The Archaeologist's Daughter (Regency Rendezvous Book 3)
Page 18
Persephone rolled her eyes. “I can’t say I blame him,” she replied. “There’s not a muff to be found in town,” she complained. “Nor a decent fur coat. I certainly didn’t expect to have to wear a coat to a ball this time of the year,” she added in disgust.
Adonis listened to his sister’s rant and finally angled his head. “Just what is the date today?” he asked.
Sighing, Persephone stared at her brother for several moments. “You really have lost your faculties, haven’t you?” she whispered. When Adonis merely stared back at her, she finally replied, “Eleventh of May, eighteen-sixteen.” She stated the date as if she had already said it several times that day.
Blinking, Adonis was about to argue that he hadn’t lost his faculties—the weather was certainly the one to have lost its mind—but he thought better of it. There was no arguing with an older sister, after all.
Chapter Two
A Visit to the Museum
May 13, 1816
Lydia regarded the south side of the British Museum, rather surprised to find there wasn’t already a line of people in queue for the Monday morning’s ten o’clock opening. Montagu House, the building purchased by the Board of Trustees of the museum to house its collections, featured a series of steps leading up to a portico and a set of double doors.
“On a lovely day such as this, the museum is never very crowded, my lady.”
Turning to find the driver of her coach-and-four standing at the curb, Lydia nodded. The clear blue sky was dotted with white puffy clouds. The air actually held a hint of warmth, unlike the other spring days that had come before. With no rain in sight—a rare occurrence this particular year—most Londoners who weren’t laboring at their jobs would be spending the beautiful day out-of-doors. “Then I shall have the place all to myself,” Lydia responded with a grin.
She headed through the museum’s front doors, nodding to the driver when he hurried up to open the door for her. “Good day, sir. I shall see you in three hours,” she said, allowing her eyes to adjust to the dim interior before making her way into the lobby.
Although she hadn’t decided on a particular reason for visiting the museum on this day, Lydia found she had free time to do whatever she pleased. A widow for nearly a year, she paid visits to a lending library as well as The Temple of the Muses to acquire the books she read in the late afternoons, she occasionally hosted others in her home for morning tea, she had a private box at the Royal Theatre, and she attended the few evening events for which she received invitations.
Married to a titled man—her husband had been a viscount—Lydia had herself grown up in a family of aristocrats and had always been a lady. As the daughter of the ton, she enjoyed some freedoms other widows might not. As the widow of an officer, she collected a meager pension on top of the small fortune she had inherited upon his death.
The news of Viscount Jasper Barrymore’s death hadn’t been unexpected. Every day during the Peninsular Wars, Londoners received reports from the Continent of British soldiers having died in battle, and if not in battle, then because they perished in the cold or from some horrible wound or disease.
She supposed she should have been surprised at how long her husband managed to survive given his penchant for leading his men from the back of a Friesian. An easy target for a bullet, she was sure, although there was a thought that Jasper had died by the thrust of a bayonet through his mid-section. At least, that’s what someone from the War Office had suggested. The clerk claimed they didn’t know for sure. She never saw his body prior to the graveside service that had him buried in his family’s small plot in Kent.
Given his real occupation as a spy, she couldn’t even be sure of anything she’d been told.
Lady Lydia Grandby Barrymore was, by all accounts, living the life of an independent woman, although a lonely one these days. A brief affaire with one of Jasper’s colleagues had ended when he announced he was to be married in a month to a much younger debutante—by necessity, he had assured her. No doubt because he needed her dowry. That had been just three weeks ago.
Not particularly saddened at the loss of the occasional lover, Lydia merely continued life on the fringes of the ton. She didn’t employ a companion or force her lady’s maid to accompany her on these frequent sojourns from her townhouse in Bruton Street.
If she had any hope of returning to her own occupation once her mourning period was over, she needed to keep her instincts sharp. Hone her skills at observation and listening. And above all, remain as unnoticeable as possible.
Widow’s weeds certainly helped in that regard, she considered as she glanced down at her dull black bombazine gown and pelisse. Then she did a visual sweep of the lobby, looking for clues as to what might have changed since her last visit. A rectangular space on one wall, slightly outlined by a darkening of the wallpaper, suggested a painting had been recently removed. The brighter circle in the marble floor told her a display stand had recently been positioned there. Given the high traffic in this part of the museum, it had probably been moved to prevent an artifact from taking a tumble should a patron accidentally brush against it.
She thought of climbing to the upper floor to see the displays of fossils, minerals, and seashells, but decided instead to start in the Gallery. Townley’s collection of statues, as well as other Greek, Roman, and Egyptian antiquities, were located there.
