Hater h-1

by David Moody

  I look out of the window again as Woods sets fire to his wife. Christ knows what he just doused her in but she's gone up in a huge ball of flames and the fire has caught him too. She's still moving. Bloody hell. I put my hands over Ellis' eyes but I'm slow to react and she's already seen too much. Woods trips away from the burning body, his trouser legs on fire. He staggers down Calder Grove but only makes it halfway down the road before he's consumed by the flames.

  Between us we push the kids out into the hall. I go back to the living room.

  Outside no-one does anything. No-one moves. There's no activity out on the street, not even when the fire from Woods' wife's burning body spreads and sets light to a pile of plastic sacks filled with rubbish which have been sat at the side of the road for more than a week. Thick black smoke billows up from the bags and from the corpses in the road, filling the air with dirty fumes.

  Sobbing, Lizzie pulls the curtains shut.

  The man on the landing at the top of the stairs is dead. I crept out of the flat a few minutes ago and went up to check. What a fucking horrible way to go - ending your days slowly bleeding to death on your own at the top of a dark, concrete staircase. Could I have done anything for him? Possibly. Should I have done anything for him? Definitely not. He was a Hater, and its scum like him that have caused all of this. They're the reason everything is falling apart. They're the reason I've had to lock myself and my family in the flat. They're the reason we're all fucking terrified.

  What scares me most about the body upstairs and what we saw on the street is the closeness of it all. I could cope with this crisis when it was just something on the news. I could even deal with it at the concert and when we saw the fight in the pub and the kid under the car. What's changed today is the proximity of the trouble to my children and my home. This flat felt safe until today.

  25

  The kids have definitely sensed a change now. Maybe it's because they've been trapped in the flat without contact from anyone else for days. Obviously what they've seen today has made matters worse. They keep asking questions and I don't know how to answer them. I don't know what to say to them anymore. I took the bolt I fixed on Sunday morning off the bathroom door and attached it to the inside of the living room (or 'safe room' as we're now supposed to call it) to try and make everyone feel a little safer. I don't know if it's done any good.

  We've been sitting in the safe room for hours and I can't stand it any longer. I get up and wander aimlessly around the flat. I can't sit and do nothing, but there's nothing I can do either. I don't want to talk to anyone. I'm cold and tired and frightened. I walk into Josh and Ed's small room and climb up onto Ed's top bunk. His small screen TV is at the end of the bed. I switch it on and flick through the channels. Nothing worth watching. There are a couple of channels showing repeats of old TV shows, the rest are just showing the public information film that we saw earlier. It's running at exactly the same time on all the major national channels. It must be produced and broadcast by the government. At least I assume it's the government. Who else could it be?

  With nothing on TV and no other distractions I find myself looking out of the window just to the side of the bed. I lie down flat on my stomach on the narrow bunk and stare out through the net curtain at the street outside. From here I can see along the full length of Calder Grove - from the still smoking bodies of Woods and his wife right down to the junction of the road with Gregory Street. Apart from the drifting smoke everything else is still. The world feels silent and deserted, as if we've all been put in quarantine from each other. Now and again I catch sight of a lonely figure in the distance. People stick to the shadows and they're gone as quickly as they appear. There's hardly any other movement at all. Once in a while a car passes by, otherwise nothing else seems to move. It's like looking at a freeze-frame photograph of the world.

  Why hasn't anyone done anything about the corpses? We've kept the curtains in the living room closed so the kids can't see them. If Woods' wife's body is still there in the morning I might go and throw a blanket over it just so it's out of view. I can see the blackened remains of the dead woman's arms. Her bony hands and fingers are lifted up and clasped together like she's praying or pleading for help.

  I don't know what we're going to do. I'm trying not to panic. I don't think we have any choice but to lock ourselves in here and sit this thing out, however long that takes. I don't want to…

  'What are you looking at?' a voice suddenly asks from beside me, making me jump. I look round and see that it's Ellis. She's crept into the bedroom and has managed to climb the ladder up to Ed's bed. She peers at me over the top rung with wide, saucer-shaped eyes.

