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Kaleidoscope Eyes

Page 3

by Jen Bryant


  Maybe Gramps was planning a last

  solo trip

  in his little sailboat down our own lazy

  river,

  just like Tom Sawyer and Huck Finn did

  with their raft

  on the Mississippi. This also makes me want

  to cry, but I

  try not to so I don’t smudge the blueprint.

  I fold over

  Number Two and when I open Number Three,

  I see there’s

  some sort of letter stapled to the upper

  left-hand corner.

  The letter says:

  April 25, 1968

  Dear Mr. Bradley:

  I received your letter and the maps in question on March 15. Thank you for sending them to my attention. Since then, I have checked your documents against several reliable sources in our company’s possession, as well as with the archives of the State Geological Survey.

  The result, I am pleased to inform you, is that I find your calculations on the shift in course of the Mullica River, and in particular as it pertains to the section that now runs west of the town of Willowbank, to be entirely correct. I hope I have been of some good assistance.

  Fee for research and calculations = $75—payable by check, due in thirty days.

  Sincerely,

  John McGraw

  John McGraw, civil engineer

  Everhardt, McGraw, and Weibner Associates

  This one puzzles me.

  It’s also a map—but more like a picture,

  drawn by hand and stamped

  with the initials L.B.

  in one of the lower corners.

  At the top, it says “Mullica River—

  approximation of its location in 1699.”

  In the other lower corner is the signature

  of the engineer, John McGraw,

  who wrote the letter

  back to Gramps

  about checking his maps and facts.

  I look at the date again: 1699.

  Why would Gramps be interested

  in where the Mullica River ran

  way back then—which was even way before

  Tom Sawyer and Huckleberry Finn?

  I hear Denise’s big bare feet slapping up the stairs.

  I quick stack the maps back together,

  stuff them inside the envelope,

  which I turn

  over this time. I see then that I’ve missed

  one thing that is noted on the flip

  side, in Gramps’ precise handwriting:

  Brigantine Historical Society:

  File 276, drawer 11, document 7

  and below that is a brass key

  taped to the paper.

  I place the envelope

  and all of its contents in the box

  beneath the photo of Grandma and Gramps,

  the plates, and the rosebud vase,

  where I know it will be safe from Denise’s prying eyes,

  since she has no interest in anything

  she can’t smoke, wear, or sing.

  Part 3

  Many’s the time I’ve been mistaken

  And many times confused.

  —from “American Tune”

  by Paul Simon

  Now I’m just plain frustrated. Our visit to Tuckahoe

  was two whole weeks ago and every night since,

  when Dad and Denise are at work and Carolann

  has to entertain the twins so her mother can clean up

  after dinner, I climb the stairs, empty the brown

  envelope, spread out everything on my desk

  and all across my bedroom floor, and try to

  make sense of it. So far, here’s what I’ve got:

  As a Navy navigator, my grandfather

  planned routes for ships to travel across the seas

  and open oceans. OK, I get that. But then, for some

  strange reason, he got very interested in the Mullica—

  not an ocean, but our very own South Jersey river,

  the one that flows just west of town,

  the one his gravestone looks over.

  Try as I might, I can’t reason it out. Maybe Gramps

  was getting senile. Maybe he just made up

  some wild plan for a solo voyage along the river

  as a way to escape, kind of like we used to do

  together when I’d visit. But then—what about his

  hand-drawn map of the Mullica in 1699?

  I did figure out one thing: “L.B.” is most probably

  himself, Lewis Bradley. Anyway, that map is drawn

  on thin paper—almost like onionskin, almost like

  it was supposed to be see-through. (Ha! Maybe Denise

  can use it for a shirt.) So, OK … I lay it on top of

  the map of the river labeled 1968, and I see

  right away it shows that how the river flows now

  is not the same as how the river flowed back then.

  I look through my kaleidoscope awhile

  to clear my mind. Then I read over again that one

  part of the engineer’s letter: “I find your calculations

  on the shift in course of the Mullica River, and in particular

  as it pertains to the section that now runs west of the town

  of Willowbank, to be entirely correct.” I didn’t know

  a river could shift; I wonder, is this guy McGraw for real?

  Or is he simply trying to get some fast cash from a

  tired old sailor? I lie on my back and stare at the

  cracks in the ceiling, branching off in a dozen

  separate directions like little streams flowing from

  a larger body of water. “Tributaries” is what

  Mr. Bellamy called them last week when he

  reviewed some terms for our Earth Science test,

  (which I barely passed, even though I actually

  studied this time). Only six days of eighth grade left.