The thought of viewing artwork created more than a millennia ago excited her. That someone had the skills to cut and carve marble into such detailed works of art meant the ancestors of humanity weren’t the barbaric creatures she had been warned of whilst still in the schoolroom in Merriweather Manor.
For every Spartan, there had been an Athenian, after all.
Viewing statues of mostly naked men would have been nearly impossible if there were too many others with her in the Gallery. On a day such as this, she had the room to herself.
She didn’t exactly study the statues, but surreptitiously surveyed them as she slowly walked around each one. She found them intriguing. Men nowadays weren’t so very different from those of two-or three-thousand years ago, she decided, although she only had experience with the two from current times. Perhaps the Greeks were more beautiful. Youthful, mayhap. Or perhaps they only depicted younger subjects because it was difficult to carve wrinkles into marble.
The reclining man before her was definitely youthful, his body barely muscled, his face relaxed as if he were sleeping. She could almost feel his soft breaths as he lay there, one arm raised above his head and angled so its hand was atop his curly hair whilst the other was bent with its hand resting beneath his chin. He wasn’t entirely naked but wore a cape tossed over one shoulder, and the folds of a skirt were strewn about his mid-section. His feet sported sandals with leather ties wrapped about his thick ankles.
Awareness of another’s presence in the gallery had the hairs on the back of her neck reacting.
The sensation of a soft breath wafted over her shoulder again, this time bearing the slightest hint of sandalwood and spice cologne. Stiffening where she stood, Lydia realized someone was standing directly behind and to her left. A man, no doubt, given the scent of his cologne. She was about to put voice to a complaint, but he put voice to a most audacious claim before she had a chance.
“I’ve been told I look exactly like him,” the male voice whispered, almost in her ear.
Lydia carefully stepped to the right and turned slightly, amazed to see that, yes, the intruder did indeed look exactly like Adonis. Or Endymion sleeping on Mount Latmos, if one remembered the label mounted next to the block of marble. He was also impeccably dressed in a superfine navy topcoat, an elaborately embroidered waistcoat in red and gold, and buckskin breeches that, at the moment, left absolutely nothing to the imagination as far as his muscular thighs and the bit of anatomy that was located just above them. A quick glance at his tassled boots, and Lydia was sure she could see her reflection. One of his gloved hands was pressed onto the top of a cane handle decor
ated in ornately-patterned silver plate while the other held what appeared to be a sketchpad.
“You do, in fact,” she murmured, her gaze darting back and forth between the statue and his living twin. “Are you related, perhaps?” she asked with an arched eyebrow.
“My mother must have thought so. She named me Adonis,” he replied with an equally arched eyebrow.
Lydia turned completely to face the man, taking a step back when she realized just how close he had been standing. “Did she now?” she replied, not exactly sure how to respond to such an odd claim.
Now that she could see his entire face—he really did look like the youth depicted in the statue—she realized he was older. At least ten years older than the Adonis carved in the statue. The planes of his face were sharper, perhaps, and a slight scar ruined his otherwise perfect face just below his right cheekbone. If he had ever attended any ton events, she couldn’t remember having seen him at them. Probably because he would have been surrounded by debutantes hoping to gain a dance—or his hand in marriage.
The man was positively beautiful.
“It’s been my downfall, actually. Whoever takes a gentleman seriously when his name is that of history’s most beautiful man?”
Not exactly sure how she was supposed to respond to such a rhetorical question, Lydia merely replied with, “Who, indeed?”
His brows suddenly furrowed. “You, I hope.”
Lydia blinked and then quickly glanced around, wondering if anyone was paying heed to their conversation. If a gossip should spy them speaking to one another as they were, she could only imagine the stories that might be heard in parlors up and down Park Lane. “I’m quite sure we’ve never been introduced,” she whispered hoarsely, and then moved to the next statue. Another one from Greece, which meant the man was naked. Why did the Greeks depict their heroes naked when the Romans carved them with their clothes on? she wondered, realizing her cheeks were probably bright red. Of course her attention went directly to the statue’s genitals. At least they were on the small side, and not carved in too much detail.
She wondered if the man who claimed his name was Adonis would follow her, hoping on the one hand he would not, and then, on the other, hoping he would.
What’s wrong with me? she quickly admonished herself.
He was no doubt a bounder, a rake, perhaps, accosting ladies as they viewed scantily clad statues of beautiful men. But there was something about him that suggested he was a bit lost. Lonely. His manner of speech suggested he was a gentleman. He was certainly dressed as a man of leisure, and yet …
She whirled around, realizing he had followed her. He was once again directly in front of her, closer than was proper, close enough that their foreheads would touch should either one of them lean forward very much. The scent of his cologne wafted over her even as his eyes closed. She watched as he inhaled deeply.
“Your perfume is positively intoxicating,” he whispered before slowly reopening his eyes.
