Jane and the Wandering Eye: Being the Third Jane Austen Mystery
Page 1
Praise for
Jane and the
Wandering Eye
“For this diverting mystery of manners, the third entry in a genteelly jolly series by Stephanie Barron, the game heroine goes to elegant parties, frequents the theater and visits fashionable gathering spots—all in the discreet service of solving a murder.”
—The New York Times Book Review
“Charming period authenticity.”
—Library Journal
“Stylish … this one will … prove diverting for hard-core Austen fans.”
—Booklist
“No betrayal of our interest here: Jane and the Wandering Eye is an erudite diversion.”
—The Drood Review of Mystery
“A lively plot accented with the fascinating history … Barron’s voice grows better and better.”
—Booknews from The Poisoned Pen
“A pleasant romp … [Barron] maintains her ability to mimic Austen’s style effectively if not so closely as to ruin the fun.”
—The Boston Globe
“Stephanie Barron continues her uncanny recreation of the ‘real’ Jane Austen…. Barron seamlessly unites historical details of Austen’s life with fictional mysteries, all in a close approximation of Austen’s own lively, gossipy style.”
—Feminist Bookstore News
Jane and the
Man of the Cloth
“Nearly as wry as Jane Austen herself, Barron delivers pleasure and amusement in her second delicious Jane Austen mystery…. Worthy of its origins, this book is a delight.”
—Publishers Weekly
“If Jane Austen really did have the ‘nameless and dateless’ romance with a clergyman that some scholars claim, she couldn’t have met her swain under more heart-throbbing circumstances than those described by Stephanie Barron.”
—The New York Times Book Review
“Prettily narrated, in true Austen style…. A boon for Austen lovers.”
—Kirkus Reviews
“Historical fiction at its best.”
—Library Journal
“The words, characters and references are so real that it is a shock to find that the author is not Austen herself.”
—The Arizona Republic
“Stephanie Barron’s second Jane Austen mystery … is even better than her first…. A classic period mystery.”
—The News and Observer, Raleigh, NC
“Delightful … captures the style and wit of Austen.”
—San Francisco Examiner
“Loaded with charm, these books will appeal whether you are a fan of Jane Austen or not.”
—Mystery Lovers Bookshop News
Jane and the Unpleasantness
at Scargrave Manor
“Splendid fun!”
—Star Tribune, Minneapolis
“Happily succeeds on all levels; a robust tale of manners and mayhem that faithfully reproduces the Austen style—and engrosses to the finish.”
—Kirkus Reviews
“Jane is unmistakably here with us through the work of Stephanie Barron—sleuthing, entertaining, and making us want to devour the next Austen adventure as soon as possible!”
—Diane Mott Davidson
“Well-conceived, stylishly written, plotted with a nice twist … and brought off with a voice that works both for its time and our own.”
—Booknews from The Poisoned Pen
“People who lament Jane Austen’s minimal lifetime output … now have cause to rejoice.”
—The Drood Review of Mystery
“A light-hearted mystery … The most fun is that ‘Jane Austen’ is in the middle of it, witty and logical, a foil to some of the ladies who primp, faint and swoon.”
—The Denver Post
“A fascinating ride through the England of the hackney carriage … a definite occasion for pride rather than prejudice.”
—Edward Marston
“A thoroughly enjoyable tale. Fans of the much darker Anne Perry … should relish this somewhat lighter look at the society of fifty years earlier.”
—Mostly Murder
“Jane sorts it all out with the wit and intelligence Jane Austen would display. (four if you really love Jane Austen).”
