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The Good Liar

Page 14

by Nicholas Searle


  with an expression of deep regret that the post, after all, had sadly fallen through.

  Now he was able to start afresh.

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  Chapter Nine

  Men and Women

  1

  Bob Mannion. How odd that he should come to mind. Roy cannot

  recall any particular sense of sadness. It was all utility, the requirement for immediate response and action. Even today he is impressed

  by his ability to corral his thoughts and proceed logically. And that winter. The coldest for over two hundred years. No one had thought

  it would ever come to an end. For Bob it hadn’t.

  Roy now feels, if not sorrow, a kind of regret at Bob’s death,

  mindful at the same time that in dying Bob had delivered him a

  route out of his plight, stranded on the Fens, left behind by the

  floods. Having moved back to London, he had become submerged

  in the metropolis, after a short time cautiously able to dip into the bank account he had opened in the name Robert Mannion with

  Bob’s money, even occasionally to be Mr R. Mannion, indeed Roy

  Mannion, when it served his needs.

  Over the years the natural accretion of identity had occurred,

  that circular evidencing and self- referencing that came to prove

  beyond doubt that he was Mannion. The availability of an alterna-

  tive persona, backed by official documents, has been more than

  useful. At times the challenge had been to maintain the flickering

  self that was Roy Courtnay. It is possible, though unlikely, that

  shortly he may need again to take the wraps off Mannion and give

  him one last lap of the circuit. Depending, that is, on how things go with Betty and how assiduous and litigious her family choose to

  become.

  Regrets? He’s had a few, especially when he and Vincent had had

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  to do over Martin, Bernie, Dave and Bryn. Especially Martin, the

  poor sod. But not really. Live by the sword et cetera, et cetera.

  But Bob Mannion. Really. What has triggered that thought? The

  strange chemistry of the brain.

  To his surprise, he is crying. His reflection in the mirror confirms this. He sees his long, tired face, those eyes once fierce and now

  merely mournful, and the streaks of tears running down sagging

  cheeks. He places his razor carefully on the basin and grips its sides with both hands to steady himself as he sobs.

  Bob was like all those others left behind, he tells himself. Once in the past they might as well be dead. Thinking about them: to him,

  it’s a waste of time and energy. For him, they are dead anyway.

  Maureen, he knows, is in the public eye. Formerly a junior minis-

  ter in the Department for Education, she now pronounces from on

  high in the House of Lords, a vociferous and rather irritating sup-

  porter of the deprived and sundry minorities. Easy from such a

  privileged vantage point. Perhaps he should have backed that par-

  ticular horse for a little longer. It had, though, just been a fork in the road. For him she too is as dead as Bob, and has been since that day he walked out of their dingy Clapham flat.

  Those sisters, all those years ago. They had needed a lesson too.

  And received one. The elder ones had laughed at his gaucheness.

  The younger one had humiliated him. They had all learned.

  Lord Stanbrook’s son, Rupert, whom he once dandled on his

  knee, is now the ailing fifth earl, with the scandal- beset feckless playboy son. Rupert’s own father, Charles, is long departed.

  He hasn’t kept tabs on them. He’s picked bits up in the media and

  the rest he’s just invented. It doesn’t matter. Dead. All dead. To him, leastways. And none to be grieved, save perhaps Bob. Bob was a

  good lad, like Vincent is but in a different way, impressionable in the right way, malleable. And who could argue that Bob, in his death,

  had not been extraordinarily helpful?

  ‘Fuck!’ he shouts loudly. There is yet fire in his belly. ‘Fuck.’

  What is he doing? Rambling away like some muttering old pen-

  sioner. Get a grip, man. At least now he knows when he’s drifting.

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  The time may come when he doesn’t even realize it. Better dead

  than gaga. But he knows he isn’t. He doesn’t forget. He remembers

  everything. Dementia isn’t his problem; fixity of purpose is. Losing the will to strive is what he fears.

  ‘Fuck,’ he says again, more quietly as he regards the face in the mirror with a cold dispassion. He does not particularly like what he sees.

  ‘Roy?’ calls Betty from downstairs.

  ‘Yes?’ he replies.

  ‘I heard you shouting. Is everything all right? Are you OK?’

  ‘I’m fine, my dear,’ he replies evenly. ‘I thought I’d cut myself

  shaving. Not so nimble as I once was. But it’s all right. Sorry. ’Scuse my French.’

  2

  He has begun recently to call her ‘my dear’ more often. Too often,

  really. At first it was occasional and hesitant; now it is close to automatic, especially when he chooses to be patronizing. Which is not

  infrequently.

  She is not sure whether this is a considered process of establish-

  ing himself yet more prominently in her life, or whether it is entirely unconscious. Need she fear a proposal? The thought of his attempting to go down on one knee is almost enough for her to dial 999.

  Finally, she supposes it is harmless and quite sweet in its way, if sweet were ever a term one might use in connection with him. And

  she remains glad that he is still here.

