The Lure of the Dim Trails
Page 6
"I do," a voice spoke, somewhere in the darkness. "Lawyer from Helena. Never lost a case."
"I'm glad to hear it, for he's the man that will prosecute. They haven't a ghost of a show to get out of it. Lauman here is responsible for their safe keeping and I guess, now that he knows them better, we needn't be afraid they'll escape again. And it's as Lauman said; he'll hang them quite as dead as you can. He's drawing a salary to do these things, make him earn it. It's a nasty job, boys, and you wouldn't get anything out of it but a nasty memory."
A hand that did not feel like the hand of a man rested for an instant on his arm. Mona brushed by him and stepped out where the rising moon shone on her hair and into her big, blue-gray eyes.
"I wish you all would please go away," she said. "You are making mamma sick. She's got it in her head that you are going to do something awful, and I can't convince her you're not. I told her you wouldn't do anything so sneaking, but she's awfully nervous about it. Won't you please go, right now?"
They looked sheepishly at one another; every man of them feared the ridicule of his neighbor.
"Why, sure we'll go," cried Park, rallying. "We were going anyway in a minute. Tell your mother we were just congratulating Lauman on rounding up these Wagners. Come on, boys. And you, Bud, hurry up and get well again; we miss yuh round the Lazy Eight."
The three who were sitting on Lauman got up, and he gave a sigh of relief. "Say, yuh darned cowpunchers don't have no mercy on an old man's carcass at all," he groaned, in exaggerated self-pity. "Next time yuh want to congratulate me, I wish you'd put it in writing and send it by mail."
A little ripple of laughter went through the crowd. Then they swung up on their horses and galloped away in the moonlight.
CHAPTER VIII. A QUESTION OF NERVE
"That was your victory, Miss Stevens. Allow me to congratulate you." If Thurston showed any ill grace in his tone it was without intent. But it did seem unfortunate that just as he was waxing eloquent and felt sure of himself and something of a hero, Mona should push him aside as though he were of no account and disperse a bunch of angry cowboys with half a dozen words.
She looked at him with her direct, blue-gray eyes, and smiled. And her smile had no unpleasant uplift at the corners; it was the dimply, roguish smile of the pastel portrait only several times nicer. Re could hardly believe it; he just opened his eyes wide and stared. When he came to a sense of his rudeness, Mona was back in the kitchen helping with the supper dishes, just as though nothing had happened—unless one observed the deep, apple-red of her cheeks—while her mother, who showed not the faintest symptoms of collapse, flourished a dish towel made of a bleached flour sack with the stamp showing a faint pink and blue XXXX across the center.
"I knew all the time they wouldn't do anything when it came right to the point," she declared. "Bless their hearts, they thought they would—but they're too soft-hearted, even when they are mad. If yuh go at 'em right yuh can talk 'em over easy. It done me good to hear yuh talk right up to 'em, Bud." Mrs. Stevens had called hi Bud from the first time she laid eyes on him. "That's all under the sun they needed—just somebody to set 'em thinking about the other side. You're a real good speaker; seems to me you ought to study to be a preacher."
Thurston's face turned red. But presently he forgot everything in his amazement, for Mona the dignified, Mona of the scornful eyes and the chilly smile, actually giggled—giggled like any ordinary girl, and shot him a glance that had in it pure mirth and roguish teasing, and a dash of coquetry. He sat down and giggled with her, feeling idiotically happy and for no reason under the sun that he could name.
He had promised his conscience that he would go home to the Lazy Eight in the morning, but he didn't; he somehow contrived, overnight, to invent a brand new excuse for his conscience to swallow or not, as it liked. Hank Graves had the same privilege; as for the Stevens trio, he blessed their hospitable souls for not wanting any excuse whatever for his staying. They were frankly glad to have him there; at least Mrs. Stevens and Jack were. As for Mona, he was not so sure, but he hoped she didn't mind.
