The Lost Colony (Disney)

by Eoin Colfer

  OTHER BOOKS BY EOIN COLFER

  Airman

  Benny and Omar

  Benny and Babe

  Half Moon Investigations

  The Supernaturalist

  The Wish List

  Iron Man: The Gauntlet

  ARTEMIS FOWL

  Artemis Fowl

  Artemis Fowl: The Arctic Incident

  Artemis Fowl: The Eternity Code

  Artemis Fowl: The Opal Deception

  Artemis Fowl: The Time Paradox

  Artemis Fowl: The Atlantis Complex

  Artemis Fowl: The Last Guardian

  W.A.R.P.: The Reluctant Assassin

  W.A.R.P.: The Hangman’s Revolution

  W.A.R.P.: The Forever Man

  GRAPHIC NOVELS

  Artemis Fowl: The Graphic Novel

  Artemis Fowl: The Arctic Incident: The Graphic Novel

  Artemis Fowl: The Eternity Code: The Graphic Novel

  The Supernaturalist: The Graphic Novel

  AND FOR YOUNGER READERS

  Eoin Colfer’s The Legend of Spud Murphy

  Eoin Colfer’s The Legend of Captain Crow’s Teeth

  Eoin Colfer’s The Legend of the Worst Boy in the World

  Contents

  Title Page

  Copyright

  Dedication

  Chapter 1: Blast To The Past

  Chapter 2: Doohdah Day

  Chapter 3: First Impression

  Chapter 4: Mission Impossible

  Chapter 5: Imprisoned

  Chapter 6: Dwarf Walks Into A bar

  Chapter 7: Bobo’s Run

  Chapter 8: Sudden Impact

  Chapter 9: Turned Tables

  Chapter 10: Kong The King

  Chapter 11: A Long Way Down

  Chapter 12: Heart Of Stone

  Chapter 13: Out Of Time

  Chapter 14: Leader Of The Pack

  Chpater 15: Home Again, Home Again

  Chapter 16: Point Of Impact

  Coded Message

  Key to the Gnommish Alphabet

  Excerpt from Artemis Fowl: The Time Paradox

  Sneak Peek of The Fowl Twins

  About the Author

  Can You Crack the Code?

  The code at the end of the book has been specially created by the author. Decipher it to reveal a secret message.

  Copyright © 2006, 2018 text by Eoin Colfer

  Gnommish alphabet created by Alicia Grace Martin

  Designed by Tyler Nevins

  Cover illustration © 2018 by Goni Montes

  Cover design by Tyler Nevins

  All rights reserved. Published by Disney Hyperion, an imprint of Disney Book Group. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the publisher. For information address Disney Hyperion, 125 West End Avenue, New York, New York 10023.

  ISBN 978-1-4231-3224-0

  Visit www.DisneyBooks.com

  www.artemisfowl.com

  For Badger. The man. The legend.

  CHAPTER 1

  BLAST TO THE PAST

  Barcelona, Spain

  Happy was not a word often used to describe Artemis Fowl’s bodyguard. Jolly and contented were also words that were rarely applied to him or to people in his immediate vicinity. Butler did not get to be one of the most dangerous men in the world by chatting with anyone who happened to stroll past, unless the chat concerned exit routes and concealed weapons.

  On this particular afternoon, Butler and Artemis were in Spain, and the bodyguard’s Eurasian features were even more taciturn than normal. His young charge was, as usual, making Butler’s job more complicated than it needed to be. Artemis had insisted that they stand on the sidewalk of Barcelona’s Passeig de Gràcia for over an hour in the afternoon sun, with only a few slender trees to provide them with cover from the heat or possible enemies.

  This was the fourth unexplained trip to foreign locations in as many months. First Edinburgh, then Death Valley in the American West, followed by an extremely arduous trek to doubly landlocked Uzbekistan. And now Barcelona. All to wait for a mysterious visitor, who had not as yet made an appearance.

  They made an odd couple on the busy pathway. A huge, muscular man: forties, Hugo Boss suit, shaven head. And a slight teenager: pale, raven-haired, with large piercing blue eyes.

