Michael Graves

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Michael Graves Page 36

by Ian Volner

Gwathmey Siegel 117, 158

  Hackemeyer, Eleanor 35

  Hadid, Zaha x, xii, 184

  Hanselmann, Jay 35–36, 41, 94–96, 102

  Hanselmann, Jennifer 95

  Hanselmann, Julie See Davies, Julie Hanselmann

  Hanselmann, Lois See Rothert, Lois Hickman Hanselmann

  Hanselmann House plate 11, plate 12, plate 13, plate 14, 94–99, 102–6, 109, 113, 118–19, 126

  Hansen, C. F. 185

  Hardy Holzman Pfeiffer 135

  Harper’s Bazaar magazine 52

  Harries, Karsten 162

  Harris, Steven 85, 118, 123, 158, 181–82, 189, 209

  Harrison, Wallace K. 74, 160

  Harvard 183, 189

  elitism of, 61, 66, 70, 78, 88

  Graduate School of Design (GSD) and, 53–54, 56, 58–60, 62, 64–65, 84, 115, 221 note 28

  Graves’s contempt for, 60

  Gropius and, 47

  lack of history at, 73

  Le Corbusier and, 54, 58–59, 82, 120

  Sert and, 71

  Strauss and, 53–54

  Harvard Club, Manhattan 167

  Harvard Design Magazine 193

  Hauserman Inc. 149

  Hawks, Howard 155

  Hawks, Kitty 10, 155, 161, 163, 167

  Hejduk, John

  background of, 106

  CASE and, 89, 105

  death of, 201

  as marginal figure, 106, 117

  Modernist box and, 86

  New York Five and, 2–3, 106–11, 115, 117, 119, 201

  paper architects and, 105

  Wall House and, 125

  White faction and, 108

  Hillier, Robert 81

  Hitchcock, Henry-Russell 139

  Hjemkomst Center 227 note 64

  Hockenberry, John 202

  Hoffmann, Josef 151–52, 161, 185

  Holloway, R. Ross 71

  Holmes, J. L. 16

  Hoover Berg Desmond 186

  Hopper, Edward 26

  Hotel New York 178

  Howard, Susan 7

  Humana Building plate 41, plate 42, 170, 187

  Johnson and, 162

  Mies and, 160–62

  Modernism and, 160–67

  poor academic response to, 162–63

  Postmodernism and, 160–67

  Scully on, 162

  Huxtable, Ada Louise 24, 137, 178

  Hyman, Isabelle 146

  hypermodernism xii

  iBOT 197, 202–3

  Illinois Institute of Technology 45–47

  Imaginary Prisons (Piranesi) 30, 31

  Independent Group 59, 181

  Indiana Livestock Exchange 19–20

  Indianapolis Art Center 186

  Institute for Architecture and Urban Studies (IAUS) 94, 105, 146–47, 171, 226 note 37

