Gods of Atlantis

by David J. L. Gibbins

  Shadowy streaks moved in the clouds at frightening speed, gyrating around him in one direction. Now he knew why there had been no ocean swel : he was in the eye of a great storm. The waters that were surging round the horizon would soon reach him. It was a storm that had been set in motion when they had lured the malevolence from the deep, a storm that would encircle and engulf them like the ring of fire he had once lit around the altar of sacrifice, a fire that burned fiercely until al that was left of the bodies was the red-hot embers blown upwards by the exhalations of the underworld.

  The boat lurched sideways, then pitched into the water with a mighty crash. A huge wave crest rose high above the trough, and the boat tilted and yawed.

  He saw another shape ahead, a great swel , sucking them along in its wake. Then the shape swung round, and he saw a giant fin cut the water. The shark rol ed, its white bel y upwards and its jaws gaping. In a flash, the huge rows of serrated teeth reared up at him, and he stared the monster in the eye. Then it was gone, sweeping the stern of the boat with its tail. He had seen it. He had taken in the spirit power of the beast.

  Now it was time. He turned quickly and reached into a jar beside Ishtar’s skul , taking out handfuls of red ochre powder and smearing it al over his face and body. He picked up a polished stone mace and lurched towards Lamesh. They had tied him on his back, over a shal ow stone basin, his feet and hands lashed to the rails, and drugged him with the resin of the poppy. Noah saw the fin of the beast circling, menacingly. He raised the mace, but his arm was too weak. He dropped it, then picked up the obsidian knife and put both hands on the grip, holding it tight, shaking.

  He remembered the last time he had held the knife like this. It had been in the spirit cave, where they had exposed the bodies of the dead for the hooked talons of the spirit birds to rip the flesh and take it to the world beyond. It was there that Noah had tied down the bul s and cut their hearts out, giving the meat to the people and letting the blood gush into the stone basins for the old shamans to gaze into the world beyond. But with their spears of copper, the new priests had forced the shamans to build a wal over the sacred cave, to block it off except for a smal entrance to the mountain, and then to cut huge pil ars in the quarry and struggle up with them, heaving them into a circle. They had chisel ed their new symbols over the old. And then Enlil himself had ripped the plaster-covered skul of their ancestor Anu from the ground, gouging out the cowrie-shel eyes and placing it atop the first of the pil ars; he had carved hands into the lintel of the pil ar, while the others of the new priesthood, those with braided hair and beards, began to rub and chisel away the sacred paintings on the cave wal and hack off the ancient symbols of their ancestors, leaving only those that Enlil and Noah had incised on the wal that day their father had told them their shaman names.

  And then the flood waters had begun to rise. Enlil and the new priesthood had assembled the people and blamed the shamans, ordering them to go to the cave to appease the spirits. But once inside, the shamans had been blocked in, Noah among them, sealed inside a flickering world of shadows and red embers from the fire that was always kept alive in the inner recess. The old shamans had tossed the sacred leaves on the fire and taken the milk of the poppy to ease them on their journey to the spirit world, but fear had tainted their visions. Those who had once floated in water in the dream voyages of the mind were now terrified of drowning. Their visions took them on a journey of horror, to darkness and fire coming from within the mountain. An old man seized with terror had carved an image on a pil ar, a swirling face that seemed to be caught in a scream. Noah himself had been half crazed, seeing men and women tearing at their hair and tossing their heads around and around.

  And then they had asked him to bring out the knife, to do what only he could do. The basins had filled with blood once again.

  He remembered what an old woman had said as she lay back over the basin, her eyes milky-white with blindness, her hand holding his and pressing the knife against her heart. You now have the bloodlust, Noah, she had whispered. You will never lose it, and you will doom all around you by your greed for it. In the times of our ancestors, when we were driven to seek the spirits on a river of human blood, he who spilled it was forced to kill himself to save the people from his bloodlust. You must kill yourself too, or be cast out forever from the world of men. Your brother Enlil knows this too, as I taught him the old ways. When she pul ed the knife in, Noah had tasted the blood that spattered from her mouth, and he had felt the exultation course through him. She had been right. He had wanted more. They had come wil ingly, the men and the women and their children, the boy with the flute. The knife had plunged in over and over again, and the stone basins had fil ed with human blood, overflowing and smearing the skul s of the ancestors stil embedded in the floor around them.

