Bradbury, Ray - SSC 07

by Twice Twenty-two (v2. 1)

  "That chair you're sitting in, Acton, is an old Louis XTV piece. Feel that material," said Huxley.

  "I didn't come to talk furniture, Huxley! I came about Lily."

  "Oh, come off it, you're not that serious about her. She doesn't love you, you know. She's told me she'll go with me to Mexico City tomorrow."

  "You and your money and your damned furniture!"

  "It's nice furniture, Acton; be a good guest and feel of it."

  Fingerprints can be found on fabric.

  "Huxley!" William Acton stared at the body. "Did you guess I was going to kill you? Did your subconscious suspect, just as my subconscious suspected? And did your subconscious tell you to make me run about the house handling, touching, fondling books, dishes, doors, chairs? Were you that clever and that mean?"

  He washed the chairs dryly with the clenched handkerchief. Then he remembered the body—he hadn't dry-washed it. He went to it and turned it now this way, now that, and burnished every surface of it. He even shined the shoes, charging nothing.

  While shining the shoes his face took on a little tremor of worry, and after a moment he got up and walked over to that table.

  He took out and polished the wax fruit at the bottom of the bowl.

  "Better," he whispered, and went back to the body.

  But as he crouched over the body his eyelids twitched and his jaw moved from side to side and he debated, then he got up and walked once more to the table.

  He polished the picture frame.

  While polishing the picture frame he discovered—

  The wall.

  "That," he said, "is silly."

  "Oh!" cried Huxley, fending him off. He gave Acton a shove as they struggled. Acton fell, got up, touching the wall, and ran toward Huxley again. He strangled Huxley. Huxley died.

  Acton turned steadfastly from the wall, with equilibrium and decision. The harsh words and the action faded in his mind; he hid them away. He glanced at the four walls.

  "Ridiculous!" he said.

  From the comers of his eyes he saw something on one wall.

  "I refuse to pay attention," he said to distract himself. "The next room, now! I'll be methodical. Let's see—altogether we were in the hall, the library, this room, and the dining room and the kitchen."

  There was a spot on the wall behind him.

  Well, wasn't there?

  He turned angrily. "All right, all right, just to be sure," and he went over and couldn't find any spot. Oh, a little one, yes, right —there. He dabbed it. It wasn't a fingerprint anyhow. He finished with it, and his gloved hand leaned against the wall and he looked at the wall and the way it went over to his right and over to his left and how it went down to his feet and up over his head and he said softly, "No." He looked up and down and over and across and he said quietly, "That would be too much." How many square feet? "I don't give a good damn," he said. But unknown to his eyes, his gloved fingers moved in a little rubbing rhythm on the wall.

  He peered at his hand and the wallpaper. He looked over his shoulder at the other room. "I must go in there and polish the essentials," he told himself, but his hand remained, as if to hold the wall, or himself, up. His face hardened.

  Without a word he began to scrub the wall, up and down, back and forth, up and down, as high as he could stretch and as low as he could bend.

  "Ridiculous, oh my Lord, ridiculous!"

  But you must be certain, his thought said to him.

  "Yes, one must be certain," he replied.

  He got one wall finished, and then . . .

  He came to another wall.

  "What time is it?"

  He looked at the mantel clock. An hour gone. It was five after one.

  The doorbell rang.

  Acton froze, staring at the door, the clock, the door, the clock.

  Someone rapped loudly.

  A long moment passed. Acton did not breathe. Without new air in his body he began to fail away, to sway; his head roared a silence of cold waves thundering onto heavy rocks.

  "Hey, in there!" cried a drunken voice. "I know you're in there, Huxley! Open up, dammit! This is Billy-boy, drunk as an owl, Huxley, old pal, drunker than two owls."

  "Go away," whispered Acton soundlessly, crushed against the wall.

  "Huxley, you're in there, I hear you breathing!" cried the drunken voice.

  "Yes, I'm in here," whispered Acton, feeling long and sprawled and clumsy on the floor, clumsy and cold and silent. "Yes."

  "Hell!" said the voice, fading away into mist. The footsteps shuffled off. "Hell . . ."

