The Wild

by David Zindell

  There was a moment of darkness as the ideoplasts winked out of existence like a light that has been turned off. And then out of the sulki grid’s coils new ones appeared and hung in the air.

  You are a strange man. Only a strange, strange, beautiful man would affirm a god who would destroy the galaxy and thus destroy the entire human race.

  Danlo stared down at his open hands as he remembered something about himself that he had nearly forgotten. Once a time, in the romanticism of his youth, he had dreamed of becoming an asarya. The asarya: an ancient word for a kind of completely evolved man (or woman) who could look upon the universe just as it is and affirm every aspect of creation no matter how flawed or terrible. In remembrance of this younger self who still lived somewhere inside him and whispered words of affirmation in his inner ear, he bowed his head and said softly, ‘I would say yes to everything, if only I could.’

  On Old Earth there were beautiful tigers who burned with life in the forests of the night. And there were crazed, old, toothless tigers who preyed upon human beings. It is possible to completely affirm the world that brought forth tigers into life and still say no to an individual tiger about to devour your child.

  ‘Perhaps,’ Danlo said. ‘But there must be a way … to avoid these wounded old tigers without killing them.’

  You are completely devoted to this ideal of ahimsa.

  Danlo thought about this for a moment, then said, ‘Yes.’

  We shall see.

  These three words alarmed Danlo, who suddenly made fists with both his hands and tensed his belly muscles. ‘What do you mean?’ he asked.

  We must test this devotion to nonviolence. We must test you in other ways. This is why you have been invited here, to be tested.

  ‘But I … do not want to be tested. I have journeyed here to ask you if you might know–’

  If you survive the tests, you may ask me three questions. It is a game that I have played with all pilots who have come to me seeking their purpose.

  Danlo, who had heard of this game, asked, ‘Tested … how?’

  We must test you to see what kind of a warrior you are.

  ‘But I have already said that I am no warrior.’

  All men are warriors. And life for everything in our universe is nothing but war.

  ‘No, life is … something other.’

  There is no fleeing the war, my sweet, sweet, beautiful warrior.

  Danlo clenched his fists so tightly that his knuckle bones hurt. He said, ‘Perhaps I will not remain here to be tested. Perhaps I will flee this Earth.’

  You will not be allowed to flee.

  Danlo looked out of the window at his lightship sitting alone and vulnerable on the wild beach. He did not doubt that the Entity could smash his ship into sand as easily as a man might swat a fly.

  You will rest in this house to regain your strength. You will rest for forty days. And then you will be called to be tested.

  As Danlo kithed the meaning of these hateful ideoplasts burning in front of his face, he happened to remember a test of the Entity’s. Like the warrior-poets of Qallar, with whom he was too familiar, She would recite the first lines of an ancient poem to a trapped pilot and then require him to complete the verse. If the pilot was successful, he would be allowed to ask any three questions that he desired. The Entity, with Her vast knowledge of nature and all the history of the universe, would always answer these questions truthfully, if mysteriously – sometimes too mysteriously to be understood. If the pilot failed to complete his poem, he would be slain. The Entity, as he well knew, had slain many pilots of his Order. Although it was Her quest to quicken life throughout the galaxy and divine the mind of God, She was in truth a terrible goddess. She never hesitated to slay any man or other being whose defects of character or mind caused him to fail in aiding Her purpose. Danlo foolishly had hoped that since he was the son of Mallory Ringess, he might be spared such hateful tests, but clearly this was not so. Because it both amused and vexed him to think that he might have journeyed so far only to be slain by this strange goddess, he smiled grimly to himself. Because he loved to play as much as he loved life (and because he was at heart a wild man unafraid of playing with his own blessed life), he drew in a deep breath of air and said, ‘I would like to recite part of a poem to you. If you can complete it, I will agree to be tested. If not then … you must answer my questions and allow me to leave.’

  You would test me? What if I will not be tested?

  Then you must slay me immediately, for otherwise I will return to my lightship and try to leave this planet.’

  Again he waited for the Entity’s response, but this time he waited an eternity.