  Interiors magazine 150–51

  International Architecture Exhibition 151

  International Finance Corporation 181

  International Style xi, 47–48, 84, 138–39, 167, 207

  Ionic style 73

  Italian Futurism xi

  Ivancie, Frank 145–47, 227 note 8

  Izenour, Steven 115

  Jacobs, Donald 49–51

  Jacobs, Jane 138, 140

  Jacobs, Karrie 90

  Jahn, Helmut 160, 167

  James, Frank 18

  James, Jesse 18

  Japan 157, 182–83, 186–87

  JCPenney 200

  Jean-Claude 192

  Jeanneret-Gris, Charles Édouard See Le Corbusier

  Jefferson, Thomas 127

  Jencks, Charles x, 218 note 5, 218 note 6

  consumerism and, 193

  CUNY symposium and, 205

  Disney and, 178–79

  Hawks and, 155

  home of, plate 40, 157

  Kings of Infinite Space and, 184–85

  The Language of Post-Modern Architecture and, 137–38

  Portland Building and, 146

  Portoghesi and, 151

  Postmodernism and, 154

  Venice Architecture Biennale and, 151

  Whitney Museum and, 165

  “Winter” fireplace and, plate 40

  Jersey Corridor Project plate 9, 90–91, 113

  Joffrey Ballet plate 36, 155

  Johnson, Philip x, xii, 2, 141, 225 note 104

  AT&T Building and, 139, 142

  Belluschi and, 143

  competition from, 167

  as dean of American architecture and, 139

  Deconstructivist Architecture show and, 183

  Eisenman and, 139–40

  Eisner and, 167–68

  Glass House and, 139, 224 note 61

  Humana Building and, 160, 162

  International Style and, 139

  Modernism and, 139

  Portland Building and, 140, 142–43, 147

  Postmodernism and, 139–40, 176, 185

  Rockefeller family and, 100

  Time cover of, 139

  wealth of, 139

  Whitney Museum and, 165

  Wolfe and, 154

  Johnson, Ron 9, 11, 191–92, 200

  Johnson Wax Headquarters 46, 62

  Jones, David A. 159–61

  Kahn, Louis 59, 74, 221 note 32

  Kamen, Dean 197

  Kandinsky, Wassily 54

  Kaskey, Raymond 147

  Kasumi Research and Training Center 182

  Katz, Alex 64

  Kean University 205

  Keeley House 103

  Keith, Slim 155

  Kelty, Matt 103

  Kessler Institute 8–12, 199–200

  Kevin Roche John Dinkeloo 167

  Keystone House 134

  Kiley, Dan 45

  Kings of Infinite Space 184–85

  Kinsey, Linda 180

  kitsch 2, 179, 181

  Klee, Paul 54

  Klinkhammer, Barbara 97

  Klipp, Brian 186–87

  Kmart 192

  Knoll 148–50

  Koch, Carl 60–61, 228 note 48

  Koch, Kenneth 158

  Kohn Pedersen Fox (KPF) 167, 183

  Koolhaas, Rem plate 40, 171, 180, 183–84, 190

  Kramer, Hilton 165

  Krauss, Rosalind 126

  Krier, Léon

  Ando and, 170–71

  Blundell’s Corner and, 131

  drawing capabilities of, 133

  Fargo-Moorhead Bridge and, 135

  Le Corbusier and, 133

  Modernism and, 130–31, 133

  as outsider, 130

  Postmodernism and, 151

  Princeton lectures and, 133

  Rowe and, 133–34

  teaching and, 133

  Whites and, 134

  Year of, 132, 134

  Krier, Robert 133

  Labatut, Jean 81–82, 117, 176

  Lady Commerce (Kaskey statue) 142, 147

  Lambert House 86, 87

  La Montaine, John 70

  Landmarks Commission 165–66, 175

  Language of Post-Modern Architecture, The (Jencks) 137–38

  Lapidus, Alan 177, 186

  Lapidus, Morris 177

  La Riche, William 107

  Latour, Bruno ix

  Lauder, Leonard A. 166

  Learning from Las Vegas (Venturi, Scott Brown, and Izenour) 115

  Lebowitz, Fran 9–10, 12, 155, 161, 163–64, 188, 201, 209

  Le Corbusier ix, 37, 39, 65

  Asplund Problem and, 124

  car-centric planning of, 119

  CIAM and, 55–59, 90

  color and, 97

  Constant and, 90

  Cubism and, 97–98, 100, 104, 118, 120

  Eisenman and, 172

  “Five Points of Architecture” and, 55

  flat whites of, 97

  furniture and, 62, 150

  geometric order and, 78, 95

  Giedion and, 56

  Grand Tour and, 74

  Grays and, 119

&nbs
p; Gwathmey and, 88

  Hanselmann House and, 95

  Harvard and, 54, 58–59, 82, 120

  influence of, 57–59, 62, 104, 109, 118–20

  Krier and, 133

  light and, 98, 169

  machine-like forms of, 58

  Meier and, 86

  minimalism and, 118

  Modernism and, 55, 58–59, 62, 84, 105, 115

  New York Five and, 107

