Eclipse

by John Banville

  We sat at the oilcloth-covered table in the kitchen and drank while the day died. Quirke was not to be got rid of. He squirmed his big backside down on a kitchen chair and lit up a cigarette and planted his elbows on the table, regarding me the while with an air of high expectancy, his boiled eyes roaming speculatively over my face and frame like those of a rock climber searching for a handhold on a not very serious but tricky piece of cliff. He told of the history of the house before my family’s time—he had gone into it, he said, it was a hobby of his, he had the documents, the searches and affidavits and deeds, all done out in sepia copperplate, beribboned, stamped, impressed with seals. I meanwhile was recalling the first time I had found myself weeping in the cinema, soundlessly, unstoppably. It was the ache in my constricted throat that I registered first, then the salt tears that were seeping in at the corners of my mouth. It was deep winter, the middle of a sleety afternoon. I had ducked out of a matinée performance—young Sniveling my understudy’s impossible dream come true—and sloped off on my own to the pictures, feeling foolish and elated. Then when the film started there were these inexplicable tears, hiccups, stifled wails, as I sat shuddering with fists clenched in my lap, the hot drops plop-ping off my chin and wetting my shirt-front. I was baffled, and mortified, too, of course, afraid the afternoon’s other shadowy voyeurs around me would notice my shameful collapse, yet there was something glorious too in such abandon, such childish transgression. When the picture ended and I skulked out red-eyed into the cold and the early dark I felt emptied, invigorated, rinsed. It became a shameful habit then, twice, three times a week I would do it, in different picture-houses, the dingier the better, with still no notion of what I was weeping for, what loss I might be mourning. Somewhere inside me there must be a secret well of grief from which these springs were pouring. Sprawled there in the phantasmally peopled darkness I would sob myself dry, while some extravaganza of violence and impossible passions played itself out on the vast screen tilted above me. Then came the night when I dried onstage—cold sweat, mute helpless fish-mouths, the works—and I knew I must get away.

  “So what are you up to?” Quirke said. “Down here, I mean.”

  Last of evening in the window, dishwater light and the overgrown grass in the garden all grey. I wanted to say, I have lived amid surfaces too long, skated too well upon them; I require the shock of the icy water now, the icy deeps. Yet wasn’t ice my trouble, that it had penetrated me, to the very marrow? A man thronged up with cold . . . Fire, rather; fire was what was needed . . . With a start I came back to myself, from myself. Quirke was nodding: someone must have said something of moment—Lord, I wondered, was it me? Often lately I would be startled to hear people replying to things I had thought I had only spoken in my head. I wanted to jump up now and tell Quirke to leave, to leave and leave me alone, to my own devices, my own voices.

  “That’s the trouble, all right,” he was saying, nodding slowly, solemnly, like that black saint on the collection box who nodded when as a little boy you put a penny in. Mnemosyne, mother of sorrows!

  “What is?” I said.

  “What?”

  “The trouble—what is the trouble?”

  “What?”

  A kind of quacking. We gaped at each other helplessly.

  “I’m sorry,” I said then, lifting a hand wearily to shade my eyes. “I have forgotten what we were talking about.”

  But Quirke’s attention too had wandered, and he sat motionlessly at gaze with one shoulder hunched and his virginal hands with fingers palely linked resting on the table before him. I stood up at an angle and everything in the world slid abruptly to one side and I realised I was drunk. I said that I must go to bed. Quirke looked up at me in hurt amazement. He too must be drunk, but evidently he was not ready to go home. He made no stir, and let his wounded gaze drift to the window.

  “Not dark yet,” he said, “look. And still when it does get dark the nights seem like they’ll never end. This is a terrible time of the year, if you’re not a sleeper.”