  I will not be tested.

  Danlo stared at these simple ideoplasts, and his eyes were open to their burning crimson and cobalt lights as he waited. His heart beat three times, keenly, quickly, and he waited forever to feel the Entity’s cold, invisible hand crush the life out of his beating heart.

  O blessed man! – I will not be tested, but neither will I slay you now. It would be too sad if I had to slay you. You have chanced your only life to force a goddess to your will – I can’t tell you how this pleases me.

  With a long sigh, Danlo let out the breath that he had been holding. He pushed his fist up against his eye and stared at the ideoplasts.

  A man may not test a goddess. But a goddess may exercise her caprice and agree to play a game. I love to play, Danlo wi Soli Ringess, and so I will play the poetry game. I have been waiting a thousand years to play.

  Danlo took this as a sign that he should recite the first line of his poem immediately. Before the Entity could change Her capricious mind, he drew in a quick breath of air and said, ‘These are two lines from an old poem that my … grandfather taught me. Do you know the next line?:

  How do you capture a beautiful bird

  without killing its spirit?’

  For a moment, the meditation room was empty of motion or sound. Danlo could almost feel the inside of the Earth beneath him churning with underground rivers of information as the Entity searched Her vast memory. He imagined waves of information encoded as tachyons which propagated at speeds a million times faster than light and flowed out from this planet in invisible streams toward a million brilliant moon-brains around other stars. For a moment, all was quiet and still, and then the ideoplasts array lit up, and Danlo kithed the Entity’s response:

  The rules of the poetry game require the lines to be from an ancient poem. It must be a poem that has been preserved in libraries or in the spoken word for at least three thousand years. Are you aware of these rules?

  ‘Yes … do you remember the poem?’

  How could I not remember? I love poetry as you do oranges and honey.

  In truth, Danlo did not think that the Entity would remember this poem. The lines were from the Song of Life, which was the collective lore and wisdom of the Alaloi people on the ice-locked islands west of Neverness. The Song of Life was an epic poem of four thousand and ninety-six lines; it was an ancient poem telling of man’s joy in coming into the world – and of the pain of God in creating the world out of fire and ice and the other elements torn from God’s infinite silver body. For five thousand years, in secret ceremonies of beating drums and bloody knives, the Alaloi fathers had passed this poem on to their sons. On pain of death, no Alaloi man could reveal any part of this poem to any man or woman (or any other being) who had not been initiated into the mysteries of manhood. For this simple reason, Danlo did not think that the Entity would have learned of the poem. It had never been written down, or recorded in libraries, or told to outsiders inquiring about the Alaloi ways. Danlo himself did not know all the lines. One night when Danlo was nearly fourteen years old, when he had stood with bloody loins and a naked mind beneath the stars, his passage into manhood had been interrupted. His grandfather, Leopold Soli, had died while reciting the first of the Twelve Riddles, and so Danlo had never learned the rest of the poem. He truly did not know how a beau
tiful bird might be captured without harming it; this vital knowledge formed no part of his memory. For this reason, too, even if the Entity had read his memory and mind, She could not remember what he had never known. He hoped that the Entity would simply admit Her ignorance and allow him to leave.

  After waiting some sixty heartbeats, Danlo licked his dry teeth and said, ‘I shall recite the lines again.

  How do you capture a beautiful bird

  without killing its spirit?

  What is the next line?’

  He did not expect an answer to these puzzling lines, so it dismayed him when the ideoplasts shifted suddenly and he kithed the words of a poem:

  For a man to capture a bird is shaida.

  He stood there in the cold meditation room, listening to the distant ocean and the beating of his heart, and he kithed this line of poetry. It was composed in the style of all the rest of the Song of Life. It had the ring of truth, or rather, the sentiment it expressed was something that every Alaloi man would know in his heart as true. No Alaloi man (or woman or child) would think to capture a bird. Was not God himself a great silver thallow whose wings touched at the far ends of the universe? And yet Danlo, even as he smiled to himself, did not think that these seemingly true words could be the next line of the poem. Leopold Soli had once told him that the Twelve Riddles answered the deepest mysteries of life. Surely a mere prescription of behaviour, an injunction against keeping birds in cages, could not be part of the blessed Twelve Riddles. No, the next line of the Song of Life must be something other. When Danlo closed his eyes and listened to the drumbeat of his heart, he could almost hear the true words of this song. Although the memory of it eluded him, his deepest sense of truth told him that the Entity had recited a wrong or false line.