  Notre Dame du Haut and, 59

  painting and, 58

  plan as generator approach of, 58

  plasticity and, 86

  poetics of, 203–4

  Schroeder and, 135

  Sert and, 54–59, 65

  style of, 54–55, 57, 103, 203–4

  symmetry and, 57

  translation of, 90

  travels of, 74

  Unité d’habitation and, plate 8, 76

  villas of, 55, 99, 116

  Whites and, 118

  Ledoux, Claude-Nicolas 29, 134, 153, 178

  L’Enfant, Pierre 29

  Lequeu, Jean-Jacques plate 25

  Letterman, David 34

  Levinson, Nancy 183

  Libera, Adalberto 67

  Libeskind, Daniel 184, 186, 190

  Life magazine 91

  Lincoln Center 167

  Lin, Min 196–97, 201–4

  “Little of the Old In and Out, A” (Graves) 116

  Longo, Robert 158

  Louisville Courier-Journal newspaper 162

  Louvre Abu Dhabi 206

  Loyola Law School 171

  Lucas, George 176

  Luxembourg Gardens 136

  McCready, Connie 145–46

  McKim, Charles Follen 69

  McKim, Mead & White 69

  McLaughlin, Robert 81, 89, 93

  McLeod, Mary 109, 113, 168, 183–84, 189, 209, 225 note 8

  Maddow, Rachel 195–96

  Madonna Rehabilitation Hospital 200

  Malcolm Wells Architect 135

  Marienkapelle Church 77

  Marimekko 200

  Martin, Reinhold 169

  Marx, Leo 120

  Matisse, Henri 126

  Max Protetch Gallery plate 37, 148, 173

  Medici Fountain 136

  Meier, Carolyn 86

  Meier, Jerome 86

  Meier, Richard 66, 71, 107, 113, 120

  art enthusiasm of, 63–64

  on awards juries, 201

  Breuer and, 64

  CASE and, 89, 105

  as easily influenced, 84

  Eisenman and, 60, 63

  Essex Fells and, 88

  on European influence, 77–78

  Five Architects and, 106

  glass and, 64

  Graves’s memorial and, 209

  Hawks and, 155

  Lambert House and, 86, 87

  Le Corbusier and, 86

  low teaching interest of, 84–85

  New York Five and, 2–3, 106, 111, 115, 117, 119, 201

  painting and, 9

  parents’ home by, 86

  Princeton and, 84, 86

  Pritzker Prize and, 190

  Stella and, 64

  White faction and, 108

  Wright and, 64

  XV Triennale di Milano and, 108

  Memphis Group 151

  Mendini, Alessandro 152

  Merkel, Jayne 44, 49

  Mezzo House 103

  Miami Beach condominiums 173, 174

  Michael C. Carlos Museum 182

  Michael Graves & Associates 2, 5, 9, 187, 193, 198, 205–6

  Michael Graves Architect plate 32, 227 note 64

  Denver Public Library and, plate 50, plate 51, 186–88

  Disney and, 168, 172, 176–78

  Fargo-Moorhead Bridge and, 135

  Japan work of, 182

  launching of, 93

  marketing department for, 166

  office pets and, 163

  Portland Building and, 142–43

  standard procedure of, 124

  Strada Novissima and, 150

  Washington Monument and, 191

  Whitney Museum and, 158, 175

  Michael Graves Architecture & Design 206

  Michael Graves College plate 64, 205

  Michael Graves Design Group 3, 5, 198–99, 204

  Michelangelo 68, 109

  Mies van der Rohe, Ludwig

  Abramovitz and, 160

  American Life Building and, plate 42, 160

  Barcelona chair and, 199

  Barcelona Pavilion and, 44

  Breuer and, 54

  car-centric planning of, 119

  First National Bank Tower and, 160

  furniture and, 62, 199

  Glass House and, 139

  Harrison and, 160

  Harvard and, 82

  Humana Building and, 160–62

  icy monumentality of, 119

  Illinois Institute of Technology and, 45, 207

  on improvisation, 111

  influence of, 47

  Meier and, 86

  Modernism and, 51, 54, 84, 160–62

  Nelson and, 61–62, 65

  reductivism and, 47

  Robert F. Carr Memorial Chapel and, 45, 47

  Roush and, 45–47

  SOM and, 65

  spatiality of, 78

  stern rigor of, 203

  symmetry and, 64

  transformation of, 39

  Wright on, 65

  Miller, J. Irwin 45

  Miller, Sam 99

  Millstone Coffee 173

  Min, Lynn 3, 12, 194, 196

  Miró, Joan 57–58

  MIT 89–91, 123

  Mitchell/Giurgola Architects 140

  Miyake, Issey 157

  Mizrahi, Isaac 200

  Modernism

  American, 61, 167

  apostasy from, 138–42

  Asplund Problem and, 113–16, 124, 225 note 8

  Bauhaus and, 44, 54, 56, 80, 84, 150, 154, 193

  Belluschi and, 143

  Breuer and, 54, 159, 165