  I would speak no more, but stood with steepled fingers pressed on the table, softly snorting, head ahang. Quirke heaved a sigh that turned into an involuntary sorrowful little chirrup at the end and hauled himself to his feet at last and yanked open the door to the hall, making the tongued lever of the latch joggle in its worn hole, quirquirquirke. He staggered going out into the passageway, lurched hugely sideways and struck his shoulder on the door jamb, swore, chuckled, liquidly coughed. “Good luck, then,” he said, bowing under the low lintel and giving a stiff-armed salute behind him. Wordlessly we walked in single file through the dark house. When I opened the front door the smells of the summer night came into the hall, of tar and lupins, and something mushroomy, of sun-warmed pavements gone cold now, of salt sea-mist, and a myriad of other, nameless things. Quirke’s bicycle, a high, black, old-fashioned affair, was tethered to a lamppost. He tarried a moment, looking blearily about him. The deserted square at dusk, with its low, humped roofs and windows sullenly aglow, has a slightly sinister, alien air, a touch almost of Transylvania. “Good luck,” Quirke said again, loudly, and uttered a phrase of mournful laughter, as at some painful joke. The saddle of his bicycle was furred with dew. Indifferent to damp discomfort he mounted up and pedalled away unsteadily, as I turned back and shut the door, maundering chaotically in my disordered heart.

  As I drifted toward sleep, my whiskeyed breath staling the air, I seemed to feel another rise up out of me into the room and hang there on the dark like smoke, like thought, like memory. A night breeze stirred the hem of the dusty lace curtain at the window. There was a glimmer even yet in the far sky. I fell into a dream. There was a room, cool, marble tiled, as in a Roman villa, with a view through unglazed windows of a stepped ochre hill and a line of sentinel trees. Scant furnishings: a couch with ornately scrolled ends and a low table nearby bearing unguents in porphyry pots and coloured glass phials, and in a far corner a tall urn in which a single lily leaned. On the couch, of which I was permitted only a three-quarters view, a woman was lying back, young, ample, impossibly pale skinned, her naked arms lifted and hiding her face in abandonment and shame. Beside her sat a turbaned negress, naked also, a mountainous figure with polished melony thighs and big hard gleaming breasts and broad pink palms. The middle finger and thumb of her right hand were plunged to the knuckle and ball in the two holes of the woman’s wantonly offered lap. I noted the angry-pink frilling of the vagina, dainty as the volutes of a cat’s ear, and the taut oiled tea-coloured cincture of the anus. The slave turned her head and looked at me over her shoulder with a broad, jaunty grin and for my benefit joggled her mistress’s gaping flesh, and the woman shuddered and made a mewling sound. In succubus sleep my face formed a rictus, and as the little seizure took me I arched my back and pressed the back of my head into the pillow and then went still and lay like that for a long moment, like a dead dictator lying in state sunk to his ears in the plush.

  I opened my eyes and did not know where I was. The window was in the wrong place, the wardrobe too. Then I remembered, and the old, mysterious foreboding seized on me again. There was neither darkness nor light, but a dim grainy glow that seemed to have no source, unless the source were the room itself, the very walls. I felt the patter and skip of my labouring heart. The sticky wetness on my thigh was growing cold already. I thought I should get up and go to the lavatory and wipe myself, I even saw myself rise and fumble for the light switch—was I still dreaming, half asleep?—yet I lay on, swaddled in flocculent warmth. Languorously my fancy found its way back to the woman in the dream and traced again the outline of her white limbs and touched her secret places, but without agitation now, curious only, mildly wondering at the unreally white flesh, the fantastical lewdness. Musing thus in drowsy torpor I turned my head on the pillow and it was then I saw the figure in the room, standing motionless a little way from the side of the bed. I took it for a woman, or womanish old man, or even a child, of indeterminate gender. Shrouded and still it st
ood facing in my direction, like one of those guardians of the sickroom long ago, the dim attendants of childhood fevers. The head was covered and I could make out no features. The hands were clasped at the breastbone in what seemed an attitude of beseeching, or of anguished prayer, or some other extreme of passionate striving. I was frightened, of course—cold sweat stood on my forehead, hairs prickled at the nape of my neck—but what I registered most strongly was a sense of being the object of intense concentration, a kind of needful scrutiny. I tried to speak but could not, not because I was struck dumb with fear but because the mechanism of my voice could not be made to work in the other-world between dream and waking in which I was suspended. Still the figure did not stir, nor give any sign, only stood in that pose of ambiguous extremity, waiting, it might be, for some desired response from me. I thought: The Necessary . . . and as I did, in that momentary blink of the mind, the figure faded. I was not aware of its going. There seemed no transition between its state of being seen and its invisibility, as if it had not departed but only changed its form, or refined itself into a frequency beyond the reach of my coarse senses. At once relieved and regretful at its going I closed my eyes, and when I unwillingly opened them again, no more than a moment later, so it seemed, a streaming blade of sunlight had already made a deep slash through the parting in the curtains.