  “Why must you circle so, Butler?” asked Artemis, irritated. He knew the answer to his own question, but according to his calculations, the expected visitor to Barcelona was a minute late, and he allowed his annoyance to transfer to the bodyguard.

  “You know perfectly well why, Artemis,” replied Butler. “In case there is a sniper or an audiotech on one of the rooftops. I am circling to provide maximum cover.”

  Artemis was in the mood to demonstrate his genius. This was a mood in which he frequently found himself. And, as satisfying as these demonstrations were for the fourteen-year-old Irish boy, they could be intensely irritating for anyone on the receiving end.

  “Firstly, it is hardly likely that there is a sniper gunning for me,” he said. “I have liquidated eighty percent of my illegal ventures and spread the capital across an extremely lucrative portfolio. Secondly, any audiotech trying to eavesdrop on us may as well pack up and go home, as the third button on your jacket is emitting a solinium pulse that whites out any surveillance tape, human or fairy.”

  Butler glanced at a passing couple who were bewitched by Spain and young love. The man had a camcorder slung around his neck. Butler fingered his third button guiltily.

  “We may have ruined a few honeymoon videos,” he noted.

  Artemis shrugged. “A small price to pay for my privacy.”

  “Was there a third point?” asked Butler innocently.

  “Yes,” said Artemis, a touch testily. Still no sign of the individual he was expecting. “I was about to say that if there is a gunman on one of these buildings, it’s that one directly to the rear. So you should stay behind me.”

  Butler was the best bodyguard in the business, and even he couldn’t be a hundred percent sure which rooftop a potential gunman would be on.

  “Go on. Tell me how you know. I know you’re dying to.”

  “Very well, since you ask. No sniper would position himself on the rooftop of Casa Milà, directly across the street, because it is open to the public and so his access and escape would probably be recorded.”

  “His or her,” corrected Butler. “Most metal men are women these days.”

  “His or her,” amended Artemis. “The two buildings on the right are somewhat screened by foliage, so why handicap yourself?”

  “Very good. Go on.”

  “The cluster behind us is financial buildings with private security stickers on the windows. A professional will avoid any confrontation he is not being paid for.”

  Butler nodded. It was true.

  “And so, I logically conclude that your imaginary sniper would pick the four-story construction to our rear. It is residential, so access is easy. The roof affords him or her a direct line of fire, and the security is possibly dismal or, more than likely, nonexistent.”

  Butler snorted. Artemis was probably right. But in the protection game, probably wasn’t nearly as comforting as a Kevlar vest.

  “You’re probably right,” admitted the bodyguard. “But only if the sniper is as smart as you are.”

  “Good point,” said Artemis.

  “And I imagine you could put together a convincing argument for any one of these buildings. You just picked that one to keep me out of your line of vision, which leads me to believe that whoever you’re expecting will turn u
p outside Casa Milà.”

  Artemis smiled. “Well done, old friend.”

  Casa Milà was an early twentieth-century dwelling designed by the Spanish art nouveau architect Antoni Gaudí. The façade consisted of curved walls and balconies topped by twisted ironworks. The walkway outside the building was thronged with tourists lining up for an afternoon tour of the spectacular house.

  “Will we recognize our visitor among all these people? Are you sure that he is not already here? Watching us?”

  Artemis smiled, his eyes glittering. “Believe me, he is not here. If he were, there would be a lot of screaming.”

  Butler scowled. Once, just once, he would like to get all the facts before they boarded the jet. But that wasn’t the way Artemis worked. To the young Irish genius, the reveal was the most important part of his schemes.

  “At least tell me if our contact will be armed.”

  “I doubt it,” said Artemis. “And even if he is, he won’t be with us for more than a second.”

  “A second? Just beaming down through outer space, is he?”

  “Not space, old friend,” said Artemis, checking his wristwatch. “Time.” The boy sighed. “Anyway, the moment has passed. It seems as though I have brought us here for nothing. Our visitor has not materialized. The chances were slim. Obviously there was nobody at the other end of the rift.”