  California, 111

  CASE and, 89–92, 94, 99, 105–8, 130

  CIAM and, 55–59, 90

  CUNY symposium and, 205

  Deconstructivist Architecture and, 183

  Denver library and, 186

  design tourism and, 46

  Eisenman and, 138

  Erickson and, 145

  Europe and, 151

  functionalism and, 203

  furniture and, 149–51

  Giedion and, 55–57, 222 note 49

  Giurgola and, 140

  good-life, 42

  Grays and, 119

  heroic, 47

  high seriousness of, 181

  Humana Building and, 160–67

  hypermodernism and, xii

  Jencks and, 138

  Johnson and, 139–40

  Koolhaas and, 183

  Krier and, 130, 133

  Le Corbusier and, 55, 58–59, 62, 84, 105, 115

  Mies and, 51, 54, 84, 160–62

  minimalism and, 170

  Nelson and, 61–65, 80, 88, 150, 181

  New York Five and, 2–3, 106–11, 115, 117, 119, 201

  Nordic, 113

  Portland and, 141, 143, 145, 206

  Princeton and, 81, 83–84, 86, 89–92, 98, 104, 108–9, 185

  Rossi and, 168

  Roush and, 44, 46–47, 52, 54, 65

  Rowe and, 130, 181

  Rudofsky and, 52

  SOM and, 167

  space value and, 78

  Swifton Village Apartments and, 48

  teaching, 56, 118–20

  Team X and, 59, 83–84, 89

  utopianism and, 92, 207

  Wolfe on, 154

  zone of silence and, xi

  Mohney, David 205

  monographs 157, 165, 183, 187, 224 note 42, 226 note 21

  Moore, Charles x, 108–10, 119, 138, 141, 155

  Moore, Henry 50

  Moore Lyndon Turnbull Whita
ker 135

  Moore-Rogger-Hofflander condominium x

  Morandi, Giorgio 79, 126, 197, 202

  Morelli, Giovanni 73

  Moretti, Luigi 67

  Moss, Eric Owen 111, 155

  Mr. Chas and Lisa Sue Meet the Pandas (Lebowitz) 188

  Mrs. Gates’s Dancing School 31–32

  M. Sells & Company 17

  Muschamp, Herbert 2, 184, 187

  Museum of Modern Art, New York x, 2, 52, 90–94, 99, 105–6, 139, 148, 158, 183, 194

  Musho, Ted 64, 67–68, 204, 223 note 13

  Naegele, Daniel 193

  National City Tower plate 42

  National Governors Association 188

  National Livestock Exchange 17, 19

  National Mall 29

  Nave, George 19

  Nazis 29, 48, 76, 92, 130, 227 note 71

  Neilson, Peter Hague 161

  Neiman Marcus 173

  Nelson, George 61–65, 80, 88, 150, 181

  neoclassicism 69, 128

  Nervi, Pier Luigi 67

  Newark Museum 99, 158, 167, 182

  New City show 91, 93

  New Urbanism 10, 205

  New York Coliseum 167

  New York Five 2–3, 106–11, 115, 117, 119, 201, 225 note 104

  New York School 50, 225 note 104, 228 note 48

  Niccolini, Julian 149

  Nichols, Karen Wheeler 7, 154, 220 note 33, 220 note 36, 227 note 74

  Claghorn House and, 123–24, 126–27

  Fargo-Moorhead Bridge and, 135–36

  Graves’s memorial and, 209

  increased projects of, 187

  office procedures and, 166

  Portland’s fiscal conservatism and, 141

  Whitney Museum and, 158, 180

  Noguchi, Isamu 50

  Nolli, Giambattista 116

  Notre Dame du Haut 59

  Nouvel, Jean 206

  Obama, Barack 203, 223 note 16

  O’Brien, Thomas 192

  Ockman, Joan 190

  O’Hara, Frank 62

  Owings, Nathaniel 65

  Oyster Bay, New York 98

  Padua 75

  painting

  abstract, plate 2

  Alessi teakettle and, 14

  Archaic Landscape and, plate 65

  Botticelli and, 116

  Brilliant and, 70

  Corot and, 104

  Cubism and, 26 (see also Cubism)

  de Kooning and, 50, 77, 94, 197

  Graves and, plate 65, 9, 14, 24, 26, 38, 50–51, 66, 71, 94, 97–98, 124, 170, 185–86, 188, 197, 202

  Indianapolis Museum of Art and, 24

  Le Corbusier and, 58

  Meier and, 9

  murals and, plate 19, 94, 97–98, 103, 108, 113, 117, 149, 194, 197, 226 note 21

  Nelson and, 62

  The Painting and, 202

  Picasso and, 24, 26, 58, 79, 94–95, 126, 175

  Pollock and, 50

  Postmodernism and, 143

  Poussin and, 57–58, 139, 188

  Rome and, 70–71, 79

  Transammonia and, plate 19, 117, 226 note 21

  watercolors and, 49, 71

  Palais Garnier 56

  Paley, Babe 155

  Palladio, Andrea 83

  Pantheon plate 6, 68, 79

  Pappagallo’s 74–75

  Parth, Wolfgang 130

  Parthenon 37–38, 75, 95

  Peeps 201

  Pei, I. M. 148, 165, 167

 

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