Once again, Lydia had no idea how to respond to such a comment. No one had ever put voice to such a claim before—at least, not quite like this. The chemist who had created the perfume for her at Floris merely said it was appropriate for a widow of means. Orange blossom combined with a hint of spice, he said, never divulging what spice he had added to make the subtle fragrance. At least, she had thought it subtle. Adonis’ claim that it was intoxicating had her wondering if she was giving off more spice than she intended.
Lifting her eyes to meet his, Lydia was startled by how he stared at her. “I really don’t think it appropriate for you to say such a thing,” she stammered, wondering if she should give the chemist a tip when she next paid a visit to Floris.
“Why ever not?” he countered, a look of hurt crossing his face. “I thought honesty was always best …” He suddenly rolled his eyes before allowing a sigh. “You are right, of course. I forget sometimes.” His eyes darted to the side and then refocused on her, as if he were trying to decide what to say next.
Lydia blinked again, wondering if perhaps the man was a simpleton. He spoke well, and yet his conversation was wholly inappropriate. A quick look around assured her no one was watching them, at least. His next words had her on edge, though.
“Perhaps you will join me for a chocolate? I should like us to become acquainted. I should like …”
“We’ve not been properly introduced,” she reminded him before turning away, managing a slight curtsy as she did so. She hurried off to another statue. At least this one was of a woman, although she nearly rolled her eyes when she realized it was of Venus. Lely’s Venus, she remembered as she sighed.
Aphrodite.
The naked goddess was depicted crouching, her head turned sharply to her right, which is exactly what Lydia was forced to do when Adonis was suddenly standing to her right. She was stunned to find him gazing first at the statue and then at her, as if he were comparing them.
“You’re far prettier than she is,” he stated suddenly. “Although her hair is quite beautiful.”
Lydia turned her attention back to the statue, studying the elaborate top knot and curls the statue displayed. Noting the woman’s face, Lydia allowed an audible sigh. “Given the fact that her nose is missing, it’s no wonder you might think that,” she whispered, leaning away from the strange gentleman as she made the comment.
She couldn’t help the thrill she felt at hearing his declaration, though. Her own hair was dressed rather fine, although her black silk hat covered most of the curls her lady’s maid had ironed into them that morning.
“Still, her lips are nothing like yours.”
Stiffening until she reached her full five-foot, five-inch height, Lydia inhaled sharply and faced the bounder. Her attention immediately went to the scar on his otherwise perfect face. “And yours are about to be bloodied since I have decided it’s time to hurl my reticule in your direction. And that scar on your cheek? Put there, no doubt, by the blade of a jealous husband, was it not?”
The look of surprise and then hurt that appeared on the man’s face had Lydia immediately regretting her words. He stepped back so suddenly, he nearly tripped, although he was quick to use his cane to steady himself. Giving her a slight bow, he managed to say, “Good day, my lady,” before hurrying away.
“I apologize,” Lydia hurried to get out before he was out of earshot, sighing when the man paused only a half-step before he continued, a noticeable limp in his gait as he made his way toward the museum’s exit.
That was truly awful of me, she thought as she slowly turned her attention back to the statue.
Her eyes suddenly widened when she remembered how vengeful Aphrodite could be when the goddess of love thought her wishes had been ignored or otherwise thwarted. “I feel awful about what just happened,” she said in a hoarse whisper, her words directed to the statue. “But that man and me? We haven’t been properly introduced,” she murmured again, hoping the goddess would have mercy on her.
Mercy?
Or did she want a second chance?
The way the man gazed at her, as if he were memorizing every detail of her face, had another thrill shooting through her body. Did he know she had been doing the same thing with him?
Lydia headed to the upper floors, deciding it would be safer to spend her day with the minerals and seashells.
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Other Regency Rendezvous Novels
The Devil of Montlaine
The Blue Drawing Room
The Elusive Lady Winston
Wreck and Ruin
The Earl’s Encounter
P.S. I Loathe You
Romancing the Rake
Ice and Embers
The Stablemaster’s Daughter
A Rake Like No Other
www.scarsdalepublishing.com
About the Author
Beginning in 2014, Summer Hanford was offered the privilege of partnering with fan fiction author Renata McMann on her well-loved Pride and Prejudice variations. To date, t
hey have over twenty popular Pride & Prejudice Fan Fiction stories available, four of which are Amazon Best Sellers. In addition to her work with McMann, Summer is branching out into writing Regency works of her own, with a novel and several short story series upcoming from Scarsdale Publishing.
Born on a dairy farm in Upstate New York, Summer attended university for psychology and art, then went on to do two years each of graduate and doctoral work in Behavioral Neurology. She now lives and writes in Michigan, with her wonderful husband and three obligatory, deliberately spoiled, cats. For more about Summer, visit www.summerhanford.com.