  Butler didn’t know what rift Artemis was referring to; he was simply relieved to be leaving this insecure location. The sooner they could get back to Barcelona Airport the better.

  The bodyguard pulled a mobile phone from his pocket and hit a number on the speed dial. The person on the other end picked up on the first ring.

  “Maria,” said Butler. “Collection, pronto.”

  “Sí,” replied Maria tersely. Maria worked for an exclusive Spanish limousine company. She was extremely pretty and could break a breeze block with her forehead.

  “Was that Maria?” said Artemis, mimicking casual conversation perfectly.

  Butler was not fooled. Artemis Fowl rarely asked casual questions.

  “Yes, that was Maria. You could tell because I used her name when I spoke to her. You don’t usually ask so many questions about the limo driver. That’s four in the past fifteen minutes. Will Maria be picking us up? Where do you think Maria is right now? How old do you think Maria is?”

  Artemis rubbed his temples. “It’s this blasted puberty, Butler. Every time I see a pretty girl, I waste valuable mind space thinking about her. The girl at that restaurant, for instance. I’ve glanced in her direction a dozen times in the past few minutes.”

  Butler gave the pretty girl in question an automatic bodyguard’s once-over.

  She was twelve or thirteen, did not appear to be armed, and had a mane of extremely tight blond curls. The girl was studiously working her way through a selection of tapas while a male guardian, perhaps her father, read the paper. There was another man at the table who was struggling to stow a set of crutches under his chair. Butler judged that the girl was not a direct threat to their safety, though indirectly she could cause trouble if Artemis were unable to concentrate on his plan.

  Butler patted his young charge on the shoulder. “It’s normal to be distracted by girls. Natural. If you hadn’t been so busy saving the world these past few years, it would have happened sooner.”

  “Nevertheless, I have to control it, Butler. I have things to do.”

  “Control puberty?” snorted the bodyguard. “If you manage that, you’ll be the first.”

  “I generally am,” said Artemis.

  And it was true. No other teenager had kidnapped a fairy, rescued their father from the Russian Mafiya, and helped put down a goblin revolution by the tender age of fourteen.

  A horn honked twice. From across the intersection, a young lady gestured through an open limousine window.

  “It’s Maria,” said Artemis, then caught himself. “I mean, let us go. Maybe we’ll have better luck at the next site.”

  Butler took the lead, stopping traffic with a wave of one massive palm. “Maybe we should take Maria with us. A full-time driver would make my job a lot easier.”

  It took Artemis a moment to realize that he was being ribbed. “Very funny, Butler. You were joking, weren’t you?”

  “Yes, I was.”

  “I thought so, but I don’t have a lot of experience with humor. Apart from Mulch Diggums.”

  Mulch was a kleptomaniac dwarf who had stolen from, and for, Artemis on previous occasions. Diggums liked to think of himself as a funny fairy, and his main sources of humor were his own bodily functions.

  “If you can call that humor,” said Butler, smiling in spite of himself at his own memories of the pungent dwarf.

  Suddenly Artemis froze—in the middle of a heaving intersection.

  Butler glowered at the three lanes of city traffic, a hundred impatient drivers leaning on their horns.

  “I feel something,” breathed Artemis. “Electricity.”

  “Could you please feel it on the other side of the road?” asked Butler.

  Artemis stretched out his arms and felt a tingle on his palms.

  “He’s coming, after all, but several yards off target. Somewhere there is a constant that is not constant.”

  A shape formed in the air. From nothing came a cluster of sparks and the smell of sulfur. Inside the cluster, a gray-green thing appeared, with golden eyes, chunky scales, and great horned ears. It stepped out of nowhere and onto the road. It stood erect, five feet high, humanoid, but there was no mistaking this creature for human. It sniffed the air through slitted nostrils, opened a snake’s mouth, and spoke.

  “Felicitations to Lady Heatherington Smythe,” it said in a voice of crushed glass and grating steel. The creature grasped Artemis’s outstretched palm with a four-fingered hand.