  They have had their sandwich lunch and she has lit the gas fire.

  They sit together in the living room, she with her book and he with his hands in his lap, bored and irritable.

  ‘What do you really think of women?’ she asks, for want of some-

  thing better to say.

  Roy’s heart sinks. Not one of those interminable discussions that

  come from nowhere, head in no direction that he can distinguish

  and seem calculated to humiliate him. He’d had enough of that

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  to last a lifetime from Maureen. But better not turn this into an

  argument.

  Men and women, he thinks. Two completely different species.

  ‘What do you mean, my dear?’ he asks civilly, but glaring.

  It appears she is not going to be put off. ‘I suppose our genera-

  tion’s accustomed to a different relationship between the sexes.’

  Give me strength, he thinks. But he retains his composure.

  ‘Oh, I don’t know,’ he says, treating the question as though it

  were reasonable enough. ‘I’m not an expert on these things.’

  ‘You don’t have to be an expert, surely?’

  ‘Well, no. I didn’t mean that. I’ve known a few women in my life.’

  He hopes the arch smile might do the trick.

  ‘Yes?’ says Betty.

  ‘And. And, well, I’ve always found that I get on with women. See

  eye to eye with them. Lots of men don’t, you know. I like women.

  Especially you.’

  ‘I understand that. But in general? The differences between men

  and women?’

  He thinks: they do like to talk, don’t they?
<
br />   ‘Well, I could ask the same question of you. What do you think

  of men?’

  ‘Fair enough. I find men these days more insecure than they

  were. There are plenty who seem utterly secure in themselves.

  Rather more secure than they should be, in reality. But . . .’

  He looks and listens.

  ‘ . . . overall men seem less . . . solid . . . than they were. And more full of spite. I suppose it’s only natural. As we’ve become “liberated”. Though I can’t say I feel especially liberated,’ she continues.

  ‘Before, our roles were clearly defined. But two wars have seen all of that change.’

  History, he thinks. More history. She’s bloody lecturing me. Good

  God. But he beams polite attention at her.

  ‘I suppose it’s only to be expected that men should feel unset-

  tled and threatened. Not that women seem to be the winners,

  particularly.’

  ‘Hmm,’ he says.

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  ‘One sees more extremes. Lack of confidence, but also aggres-

  sion. Expressions of insecurity, both of them.’

  ‘I suppose so,’ he says. ‘I’ve never lacked confidence.’

  ‘No, but that’s you, isn’t it? You were taught to be in charge.

  Simply because you’re a male. You were conditioned not to think of

  things any differently.’

  Saved a lot of bloody time too, he thinks.

  She continues. ‘What I’m saying is that men no longer quite

  know what they’re supposed to be.’

  ‘Weak, a lot of them. We’re pretty straightforward when it comes

  down to it. No complications, no hidden emotions. Don’t think I’m

  against women’s rights. But men who are unsure of their quote

  unquote identity are drama queens. I just think we are who we are

  and getting on with things is all we can do. Thinking too much can

  get you into all kinds of grief.’

  And talking.

  ‘So, women. What are we like?’

  ‘Where do I begin?’ he says, smiling. ‘Marvellous. Wonderful.

  Confusing. Frustrating. Illogical.’

  She says nothing. He knows he is striking the wrong note but

  cannot find the right one.

  ‘What I mean is,’ he ventures, ‘I’m all for a bit of mystery between men and women. If I had it all worked out I’d be a much unhappier man.’

  ‘I thought you did have it all worked out,’ she says, smiling.

  Good. We may be making our way back to terra firma.

  ‘Oh no,’ he says. ‘Certainly not. Everyone has to have an answer

  for everything these days. Not me. If we just lived a little, did what we were good at, toned down the thinking, we might all be a bit

  better off.’

  ‘So a lack of knowledge is a good thing?’

  ‘Oh no. Of course not. But . . .’

  ‘You still haven’t answered my question. About women. About me.’

  He ventures another sheepish grin.

  ‘Betty, I’ve nothing but respect for you. You’ve achieved so much

  in your life. You leave me standing.’

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  It is an unstoppable, pointless juggernaut. Roy is not concerned

  about the sense of what he says; it simply fills the gaps. He hardly stops to consider whether his statements are comprehensible, let

  alone cogent, still less whether he actually believes this garbage. It’s all just part of the game, he thinks: men and women.

  He bestows on her a look of undiluted venom veiled by a benefi-

  cent smile. She is too stupid to see it, he thinks.

  He doesn’t realize I can see it, she thinks. She enjoys making him

  squirm, in a way. He cannot, or will not, marshal an argument. He

  is right that he is less intelligent than she is, so there is an element of cruelty in her tweaking him like this. It is good, though, to see him floundering, mildly discomposed and losing control. He is just bab-bling. It is a small vengeance, perhaps taken unwisely. She supposes she will later need to make it up to him, by saying the thing he

  wants to hear.