  Acton stood a long time feeling the red heart beat inside his shut eyes, within his head. When at last he opened his eyes he looked at the new fresh wall straight ahead of him and finally got courage to speak. "Silly," he said. "This wall's flawless. I won't touch it. Got to hurry. Got to hurry. Time, time. Only a few hours before those damn-fool friends blunder in!" He turned away.

  From the comers of his eyes he saw the little webs. When his back was turned the little spiders came out of the woodwork and delicately spun their fragile little half-invisible webs. Not upon the wall at his left, which was already washed fresh, but upon the three walls as yet untouched. Each time he stared directly at them the spiders dropped back into the woodwork, only to spindle out as he retreated. "Those walls are all right," he insisted with a half shout. "I won't touch them!"

  He went to a writing desk at which Huxley had been seated earlier. He opened a drawer and took out what he was looking for. A little magnifying glass Huxley sometimes used for reading. He took the magnifier and approached the wall uneasily.

  Fingerprints.

  "But those aren't miner He laughed unsteadily. "I didn't put them there! I'm sure I didn't! A servant, a butler, or a maid perhaps!"

  The wall was full of them.

  "Look at this one here," he said. "Long and tapered, a woman's, I'd bet money on it."

  "Would you?"

  "I would!"

  "Are you certain?"

  "Yes!"

  "Positive?"

  "Well-yes."

  "Absolutely?"

  "Yes, damn it, yes!"

  "Wipe it out, anyway, why don't you?"

  "There, by God!"

  "Out damned spot, eh, Acton?"

  "And this one, over here," scoffed Acton. "That's the print of a fat man."

  "Are you sure?"

  "Don't start that again!" he snapped, and rubbed it out. He pulled off a glove and held his hand up, trembling, in the glary light.

  "Look at it, you idiot! See how the whorls go? See?"

  "That proves nothing!"

  "Oh, all right!" Raging, he swept the wall up and down, back and forth, with gloved hands, sweating, grunting, swearing, bending, rising, and getting redder of face.

  He took off his coat, put it on a chair.

  "Two o'clock," he said, finishing the wall, glaring at the clock.

  He walked over to the bowl and took out the wax fruit and polished the ones at the bottom and put them back, and polished the picture frame.

  He gazed up at the chandelier.

  His fingers twitched at his sides.

  His mouth slipped open and the tongue moved along his lips and he looked at the chandelier and looked away and looked back at the chandelier and looked at Huxley's body and then at the crystal chandelier with its long pearls of rainbow glass.

  He got a chair and brought it over under the chandelier and put one foot up on it and took it down and threw the chair, violently, laughing, into a comer. Then he ran out of the room, leaving one wall as yet unwashed.

  In the dining room he came to a table.

  "I want to show you my Gregorian cutlery, Acton," Huxley had said. Oh, that casual, that hypnotic, voice!

  "I haven't time," Acton said. "I've got to see Lily—"

  "Nonsense, look at this silver, this exquisite craftsmanship."

  Acton paused over the table where the boxes of cutlery were laid out, hearing once more Huxley's voice
, remembering all the touchings and gesturings.

  Now Acton wiped the forks and spoons and took down all the plaques and special ceramic dishes from the wall shelf. . . .

  "Here's a lovely bit of ceramics by Gertrude and Otto Natzler, Acton. Are you familiar with their work?"

  "It is lovely."

  "Pick it up. Turn it over. See the fine thinness of the bowl, hand-thrown on a turntable, thin as eggshell, incredible. And the amazing volcanic glaze? Handle it, go ahead. I don't mind."

  HANDLE IT. GO AHEAD. PICK IT UP!

  Acton sobbed unevenly. He hurled the pottery against the wall. It shattered and spread, flaking wildly, upon the floor.

  An instant later he was on his knees. Every piece, every shard of it, must be found. Fool, fool, fool! he cried to himself, shaking his head and shutting and opening his eyes and bending under the table. Find every piece, idiot, not one fragment of it must be left behind. Fool, fool! He gathered them. Are they all here? He looked at them on the table before him. He looked under the table again and under the chairs and the service bureaus and found one more piece by match light and started to polish each little fragment as if it were a precious stone. He laid them all out neatly upon the shining polished table.

