Art of Temptation (Regency Chase Family Series, Book 3)

by Royal, Lauren

  A familiar, dull pain briefly squeezed Amy's heart as her gaze dropped to the miniature of Edith, its oval gold frame cradled between her father's work-worn hands. "She was lovely, wasn't she?"

  "Yes, she was." He smiled down at the picture. "You have her delicate chin and her beautiful amethyst eyes."

  "And your unruly black hair." Hugh didn't react to her gentle teasing tone. "Sometimes, Papa…sometimes I think that if you could wear out a painting by looking at it, Mama's image would have disappeared from the canvas months ago."

  He looked up, offering her a wan smile. "We shared a rare love, poppet."

  It was a perfect opening; she couldn't let her courage fail her again. She lifted her chin. "Papa, I…I always dreamed of a love—"

  "Have you seen those ruby earrings your mother wore to see Henry V the week before she—she—"

  Amy crossed her arms, sympathy and impatience warring within her. Impatience won. "Papa, I need to talk to you."

  "I just want to see them," he said gruffly.

  She knew his moods, and there was no arguing with his retreating back. Determined to say her piece, she picked up her skirts and followed him down the two flights of stairs and into the workshop.

  While he started unlocking their safe chest, she tied on an apron and sat at her workbench. More to calm herself than to accomplish anything, she unfolded the sheet of paper Lord Greystone had sent her and smoothed it flat against the table. She squinted at the drawing while she steeled herself to broach the subject again.

  The last bolt clunked into place, and she heard Hugh throw open the lid and begin removing trays to access his private collection in the bottom. She dragged a candle closer to study the Greystone crest, listening to the soft metallic sounds of her father sifting through centuries of treasures.

  She had to just say it. "Papa—"

  "Mmm…I've always loved this piece."

  Exasperated, she turned to watch her father sit back on his heels and hold up a pendant. It sparkled in the lantern light.

  Drawn despite her low spirits, she rose and moved to him. "Let me see. Who made it?"

  "Your great-grandpapa, a master with enamel. Look."

  "Ahh…" Amy studied the piece, a merman, his torso consisting of one huge baroque pearl. His tail was an enamelled rainbow of colors set with cut gemstones. The merman wore a miniature necklace and bracelets and carried a tiny shield and saber. The entire, elaborate pendant was less than four inches tall, including three pearls that dangled from the bottom. "It's exquisite. I remember it now."

  "He was inspired by Erasmus Hornick's design book." Hugh still had the treasured book, an ancient leather-bound volume from Nuremberg that Amy was almost afraid to touch. "But the workmanship was his own. He outdid himself with this one—in nearly a hundred years, no one in the family has ever been able to bring himself to sell it."

  "I'm glad."

  He replaced the piece and hunched over the chest, resuming his search for the ruby earrings. He was mellow, she thought. Maybe now…

  "Papa—"

  "Your talent came from him, you know. Through the generations. A gift—and an obligation."

  She swallowed and took a deep breath. "Papa, I—"

  "I know what you're going to say, Amy." His knees creaked as he stood up. "You think I don't know how you feel? It's naught but nerves. Every bride has them."

  Amy shot him a hurt look, shocked that he'd known all along that she wanted to call off the wedding, yet chose to do nothing about it. Her own father.

  She returned to her workbench and set Lord Greystone's ring into a clamp attached to the table.

  "You bear a responsibility. Here, in this shop, our people have worked for generations, for you. You can do no less for your own children. And you cannot do so as a woman alone."

  Amy heard her father's footsteps, then a small clink as he placed the earrings on her work surface.

  The pear-shaped, blood-red rubies were bezel set and pavéd with diamonds on long, graceful drops. Amy's heart clenched as she remembered how her mother had protested they were too fancy, but then held her head high that night at the theater, to show them to advantage.

  "Life is fragile, poppet." Hugh's voice cracked. "I want to see you settled before something happens to me, too."

  The rubies seemed to wink in the candlelight, a poignant reminder of her mother and her mother's expectations. Her throat closed with emotion. She had to force the words out. "Nothing is happening to you, Papa."

