The soul bursts from him nearly as quickly as the blood that hits the other man in a wide arcing spray. While the second man is still staring in stunned amazement at his dying friend, I slap the bolt in place, lift the crossbow, and fire.

  The bolt takes him between the eyes, and he falls backwards. There is a scuffling sound behind me, and I turn to find Jacques and his archer clasped together in some sort of lethal dance. Retrieving my knife, I hurry forward. The archer’s hands are around Jacques’s neck, and the boy’s eyes bulge in fear. Bette’s and Guion’s faces float before me. I brush the vision away, take a step forward, and stab the archer in the back, then force the knife up as high as it will go to hurry his passing.

  As his hands fall away from Jacques’s neck and he slumps to the ground, his soul rises from his body like mist from a swamp. I ignore it and focus on Jacques, who is breathing hard and rubbing his neck. Our eyes meet over the dead man, and then Jacques turns and retches into the bushes.

  To give him some privacy, I kneel down and clean my knife on the tabard of the Frenchman. Jacques may be embarrassed, but at least he is still alive.

  There is a shout from the stone house and then the clang of metal as de Brosse and his men fall upon the guards. “Come,” I tell Jacques. “We must—” My words are cut off by a cry of rage as a man—a fourth archer—emerges from the trees. He pauses long enough to unsling his bow from his shoulder, nock an arrow to the string, and aim directly at Jacques.

  Luckily, he does not see me squatting in the shadows beside his dead friend. I shove to my feet and use the upward momentum to launch myself at Jacques’s attacker.

  I catch him completely unawares, the impact of my body knocking his bow from his fingers and his legs out from under him. As we hit the ground, I lever up, adjust my knife, sweep it across his throat, then roll out of the way of the mess that follows.

  My pulse racing, I leap to my feet and peer into the shadows in case they should be hiding any other attackers. A long moment passes, then another, and no one else emerges. I turn to Jacques then, who is still on his knees, eyes wide, staring at the fallen archer.

  The marque is gone from his brow. “Go.” The fear still coursing through me makes my voice harsh. “Join Claude and the horses. The rest of us will be right behind you.”

  He does not question me but nods once and then goes to do what I ordered. When he is out of harm’s way, I go to the winch house, where the clang of sword against sword is accompanied by the heavy, solid pounding of an ax as it chops.

  When I reach the doorway, I see that all four guards lie dead, and Samson and Bruno have almost hacked the wooden winch from its mooring. It is not enough to simply lower the chain—we must ensure it cannot be raised again before the British get through.

  I lean against the rough stones and catch my breath, keeping my gaze focused carefully on the shadows outside for any more of the French.

  There is a great splintering as the winch finally gives way. Like a huge metal serpent, the giant chain slithers and writhes from the broken winch, each enormous link clanging like an immense bell as it hits the stone floor. Then there is a faint rumble as the chain slithers across the rocky shore and sinks to the bottom of the bay.

  We all stare after it for a moment, the silence ringing in our ears. “It is done,” de Brosse says. “Let’s return to town and see if they need our help.”

  He pokes his head outside the winch house, then motions the rest of us to follow. Before he has taken two steps there is a hissing sound, followed by a thud, then de Brosse and the soldier behind him are flat on their backs with crossbow bolts rammed through their necks.

  “Down,” I shout to the others as I flatten myself on the floor. I belly-crawl to the door and peer out, but see no one. “Samson, give me your cloak,” I order. Wordlessly, he pulls it from his shoulders and hands it to me. I wad it up, then toss it outside.

  Before it lands there is another hiss of a crossbow bolt. “They are coming from across the river,” I tell the others. “And we are caught like sitting ducks.” We must find a way to shield ourselves long enough that we can reach the path behind the chain house. Once we do, we will be out of their direct line of sight, but until then we are ripe for the plucking.

  I call to two of de Brosse’s men. “Can you fire your arrows to the far side of the river?”

  One of them shrugs. “We can, but I don’t know how accurate they’ll be.”

  “That’s a
ll right, I am only looking to slow their arrows down somewhat. Bruno and Samson?” The two boys step forward, their faces serious, all traces of adventure or games erased by the death of their comrades. “I want you to get down on your bellies and crawl over to the fallen French, just at the far side of the chain house. When you reach them”—this next part is hard to say, for all that they are our enemies—“I want you to lift the bodies and use them as shields against the arrows. Bring them back here and then we can all move together behind their screen.”

  It is a foul thing to do, to use a man’s body thusly, and I will not dishonor our own fallen in such a way.

  Bruno’s eyes widen so that the white shows, and he makes the sign to ward off evil. I reach out and grab his thick, meaty arms and give him a shake. “I do not enjoy this one bit more than you, but I have five of us I wish to get out alive. Now, can you do it or must I ask someone else?”

  When he finally nods, I relax my grip. “We can all say extra prayers for them later, if you’d like.” I gesture to the two soldiers to take position. When their crossbows are aimed at the far side, I motion to the other two boys to hit the dirt. As they do, de Brosse’s men begin firing their bolts to the far bank.

  We all hold our breath as inch by painful inch Samson and Bruno make their way to the dead Frenchmen. Every moment brings the risk of an arrow strike, and I must keep reminding myself that neither of them was marqued. It does not make the wait any easier.

  At last they return with their grisly burden. The rest of us step out into the night and use our enemies to shield our flight to safety. De Brosse’s remaining soldiers drag him and the other fallen with them as we go.