  “Curious,” said the Irish boy.

  Butler wasn’t interested in curious. He was interested in getting Artemis away from this creature as quickly as possible.

  “Let’s go,” he said brusquely, laying a hand on Artemis’s shoulder.

  But Artemis was already gone. The creature had disappeared as quickly as it had come, taking the teenager with him. The incident would make the news later that day, but strangely enough, in spite of the hundreds of tourists armed with cameras, there would be no pictures.

  The creature was insubstantial, as though it did not have a proper hold on this world. Its grip on Artemis’s hand was soft with a hard core, like bone wrapped in foam rubber. Artemis did not try to pull away; he was fascinated.

  “Lady Heatherington Smythe?” repeated the creature, and Artemis could hear that it was scared. “Dost this be her estate?”

  Hardly modern syntax, thought Artemis. But definitely English. Now, how does a demon exiled in Limbo learn to speak English?

  The air buzzed with power, and white electrical bolts crackled around the creature, slicing holes in space.

  A temporal rent. A hole in time.

  Artemis was not overly awed by this; after all, he had seen the Lower Elements Police actually stop time during the Fowl Manor siege. What did concern him was that he was likely to be whisked away with the creature, in which case the chances of him being returned to his own dimension were small. The chances of him being returned to his own time were minuscule.

  He tried to call out to Butler, but it was too late. If the word late can be used in a place where time does not exist. The rent had expanded to envelop both him and the demon. The architecture and population of Barcelona faded slowly like spirits, to be replaced first by a purple fog, then a galaxy of stars. Artemis experienced feverish heat, then bitter cold. He felt sure that if he materialized fully he would be scorched to cinders, then his ashes would freeze and scatter across space.

  Their surroundings changed in a flash, or maybe a year; it was impossible to tell. The stars were replaced by an ocean, and they were underneath it. Strange deep-sea creatures loomed from the depths, luminous tentacles scything th
e water all around them. Then there was a field of ice, then a red landscape, the air filled with fine dust. Finally they were looking at Barcelona again. But different. The city was younger.

  The demon howled and gnashed its pointed teeth, abandoning all attempts to speak English. Luckily, Artemis was one of two humans in any dimension who spoke Gnommish, the fairy language.

  “Calm yourself, friend,” he said. “Our fate is sealed. Enjoy these beautiful sights.”

  The demon’s howl ceased abruptly, and he dropped Artemis’s hand.

  “Speak you fairy tongue?”

  “Gnommish,” corrected Artemis. “And better than you, I might add.”

  The demon fell silent, regarding Artemis as though he were some kind of wondrous creature. Which, of course, he was. Artemis, for his part, spent what could possibly be the last few moments of his life observing the scene before him. They were materializing at a building site. It was the Casa Milà, but not yet completed. Workmen swarmed across a scaffold erected at the front of the building, and a swarthy bearded man stood scowling at a sheet of architectural drawings.

  Artemis smiled. It was Gaudí himself. How amazing.

  The scene solidified, colors painting themselves brighter. Artemis could smell the dry Spanish air now, and the heavy tangs of sweat and paint.

  “Excuse me?” said Artemis in Spanish.

  Gaudí looked up from the drawings, and his scowl was replaced with a look of utter disbelief. There was a boy stepping from thin air. Beside him a cowering demon. The brilliant architect absorbed every detail of the tableau, committing it to his memory forever.

  “Sí?” he said hesitantly.

  Artemis pointed to the top of the building. “You’ve got some mosaics planned for the roof. You might want to rethink those. Very derivative.”

  Then boy and demon disappeared.

  * * *

  Butler had not panicked when a creature had stepped out of a hole in time. Then again, he was trained not to panic, no matter how extreme the situation. Unfortunately, nobody else at the Passeig de Gràcia intersection had attended Madam Ko’s Personal Protection Academy, and so they proceeded to panic just as loudly and quickly as they could. All except the curly-haired girl and the two men with her.