This was the reason inspired by his great desire: he was going to write a story, and Mona was unconsciously to furnish the material for his heroine, and so, of course, he needed to be there so that he might study his subject. That sounded very well, to himself, but to Hank Graves, for some reason, it seemed very funny. When Thurston told him, Hank was taken with a fit of strangling that turned his face a dark purple. Afterward he explained brokenly that something had got down his Sunday throat—and Thurston, who had never heard of a man's Sunday throat, eyed him with suspicion. Hank blinked at him with tears still in his quizzical eyes and slapped him on the back, after the way of the West—and any other enlightened country where men are not too dignified to be their real selves—and drawled, in a way peculiar to himself:
"That's all right, Bud. You stay right here as long as yuh want to. I don't blame yuh—if I was you I'd want to spend a lot uh time studying this particular brand uh female girl myself. She's out uh sight, Bud—and I don't believe any uh the boys has got his loop on her so far; though I could name a dozen or so that would be tickled to death if they had. You just go right ahead and file your little, old claim—"
"You're getting things mixed," Thurston interrupted, rather testily. "I'm not in love with her. I, well, it's like this: if you were going to paint a picture of those mountains off there, you'd want to be where you could look at them—wouldn't you? You wouldn't necessarily want to—to own them, just because you felt they'd make a fine picture. Your interest would be, er, entirely impersonal."
"Uh-huh," Hank agreed, his keen eyes searching Phil's face amusedly.
"Therefore, it doesn't follow that I'm getting foolish about a girl just because I—hang it! what the Dickens makes you look at a fellow that way? You make me?"
"Uh-huh," said Hank again, smoothing the lower half of his face with one hand. "You're a mighty nice little boy, Bud. I'll bet Mona thinks so, too and when yuh get growed up you'll know a whole lot more than yuh do right now. Well, I guess I'll be moving. When yuh get that—er—story done, you'll come back to the ranch, I reckon. Be good."
Thurston watched him ride away, and then flounced, oh, men do flounce at times, in spirit, if not in deed; and there would be no lack of the deed if only they wore skirts that could rustle indignantly in sympathy with the wearer—to his room. Plainly, Hank did not swallow the excuse any more readily than did his conscience.
To prove the sincerity of his assertion to himself, his conscience, and to Hank Graves, he straightway got out a thick pad of paper and sharpened three lead pencils to an exceeding fine point. Then he sat him down by the window—where he could see the kitchen door, which was the one most used by the family—and nibbled the tip off one of the pencils like any school-girl. For ten minutes he bluffed himself into believing that he was trying to think of a title; the plain truth is, he was wondering if Mona would go for a ride that afternoon and if so, might he venture to suggest going with her.
He thought of the crimply waves in Mona's hair, and pondered what adjectives would best describe it without seeming commonplace. "Rippling" was too old, though it did seem to hit the case all right. He laid down the pad and nearly stood on his head trying to reach his Dictionary of Synonyms and Antonyms without getting out of his chair. While he was clawing after it—it lay on the floor, where he had thrown it that morning because it refused to divulge some information he wanted—he heard some one open and close the kitchen door, and came near kinking his neck trying to get up in time to see who it was. He failed to see anyone, and returned to the dictionary.
"'Ripple—to have waves—like running water.'" (That was just the way her hair looked, especially over the temples and at the nape of her neck—Jove, what a tempting white neck it was!) "Um-m. 'Ripple; wave; undulate; uneven; irregular.'" (Lord, what fools are the men who write dictionaries!) "'Antonym—hang the antonyms!"
The kitchen door slammed. He craned again.
It was Jack—going to town most likely. Thurston shrewdly guessed that Mrs. Stevens leaned far more upon Mona than she did upon Jack, although he could hardly accuse her of leaning on anyone. But he observed that the men looked to her for orders.
He perceived that the point was gone from his pencil, and proceeded to sharpen it. Then he heard Mona singing in the kitchen, and recollected that Mrs. Stevens had promised him warm doughnuts for supper. Perhaps Mona was frying them at that identical moment—and he had never seen anyone frying doughnuts. He caught up his cane and limped out to investigate. That is how much his heart just then was set upon writing a story that would breathe of the plains.
