Personal Demons

by Christopher Fowler

  Miles Bernardier stood at the edge of the great earth-encrusted hole and peered down on the vast rusted mesh of iron rods that were about to be buried in concrete. Time had run out. He had requested a larger excavation window, and the request had been denied. Six lousy days, was that too much to ask? The wheels of commerce would not be halted, however. The DTI was worried that a historically significant find would be announced. Building would have to be stopped while the site was evaluated, and the Japanese might get cold feet. But who knew what else lay buried in the clay? The site had been repeatedly built upon for well over a thousand years. The casket had been discovered in a pocket of air created by some broken planks just eleven feet down. Beneath the rotted wood lay a brick lining from what appeared to be a far older building, but now, with the pouring of several thousand tons of concrete, it would remain undiscovered for yet another century.

  Ahead of him, a pile-driver was rising slowly in the air to drop its weight on one of the upright iron posts marking out the building perimeter. Bernardier adjusted his yellow hard hat against the buffeting wind from the river, and carefully skirted the edge of the pit. He wanted to call Amy, to see if she had started work on the casket, but the noise was too great here. He was walking back to one of the foremen's cabins when something pushed at the backs of his legs, and he slipped over on to the wet clay soil.

  'Damn!' He rose awkwardly, inspected the damage, then looked about for someone to blame. There was no-one within five hundred yards, and no sound but the rising wind and the dull thud of the pile-driver. Bernardier was due to have lunch in the city today, and the knees of his suit were smeared with gobbets of mud. He wondered if there was time to go home and change. For a moment nothing moved on the construction site, save for a few scraps of birds fighting the thermals above the river. Earlier the area had been filled with workmen. Where was everyone now?

  The second blow caught him hard in the small of the back, and sent him sprawling on to his face. Frightened now, he pulled himself free of the sucking mire and searched about wildly. Impossibly, the area was deserted. Clouds had momentarily darkened the sun and the site had taken on an eerie dimness, as if history had returned to an earlier time. He tried to rise from his knees, but his shoes would not grip on the slippery clay. An odd smell hung in the air, something ancient and musky. Something bad.

  The third blow was to his face, and shattered both the lenses of his glasses. This time he slid straight over the edge of the hole, landing on his back at the bottom in time to see the downward arc of the pile-driver descending over him. It was too late to stop the fall of the massive steel rod, which was powered by an explosion of compressed air. The shaft slammed down, bursting his skull like a rock dropped on an Easter egg. By the time the accident siren sounded, Bernardier's twitching body had settled so deeply into the sludge that it could have been mistaken for another historical find.

  ***

  'Very innocent,' Gillian was saying, 'but then you always were.' Amy held the receiver away from her ear and waved a hand at her assistant. 'The heat's too high, turn it down, it'll boil over,' and into the receiver, 'yes, mother, I know'

  'And now this man you're seeing, do you really think it's such a good idea? I mean, he's not only married, he's your boss. Is he worth jeopardising your career for?'

  'I think I have to be the best judge of that, mother.' In truth Miles's continual philandering had almost persuaded her to end the affair but she refused to launch on to this conversational track as it would mean hearing a new triumphant tone in her mother's voice.

  'But I didn't call for this, to criticise. Who am I, just a woman who spent eight agonising hours in labour with you. I called to say how wonderful you looked on the television. I was so proud.'

  Someone had entered the room and was standing before her. Someone from outside – he didn't smell of chemicals. There was something nice in the air, old-fashioned and comforting, from her childhood. Lavender-water?

  'Mother, I have to go now.' She lowered the twittering receiver back to its cradle and raised her eyes to the visitor.

  'Can I help you?'

  Her pulse stuttered. The man was a living angel. His pupils peered from beneath dark knitted eyebrows like twin cobalt lasers. He had a jawline you could design a car around. Navy jacket, grey T-shirt, faded blue jeans cut tight around the crotch, brown work-boots. Behind him, two secretaries were peering around the door in unembarrassed awe.