  And then Enlil had broken through the wal and come for him, unable to leave his brother behind in that chamber of death. He had forced the others who remained alive to a dark recess in the cave and had rol ed the boulder in front of them, even as they screamed for Noah to kil them too. Noah had gripped a basin and stared into the blood-fil ed pool. In his desperation to break the spel , Enlil had taken out the pal adion from a pouch and dropped it into the basin, drenching Noah with blood. Noah had seen only the reflection of the pil ar with the skul on top, advancing towards him in repeated visions, swirling round and round. He had fal en backwards, wide-eyed and panting, just as the first water from the sea had surged into the chamber. Enlil had pul ed the pal adion out of the basin and put it in his pouch, then held Noah upright and hissed in his ear: Atlantis is finished. We new priests will go to the four corners of the earth and found new cities. You, my brother, the last of the old, I will take beyond the Middle Sea to the place where earth and sky meld, to where you and your spirit ways will be beyond the world of men.

  Enlil had dragged him outside to the boats, but for days afterwards as they paddled away, Noah could hear the screams of the shamans in his mind, and see the blood he had been unable to wash from the cracks on his hands and under his fingernails.

  Now the storm clouds swirled around the boat.

  Noah tried to stay his hand as he held the knife. He was trembling not with fear, but with anticipation. He had crossed the boundary in that cave, and now there was only one river of blood he could ride.

  Now the spirits would be appeased.

  He plunged the knife into Lamesh, deep and hard, drawing it savagely round, feeling the warmth of the blood as it gushed out. He reached inside, grasped the stil -beating heart and pul ed it out. He took the knife and sliced into Lamesh’s neck, sawing hard at the bone, and then held the matted hair with one hand while he severed the head from the body. He dropped the knife and raised the head high, feeling the rivulets of blood pour down his arms and face. The storm was closing in now, twisting and swirling, the lightning flashing and the thunder cracking deafeningly. He dropped the head and scooped up blood from the wound, drinking it in great slurps, slaking his desperate thirst. He saw where the blood had poured into the smal stone basin below the thwart, fil ing it to the brim. He stared into it, searching, seeing only the rippling concentric circles where the blood dripped off his face and fel on the surface of the pool. And then there was a flash in the sky and he saw it in the blood: twin peaks spouting fire, the fabled mountain Dû-Re, appearing over and over again as the blood rippled with the motion of the boat. He looked up, letting the rain pour over his face. The spirit of the beast had answered him. The river of blood had flowed to the realm of the ancestors.

  Suddenly giant waves were upon him. The roar of the wind drowned out the thunder, and the sea heaved the boat upwards as if it were being forced up the ridge of a mountain, driving it far away from the circling fin of the shark. Noah clutched the thwarts, swaying, feeling the sweeping sheets of rain that blew in from the east. He suddenly realized what that meant. The wind had turned. The boat was being blown west again. They were on the crest of a towering wave, hanging stil . There was ano
ther flash, and sunlight appeared through a hole in the darkness ahead. He blinked the rain and blood from his eyes, then fol owed the rays of the sun to where they lit up a narrow strip of sea to the west. A bird came into view, blown towards them on some eastward eddy of the storm wind, a bird with long trailing feathers like nothing he had seen before, coloured like a dark rainbow. A thunderbird, but a bird of the land, not of the sea.

  Then he saw it on the horizon. A raging line of surf, and beyond that, the twin peaks jutting against the blackness of the sky.

  The prophecy had been fulfil ed.

  Atlantis would be reborn.

  PART 1

  1

  South-eastern Black Sea, present day

  ‘Jack, you’re not going to believe what I’ve just found.

  It’s gold. Solid gold.’