One great hindrance to the progress of his story was the difficulty he had in selecting a hero for his heroine. Hank Graves suggested that he use Park, and even went so far as to supply Thurston with considerable data which went to prove that Park would not be averse to figuring in a love story with Mona. But Thurston was not what one might call enthusiastic, and Hank laughed his deep, inner laugh when he was well away from the house.
Thurston, on the contrary, glowered at the world for two hours after. Park was a fine fellow, and Thurston liked him about as well as any man he knew in the West, but—And thus it went. On each and every visit to the Stevens ranch—and they were many—Hank, learning by direct inquiry that the story still suffered for lack of a hero, suggested some fellow whom he had at one time and another caught "shining" around Mona. And with each suggestion Thurston would draw down his eyebrows till he came near getting a permanent frown.
A love story without a hero, while it would no doubt be original and all that, would hardly appeal to an editor. Phil tried heroes wholly imaginary, but he had a trick of making his characters seem very real to himself and sometimes to other people as well. So that, after a few passages of more or less ardent love-making, he would in a sense grow jealous and spoil the story by annihilating the hero thereof.
Heaven only knows how long the thing would have gone on if he hadn't, one temptingly beautiful evening, reverted to the day of the hold-up and apologized for not obeying her command. He explained as well as he could just why he sat petrified with his hands in the air.
And then having brought the thing freshly to her mind, he somehow lost control of his wits and told her he loved her. He told her a good deal in the next two minutes that he might better have kept to himself just then. But a man generally makes a glorious fool of himself once or twice in his life and it seems the more sensible the man the more thorough a job he makes of it.
Mona moved a little farther away from him, and when she answered she did not choose her words. "Of all things," she said, evenly, "I admire a brave man and despise a coward. You were chicken-hearted that day, and you know it; you've just admitted it. Why, in another minute I'd have had that gun myself, and I'd have shown you—but Park got it before I really had a chance. I hated to seem spectacular, but it served you right. If you'd had any nerve I wouldn't have had to sit there and tell you what to do. If ever I marry anybody, Mr. Thurston, it will be a man."
"Which means, I suppose, that I'm not one?" he asked angrily.
"I don't know yet." Mona smiled her unpleasant smile—the one that did not belong in the story he was going to write. "You're new to the country, you see. Maybe you've got nerve; you haven't shown much, so far as I know—except when you talked to the boys that night. But you must have known that they wouldn't hurt you anyway. A man must have a little courage as much as I have; which isn't asking much—or I'd never marry him in the world."
"Not even if you—liked him?" his smile was wistful.
"Not even if I loved him!" Mona declared, and fled into the house.
Thurston gathered himself together and went down to the stable and borrowed a horse of Jack, who had just got back from town, and rode home to the Lazy Eight.
When Hank heard that he was home to stay—at least until he could join the roundup again—he didn't say a word for full five minutes. Then, "Got your story done?" he drawled, and his eyes twinkled.
Thurston was going up the stairs to his old room, and Hank could not swear positively to the reply he got. But he thought it sounded like, "Oh, damn the story!"
CHAPTER IX. THE DRIFT OF THE HERDS
Weeks slipped by, and to Thurston they seemed but days. His world-weariness and cynicism disappeared the first time he met Mona after he had left there so unceremoniously; for Mona, not being aware of his cynicism, received him on the old, friendly footing, and seemed to have quite forgotten that she had ever called him a coward, or refused to marry him. So Thurston forgot it also—so long as he was with her.
How he filled in the hours he could scarcely have told; certain it is that he accomplished nothing at all so far as Western stories were concerned. Reeve-Howard wrote in slightly shocked phrases to ask what was keeping him so long; and assured him that he was missing much by staying away. Thurston mentally agreed with him long enough to begin packing his trunk; it was idiotic to keep staying on when he was clearly receiving no benefit thereby. When, however, he picked up a book which he had told Mona he would take over to her the next time he went, he stopped and considered:
There was the Wagner trial coming off in a month or so; he couldn't get out of attending it, for he had been subpoenaed as a witness for the prosecution. And there was the beef roundup going to start before long—he really ought to stay and take that in; there would be some fine chances for pictures. And really he didn't care so much for the Barry Wilson bunch and the long list of festivities which trailed ever in its wake; at any rate, they weren't worth rushing two-thirds across the continent for.