—Detroit Free Press
BY STEPHANIE BARRON
Jane and the Unpleasantness at Scargrave Manor:
Being the First Jane Austen Mystery
Jane and the Man of the Cloth:
Being the Second Jane Austen Mystery
Jane and the Wandering Eye:
Being the Third Jane Austen Mystery
Jane and the Genius of the Place:
Being the Fourth Jane Austen Mystery
Jane and the Stillroom Maid:
Being the Fifth Jane Austen Mystery
Jane and the Prisoner of Wool House:
Being the Sixth Jane Austen Mystery
AND SOON IN HARDCOVER
Jane and the Ghosts of Netley
Being a Jane Austen Mystery
Dedicated with love to my sister,
Liz Ferretti—
she of the truest eye
Editor’s Foreword
THIS, THE THIRD OF JANE AUSTEN’S RECENTLY DISCOVERED journals to be edited for publication, finds the Georgian novelist at home in Bath for what would be her last Christmas spent in that city. It proved a time of excitement, intrigue, and loss—one of the most memorable seasons in Austen’s life. She celebrated her twenty-ninth birthday and bid farewell forever to a dear friend amid a sinister web of scandal and murder.
The familiarity with theatrical and artistic circles Austen displays in these pages will hardly shock those who study her life and work, for it has long been apparent that she possessed a cultivated taste and a fondness for playacting and dramatic composition. In editing the present volume, however, I found it necessary to consult a number of works pertinent to the theater and portraiture of the day. The Kemble Era: John Philip Kemble, Sarah Siddons, and the London Stage by Linda Kelly (New York: Random House, 1980) was a marvelous guide to one of the most exciting epochs (and families) in British theater. Sir Thomas Lawrence: Portraits of an Age, 1790-1830 by Kenneth Garlick (Alexandria, VA: Art Services International, 1993) and Richard and Maria Cosway: Regency Artists of Taste and Fashion by Stephen Lloyd (Edinburgh: Scottish National Portrait Gallery, 1995) were also invaluable to one of my benighted ignorance.
My deepest thanks, however, must go to Elle Shushan, Manhattan gallery director of Earle D. Vandekar of Knightsbridge. Her knowledge and expertise in the world of Regency eye portraits is irreplaceable.
Stephanie Barron
Evergreen, Colorado
Chapter 1
Death Comes in Fancy Dress
Wednesday,
12 December 1804
Bath
~
A ROUT-PARTY, WHEN DEPICTED BY A PEN MORE ACCOMPLISHED than my own, is invariably a stupid affair of some two or three hundred souls pressed elbow-to-elbow in the drawingrooms of the great. Such an efflorescence of powder shaken from noble wigs! Such a crush of silk! And what general heartiness of laughter and exclamation—so that the gentler tones of one’s more subdued companions must be raised to a persistent roar, rendering most of the party voiceless by dawn, with only the insipid delights of indifferent negus and faltering meat pasties as recompense for all one’s trials.
So Fanny Burney has described a rout, in Cecilia and Camilla; and so I should be forced to record my first experience of the same, in a more modest volume I entitle simply Jane, had not Fate intervened to render my dissipation more intri
guing. For last night I endured the most fearsome of crushes—a post-theatrical masquerade, forsooth, with myself in the role of Shepherdess—at no less exalted an address than Laura Place, and the Dowager Duchess of Wilborough’s abode, with attendant hundreds of her most intimate acquaintance.
And what, you may ask, had Miss Jane Austen to do in such company? So my father gently enquired, at the moment of my setting out from No. 27, Green Park Buildings (where all my dear family have been situated but two months, having lost our former lodgings in Sydney Place to the infamous Coles), my brother Henry at my side, a most formidable Richard the Third, and his wife, Eliza, done up as Marie Antoinette.
“Why, Father,” I replied, with a wave of my Shepherdess’s crook, “you must know that the invitation is all my brother’s, procured with a view to amusing Eliza, who must have her full measure of Bath’s diversion during so short a visit to the city, and in such a season. Bath at Christmastide may yet be called a trifle thin, in requiring the larger crowds of Easter to lend it style; and if Eliza is not to be thoroughly put out, we must seize our diversion where we may. A masquerade, and at the express invitation of a Dowager Duchess, cannot be let slip. Is not this so, Henry?”
“Indeed,” my brother stammered, with a look for his elegant wife, who appeared to have entirely swallowed her little dog, Pug, so pursed with false innocence was her mouth. Eliza is but a slip of a lady, tho’ in her present towering headdress, complete with ship’s models and birds of paradise bestowed about her heavily powdered curls, she bid fair to rise far above her usual station.