  And so he said, ‘No – this cannot be right.’

  Do you challenge my words, Danlo wi Soli Ringess? By the rules of the game, you may challenge my response only by reciting the correct line of the poem.

  Danlo closed his eyes trying to remember what he had never known. Once before, when he was a heartbeat away from death, he had accomplished such a miracle. Once before, in the great library on Neverness, as he walked the knifeblade edge between death and life, a line from an unknown poem had appeared in his mind like the light of a star exploding out of empty black space. Here on this Earth halfway across the galaxy, in a strange little house that a goddess had made, he tried to duplicate this feat. But now he was only like a blind man trying to capture his shadow by running after it. He could see nothing, hear nothing, remember nothing at all. He could not recite the correct line of the poem, and so he said, ‘I … cannot. I am sorry.’

  Then I have won the game.

  Danlo clenched his jaws so tightly that his teeth hurt. Then he said, ‘But your words are false! You have only gambled … that I would not know the true words.’

  You have gambled too, my wild man. And you have lost.

  Danlo said nothing as he ground his teeth and stared at the ideoplasts flashing up from the floor. Then gradually, like a butterfly working free of its cocoon, he began to smile. He smiled brightly and freely, silently laughing at his hubris in challenging a goddess.

  But at least you have not lost your life. And you are no worse off than if you hadn’t proposed the poetry game. Now you must rest here in this house until it is time for your test.

  With a quick bow of his head, Danlo accepted his fate. He laughed softly, and he said, ‘Someday … I will remember. I will remember how to capture a bird without harming it. And then I will return to tell you.’

  He expected no answer to this little moment of defiance. And then the ideoplasts lit up one last time.

  You are tired from your journey, and you must rest. But I will leave you with a final riddle: How does a goddess capture a beautiful man without destroying his soul? How is this possible, Danlo wi Soli Ringess?

  Just then the sulki grid shut itself off, and the array of ideoplasts vanished into the air. The meditation room returned into the sombre grey tones of late afternoon. In a moment, Danlo promised himself, he would have to drag in logs from the woodpile outside to light a fire against the cold. But now it amused him to stand alone in the semi-darkness while he listened to the faraway sounds of the sea. There, along the offshore rocks, he thought he could hear a moaning, secret whispers of love and life beckoning him to his doom. He knew then that if he chanced to pass the Entity’s tests, he should flee this dangerous Earth and never look back. He knew this deep in his belly, and he made promises to himself. And then he turned to gaze out the window at the dunes and the sandpipers and the beautiful, shimmering sea.

  CHAPTER FOUR

  The Tiger

  Tyger! Tyger! burning bright

  In the forests of the night,

  What immortal hand or eye,

  Dare frame thy fearful symmetry?