  'Nothing,' I answer, rolling over and giving her space to climb up with me. She puffs and pants and drags herself onto the bed.

  'What are you doing in here?'

  It's difficult to answer. I'm not exactly sure myself.

  'Nothing,' I say again.

  'You looking at the dead lady?' she asks in a remarkably innocent and matter-of-fact way.

  'No, I'm just lying down for a while. I'm tired.'

  'Why are you lying on Ed's bed? Why aren't you lying on yours and Mummy's bed?'

  Her questions never seem to stop. I wish they would. I'm not in the mood to answer them.

  'I wanted to watch the TV,' I tell her, not being entirely honest. 'I haven't got one in my bedroom.'

  'Why not watch the other telly with the rest of us?'

  'Ellis,' I say, stifling a yawn and pulling her closer, 'shut up, will you.'

  'You shut up,' she mumbles under her breath. She yawns too and shuffles closer to me.

  For a little while the room is quiet again and I begin to wonder whether Ellis has fallen asleep. But it's not just this room that's quiet - the whole flat is ominously silent. In the distance I can just about hear the muffled sounds of the TV in the living room. Are they being quiet or is there something wrong with the others? Is it because of what's happening outside, or is the isolation and uncertainty starting to have an effect on the rest of my family? Is one of them about to start changing, or have they already changed...? I find myself thinking about what's happening outside again and I'm depressed by a constant stream of dark and uncomfortable thoughts. Surely things can't continue like this indefinitely? There has to come a point when something gives or the situation resolves itself, doesn't there? I don't have any answers and I'm actually relieved when Ellis decides to attack me with another barrage of much easier questions.

  'Will we be going back to school tomorrow?' she asks naively.

  'I don't think so,' I reply.

  'The next day?'

  'I don't know.'

  'The next day?'

  'I don't know. Look, Ellis, we don't know when school's going to be open again. Hopefully it won't be too long.'

  'I'm going on a trip next week.'

  'I know.'

  'My class is going to a farm.'

  'I know.'

  'We're going on a coach.'

  'I know.'

  'Will we still be able to go?'

  'I hope so.'

  'Will you take me if school's still shut?'

  'I'll take you.'

  She seems happy with that and, again, she becomes quiet. I lie back and close my eyes. The day so far has been long and emotionally draining and it has taken its toll. My eyes feel heavy. In just a few short minutes I feel Ellis' body go limp in my arms. Her breathing changes, becoming shallow and steady and I look down at her. She's dozing, completely relaxed and almost asleep. In a world which has suddenly become completely irrational, unpredictable and fucked-up she remains perfect and unaltered. This little girl means everything to me.

  I'm tired. I close my eyes.

  I was almost asleep for a second until the image of the girl in the supermarket this morning returned. For a terrifying moment I imagined that it was Ellis, and that she was attacking Lizzie lying on the ground. I'm frightened. I'm petrified by the prospect that whatever it is that's
happening outside will eventually find its way into my home and harm my family.

  I try to imagine this beautiful little girl attacking me.

  I try to imagine me attacking her.

  26

  It's just before midnight. The children are asleep. We're sitting in the living room in silence and in almost total darkness. Harry, Liz and I couldn't be sitting any further apart from each other in here. Harry's opposite the window, looking out through half-drawn curtains. Liz is by the door, staring into space. The television has been off all night. No-one's saying anything new so there's no point watching. The lack of information is just making things worse.

  'Anyone want a drink?' I offer. This silence is unbearable.

  'Not for me,' answers Harry. I look over at Lizzie. She shakes her head and looks down. She hasn't spoken for hours. We had a conversation about the kids just after they'd gone to bed but since then she's hardly said anything.

  The room is filled with dull, rumbling noise and a sudden flash of light as a huge ball of flame mushrooms up into the sky from a building nearby.