  Looking away from the earrings, she dug in a drawer for a stick of engravers' wax and heated one end in the candle flame, then rubbed it over the top of the ring.

  "This family has hoarded gold, coins and gems for centuries—centuries, Amy—making certain no Goldsmith will ever suffer a moment of insecurity. The shop sold almost nothing during the Commonwealth. Could we have lived through it as we did—with servants, and nice clothes, and good food on the table—without that legacy handed down from our ancestors?"

  She stilled, a sharp-tipped tool in her hand. "No." The word was directed toward Lord Greystone's ring, its hard-won shine dimmed by engravers' wax and the blur of unshed tears.

  "And now that the good times have returned, we work every day to replace what we were forced to use. It's my responsibility, and one day it will be yours."

  With the quick, sure strokes of an artist, she traced a reverse image of the crest into the wax, then lifted the graver. The murmur of Robert assisting two customers came through the arch from the showroom, but Amy and Hugh's silence grew tight with tension.

  Hugh sighed. "These marriages—they're the way our trade works. I want your word that Goldsmith & Sons will go on. I need your promise."

  "Nothing is happening to Goldsmith & Sons."

  Amy started engraving, meticulously carving tiny ribbons of gold from the signet's top. She felt her father's gaze on her and knew he wanted an answer, not a denial. An answer about Robert.

  The tool slowed as she focused on the ring—and the man it was for. A hazy image of Lord Greystone's handsome features hovered in her mind. He'd just looked at her with his piercing emerald eyes, and she'd felt warm all over and known that it would never, just never, be that way with Robert.

  She hurried to finish, set down the graver and held the ring to the candle, studying the reverse crest for imperfections.

  "Promise me," her father insisted. "You have a gift that cannot be wasted, an obligation in your blood. Promise me."

  She dripped a shiny blob of red sealing wax onto the design sheet and pressed the ring into it. It made a perfect imprint of the Greystone coat of arms, but she didn't feel her usual surge of satisfaction.

  Sighing, she turned to search her father's concerned blue eyes. "It's just Robert, Papa. He…he doesn't understand me."

  "He doesn't have to understand you. You were promised to him years ago, and he knows his place. As a second son, he's lucky—very lucky—to be marrying into a wealthy family, with his wife-to-be the sole heir. Without you, Robert has nothing. He knows that. He's the right man for you—the right man for Goldsmith & Sons."

  Her father didn't understand her, either. "He scares me when he touches me."

  "You know nothing of the marriage bed, poppet. It won't scare you for long."

  Tears stinging the backs of her eyes, she sat up straighter. "He wants me to stop making jewelry."

  A short, harsh bark of laughter followed that statement. "The man is feeling impotent now. When his apprenticeship is finished, he'll feel differently. He won't care to do without the income from your designs."

  He reached for the ruby earrings and turned to put them away. She watched him gaze at the jewels, then kneel to tenderly place them in the bottom of the chest. Her fingers clenched tight around Lord Greystone's ring as the tears that had been threatening welled up, and before she could stop herself, she dropped to her knees beside him.

  "Papa, look at me. Me!"

  She reached for his hands and grasped them in hers,
the ring trapped somewhere amidst the tangle of their fingers.

  "Papa! Remember you told me I'd have a love, a love like yours and Mama's? You promised, but it hasn't happened! I don't love Robert!" She felt a tear escape and roll down her cheek as her desperate eyes implored his pained ones. "If something happened to him, I wouldn't gaze at his picture, I wouldn't—"

  "Enough!" Hugh stood so abruptly that Amy fell back. Never had he raised his voice to her. Now in his fear, his loneliness, he lashed out. "I loved your mother—I still do—and she's gone! I cannot work—I stare at her painting—I loved her so! Better you and Robert think straight. Not like me!"

  His shoulders slumped, and his voice dropped to a husky whisper. "Not like me."

