The Moving Finger mm-3

by Agatha Christie

"If the police think that, there will have to be, no doubt," said Miss Marple.

  I went on doggedly to Mrs. Dane Calthrop: "Are you still sorry for the writer?"

  She flushed. "Why not?"

  "I don't think I agree with you, dear," said Miss Marple. "Not in this case."

  I said hotly, "They've driven one woman to suicide, and caused untold misery and heartburnings!"

  "Have you had one, Miss Burton?" asked Miss Marple of Joanna.

  Joanna gurgled: "Oh, yes! It said the most frightful things."

  "I'm afraid," said Miss Marple, "that the people who are young and pretty are apt to be singled out by the writer."

  "That's why I certainly think it's odd that Elsie Holland hasn't had any," I said.

  "Let me see," said Miss Marple. "Is that the Symmingtons' nursery governess – the one you dreamed about, Mr. Burton?"

  "Yes."

  "She's probably had one and won't say so," said Joanna.

  "No," I said, "I believe her. So does Nash."

  "Dear me," said Miss Marple. "Now that's very interesting. That's the most interesting thing I've heard yet."

  As we were going home Joanna told me that I ought not to have repeated what Nash said about more letters coming.

  "Why not?"

  "Because Mrs. Dane Calthrop might be it."

  "You don't really believe that!"

  "I'm not sure. She's a queer woman."

  We began our discussion of probables all over again.

  It was two nights later that I was coming back in the car from Exhampton. I had had dinner there and then started back and it was already dark before I got into Lymstock.

  Something was wrong with the car lights, and after slowing up and switching on and off, I finally got out to see what I could do. I was some time fiddling, but I managed to fix them up finally.

  The road was quite deserted. Nobody in Lymstock is about after dark. The first few houses were just ahead, among them the ugly gabled building of the Women's Institute. It loomed up in the dim starlight and something impelled me to go and have a look at it. I don't know whether I had caught a faint glimpse of a stealthy figure flitting through the gate – if so, it must have been so indeterminate that it did not register in my conscious mind, but I did suddenly feel a kind of overwhelming curiosity about the place.

  The gate was slightly ajar, and I pushed it open and walked in. A short path and four steps led up to the door.

  I stood there a moment hesitating. What was I really doing there? I didn't know, and then, suddenly, just near at hand, I caught the sound of a rustle. It sounded like a woman's dress.

  I took a sharp turn and went around the corner of the building toward where the sound had come from.

  I couldn't see anybody. I went on and again turned a corner. I was at the back of the house now and suddenly I saw, only two feet away from me, an open window.

  I crept up to it and listened. I could hear nothing, but somehow or other I felt convinced that there was someone inside.

  My back wasn't too good for acrobatics as yet, but I managed to hoist myself up and drop over the sill inside. I made rather a noise unfortunately.

  I stood just inside the window listening. Then I walked forward, my hands outstretched. I heard then the faintest sound ahead of me to my right.

  I had a torch in my pocket and I switched it on. Immediately a low, sharp voice said, "Put that out."

  I obeyed instantly, for in that brief second I had recognized Superintendent Nash.

  I felt him take my arm and propel me through a door and into a passage. Here, where there was no window to betray our presence to anyone outside, he switched on a lamp and looked at me more in sorrow than in anger.

  "You would have to butt in just that minute, Mr. Burton."

  "Sorry," I apologized. "But I got a hunch that I was on to something."

  "And so you were probably. Did you see anyone?"

  I hesitated.

  "I'm not sure," I said slowly. "I've got a vague feeling I saw someone sneak in through the front gate but I didn't really see anyone. Then I heard a rustle around the side of the house."

  Nash nodded. "That's right. Somebody came around the house before you. He – or she – hesitated by the window, then went on quickly – heard you, I expect."

  I apologized again. "What's the big idea?" I asked.

  Nash said:

  "I'm banking on the fact that an anonymous letter writer can't stop writing letters. She may know it's dangerous, but she'll have to do it. It's like a craving for drink or drugs."