  Jack Howard twisted round and stared at the orange glow of the headlamp from the other diver below him, the form almost completely obscured by the swirling black cloud of sediment that fil ed the tunnel. He dumped air from his buoyancy compensator and dropped down, flexing his knees to prevent his fins from scraping the jagged lava wal , then angled sideways to avoid becoming entangled in the cable that snaked up to the submersible on the sea floor above them. He injected a blast of air into his suit to reacquire neutral buoyancy, catching a glimpse of Costas’ face through his visor as he finned sideways to let Jack take his place. Costas was staring intently at the tunnel wal in front of him, aiming his headlamp at one spot. Jack fol owed his gaze, edging forward, keeping his breathing shal ow to maintain his depth in the water, staring into the swirl of sediment. Slowly the particles settled, and he began to make out the wal beyond. He could see the twisted black lava from the eruption five years ago, its friable surface broken and exposed by the boring dril that had dug through the solidified flow the day before to create the tunnel. But then he saw something different, embedded in the lava, a smooth rock surface cracked and mottled by the searing heat of the eruption. He peered at the polished surface, his heart suddenly pounding with excitement. There was no doubt about it. He was looking at a pil ar, on some kind of plinth. A pillar carved by human hands.

  ‘Yes.’ He punched his fist in the water, then turned to Costas, speaking into his intercom. ‘I’d begun to wonder whether this place real y existed at al , or if it was just a figment of our imagination.’ He turned back to the pil ar, seeing where the plinth had been carved out of the natural tufa. He had a flashback to the moment he and Costas had first seen archaeological remains at this site five years ago from the Aquapod submersibles, watching in awe as the veils of silt dropped and the wal s and roofs of the ancient city appeared, the most exhilarating moment to that date in his career as an underwater archaeologist.

  Revisiting scenes of past triumph was sometimes a strange experience, recal ing emotions and high drama long gone, but this time it was different, like entering a completely new world. The volcanic eruption that had engulfed the site and forced them to leave five years ago had created a total y unfamiliar environment, a seascape as barren and devoid of life as the surface of the moon. He turned to Costas. ‘This is the first proof we’ve had it was al real. You’re right.

  It’s archaeological gold.’

  Costas tapped his shoulder, and aimed his headlamp midway up the wal above the plinth. ‘Jack, I meant real gold. Have another look.’

  Jack fol owed Costas’ beam and took a deep breath, holding it for a moment to rise half a metre in the water. The beam lit up a final swirl of volcanic particles that obscured the pil ar, and Jack put out his hand and wafted them away. He let his hand drop, and then gasped in amazement. ‘Wel I’l be damned,’

  he whispered.

  ‘See what I mean?’

  Jack stared, wondering whether his imagination was playing tricks on him. The object in front of him was remarkably similar to one they had found five years ago, the object that had first led them to this place. He saw the reflected shimmer of gold on the inside of his visor, and he closed his eyes for a moment, half expecting it to be a phantasm, to be gone when he opened them. But it was stil there, a golden disc about a hand’s breadth across embedded in the pil ar, the sheen of gold almost blinding him in the reflected glare of the headlamp. He reached out and careful y pressed the fingers of his glove against it, feeling the solidity. It was real. He felt the adrenalin course through him, and turned and grinned at Costas. ‘Now I really believe it.’

  ‘That’s the Atlantis symbol, isn’t it?’

  Atlantis. It was the first time either of them had uttered the word since leaving Seaquest II in the submersible two hours before; as if to say it would risk the site closing up on them again. Jack stared, searching with his eyes, seeing nothing but the golden reflection. ‘Where are you looking?’

  Costas turned his head to move his beam away.

  ‘Use your own headlamp, angled down, low beam.

  You should get more shadow.’

  Jack reached up to his helmet and activated the twin halogen lamps on either side, then ramped them down. Suddenly a symbol appeared on the disc, its lines deeply impressed into the gold. He stared in astonishment, his mind racing back to the extraordinary events of five years ago, to the excavation of a Bronze Age wreck in the Aegean Sea at the start of their quest. They had found a golden disc with this symbol, alongside other symbols Jack had recognized from an ancient pottery disc found a century before at the Minoan site of Phaistos in Crete.

  The Phaistos symbols had baffled archaeologists for generations, but the disc from the wreck contained paral el symbols in the Minoan Linear script, an early form of Greek, which al owed the Phaistos symbols to be translated.