  She watched him draw a shuddering breath as he reached a hand to pull her up. "I'm sorry, poppet." His eyes fluttered closed and then open as he ran a shaky hand through the black tangles of his hair. "That it's come to harsh words…I'm sorry. But there's more to life than love. It will be better for you this way. You must see a bigger picture. Tradition, continuity…this is how our guild has survived for centuries."

  The hard edges of the heavy ring bit into Amy's clenched fist. She blinked back the tears. Like the vast majority of betrothal agreements, hers was not binding until consummation. No money had yet changed hands. There must be another way for her that would still preserve the business. "Surely there's another jeweler…"

  "Ours is a small industry. Others were apprenticed a decade ago. Many died in the plague. These matches are made for children, and you're twenty-two. It's God's own truth I've been patient, but it's past time your future was cemented." He moved to wrap an arm tight around Amy's shoulders, as though willing her to understand, to accept the realities of her life. "Robert is a good goldsmith, a good man. You cannot have everything, Amy."

  You cannot have everything.

  The words echoed in Amy's head, summing up her destiny. She was stuck, as sure as an insect in amber.

  Shrugging out of her father's grasp, she picked up a cloth embedded with reddish rouge powder and rubbed the ring absently, a final hand-polish to make it gleam. It felt solid in her hands, this thing she'd created from nothing more than raw metal and elusive inbred artistry. She could never give up making jewelry. She was born to it.

  Her gaze swept the cluttered workshop. Tools, hunks of discarded wax and half-finished pieces of jewelry littered every available surface. A thin veil of the reddish rouge powder dusted the tabletops and stained her fingertips.

  This was where she belonged. And if her father said Robert belonged here as well, that was the way of it.

  The fire below the oven snapped, and she blinked, then knuckled the last trace of tears from her eyes.

  You cannot have everything.

  "Promise me, Amy. Promise me that Goldsmith & Sons won't end with you."

  "You have my promise."

  "I love you, poppet," Hugh said quietly.

  He only wanted what was best for her. As she turned into his arms, the ring slipped from her fingers and clattered to the wooden floor.

  "I love you too, Papa," she said.

  IT WAS A long time before she bent to pick up the ring, an even longer time before Robert came in to find her staring at it.

  He stood over her. "You still working on that damned signet?"

  She looked up at him, but couldn't find the energy to summon as much as annoyance.

  "It's finished," she said. "I'll have it delivered in the morning."

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  ABOUT LAUREN ROYAL

  I decided to become a writer in the third grade (or, as my Canadian friends call it, grade three), after winning a “Why My Mother is the Greatest” essay contest and having my entry published in a major newspaper. Seeing my words in print was a thrill! But everyone told me it's too hard for novelists to get published, so after college I spent fourteen years as the CEO of my own jewelry store chain before writing my first book. A mistake? Maybe…but my first heroine, Amethyst, was a jeweler, so at least I took advantage of that wise old saying, “Write what you know.” And I learned a good lesson: Don't let other people tell you what you can or can't do!

  I write humorous historical romance mostly set in England and Scotland in the 17th and 19th centuries (Restoration and Regency periods). I've been oh-so-lucky to see my books hit bestseller lists all over the world, including the New York Times and USA Today lists, making this second career a real dream come true. I live in Southern California with my husband, our three young adult children, and one constantly shedding cat, and I still think my mother is the greatest!

  ACKNOWLEDGMENTS

  My heartfelt thanks:

  To Deborah Alexander, MD, for helping me choose an appropriate illness for Lord Lincolnshire and spending much precious time describing all the pertinent details. (For anyone who may not know, dropsy is currently called edema and in Lord Lincolnshire's case was caused by heart failure.)

  To Andrew Potter, research assistant at the Royal Academy Library, for the list of Academicians on the 1817 Selection Committee and historical information on the selection process.

  To Devon Royal (best daughter in the world), for reading bunches of old Minerva Press novels and pulling out quotes for me.

  To my Chase Family Readers’ Group, for their enthusiastic support.

  And, once again, to my readers, because I do this for you.

  Thank you, one and all!

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