  I nodded.

  "Now you see, Mr. Burton, I fancy whoever it is will want to keep the letters looking the same as much as possible. She's got the cutout pages of that book, and can go on using letters and words cut out of them. But the envelopes present a difficulty. She'll want to type them on the same machine. She can't risk using another typewriter or her own handwriting."

  "Do you really think she'll go on with the game?" I asked incredulously.

  "Yes, I do. And I'll bet you anything you like she's full of confidence. They're always vain as hell, these people! Well, then, I figured out that whoever it was would come to the Institute after dark so as to get at the typewriter."

  "Miss Ginch," I said.

  "Maybe."

  "You don't know yet?"

  "I don't know."

  "But you suspect?"

  "Yes. But somebody's very cunning, Mr. Burton. Somebody knows all the tricks of the game."

  I could imagine some of the network that Nash had spread abroad. I had no doubt that every letter written by a suspect and posted or left by hand was immediately inspected. Sooner or later the criminal would slip up, would grow careless.

  For the third time I apologized for my zealous and unwanted presence.

  "Oh, well," said Nash philosophically, "it can't be helped. Better luck next time."

  I went out into the night. A dim figure was standing beside my car. To my astonishment I recognized Megan.

  "Hullo!" she said. "I thought this was your car. What have you been doing?"

  "What are you doing is much more to the point?" I said.

  "I'm out for a walk. I like walking at night. Nobody stops you and says silly things, and I like the stars, and things smell better, and everyday things look all mysterious."

  "All of that I grant you freely," I said. "But only cats and witches walk in the dark. They'll wonder about you at home."

  "No, they won't. They never wonder where I am or what I'm doing."

  "How are you getting on?" I asked.

  "All right, I suppose."

  "Miss Holland look after you and all that?"

  "Elsie's all right. She can't help being a perfect fool."

  "Unkind – but probably true," I said. "Hop in and I'll drive you home."

  It was not quite true that Megan was never missed. Symmington was standing on the doorstep as we drove up. He peered toward us.

  "Hullo, is Megan there?"

  "Yes," I said. "I've brought her home."

  Symmington said sharply, "You mustn't go off like this without telling us, Megan. Miss Holland has been quite worried about you."

  Megan muttered something and went past him into the house.

  Symmington sighed. "A grown-up girl is a great responsibility with no mother to look after her. She's too old for school, I suppose."

  He looked toward me rather suspiciously. "I suppose you took her for a drive?"

  I thought it best to leave it like that.

  Chapter 7

  On the following day I went mad. Looking back on it, that is really the only explanation I can find.

  I was due for my monthly visit to Marcus Kent… I went up by train. To my intense surprise Joanna elected to stay behind. As a rule she was eager to come and we usually stayed up for a couple of days.

  This time, however, I proposed to return the same day by the evening train, but even so I was astonished at Joanna. She merely said enigmatically tha
t she'd got plenty to do, and why spend hours in a nasty stuffy train when it was a lovely day in the country?

  That, of course, was undeniable, but sounded very unlike Joanna.

  She said she didn't want the car, so I was to drive it to the station and leave it parked there against my return.

  The station of Lymstock is situated, for some obscure reason known to railway companies only, quite half a mile from Lymstock itself. Halfway along the road I overtook Megan shuffling along in an aimless manner. I pulled up.

  "Hullo, what are you doing?"

  "Just out for a walk."

  "But not what is called a good brisk walk, I gather. You were crawling along like a dispirited crab."

  "Well, I wasn't going anywhere particular."

  "Then you'd better come and see me off at the station." I opened the door of the car and Megan jumped in.

  "Where are you going?" she asked.

  " London. To see my doctor."

  "Your back's not worse, is it?"

  "No, it's practically all right again. I'm expecting him to be very pleased about it."

  Megan nodded.

  We drew up at the station. I parked the car and went in and bought my ticket at the booking office. There were very few people on the platform and nobody I knew.