I must confess to a greater admiration for Eliza’s queen than for Henry’s king—for though both may be called cunning by history’s judgement, Eliza has the advantage over Henry, in having at least seen Marie Antoinette in all the Austrian’s former glory, and thus being capable of the incorporation of that lady’s vanished style in her present dress; while Henry is dependent upon the merest notion of humped backs and twirling moustachios, or a general reputation for squintyness about the eyes, for the affectation of his villain.
“And our own dear Madam Lefroy is to be in attendance at the Duchess’s party as well, Father,” Eliza added. “It is to form the chief part of her final evening in Bath—she returns to Hampshire on the morrow—and we cannot part without some notice on either side. I am sure you would not wish us to neglect so amiable a neighbour, so dear a friend. For who shall say when we shall meet again?”
“But are you even acquainted with the Duchess, my dear Jane?” my father asked, in some bewilderment. “Assuredly—” Henry began.
“—not,” I concluded.
“That is to say,” my brother amended hastily, “the acquaintance is entirely mine, Father. I have performed some trifling service for the Wilborough family, in the financial line. The rout tickets came to me.”
“I had not an idea of it, my dear boy.” The expression of pleasure that suffused my father’s face, at this indication of his son’s advancement in his chosen profession of banking, made the falsehood almost worth its utterance.
“But now we must be off,” Eliza interjected firmly, “or lose another hour in search of chairs, for our own have been standing at the door this quarter-hour.1 It has quite struck eleven, and how it snows! Do observe, my dear sir, the unfortunate chairmen!”
Bath’s climate is usually so mild as to escape the advent of winter, but this night at least we were subject to a fearsome blast. And thus, as my father clucked in dismay from the drawingroom window, all benevolent concern for the reddened cheeks and stamping feet of the unlucky fellows below, we hurried down to the street, where indeed our chairs had been idle already some minutes, and settled ourselves comfortably for the trip to Laura Place—or would have, had not my Shepherdess’s crook refused the conveyance’s close accommodation. This small difficulty resolved, by the abandonment of the offending object on the stoop of No. 27, Green Park Buildings, the chairmen heaved and hallooed, and off we went—with only the occasional bobble to recall the untidiness of the snowy streets, and the likelihood of a yet more strenuous return.
I profited from the brief journey, by indulging in a review of the causes of our exertion, for pleasure was unfortunately the least of them. However circumscribed my usual society in Bath—which is generally limited to my Aunt Leigh-Perrot’s insipid card parties, and the occasional indulgence of the theatre when my slim purse may allow it—I am not so desperate for enjoyment as to spend a decidedly snowy midnight done up as a Staffordshire doll, in a gay throng of complete strangers more blessed and happy in their mutual acquaintance. Nor are Henry and Eliza so mad for rout-parties as my father had been led to believe. My brother and sister2 had succumbed to my entreaties for support, and had gone so far as to prevaricate on my behalf. From an awkwardness of explanation, I had deliberately withheld from the Reverend George Austen the true nature of our visit to Laura Place. We were gone in the guise of revellers, indeed, but laboured in fact under a most peculiar commission.
Lord Harold Trowbridge, my dark angel of recent adventure—confidant of the Crown, adversary of whomever he is paid to oppose, and general Rogue-about-Town—is the Dowager Duchess of Wilborough’s younger son. He is also in the throes of some trouble with a lady—nothing unusual for Lord Harold, although in this instance, the novelty of the lady’s being not only unmarried, but related to him, must give the mendacious pause. In short, his niece, Lady Desdemona Trowbridge—an Incomparable of the present Season, a girl of eighteen with all the blessings of fortune, beauty, and breeding to recommend her—has thrown off the protection of her family and friends; has left all in London whose interest should form her chief consideration and care; and has fled to the Dowager Duchess in Bath. The agent of her flight? The redoubtable Earl of Swithin, who claims an interest in the lady’s future happiness. In short, the Earl has offered for her hand—and caused the fair Desdemona considerable vexation and grief.