  'What in hell's name was that?' Harry grumbles as he gets up from his chair and staggers to the window. He pulls the curtains fully open and I stand behind him and look over his shoulder. I can't see what's burning. It looks like it might be the medical centre on Colville Way. It's about quarter a mile away from here but that's too close for comfort. As the initial noise and burst of flame dies down I hear other, equally frightening sounds. A desperate woman yells out for help. Her voice is hoarse and terrified. She's pleading with someone, screaming at them to get away from her and leave her alone and… and her cries suddenly stop. Now I can hear a car starting. The engine is revved and accelerated furiously. The car begins to move at speed but its brief journey is over in seconds. Brakes squeal and tyres skid across the road before I hear the unmistakable thump and crunch of a collision.

  The quiet which follows the sudden mayhem is a thousand times worse than the flames and the screams. I'm standing here waiting to hear sirens as the police, fire brigade or anyone who can help reaches the scene but there's nothing, just a cold and empty silence. I know that the response would be the same if anything happened here. We're completely on our own.

  I turn around. The room is still filled with dull light from the fire and I can see that Lizzie's crying. I sit down next to her leaving Harry at the window watching the inferno in the near distance. I put my arm around her and pull her closer.

  'Come on,' I say uselessly. She doesn't react. I reach out and hold her hand but it just sits limply in mine.

  'It should never have got to this stage,' Harry chunters with his back to us, standing at the window like a general surveying the battlefield. 'They should never have let it come to this.'

  He turns round and stares at us both, seeming to be almost demanding a response. Liz stares back at him, her face streaked with tears.

  'Leave it, Harry,' I warn him. 'This isn't the time…'

  'When is the time then?' he snaps. 'When do you want to start talking about it? When the trouble reaches your front door?'

  'There's a body in the street about ten meters away. I'd say it's reached the front door already,' I snap back angrily.

  'So what are we going to do about it?' he demands. There's an uncomfortable hint of panic and desperation in his raised voice. 'Are we just going to sit here? Are we just going to…?'

  'What can we do?' I interrupt, holding Lizzie's hand a little tighter. 'What are the options, Harry? Should we sit here and keep ourselves and the children safe, or do you want us to go out there and join in the fighting?'

  'That's what caused the problems in the first place,' he argues.

  'Exactly, so what else are we supposed to do?'

  Harry is pointing his finger at me now and his voice is getting louder. He's not making any sense and I'm biting my lip, trying not to panic. Once again I find myself wondering if he's about to turn.

  'This is just what people have been waiting for,' he continues at an uncomfortable volume, 'an excuse to fight. Not that they've needed much of an excuse before, but now it doesn't matter. People can do what the bloody hell they like without fear of any repercussions. It's a chance for the scum around here to show their true colours and…'

  'Shut up,' Lizzie yells angrily. 'Just shut up, Dad. You're not helping.'

  'These people need a firm hand,' he rants, oblivious. He points accusingly at the TV. 'And if the idiots running the television stations hadn't sensationalised things by showing more and more violence then maybe we wouldn't be in this mess. If there had just been some respect for authority maybe we'd all be…'

  'There is no authority any more,' I shout back. 'I saw a policeman shooting people in cold blood yesterday and then I watched other officers turn their weapons on him and gun him down. The authorities are as screwed as the rest of us.'

  'But if people would just stop...'

  'For Christ's sake, shut up!' Liz screams again. She snatches her hand from mine and storms out of the room. I watch her disappear down the hallway and almost immediately the paranoia begins. Harry is quiet now - is it Liz who's turning? Is she heading for the kids' rooms? Is she going to hurt them? I get up and run after her. I'm relieved when I find that she's shut herself in the bathroom and I feel stupid and guilty for thinking she could have been doing anything else. I slowly trudge back to the living room where Harry finally seems to be calming down.

  'She all right?' he grunts.

  I nod but I can't bring myself to speak to him. He turns his back on me again and continues to watch the smoke rising from the building burning on Colville way.