  3

  He is in the lavatory, in some difficulty. The stomach cramps have

  arrived again with no notice and he has had to rush upstairs, speedily dropping his trousers and underpants and settling on to the thing with a momentary sigh of relief that there had been no preliminary

  mishap before the onslaught. A painful and troubling series of detonations rock the core of his body with shots of kerosene fire,

  followed swiftly by a noxious cascade of liquid during which his

  entire being seems to be sluicing into the bowl. He is alarmed by the explosive force of the action. He bends forward, his every muscle

  tensed in a vain effort to gain mastery. The smell, sulphur and rotting innards, is unspeakable; he is close to gagging.

  He sits there and lets it happen. He has no choice. It is involuntary –

  it seems almost as if a valve has blown and he is being rid of

  badness – yet it is also effortful. His organs and reflexes are no longer his to govern. This is happening to him in the most intimate fashion, yet he has no say in how he responds. He is afraid, both of the 113

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  moment and of a near future of which this may be a waymarker. It

  is the loss of control that he fears most, not the pain, not the indignity. He whimpers quietly.

  When he is, finally, null and void, he is exhausted. He remains

  seated awhile to steady himself, trembling and wheezing, anxious,

  unduly hot, mind racing. Having cleaned himself as best he can and

  holding his trousers up by a shaky hand, his braces dangling and his shirt tail untucked, he shuffles slowly through to his bedroom, using his free hand to support himself against the wall. Eventually he

  flops on to the bed and there is an audible twang from the springs.

  Exhausted still, his sphincter burning sore, he stares at the ceiling and forces himself to think.

  Betty has proved something of a disappointment in a way. So gul-

  lible and ripe for the taking. No challenge. It’s all been too easy, with no adrenalin burn. Well, no matter. Diversion and entertainment

  were only secondary reasons for this whole enterprise. More

  importantly she is, to use the phrase in vogue these days, minted.

  The letters from her fund manager that he reads at his leisure when he goes through her bedroom while she is out tell him that. And if

  her complacency and gullibility mean less challenge in the game, it may be no bad thing. If this adventure has shown him one thing it is that you become less agile in every way as you age. Once this one is over that will be it for him. A sad thought, but there you are.

  She calls from downstairs, ‘Are you all right, Roy?’

  ‘I’m OK,’ he replies weakly.

  She comes upstairs and enters the bedroom. ‘Oh dear,’ she says,

  seeing him spreadeagled in unkempt disarray on top of the coun-

  terpane. He is flushed and agitated. ‘You don’t look too well.’

  ‘I’m fine,’ he says with a small confiding smile. ‘Just taken agin

  something I’ve eaten. I’m all right really.’

  She sits on the edge of the bed. ‘Are you sure?’ she asks, her brow furrowed in a particularly attractive way. If only he had known her in her youth. And his.

  ‘I’m quite all right, thank you, my dear,’ he says, kindly smile still intact. He pats her hand.

  ‘I’ve been thinki
ng, Roy . . .’

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  ‘Yes?’

  ‘Perhaps I could benefit from reviewing my investments. But I

  don’t know where to begin.’

  He is at once alert and with difficulty props himself up on one

  elbow.

  ‘Surely you have someone who handles your portfolio?’

  ‘Well, yes, this company . . .’

  ‘Company? Ah.’

  ‘What is it, Roy?’

  ‘I’ll wager they take a large commission each year for doing very

  little. I suppose they write to you every so often. Do you know anyone there by name? Have you ever spoken to anyone there?’

  ‘Well, no. The funds were invested so long ago and I wouldn’t

  know who to ask for. They seem all right from the letters.’

  ‘I’m sure they are. In their own way. But . . .’

  ‘They lack, I suppose, well, the personal touch.’

  ‘Hmm.’

  He waits. She must say it, not he.

  ‘I was wondering . . .’

  ‘Yes?’ Not too quick.

  ‘You mentioned you knew someone . . .’

  ‘Vincent, you mean?’

  ‘Yes. Your friend.’

  ‘Oh, Vincent’s not so much a friend as a professional. Though I’d

  trust him with my life.’

  ‘Do you think he’d be prepared to talk to me about my

  investments?’

  ‘Oh yes. I’m sure he would. On a non- commitment basis of

  course. If I put a word in I’ve no doubt he’d be happy to speak

  with you.’

  Easy. Much easier than he had imagined. The pain in his stomach

  seems to have dissipated a little.

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  Chapter Ten

  August 1957

  Never Had It So Good

  1

  They would have to make a rapid and discreet departure. This meant

  the sprinkling of thousands of francs among those who would facili-

  tate it: first and foremost the hotel manager and down the hierarchy through the head concierge, the desk clerk, all the way to the lift boy.

  He formed neat piles on the desk as he calculated the exchange rate.

  They had completed the packing, admittedly rather haphazardly

  and frantically, and Roy rang down to the front desk. When he was

  put through to the manager he said quietly, ‘We’re ready.’

 

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