  What they had revealed was astounding, the greatest revelation from an ancient text in the history of archaeology. One word had stood out, a word that had

  bedevil ed

  archaeologists

  since

  time

  immemorial, a word spel ed out in the syl abic script of the Minoans and represented by the symbol in front of Jack now: Atlantis. That had been remarkable enough, but then his col eague Maurice Hiebermeyer had made another discovery deep in the Egyptian desert, a fragment of papyrus showing that the story of Atlantis told by the Greek philosopher Plato had not been a myth but was based on hard reality, on an account given to a Greek travel er by an Egyptian priest who had inherited secret knowledge stretching back thousands of years before the first pharaohs.

  Together the papyrus and the disc contained clues that had brought Jack and his team to the south-eastern corner of the Black Sea, searching a shoreline submerged when the Mediterranean had cascaded over a land bridge at the present-day Bosporus and fil ed the Black Sea basin, the last and most catastrophic event in the sea-level rise caused by the great melt at the end of the Ice Age twelve thousand years ago. For Jack, it had been the perfect archaeological quest, a marriage of textual clues, hard science and intuition, and it had brought together al the skil s of his team. They had revealed nothing short of the most dramatic archaeological site ever discovered, surrounding the twin peaks of a partly submerged volcano. It had been a spectacular vision of human ingenuity and achievement at the beginning of the Neolithic, when people had built monuments that equal ed those of the Egyptians and the Sumerians and the Mesoamericans thousands of years later.

  Jack traced his glove over the symbol on the disc, up the central axis to where two symmetrical patterns extended outwards like garden rakes, each terminating in a series of paral el lines. The text on the Phaistos disc had instructed them to fol ow the shape of the eagle with outstretched wings, and they had realized that the symbol was also a map, a plan of the submerged tunnels and chambers they had discovered under the peak of the volcano. Five years ago they had passed through extraordinary wonders: a huge chamber ful of ancient cave paintings of the Ice Age, then a tunnel with carvings showing latter-day priests of Atlantis with conical hats, and then the holy of holies, the place where the tunnel ahead of them now might be le
ading. Yet that chamber with its huge statue of a mother goddess had been freshly carved shortly before the flood, and Jack was convinced that somewhere inside the tunnels and chambers lay other secrets, something that would link the holy of holies and the priests with those ancestral images from the Ice Age: perhaps an inner sanctum that would reveal how the belief system of the Ice Age hunter-gatherers had transformed into a religion of priests and gods and worship. The most likely location, the complex of tunnels ahead of them, was a place they had only just begun to explore five years ago when the North Anatolian Fault had shuddered and the volcano surged to life again, forcing them away from the site seemingly forever.

  Jack pressed his hand against the surface of the disc, wishing he could remove his glove and feel it against his skin. He had found gold before: gleaming coins of the Roman emperors, dazzling cups and jewel ery on the Bronze Age wreck, gold fit for a king.

  But this disc was extraordinarily old, at least as old as the flooding of Atlantis more than seven thousand years ago. That was three thousand years before the earliest site elsewhere to produce worked gold, at Varna in Bulgaria. The gold in the disc could have come here with the first hunter-gatherers who had sought shelter in the caves on the slopes of the volcano during the Ice Age, who had painted the rock with images of mammoths and fearsome lions and leopards: a band of humans of precocious intel ect and vision who had travel ed south from the retreating glaciers with their most precious belongings. Their talent with metals was clear from the finds five years ago, their ability to col ect and work copper and then to make an al oy to produce bronze, thousands of years before bronze technology re-emerged and became widespread in the ancient world. They could have brought the gold with them from the nearest rich source, the gold-bearing streams of the Caucasus Mountains to the east, laying wool y mammoth skins in the water and col ecting the precious flecks just as the Greek myths had Jason and the Argonauts do with the Golden Fleece. And they could have smelted and fashioned the gold into a disc bearing their sacred symbol, perhaps at the time they were transforming their world – moving beyond the natural caves in the volcano to cutting their own passageways and chambers in the rock, then fashioning mud-brick and lime and volcanic ash into the wal s of houses, creating the world’s first civilization.