  "You wouldn't like to lend me a penny, would you?" said Megan. "Then I'd get a bit of chocolate out of the slot machine."

  "Here you are, baby," I said, handing her the coin in question. "Sure you wouldn't like some clear gums or some throat pastilles as well?"

  "I like chocolate best," said Megan without suspecting sarcasm.

  She went off to the chocolate machine, and I looked after her with a feeling of mounting irritation.

  She was wearing trodden-over shoes, and coarse unattractive stockings and a particularly shapeless jumper and skirt. I don't know why all this should have infuriated me, but it did.

  I said angrily as she came back, "Why do you wear those disgusting stockings?"

  Megan looked down at them, surprised. "What's the matter with them?"

  "Everything's the matter with them. They're loathsome. And why wear a pullover like a decayed cabbage?"

  "It's all right, isn't it? I've had it for years."

  "So I should imagine. And why do you -"

  At this minute the train came in and interrupted my angry lecture.

  I got into an empty first-class carriage, let down the window and leaned out to continue the conversation.

  Megan stood below me, her face upturned. She asked me why I was so cross.

  "I'm not cross," I said untruly. "It just infuriates me to see you so slack, and not caring how you look."

  "I couldn't look nice, anyway, so what does it matter?"

  "Cut it!" I said. "I'd like to see you turned out properly. I'd like to take you to London and outfit you from tip to toe."

  "I wish you could," said Megan.

  The train began to move. I looked down into Megan's upturned, wistful face.

  And then as I have said, madness came upon me.

  I opened the door, grabbed Megan with one arm and fairly hauled her into the carriage.

  There was an outraged shout from a porter, but all he could do was dexterously to bang shut the door again. I pulled Megan up from the floor where my impetuous action had landed her.

  "What on earth did you do that for?" she demanded, rubbing one knee.

  "Shut up," I said. "You're coming to London with me and when I've done with you you won't know yourself. I'll show you what you can look like if you try. I'm tired of seeing you mouch about down at heel and all anyhow."

  "Oh!" said Megan in an ecstatic whisper.

  The ticket collector came along and I bought Megan a return ticket. She sat in her corner looking at me in a kind of awed respect.

  "I say," she said when the man had gone. "You are sudden, aren't you?"

  "Very," I said. "It runs in our family."

  How explain to Megan the impulse that had come over me? – She had looked like a wistful dog being left behind. She now had on her face the incredulous pleasure of the dog who has been taken on the walk after all.

  "I suppose you don't know London very well?" I said to Megan.

  "Yes, I do," said Megan. "I always went through it to school. And I've been to the dentist there and to a pantomime."

  "This," I said darkly, "will be a different London."

  We arrived with half an hour to spare before my appointment in Harley Street.

  I took a taxi and we drove straight to Mirotin, Joanna's dressmaker. Mirotin is, in the flesh, an unconventional and breezy woman of forty-five, Mary Grey. She is a clever woman and very good company. I have always liked her.

  I said to Megan, "You're my cousin."

  "Why?"

  "Don't argue," I said.

  Mary Grey was being firm with a stout woman who was enamored of a skin-tight powder-blue evening dress. I detached her and took her aside.

  "Listen," I said. "I've brought a little cousin of mine along. Joanna was coming up but was prevented. But she said I could leave it all to you. You see what the girl looks like now?"

  "I most certainly do!" said Mary Grey with feeling.

  "Well, I want her turned out right in every particular from head to foot. Carte blanche. Stockings, shoes, undies, everything! By the way, the man who does Joanna's hair is close around here, isn't he?"

  "Antoine? Around the corner. I'll see to that too."

  "You're a woman in a thousand."

  "Oh, I shall enjoy it – apart from the money – and that's not to be sneezed at in these days – half my damned brutes of women never pay their bills. But as I say, I shall enjoy it."

  She shot a quick professional glance at Megan standing a little way off. "She's got a lovely figure."

  "You must have X-ray eyes," I said. "She looks completely shapeless to me."

  Mary Grey laughed.