He sat down and wrote at length to Reeve-Howard, explaining very carefully—and not altogether convincingly—just why he could not possibly go home at present. After that he saddled and rode over to the Stevens place with the book, leaving his trunk yawning emptily in the middle of his badly jumbled belongings.
After that he spent three weeks on the beef roundup. At first he was full of enthusiasm, and worked quite as if he had need of the wages, but after two or three big drives the novelty wore off quite suddenly, and nothing then remained but a lot of hard work. For instance, standing guard on long, rainy nights when the cattle walked and walked might at first seem picturesque and all that, but must at length, cease to be amusing.
Likewise the long hours which he spent on day-herd, when the wind was raw and penetrating and like to blow him out of the saddle; also standing at the stockyard chutes and forcing an unwilling stream of rollicky, wild-eyed steers up into the cars that would carry them to Chicago.
After three weeks of it he awoke one particularly nasty morning and thanked the Lord he was not obliged to earn his bread at all, to say nothing of earning it in so distressful a fashion. There was a lull in the shipping because cars were not then available. He promptly took advantage of it and rode by the very shortest trail to the ranch—and Mona. But Mona was visiting friends in Chinook, and there was no telling when she would return. Thurston, in the next few days, owned to himself that there was no good reason for his tarrying longer in the big, un-peopled West, and that the proper thing for him to do was go back home to New York.
He had come to stay a month, and he had stayed five. He could ride and rope like an old-timer, and he was well qualified to put up a stiff gun-fight had the necessity ever arisen—which it had not.
He had three hundred and seventy-one pictures of different phases of range life, not counting as many that were over-exposed or under-exposed or out of focus. He had six unfinished stories, in each of which the heroine had big, blue-gray eyes and crimply hair, and the title and bare skeleton of a seventh, in which the same sort of eyes and hair would probably develop later. He had proposed to Mona three times, and had been three times rebuffed—though not, it must be owned, with that tone of finality which precludes hope.
He was tanned a fine brown, which became him well. His eyes had lost the dreamy, introspective look of the student and author, and h
ad grown keen with the habit of studying objects at long range. He walked with that peculiar, stiff-legged gait which betrays long hours spent in the saddle, and he wore a silk handkerchief around his neck habitually and had forgotten the feel of a dress-suit.
He answered to the name "Bud" more readily than to his own, and he made practical use of the slang and colloquialisms of the plains without any mental quotation marks.
By all these signs and tokens he had learned his West, and should have taken himself back to civilization when came the frost. He had come to get into touch with his chosen field of fiction, that he might write as one knowing whereof he spoke. So far as he had gone, he was in touch with it; he was steeped to the eyes in local color—and there was the rub The lure of it was strong upon him, and he might not loosen its hold. He was the son of his father; he had found himself, and knew that, like him, he loved best to travel the dim trails.
Gene Wasson came in and slammed the door emphatically shut after him. "She's sure coming," he complained, while he pulled the icicles from his mustache and cast them into the fire. "She's going to be a real, old howler by the signs. What yuh doing, Bud? Writing poetry?"
Thurston nodded assent with certain mental reservations; so far the editors couldn't seem to make up their minds that it was poetry.
"Well, say, I wish you'd slap in a lot uh things about hazy, lazy, daisy days in the spring—that jingles fine!—and green grass and the sun shining and making the hills all goldy yellow, and prairie dogs chip-chip-chipping on the 'dobe flats. (Prairie dogs would go all right in poetry, wouldn't they? They're sassy little cusses, and I don't know of anything that would rhyme with 'em, but maybe you do.) And read it all out to me after supper. Maybe it'll make me kinda forget there's a blizzard on."
"Another one?" Thurston got up to scratch a trench in the half-inch layer of frost on the cabin window. "Why, it only cleared up this morning after three days of it."