  – William Blake

  The next day Danlo moved into the house. As a pilot he had few possessions, scarcely more than fit in the plain wooden chest that he had been given when he had entered the Order seven years since. With some difficulty, he tied climbing ropes to this heavy chest and dragged it from his ship across the beach dunes up to the house. He stowed it in the fireroom. There, on fine rosewood racks near the fireplace, he hung up his black wool kamelaikas to air. Out of his trunk he also removed a rain robe to wear against the treacherous weather which fell over the shore in sudden squalls or the longer storms of endless downpours and great crashing waves of water. He was content to leave most of the contents of his trunk where they lay: the diamond scryers’ sphere that had once belonged to his mother; his ice skates; his carving tools; and a chess piece of broken ivory that he had once made for a friend. But he found much use for one of the books buried deep in the trunk. This was a book of ancient poems passed on from the erstwhile Lord of the Order to Danlo’s father. Mallory Ringess, as everyone knew, had memorized many of these poems; his love of dark, musical words and subtle rhymes had helped him survive the poetry game during his historic journey into the Solid State Entity. Danlo liked to sit before the blazing logs of the fireplaces, reading these primitive poems and remembering. He spent much of his time during the first few days simply sitting and reading and meditating on the terrible fluidity of fire. Often, as he watched the firelight knot and twist, he longed for other fires, other places, other times. Just as often, though, he descried in the leaping flames the passion and pattern of his own fate: he would survive whatever tests the Entity put to him, and he would continue his journey across the stars. At these times, while he listened to the sheets of rain drumming against the windows and roof, he fell lonely and aggrieved. Only then would he search his trunk for the most cherished of all the things he owned: a simple bamboo flute, an ancient shakuhachi smelling of woodsmoke and salt and wild ocean winds. He liked to play this flute sitting crosslegged in front of the fire or standing by the windows of the meditation room above the sea. Its sound was high and fierce like the cry of a seabird; in playing the sad songs he had once composed, he sensed that the Entity was aware of every breath he took and could hear each long, lonely note. And it seemed that She answered him with a deeper music of rushing wind and thunderous surf and the strange-voiced whales and other animals who called to each other far out at sea. The Entity, he supposed, could play any song that She wished, upon the rocks and the sand, or in the rain-drenched forest, or in all the rushing waters of the world. He sensed that the Entity was preparing a special song to play to him. He dreaded hearing this song, and yet he was eager for the sound of it, like a child struggling to apprehend the secret conversations of full men. And so he played his flute through many days, played and played, and waited for the goddess to call him to his fate.

  Of course, he did not really need forty days to regain his strength. He was young and full of fire and all the quickness of young life. He spent long nights sleeping on top of furs in the fireroom and longer days in the kitchen eating. In the food bins and pretty blue jars he fou
nd much to eat: black bread and sweet butter and soft spreading cheeses; tangerines and bloodfruits; almond nuts and lychees and filberts – and seeds from tens of plants and trees wholly unfamiliar to him. He found, too, a bag of coffee beans which he roasted until they were black and shiny with oil and then ground to a rich, bittersweet powder. Sometimes he would arise too early in the morning and drink himself into the sick clarity of caffeine intoxication. He remembered, then, his natural love of drugs. Once a time, he had drunk coffee and toalache freely, but he had especially loved the psychedelics made from cacti, kallantha, mushrooms, and the other spirit foods that grew out of the earth. However, as he also remembered, he had forsworn the delights of all drugs, and so he abandoned his coffee drinking in favour of cool mint teas sweetened with honey. Each day he would spend hours in the tea room sipping from a little blue cup and gazing out to sea.

  One morning he remembered the keenest stimulation of all, which was walking alone in the wild. The beach outside the house and the dark green forest above were truly as wild as any he had ever seen. When his legs had hardened against the gravity of this Earth, he took to walking for miles up and down the windy beach. He left deep boot prints in the sand along the water’s edge, and sensed that no other human being had ever walked here before him. He might have fallen lonely at his isolation, and in a way he did. But in another and deeper way, it was only by being alone that he could search out his true connection with the other living things of the world. He remembered a line from a poem: Only when I am alone am I not alone. All around him – along the shore rocks and the fir trees and grassy dunes – there was nothing but other life. His were not the only tracks in the sand. At times he liked nothing better than reading the sandprints of the various animals that walked the beach with him. In the hardpack he could often make out the skittering marks of the sandpipers and the sea turtles’ deep, wavy grooves. There were the scratchy lines of the crabs and the bubbling holes of the underground crustacea buried beneath the wet sand. Once, higher up the beach at the edge of the forest, he found the paw prints of a tiger. They were wide and distinct and pressed deeply into the soft dunes. He knew this spoor immediately for what it was. Many times, as a boy, he had read the tracks of tigers. Certainly, he thought, the snow tigers that stalked the islands west of Neverness would be of a different race than this slightly smaller tiger of the forest, but a tiger was always a tiger.