  Too bad—just when I’m finding a use for geology.

  “Can a river shift?”

  I blurt out at the end of science class,

  after the bell has rung,

  after everyone else has left.

  Mr. Bellamy looks at me like I have

  two heads. I don’t blame him.

  All year, I’ve only asked two other questions

  in his class: “Can I please use the bathroom pass?”

  and “Can I do some extra credit

  to raise my D-minus?”

  When he’s shaken off his shock, he says:

  “Well, yes … if you mean, Lyza,

  can a river change its course over time—

  then yes, absolutely, it most certainly can!”

  He seems pleased to see that I’m at last

  showing an interest in his class,

  even if it is a little late.

  He looks at me curiously. “Why do you ask?”

  I hesitate. “Well…

  I was reading something at my gramps’ place …”

  (which is true)

  “and it made me wonder …”

  I don’t say it was a hand-drawn map

  of the Mullica River in 1699. He might get

  curious

  and I’m not ready yet to let

  anyone else know about this, especially a teacher.

  So … I just let him think it was an atlas,

  something normal like that.

  Mr. Bellamy buys it.

  He shifts into full-throttle teacher mode:

  “The earth, Lyza, is in a constant state of change….”

  (waves hands excitedly)

  “The atmosphere, bodies of water, and tectonic plates

  are constantly interacting

  (weaves fingers together to demonstrate)

  to re-create the geography we see around us…”

  (spreads arms out wide as if those plates

  and bodies were right ins
ide his classroom)

  He has other things to say about

  the earth, and he says most of them in the next

  twenty minutes.

  I try to listen, but I already have what I need:

  a second opinion on the question

  of shifting rivers,

  which seems now to be a lot more

  fact than fiction.

  I “X” through another box on the calendar.

  Another whole week has passed, school’s out,

  and I’m still no further along in the mystery of Gramps’ maps

  than I was before.

  Except… I know a river can

  shift,

  and that my former-navigator grandfather

  felt he needed to draw a map

  of how the Mullica River flowed in 1699,

  and to pay some engineer guy to verify

  that he drew it right.

  But I don’t know why I need to know that.

  So what’s the use?

  Then there’s the key—

  which doesn’t seem to belong to anything

  either here or back in Tuckahoe

  (I checked before we left; it didn’t fit any

  of Gramps’ doors or kitchen cabinets,

  the garden shed, or the garage).

  Then there’s that note on the back of the envelope

  about some document and file

  at the Brigantine Historical Society.

  But I don’t have a license or a car … so how can I

  get there and still keep this a secret

  from Denise and Dad, which I assume is what Gramps

  wanted me to do, or why else

  would he have addressed the envelope

  just to me?

  “FOR LYZA ONLY” is the part that bothers me,

  the part I’ve been thinking a lot more about lately

  because his letter also said:

  If there’s a right time to share it, I’m sure you’ll know.

  So … is tonight the right time?

  “Adventures are better together,” Gramps used to say

  whenever we planned a journey in the attic.

  “Plus if you get into trouble, there’s always

  someone near

  to lend a hand, save you from going under

  when the current’s too strong, when the seas get rough.”

  I take my kaleidoscope off the shelf,

  where I’ve kept it ever since Mom left.

  Funny—coming from her, it was the perfect gift:

  colorful, like she always was;

  slim, which is how I remember her;

  and mostly … unpredictable.

  I turn the cylinders

  around and

  around and

  around until I find a brand-new pattern,

  in hopes that my brain

  might catch on and do the same.

  I put the kaleidoscope

  aside, look at the maps again.

  Well, that doesn’t work.

  OK, I need to face it: I am either too dumb or too chicken

  to figure out this map thing

  alone.

  I roll off my bed, slide down the banister,

  pick up the hallway phone.

  I dial Malcolm’s number. He’s home.

  “Be over in ten,” he says loud enough

  to be heard over

  his dad’s Louis Armstrong records.

  I go into the living room, lift

  the front window, yell across to Carolann,

  who’s teaching the twins

  how to play Mother, may I?

  She waves when she hears me, picks them up—

  one twin under each arm—

  and carries them inside. She reappears on the porch steps

  with three bottles of soda

  and a big bag of Wise potato chips.