  'Yes, you can,' said the vision, 'I'm looking for Amy Dale.'

  'That's me,' she laughed, feeling as if she had won a prize. Her assistants melted away, afraid of interrupting something private.

  It was here. He could smell it in the air, its history of viscera and madness. He could taste it on the tip of his tongue, the cuprous tang of blood and death and misery. So close, after all this time.

  'Excuse me, I was expecting someone far less attractive.' He smiled and the heavens opened.

  'Now why would you expect that?' she asked, flattered.

  'The way Miles Bernardier described you -' he trailed off. 'Not like this.'

  The bastard, she thought. How typical of him to denigrate her to a stranger, as though he had to frighten off potential rivals.

  'Chad Morrison.' He proffered his manicured hand, and she shook it.

  'So, Mr Morrison,' she smiled back, puzzled by his relaxed attitude – a rare thing in a world of obsessive academics, 'what are you here for?'

  'The casket,' he genially replied.

  'Oh?' Her brow furrowed. Territories were jealously guarded at the museum. 'What field are you in?'

  'Forgive me,' he gave his head a little shake, 'I thought Mr Bernardier had already spoken to you about this.'

  'No, he's out at the excavation today.' She unbuttoned her lab coat and pointed to a glass partitioned office. 'We can talk in there.'

  Seated before her, he explained. 'I'm not attached to the museum, Miss Dale. I'm mainly an adviser to auction houses in my capacity as an authority on the works of Karl Fabergé. Your director called me in to help you verify the origin of your find.'

  Miles had entrusted her with the investigation. Why did he have to interfere by sending her experts? Of course, she would have had to pull in her own independent specialists, which could be a time-consuming process, so perhaps he was trying to make her job easier. The museum staff comprised many brilliant, dedicated professionals, but she was not aware of anyone with expertise in this field. Better to accept the offer. He was awfully pretty.

  'Thank you, Mr Morrison. I'd be interested in your impressions of what you've heard so far, sight unseen.'

  'Well.' He leaned forward a little and the scent he exuded changed. His aftershave was something spicy and musky, not at all what she expected. He looked the citrus type. 'I can forgive the Russian revolution many things, Miss Dale, but not the destruction of Fabergé. He died in exile, you know, a broken man, his art reviled by men unable to tolerate luxury of any kind. But this find is fascinating. Its placement is correct. Fabergé knew England, and was partly educated here. Such a creation would date from the time he switched from producing jewellery and cigarette boxes to more fantastical items, say the early 1880s, before he began to produce the celebrated eggs.

  'A number of objects we know he personally produced have never been traced. There are catalogue numbers and full descriptions of the missing items, and one of them fits the casket's specifications. Fabergé's sons assisted him, and there was a workshop here in London, facts which would provide circumstantial evidence for the find. Of course, there were also many forgeries produced. I would have to see the piece to be more exact.'

  'I'll have to verify your appointment with Mr Bernardier. Just a formality.' She smiled and raised the telephone receiver.

  He loved this part. Taking a chance. Out at the edge. He could not afford to let her find out about Bernardier, not at this stage of the game. He had no supernatural powers here, only natural ones in this earthbound body, but those would be enough. Enough t
o fog her senses and divert the call in her brain, to make her hear another voice.

  Watching him, she mechanically punched out random digits and listened. Her mouth opened, but she did not speak. He concentrated harder. Searching her for details he found the usual human pain – aching loneliness and lack of fulfilment, but also – what was this? – Miles, not just a work colleague but a lover. Miles was sleeping with her. He probed deeper into her mind. She was not happy with the arrangement, not happy at all. He was married. Not much of a lover, either. She hadn't lost very much, then. He released her. She swayed back a little, looked flustered, lowered the receiver, aware of a vague conversation in her head, unaware of the dead line. She smiled to cover her confusion.

  'That all seems to be in order, Mr Morrison. When would you like to examine the casket?'

  'How about right now?' he suggested.

  3 THE UNVEILING OF THE SECRET

  'I'm sure you understand the need for strict security in this matter,' she said, allowing a total stranger to follow her into the maze of basement corridors.