  "A lovely bit of ceramics, Acton. Go ahead—handle it."

  He took out the linen and wiped it and wiped the chairs and tables and doorknobs and windowpanes and ledges and drapes and wiped the floor and found the kitchen, panting, breathing violently, and took off his vest and adjusted his gloves and wiped the glittering chromium. ... "I want to show you my house, Acton," said Huxley. "Come along. . . ." And he wiped all the utensils and the silver faucets and the mixing bowls, for now he had forgotten what he had touched and what he had not. Huxley and he had lingered here, in the kitchen, Huxley prideful of its array, covering his nervousness at the presence of a potential killer, perhaps wanting to be near the knives if they were needed. They had idled, touched this, that, something else—there was no remembering what or how much or how many—and he finished the kitchen and came through the hall into the room where Huxley lay.

  He cried out.

  He had forgotten to wash the fourth wall of the room! And while he was gone the little spiders had popped from the fourth unwashed wall and swarmed over the already clean walls, dirtying them again! On the ceilings, from the chandelier, in the corners, on the floor, a million little whorled webs hung billowing at his scream! Tiny, tiny little webs, no bigger than, ironically, your—finger!

  As he watched, the webs were woven over the picture frame, the fruit bowl, the body, the floor. Prints wielded the paper knife, pulled out drawers, touched the table top, touched, touched, touched everything everywhere.

  He polished the floor wildly, wildly. He rolled the body over and cried on it while he washed it, and got up and walked over and polished the fruit at the bottom of the bowl. Then he put a chair under the chandelier and got up and polished each little hanging fire of it, shaking it like a crystal tambourine until it tilted bellwise in the air. Then he leaped off the chair and gripped the doorknobs and got up on other chairs and swabbed the walls higher and higher and ran to the kitchen and got a broom and wiped the webs down from the ceiling and polished the bottom fruit of the bowl and washed the body and doorknobs and silverware and found the hall banister and followed the banister upstairs.

  Three o'clock! Everywhere, with a fierce, mechanical intensity, clocks ticked! There were twelve rooms downstairs and eight above. He figured the yards and yards of space and time needed. One hundred chairs, six sofas, twenty-seven tables, six radios. And under and on top and behind. He yanked furniture out away from walls and, sobbing, wiped them clean of years-old dust, and staggered and followed the banister up, up the stairs, handling, erasing, rubbing, polishing, because if he left one little print it would reproduce and make a million more!—and the job would have to be done all over again and now it was four o'clock! —and his arms ached and his eyes were swollen and staring and he moved sluggishly about, on strange legs, his head down, his arms moving, swabbing and rubbing, bedroom by bedroom, closet by closet. . . .

  They found him at six-thirty that morning.

  In the attic.

  The entire house was polished to a brilliance. Vases shone like glass stars. Chairs were burnished. Bronzes, brasses, and coppers were all aglint. Floors sparkled. Banisters gleamed.

  Everything glittered. Everything shone, everything was bright!

  They found him in the attic, polishing the old trunks and the old frames and the old chairs and the old carriages and toys and music boxes and vases and cutlery and rocking horses and dusty Civil War coins. He was half through the attic when the police officer walked up behind him with a gun.

  "Done!"

  On the way out of the house Acton polished the front doorknob with his handkerchief and slammed it in triumph!

  6 INVISIBLE BOY

  She took the great iron spoon and the mummified frog and gave it a bash and made dust of it, and talked to the dust while she ground it in her stony fists quickly. Her beady gray bird-eyes flickered at the cabin. Each time she looked, a head in the small thin window ducked as if she'd fired off a shotgun.

  "Charlie!" cried Old Lady. "You come outa there! I'm fixing a lizard magic to unlock that rusty door! You come out now and I won't make the earth shake or the trees go up in fire or the sun set at high noon!"

  The only sound was the warm mountain light on the high turpentine trees, a tufted squirrel chittering around and around on a green-furred log, the ants moving in a fine brown line at Old Lady's bare, blue-veined feet.

  “You been starving in there two days, dam you!" she panted, chiming the spoon against a flat rock, causing the plump gray miracle bag to swing at her waist. Sweating sour, she rose and marched at the cabin, bearing the pulverized flesh. "Come out, now!" She flicked a pinch of powder inside the lock. "All right, I'll come get you!" she wheezed.