  This is how I wake now, sidling warily out of sleep as though I had spent the night in hiding. That falling shaft of gold at the window was blinding. In the corners of the room brownish shadows thronged. I have a deep dislike of mornings, their muffled, musty texture, like that of a bed too long slept in. Latterly there are dawns when I wake up wishing it were night again and the day done with. I have come to think of my life as altogether like a morning’s interminable passing; whatever the hour, it is always as if I have just risen and am trying to clear my head and get a grip on things. I sighed, and kicked back the covers and squirmed my limbs on the lumpy mattress. The day would be hot. Last night, in my drunkenness, I had thought to sleep in my mother’s bed—yes, there is the Herr Doktor again, with his beard and his cigar—but must have changed my mind, for here I was in my old room. How often I had lain here as a boy on summer mornings just like this one, afloat in a gauze of expectation, convinced of great events being just about to happen, of a bud inside me waiting to burst into the marvellously intricate blossom of what would be my life when at last it really began. Such plans I had! Or no, not plans, they were too vague and large and distant to be called plans. Hopes, then? Not that, either. Dreams, I suppose. Fantasies. Delusions.

  With a grunt and a heave I got myself up from the bed and stood scratching. I suspect I am coming more and more to look like my father, especially as he was at the end, with that same peering, apprehensive stance. It is a parent’s posthumous revenge, the legacy of increasing resemblance. I padded to the window and opened the tattered curtains, wincing in the light. It was early still. The square was deserted. Not a soul, not even a bird. A tall sharp wedge of sunlight leaned against the white wall of the convent, motionless and menacing. One Maytime here when I was a boy I built a shrine to the Virgin Mary. What inspired me to this uncommon enterprise? Some visionary moment must have been granted me, some glimpse of matutinal blue, or radiance in a limitless sky at noon, or lily-scented exaltation, at Evening Devotions, in the midst of the Rosary, as the Glorious Mysteries were given out. I was a solemn child, prone to bouts of religious fervour, and that May, which is the month of Mary—and also, curiously, of both Lucifer and the wolf; who decides these matters, I wonder?—I had determined I would make her a shrine, or grotto, as such things were called, at that time, in this part of the world, and probably are still so called. I chose a spot in the lane beside the house where a little brown stream squirmed along under a hawthorn hedge. I was not sure if stones were free, and gathered them with circumspection from the fields and vacant lots roundabout, prizing in particular the flinty white ones. From hedgerows I plucked primroses, and when I saw how quickly the blossoms died I dug the plants out roots and all and sowed them on my bit of bank, among the stones, first filling the holes with water and watching with satisfaction the muddy bubbles rise and fatly plop as the tufted sods sank and settled and I trod them home with the heel of my wellington boot. The statue of the Virgin must have come from the house, or perhaps I persuaded my mother to buy one specially: I fancy I can recall her grumbling a the expense. She viewed this venture of mine with grudging regard, distrustful of such a show of piety, for despite her own veneration of the Virgin she liked a boy to be a boy, she said, and not a namby-pamby. When the work was finished I sat contentedly for a long time by myself looking at the shrine and feeling proud, and virtuous in a cloying sort of way. I heard old Nockter the apple-seller with his horse and cart calling his wares in a far street, and mad Maude up in her attic crooning to her dollies. Later still, as the sun declined and shadows lengthened, my father came out of the house in shirtsleeves and braces and looked at the grotto and at me and at the grotto again, and sucked his teeth, and smiled a little and said nothing, remote and sceptical, as always. When it rained the Virgin’s face seemed tear-stained. One day a gang of older boys passing by on their bikes saw the shrine and dismounted and grabbed the statue and tossed it from one to another, laughing, until one of them fumbled it and it fell on the road and shattered. I retrieved a fragment of blue mantle and kept it, awed by the exposed whiteness of the plaster; such purity was almost indecent, and whenever afterwards I heard the priests recall that the Blessed Virgin had been born without stain of sin I experienced a troubled, dark excitement.