  FRIDAY

  27

  Not sure what time I finally went to sleep. I lay on the bed for hours trying (and failing) to make sense of everything that's happening. I must have looked at the alarm clock a hundred times or more in the night. I watched every hour tick by…

  'Dad.'

  I'm still half-asleep but Ed wakes me up. I sit up quickly. What's wrong? What's happened? I rub my eyes and try to focus on my son's face. The room's dark but I think he's okay. I look down and see that Lizzie's still sleeping next to me in bed. She seems okay too.

  'Dad,' he says again, annoyed that I haven't answered.

  'What's the matter?' I mumble. 'Are the others all right?'

  He nods. What he wants to tell me has obviously got nothing to do with Ellis or Josh.

  'The telly's bust,' he grunts.

  I slump back on my pillow, relieved. Is that all? Thank God for that.

  'What's the matter with it?' I ask, struggling to sound interested.

  'Can't get a picture.'

  'Is it plugged in?'

  'Yes,' he groans, 'I'm not stupid.'

  I'm too tired to pick him up for being rude.

  'Have you checked the cables at the back?'

  'I haven't touched them. It was working yesterday, wasn't it?'

  'What about the telly in your bedroom?'

  'Can't get the channel I want on my telly. Come on Dad, get up.'

  'I'll come and have a look in a couple of minutes,' I yawn. 'Let me stay here for a bit longer…'

  'But my programme's on now,' he protests. 'Please, Dad.'

  I close my eyes for a few seconds longer but it's obvious that I'm not going to get any peace until Ed's got the TV fixed. Cursing under my breath I get up and stumble across the cold bedroom floor and down the hallway, side-stepping Harry as I meet him by the kitchen door. Ed follows then pushes past me as we reach the living room. He picks up the remote control and switches on the TV.

  'See…' he says, flicking through the channels.

  I sit and stare at the screen.

  'What's the matter?' Harry asks, as he wearily drags himself into the room after us.

  'Telly's broke,' Ed tells him.

  'It's not broken,' I say as I flick through the channels.

  'Have you checked the aerial?' Harry suggests.

  'There's nothing wrong
with it,' I tell them both, 'look.'

  Harry moves around so that he can see the screen. And now he can see why I've been staring. It's the same thing on every channel. A black screen with stark white text.

  REMAIN CALM

  DO NOT PANIC

  TAKE SHELTER

  WAIT FOR FURTHER INSTRUCTIONS

  THE SITUATION IS UNDER CONTROL

  28

  It's eleven o'clock and Lizzie, Harry and the kids are sitting in the living room. There's something happening outside. The others haven't noticed yet. I don't want the children and Liz getting upset again so I haven't said anything to anyone. It started about half an hour ago. I've heard heavy vehicles moving in the distance and the occasional scream or shout. I've also heard gunfire.

  I've tried looking through every window in the flat but I can't see what's going on out there. I have to know. I make sure the others are all distracted then creep out of the apartment. I stop halfway across the lobby. Everything looks just as it did when I was out here yesterday but today the building feels different because of what's upstairs. I stop at the bottom of the staircase and, just for a second, I think about turning round and going back into the flat again. I'll get a better view from the flats on the other floors but I'm worried about going upstairs. I don't think there's anyone else up there - the car belonging to the people on the top floor is still missing and I can't hear anything. But what about the body? I know the man on the landing is dead but have I got the balls to pass his corpse? My head is suddenly filled with stupid nightmare images of his lifeless hands reaching out to grab me. The sound of another gun shot in the distance spurs me into action. I take a deep breath and run up the stairs, not stopping until I've reached the flat on the top floor. I peer in through the half-open door to make sure it's still empty then step inside.

  There are only two floors between our flat and this one but the view from up here is completely different. Those extra few feet of height make all the difference and from here I can see for miles around. I can see almost all of our estate and I can see the city centre in the distance. This morning the world looks like the TV footage that gets sent home by war correspondents. The skyline is dark and grey. Dirty, thick smoke is climbing from the blackened shells of burnt-out buildings. There's nothing much left of the medical centre on Colville Way. The streets are deserted.