  You know, I may not be able

  to count on my family,

  but my friends, at least, are as steady as they come.

  They sit, leaning back, against the foot of my bed.

  I sit across from them and explain

  everything:

  —how I discovered the envelope in the attic

  —how I found the note from Gramps

  —how I unfolded each of the maps

  —how I read the letter from the engineer

  —how I asked Mr. Bellamy about shifting rivers

  —how I’d been racking my tired brain for answers

  I tell them about the key and about

  the note Gramps wrote on the back of the envelope,

  the one about the drawer, file, and document

  over in Brigantine.

  I tell them I’ve been wanting to go

  to check it out

  but have no way of doing so

  without giving away Gramps’ secret.

  I tell them all of it…. Then I ask: “So … what do you think?”

  Malcolm nods slowly, continuously, like he’s

  one of those little dogs in the

  back window of someone’s Chevy.

  He stays quiet.

  Carolann stuffs a bunch of potato chips

  into her mouth.

  She chews, swallows, takes a swig

  of her soda, swipes the back of her wrist

  across her lips.

  “Far out!” she says.

  I thought for sure

  that three brains

  would be better

  than one.

  I had assumed that

  as soon as I told

  Carolann and Malcolm

  about Gramps’ notes

  and his maps,

  I’d immediately

  feel relieved,

  that we’d immediately,

  all three, together,

  see something obvious

  that I, by myself,

  had missed.

  I

  was

  so

  wrong.

  Before they leave

  to go back home,

  I make them both

  swear on my

  father’s Bible

  that they will

  not tell a soul

  about Gramps’

  project, that they

  will not say one

  single word to

  their parents

  or their friends

  or their brothers

  or any future

  boyfriends or

  girlfriends they

  might someday

  have. I am not

  worried about

  Malcolm, who is

  shy and quiet

  by nature.

  I am worried more

  about Carolann

  but not because

  she would ever

  mean to say

  anything about

  our secret

  but it’s just that

  she’s always

  flitting here

  and there

  and it’s in her

  nature to share—

  and so I make her,

  even though her

  parents raised her

  as a Quaker

  (and they don’t

  believe in taking

  oaths), I make her

  swear twice

  on the Bible

  just to be sure.

  Malcolm and I go shopping for

  a couple of 45s at Bassline,

  the record store

  where Hairy Harry works part-time.

  We buy “I Was Made to Love Her” by Stevie Wonder

  and “Respect” by Aretha Franklin.

  Then we walk next door to the five-and-dime

  and buy ourselves two orange Creamsicles

  and a copy of today’s local news,

  which we take the comics out of and use

  to wrap up the records

  for his brother’s nineteenth
birthday.

  Dixon Dupree is the kind of brother

  every kid should have:

  he plays guitar, works at the lumberyard,

  and last year as a senior at Willowbank High

  he had fifteen home runs, thirty-five RBIs,

  and was the team’s MVP for the second time.

  Plus Dixon’s nice … a kind of anti-Denise.

  Whenever I see him in town

  or walking past our house after work,

  Dixon always asks

  how I am,

  what I’m doing,

  how’s it going with my summer … stuff like that,

  questions that most older kids

  don’t ask me.

  Anyway, a few hours later,

  when I arrive at the Duprees’

  at half past seven

  to watch the Phillies play the Mets on CBS,

  Dixon is sitting on the top step of the porch,

  reading a letter.

  He does not

  look up when I walk by.

  He does not

  say “Hey there, Lyza …,” like he always does.

  He does not

  ask how I am or if everything is cool with my summer.

  Instead,

  he keeps staring, staring, staring at the letter.

  When Malcolm opens the door,

  I can see over his shoulder into the kitchen,

  where Mrs. Dupree is crying into her apron

  with Mr. Dupree trying to comfort her,

  and before I can turn and leave them

  to whatever bad news it is,

  Malcolm grips my wrist and pulls me

  behind him upstairs to the den, directly

  opposite his room.

  When he turns around, I can clearly see

  that he looks close to crying, too.

  Now I am feeling really weird, ’cause I have not

  seen Malcolm cry since kindergarten,

  when the older white kids

  teased and bullied him

  through the playground fence.

  “Dixon’s got drafted,” he says, sitting

  down on the top of the desk, still looking like

  he might explode into sadness any minute.

  I don’t know what to do.

 

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