  'But of course,' he agreed, sniffing the air and scenting the proximity of the treasure, barely able to contain his excitement, 'we wouldn't want just anyone walking in here.'

  Amy led the way to a further green-walled passage separated from the main building by two sets of steel doors and an electronic swipecode. 'We have to bring items from this section up personally,' she explained. 'They can't be trusted to assistants, and they're not allowed to leave our sight until they're returned.'

  Beyond the doors, a series of white-walled rooms housed large square drawers with brass handles, like a morgue. Amy checked the reference number on her requisition sheet and searched the containers.

  'It's over here,' he said, lifting the index number from her mind and matching it to a nearby drawer.

  Amy looked at him oddly. 'How do you know?' she asked, moving past him to check. It was the right drawer. She took a key from her pocket and slipped it into the lock. The moisture-pocked bag inside gave no clue to its contents. 'You're never sure what's best with a find like this,' she said, carefully removing the bag. 'This plastic is supposed to "breathe" and sustain a natural moisture equilibrium. We could have placed it in a dry environment, but if the casket contains paper materials they could be ruined.'

  He was barely listening to her. The presence of the casket had enveloped and overwhelmed his senses. It was less than three feet from him, but he could not take it from her here. There were other technicians in the secure area. He could hear their bodyweight shifting past him in the nearby rooms. Back in the corridor he had an insane thought, that he could snatch the thing from her and escape from the building with it beneath his arm. He would have to wait until he was beyond the secure area. Another problem; in this body, he could not run. Morrison had sustained a football injury that had left him with damaged tendons in his left leg. Besides, mere escape lacked dignity. He wanted them to see what they had found. Better to wait until he was alone with Amy in the lab, after the other assistants had gone for the night. It would be foolish to screw up now, for the sake of a few hours.

  'It'll be some time before we reach the interior of the package,' said Amy. 'It might be rather boring for you, but you can stay and help me if you want.'

  'Just tell me what to do,' smiled Spanky, removing his jacket.

  By six o'clock they had succeeded in removing the outer straw wrappers and had sectioned them for dating. The oilskin, too, had been photographed at every stage, and the whole processdocumented. It was laborious, but necessary if mistakes were to be prevented. Amy's chaotic blonde hair had fallen into her eyes so often that she had bunched it back with a rubberband. She was hunched so far over the brilliantly illuminated desktop that she had developed a crick in her neck. A hot wire of pain scratched across the top of her shoulder blades as she sat up.

  'Here, let me give you a massage. Tip your chair back.' Spanky lowered broad hands to her neck and pressed his thumbs down in a smooth circular motion.

  'You read my mind. Thanks, that feels good.' She sat further back and closed her eyes. Another assistant scuttled from the room. 'At least we've only one layer to go, some kind of tissue.'

  'Cloth-papers from Rasputin's apartment,' he said absently. 'He kept the casket out of the light and bound in calico.'

  'You must be a really big authority on this,' she murmured, succumbing to the motion of his hands.

  'Oh, you have no idea how big.'

  'Pieces of hidden history…'

  'Crossing-points of the past. Everything holds something different within. The truth becomes fabulous, and fables hold truth.' His voice had dropped to a sea-murmur. Fingers slipping over her throat.

  'You soon start to see the attraction…'

  'Attraction?' His hands smoothed and smoothed. The nape of her neck tingled, a warm glow spreading to the top of her breasts. She forced herself to concentrate.

  'Of – archaeology.'

  'Ah, of course.'

  They were alone in the laboratory. The last assistant had quietly closed the door behind her.

  'Right.' He swiftly removed his hands and shifted her chairback to an upright position once more. 'Let's do it.'

  She looked wide-eyed at him. 'Here?'

  He gestured at the table-top. 'The last layer. Come on.'

  Even with tweezers and generous smears of lubricant, the greased wrapping proved difficult to remove, and flapped back on to the casket lid. Amy peered through the illuminated magnifier. 'I think I've got it this time.' She gripped the tweezers more lightly.