  She spun the knob with one walnut-colored hand, first one way, then the other. "O Lord," she intoned, "fling this door wide!"

  When nothing flung, she added yet another philter and held her breath. Her long blue untidy skirt rustled as she peered into her bag of darkness to see if she had any scaly monsters there, any charm finer than the frog she'd killed months ago for such a crisis as this.

  She heard Charlie breathing against the door. His folks had pranced off into some Ozark town early this week, leaving him, and he'd run almost six miles to Old Lady for company—she was by way of being an aunt or cousin or some such, and he didn't mind her fashions.

  But then, two days ago. Old Lady, having gotten used to the boy around, decided to keep him for convenient company. She pricked her thin shoulder bone, drew out three blood pearls, spat wet over her right elbow, tromped on a crunch-cricket, and at the same instant clawed her left hand at Charlie, crying, "My son you are, you are my son, for all eternity!"

  Charlie, bounding like a startled hare, had crashed off into the bush, heading for home.

  But Old Lady, skittering quick as a gingham lizard, cornered him in a dead end, and Charlie holed up in this old hermit's cabin and wouldn't come out, no matter how she whammed door, window, or knothole with amber-colored fist or trounced her ritual fires, explaining to him that he was certainly her son now, all right.

  "Charlie, you there?" she asked, cutting holes in the door planks with her bright little slippery eyes.

  "I'm all of me here," he replied finally, very tired.

  Maybe he would fall out on the ground any moment. She wrestled the knob hopefully. Perhaps a pinch too much frog powder had grated the lock wrong. She always overdid or underdid her miracles, she mused angrily, never doing them just exact, Devil take it!

  "Charlie, I only wants someone to night-prattle to, someone to warm hands with at the fire. Someone to fetch kindling for me mornings, and fight off the spunks that come creeping of early fogs! I ain't got no fetchings on you for myself, son, just for your company." She smacked her lips. "Tell
you what, Charles, you come out and I teach you things!"

  "What things?" he suspicioned.

  "Teach you how to buy cheap, sell high. Catch a snow weasel, cut off its head, carry it warm in your hind pocket. There!"

  "Aw," said Charlie.

  She made haste. "Teach you to make yourself shotproof. So if anyone bangs at you with a gun, nothing happens."

  When Charlie stayed silent, she gave him the secret in a high fluttering whisper. "Dig and stitch mouse-ear roots on Friday during full moon, and wear 'em around your neck in a white silk."

  "You're crazy!" Charlie said.

  "Teach you how to stop blood or make animals stand frozen or make blind horses see, all them things I'll teach you! Teach you to cure a swelled-up cow and unbewitch a goat. Show you how to make yourself invisible!"

  "Oh," said Chariee.

  Old Lady's heart beat like a Salvation tambourine.

  The knob turned from the other side.

  "You," said Charlie, "are funning me."

  "No, I'm not," exclaimed Old Lady. "Oh, Charlie, why, I'll make you like a window, see right through you. Why, child, you'll be surprised!"

  "Real invisible?"

  "Real invisible!"

  "You won't fetch onto me if I walk out?"

  "Won't touch a bristle of you, son."

  "Well," he drawled reluctantly, "all right."

  The door opened. Charlie stood in his bare feet, head down, chin against chest. "Make me invisible," he said.

  "First we got to catch us a bat," said Old Lady. "Start lookin'!"

  She gave him some jerky beef for his hunger and watched him climb a tree. He went high up and high up and it was nice seeing him there and it was nice having him here and all about after

  So many years alone with nothing to say good morning to but bird-droppings and silvery snail tracks.

  Pretty soon a bat with a broken wing fluttered down out of the tree. Old Lady snatched it up, beating warm and shrieking between its porcelain white teeth, and Charlie dropped down after it, hand upon clenched hand, yelling.

  That night, with the moon nibbling at the spiced pine cones. Old Lady extracted a long silver needle from under her wide blue dress. Gumming her excitement and secret anticipation, she sighted up the dead bat and held the cold needle steady-steady.