Lord Harold observed the flight, and respected his mother’s wishes to leave the girl to herself for a time; he remained in London, and restrained His Grace the Duke from summoning the chit immediately back home; he forbore to visit Laura Place himself, and urge the reclamation of sense; and when the Lady Desdemona showed neither an inclination to quit her grandmother’s abode, nor to suffer very much from her voluntary exile, being engaged in a delightful round of amusement and shopping in the weeks before Christmas—he applied, at last, to me.
My niece is a lady of excellent understanding, Lord Harold wrote in his barely legible hand, but possessed of the Trowbridge will. She is headstrong, and entirely capable of acting against her own interest. I am most concerned that she not fall prey to the basest of fortune hunters—whose attentions she might unwittingly encourage, from a misplaced sense of pique, or an inclination to put paid to Lord Swithin’s plans. Is it impossible—do I ask too much—that you might observe her movements for a time, my dear Miss Austen? And report what you observe? I wish chiefly to know the nature of Desdemona’s acquaintance—in whose circle she spends the chief part of her days—and the names of those gentlemen upon whom she bestows the greatest attention. You would oblige me exceedingly in the performance of this service; for tho’ Her Grace might certainly do the same, she is, as you may be aware, not the strictest judge of propriety.
And as the letter supplied a direction in Pall Mall—Brooks’s Club, to be exact—and the very rout tickets formerly mentioned, I could not find it in me to refuse—if, indeed, at present I could refuse Lord Harold anything. It is not that I owe him some great debt of gratitude, or harbour for the gentleman a more tender sentiment; but rather that where Lord Harold goes, intrigue surely follows—and I confess I have been insupportably bored with Bath, and the littlenesses of a town, since my return from Lyme Regis but a few weeks ago. The Gentleman Rogue and his errant niece presented a most welcome diversion.
And so to Laura Place we were gone.
I DO NOT BELIEVE I EXAGGERATE WHEN I DECLARE THAT the Dowager Duchess of Wilborough’s esta
blishment was ablaze last e’en with a thousand candles. Light spilled out of a multitude of casements (the original glazing of which must have exacted from the late Duke a fortune), and cast diamond-paned shadows upon the snowy street; light flowed from the open entry-way at every chair’s arrival, like a bolt of silk unfurled upon the walk. A hubbub of conversation, too, and the clatter of cutlery; a voice raised hoarsely in song; a burst of laughter. The faintest strain of a violin drifted to the stoop.
Henry paid off the chairs and presented our cards to the footmen, but I found occasion to dally at the very door, almost deterred by the glittering hordes I glimpsed within—until an exclamation from Eliza thrust me forward. I had trod upon the foot of Marie Antoinette.
The foyer was a wealth of pale green paint picked out with pink and white, the colours of Robert Adam. Pink and green silk lined the windows, and a bust of the Tragic Muse loomed before a pier glass opposite—Mrs. Siddons, no doubt, and taken from the painting by Reynolds.3 I gazed, and beheld myself reflected as Shepherdess, a forlornly bucolic figure amidst so much splendour. Eliza pinched my arm.
“As near to Old Drury as may be, my dear,” she murmured.4
“Indeed,” I replied. “The Dowager Duchess may be living in relative retirement, but she has not yet forsworn her passions.”
“Let us go up,” Henry interposed with impatience. “There is a fearful crush at my back!”
The rout was intended, so Lord Harold had informed us, as a tribute to the principal players of Bath’s Theatre Royal5—and the present evening’s performance being just then concluded, the tide of humanity spilling into Laura Place from the direction of Orchard Street was decidedly at its flood. The staircase, a grand curve of mahogany, was completely overpowered with costumed bodies struggling towards the drawingroom; I hooked one arm through my brother’s, and the other through my sister’s, and so we stormed the redoubt.
Let us pass over in silence the travails of the next quarter-hour; how our gowns were torn, and our headdresses deranged; what injuries to slipper and glove. Better to employ the interval in relating the chief of what I know about the Dowager herself—the barest details of Her Grace’s celebrated career.