  "It's these schools," she said. "They seem to take a pride in turning out girls who preen themselves on looking like nothing on earth. They call it being sweet and unsophisticated. Sometimes it takes a whole season before a girl can pull herself together and look human. Don't worry, leave it all to me."

  "Right," I said. "I'll come back and fetch her about six."

  Marcus Kent was pleased with me. He told me that I surpassed his wildest expectations.

  "You must have the constitution of an elephant," he said, "to make a comeback like this. Oh, well, wonderful what country air and no late hours or excitement will do for a man if he can only stick it."

  "I grant you your first two," I said. "But don't think that the country is free from excitement. We've had a good deal in my part."

  "What sort of excitement?"

  "Murder," I said.

  Marcus Kent pursed up his mouth and whistled. "Some bucolic love tragedy? Farm lad kills his lass?"

  "Not at all. A crafty, determined lunatic killer."

  "I haven't read anything about it? When did they lay him by the heels?"

  "They haven't, and it's a she!"

  "Whew! I'm not sure that Lymstock's quite the right place for you, old boy."

  I said firmly, "Yes, it is. And you're not going to get me out of it."

  Marcus Kent has a low mind. He said at once, "So that's it! Found a blonde?"

  "Not at all," I said, with a guilty thought of Elsie Holland. "It's merely that the psychology of crime interests me a good deal."

  "Oh, all right. It certainly hasn't done you any harm so far, but just make sure that your lunatic killer doesn't obliterate you!"

  "No fear of that," I said.

  "What about dining with me this evening? You can tell me all about your revolting murder."

  "Sorry. I'm booked."

  "Date with a lady – eh? Yes, you're definitely on the mend."

  "I suppose you could call it that," I said, rather tickled at the idea of Megan in the role.

  I was at Mirotin's at six o'clock when the esta
blishment was officially closing. Mary Grey came to meet me at the top of the stairs outside the showroom. She had a finger to her lips.

  "You're going to have a shock! If I say it myself, I've put in a good bit of work."

  I went on into the big showroom. Megan was standing looking at herself in a long mirror. I give you my word I hardly recognized her! For the minute it took my breath away. Tall and slim as a willow with delicate ankles and feet shown off by sheer silk stockings and well-cut shoes. Yes, lovely feet and hands, small bones – quality and distinction in every line of her. Her hair had been trimmed and shaped to her head and it was glowing like a glossy chestnut. They'd had the sense to leave her face alone. She was not made up, or if she was it was so slight and delicate that it did not show. Her mouth needed no lipstick.

  Moreover there was about her something that I had never seen before, a new innocent pride in the arch of her neck. She looked at me gravely with a small, shy smile.

  "I do look – rather nice, don't I?" said Megan.

  "Nice?" I said. "Nice isn't the word! Come on out to dinner and if every second man doesn't turn round to look at you I'll be surprised. You'll knock all the other girls into a cocked hat."

  Megan was not beautiful, but she was unusual and striking-looking. She had personality. She walked into the restaurant ahead of me and as the head waiter hurried toward us, I felt the thrill of idiotic pride that a man feels when he has got something out of the ordinary with him.

  We had cocktails first and lingered over them. Then we dined. And later we danced. Megan was keen to dance and I didn't want to disappoint her, but for some reason or other I hadn't thought she would dance well. But she did. She was light as a feather in my arms, and her body and feet followed the rhythm perfectly.

  "Gosh!" I said. "You can dance!"

  She seemed a little surprised.

  "Well, of course I can. We had dancing class every week at school."

  "It takes more than dancing class to make a dancer," I said. We went back to our table.

  "Isn't this food lovely?" said Megan. "And everything!"

  She heaved a delighted sigh.

  "Exactly my sentiments," I said.

  It was a delirious evening. I was still mad. Megan brought me down to earth when she said doubtfully, "Oughtn't we to be going home?"

  My jaw dropped. Yes, definitely I was mad. I had forgotten everything! I was in a world divorced from reality, existing in it with the creature I had created.