  She must be of Minoan origin, the Virgin; even her colours, cobalt and lime-white, suggest the Isles of Greece. Mary as Pasiphaë, serpent in hand and her conical bare breasts on show, there is a thought to frighten the priests.

  I have remained a devotee of the goddess, and she in turn has been attentive to me, in the various forms in which she has been manifest in my life. First of course there was my mother. She tried to but could not understand me, her changeling. She was a querulous, distracted person, given to worries and vague agitations, always labouring under unspecified grievances, always waiting, it seemed, tight-lipped and patiently sorrowing, for a general apology from the world. She was afraid of everything, of being late and of being too early, of draughts and of stuffiness, of germs and crowds and accidents and neighbours, of being knocked down in the street by a stranger and robbed. When my father died she took to widowhood as if it were the natural state for which her life with him had been merely a long and heartsore preparation. They had not been happy; happiness had not been part of life’s guarded promise to them. They did not quarrel, I think they were not intimate enough for that. My mother was voluble, at times to the point of hysteria, while my father kept silence, and so they struck a violent equilibrium. After he died, or finished fading—his physical demise was only the official end of a slow dissolution, like the full stop the doctor stabbed into his death certificate that day, leaving a shiny blot—she in her turn began gradually to fall silent. Her voice itself turned thin and papery, with a whining cadence, like that of one left standing in the dust of the road, watching the carriage wheels roll away, with a sentence half finished and no one left to finish it for. All her dealings with me then became a kind of ceaseless pleading, by turns piteous and angry. What she wanted was for me to explain myself to her, to account for what I was, and why I differed so from her. It was as if she believed she could through me somehow solve the riddle of her own life and of the things that had happened to her, and of the so many more things that had not. But I could not help her, I was not the one to take her and lead her back along that shadowed pathway past the shut gates guarding all the unspent riches of what she might have been. The end for her was bafflement and furious refusal, as she clung to the posts of the last gate, the one that had finally opened for her, bracing her feet against the threshold, until the gateman came and prised her fingers loose and brought her onward finally, into the dark
place. No, I could not help her. I did not even weep at the graveside; I think I was thinking of something else. There is in me, deep down, as there must be in everyone—at least, I hope there is, for I would not wish to be alone in this—a part that does not care for anything other than itself. I could lose everything and everyone and that pilot light would still be burning at my centre, that steady flame that nothing will quench, until the final quenching.

  I clearly recall the day I first became truly aware of myself, I mean of myself as something that everything else was not. As a boy I liked best those dead intervals of the year when one season had ended and the next had not yet begun, and all was grey and hushed and still, and out of the stillness and the hush something would seem to approach me, some small, soft, tentative thing, and offer itself to my attention. This day of which I speak I was walking along the main street of the town. It was November, or March, not cold, but neutral. From a lowering sky fine rain was falling, so fine as to be hardly felt. It was morning, and the housewives were out, with their shopping bags and headscarves. A questing dog trotted busily past me looking neither to right nor left, following a straight line drawn invisibly on the pavement. There was a smell of smoke and butcher’s meat, and a brackish smell of the sea, and, as always in the town in those days, the faint sweet stench of pig-swill. The open doorway of a hardware shop breathed brownly at me as I went past. Taking in all this, I experienced something to which the only name I could give was happiness, although it was not happiness, it was more and less than happiness. What had occurred? What in that commonplace scene before me, the ordinary sights and sounds and smells of the town, had made this unexpected thing, whatever it was, burgeon suddenly inside me like the possibility of an answer to all the nameless yearnings of my life? Everything was the same now as it had been before, the housewives, that busy dog, the same, and yet in some way transfigured. Along with the happiness went a feeling of anxiety. It was as if I were carrying some frail vessel that it was my task to protect, like the boy in the story told to us in religious class who carried the Host through the licentious streets of ancient Rome hidden inside his tunic; in my case, however, it seemed I was myself the precious vessel. Yes, that was it, it was I that was happening here. I did not know exactly what this meant, but surely, I told myself, surely it must mean something. And so I went on, in happy puzzlement, under the small rain, bearing the mystery of myself in my heart.