  Twined ribbons of inlaid gold surrounded an intricate frieze of dancing mythological figures. You could see no detail from studying the russet splodges on the lid, but Spanky knew that the ancient gods lay beneath a layer of grime, longing for the chance to shine again. There had been many containers across the centuries for the treasure held inside, but this was the best casket so far. Ten inches by six, and six deep, it sat on the formica-topped desk awaiting inspection, a spectacular relic from a forgotten world. They had removed soil from a tiny gold-rimmed keyhole with a water-pic. The rest of the wrapping was easier to remove. As it slid away, Amy cautiously wiped a finger across the lid, and the precious figures revealed themselves.

  'It's beautiful,' she whispered.

  'And we can unlock it.' Spanky opened the top button of his shirt and removed a slender gold key from around his neck. He could feel his fingers trembling in anticipation. She stared at him, then at the filigreed key. What did he mean?

  'I can unlock the casket, Amy.' He could not resist sounding boastful.

  'Where did you get that?' She reached up to touch the key, then withdrew her hand, as if wary of being scalded.

  'It's been in my possession for many, many years.'

  The casket was behind her. She positioned herself before it protectively. 'I don't understand.'

  'You don't have to.'

  'I can't let you open it.'

  'Why not?'

  'This find is of historical importance. A senior member of staff must be present.'

  'Then let's send for Mr Bernardier.' If you don't mind summoning a mud-caked headless corpse, he thought, smiling grimly. The director had never known what hit him. A pity, that. Spanky enjoyed taking credit for his work.

  'You know exactly what's inside the box, don't you?'

  'Of course I do,' he answered. She was a smart girl. There was no more need for subterfuge now that he was so close to his goal. 'I've always known.'

  'Perhaps you'd like to tell me.' She could feel her unease growing by the second. The museum was closed for the night. Only a few of the research departments scattered in the building's cul-de-sac corridors would still be inhabited by lingering personnel.

  'All right. Have a seat.' Outside, the warm weather had finally broken and it was starting to rain. 'Listen carefully, and don't question anything I have to say.'

  Sensing the danger she was in, Amy dropped to the chair.


  'I am not like you. Not – human. I am Spancialosophus Lacrimosa. If you find it easier, you can call me Spanky. God had seven fallen angels. Seven daemons. Seven rogue creatures of inspiration and vengeance, banned from Heaven for refusing to worship Man. Damned to a watery limbo existence between earth and paradise. Only allowed to visit earth in the encumbrance of a mortal shell, to be entered upon the invitation of the owner. But I am not like my fellow daemons. I have little of their boundless patience. I am not content to wait forever, until God, in his infinite wisdom and mercy, sees fit to readmit us to his kingdom. And now there is a chance to do more than just return to grace. There is a chance to rule for all eternity. It's all to do with the box.'

  Amy snapped around to check that the casket was still there beside her in its nest of wet straw. What if this lunatic tried to snatch it? How would she ever stop him?

  'You want to see inside? Take a look.' He unlooped the key from his neck and handed it to her, savouring the moment. 'Do it,' he commanded.

  The key was so worn and delicate that she was frightened of breaking it in the lock. To her surprise it turned easily. The lubricant and the water-pic must have loosened the mechanism. And of course, it had been built by the master. With trembling fingers, she raised the lid. The interior was completely dry. Beneath several layers of fine grey silk were -

  'Iron rings. Seven of them. One for each of us. The rings of Cain. Forged by Adam's first son. How is your knowledge of the Bible?' He grinned at her, inching closer to the opened casket, holding out his hand for the return of the golden key.

  'Let me refresh your memory. Cain was a tiller of the ground, driven from the earth by God for slaying his brother Abel. Doomed to become a fugitive and a vagabond. Cain tried to atone for his sin by appealing to us, God's other fallen children. He brought us gifts, the rings he forged from the ore beneath his feet. But just as we despised Adam, so we despised his offspring. We refused his offer, and Cain threw the rings back into the earth.