The Lost Coast -- A Larison Short Story

by Barry Eisler

  He wondered whether he’d straightened the kid out, whether by fear or by shock. He wondered whether the kid would get over it, and wind up in another bar somewhere, flashing another lonely guy that same, beautiful smile.

  He decided no. Because that smile was never going to be the same. It was lost now, like Larison himself.

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  Joe: Correct me if I’m wrong, but I believe The Lost Coast is your very first short story. Why haven’t you visited this form before?

  Barry: Because you’ve never suggested it to me, you bastard.

  Kidding, obviously — my reluctance has been despite your frequent blandishments, and I’m glad you finally got through to me. I think there were a number of factors. The thought of appearing in an anthology or magazine never really excited me that much, even though an anthology or magazine placement could be a good advertisement for a novel. And probably I was a little afraid to try my hand at the new form (though now that I have, I think I must have been crazy. Short stories are a blast to write). In the end, I think it was the combination of knowing I could reach the huge new audience digital publishing has made possible and make money doing it. Plus you just wore me down.

  Joe: I really liked the Larison character in Inside Out. Though he’s one of the antagonists in that book, I wouldn’t actually label him a villain. He’s more of an anti-hero, sort of a darker, scarier version of John Rain. Why did you decide to write a short about him?

  Barry: As usual, it wasn’t a conscious plan; more something influenced by my interests, travel, and reading habits. Anyone who reads my blog, Heart of the Matter, knows I’m passionate about equal rights for gays. At some point, I was reading something about gay-bashing, and I had this idea… what if a few of these twisted, self-loathing shitbags picked the absolutely wrongest guy in the world to jump outside a bar? That was the story idea that led to The Lost Coast.

  Joe: The ending of Lost Coast is pretty ballsy (in more ways than one.) You could have gone a more conservative route, but you didn’t wimp out and shy away from what I feel is a laudable climax. Are you purposely inviting controversy? Was this the story you intended to tell from the onset?

  Barry: I imagined it from the beginning as a pretty rough story — a little about redemption, a lot about revenge. But midway through it got darker than I’d originally envisioned. Thanks for saying I didn’t wimp out because for me, the story was being driven by Larison, who while being a fascinating guy is also a nasty piece of work. When I’m writing a character like Larison, there’s always a temptation to soften him a little to make him more palatable to more readers, but in the end I’ve always managed to resist that (misguided) impulse. For the story to come to life, you have to trust the character as you’ve conceived him and as he presents himself to you. For better or worse (I’d say better), that’s what I’ve done with Larison.

  Joe: After this interview, there’s an excerpt from the upcoming seventh John Rain novel, The Detachment. This is also a sequel to Fault Line and Inside Out, featuring your hero Ben Treven. It also showcases Larison, Dox, and a few other characters from your past novels. Was it your intention all along to bring both of your series together?

  Barry: I’m afraid that “all along” and related concepts will probably always elude me. Usually I get an idea for the next book while I’m working on the current one, and that’s what happened while I was working on Inside Out. I thought, “With what Hort’s up to, what he really needs is an off-the-books, totally deniable, awesomely capable natural causes specialist. So what has Rain been doing since Requiem for an Assassin? And how would Hort get to him? Through Treven and Larison, naturally… and the next thing I knew, I was working on The Detachment. It’s like the Dirty Dozen, but deadlier. Plus there’s sex.

  Joe: Your sex scenes tend to err toward the aggressive side. That isn’t a question. It’s an understatement. The question is, why do you think the US is so repressed when it comes to sex in the media, especially homosexuality, and at the same time so tolerant of violence?

  Barry: George Carlin had some typically wonderful insights on this subject in his book, Brain Droppings. When you look at not just our laws on drugs and prostitution, but the whole approach to those laws (unlike just about any other regulated area, drugs and prostitution are dealt with without any weighing of costs and benefits), it becomes obvious America has some hangups about pleasure. With regard to homosexuality specifically, some of the craziness is probably driven by self-hatred; some by the need for an Other to denigrate (Orwell was all over this); some just by inertia. As for the relative comfort with depictions of violence as opposed to sex, I’ve never understood that, either, because in fiction I obviously enjoy them both.

  Joe: Will we be seeing more short stories from Barry Eisler?

  Barry: Yes! Got a great idea for a Rain/Delilah short set in Paris in the period between the end of Requiem for an Assassin and the kickoff of The Detachment (the research, the research), and a Dox short, too.

  I hadn’t killed anyone in almost four years. But all good things come to an end, eventually.

  It was good to be living in Tokyo again. The face of the city had changed, as it continuously does, but in its eternal, essential energy, Tokyo is immutable. Yes, during my sojourn in safer climes there had occurred an unfortunate profusion of Starbucks and Dean & Delucas, along with their innumerable imitators, but the havens that mattered remained impervious to this latest infestation. There was still jazz at Body & Soul in Minami Aoyama, where no seat is too far from the stage for a quiet word of thanks to the band members at the end of the evening; coffee at Café de l’Ambre in Ginza, where even as he nears his hundredth birthday, proprietor Sekiguchi-sensei arrives daily to roast his own beans, as he has for the last six decades; a tipple at Campbelltoun Loch in Yurakucho, where, if you can secure one of the eight seats in his hidden basement establishment, owner and bartender Nakamura-san will recommend one of his rare bottlings to help melt away, however briefly, the world you came to him to forget.

  I told myself no one was looking for me anymore. But I knew if they were, they’d start with a place I’d been known to frequent. Unless you had unlimited manpower, you couldn’t use the bars or coffee houses or jazz clubs I liked. There were too many of them in Tokyo, for one thing, and my visits would be too hard to predict. You might wait for months, maybe forever, and though there are harder surveillance duty stations than the oases haunted by Tokyo’s roving night denizens, eventually you’d start to stand out, especially if you were a foreigner. Meanwhile, whoever was paying you would be getting impatient for results.

  Which made the Kodokan a unique vulnerability. I’d trained there for nearly twenty-five years before powerful enemies forced me to flee the city, enemies I had, by one means or another, managed to outlast. Judo at the Kodokan had been my only indulgence of anything like a routine, a pattern that could be used to fix me in time and place. Going back to it might have been my way of reassuring myself that my enemies really were all dead. Or it could have been a way of saying come out, come out, wherever you are.

  Randori, or free training, was held in the daidojo, a modern, two-storied space of four connected competition zones open to bleachers ringing the area a floor above. On any given night, as many as two hundred judoka wearing the traditional white judogi, male and female, Japanese and foreign, buzz-cut college stars and grizzled veterans, take to the training hall, and the vast space is filled with cries of commitment and grunts of defense; earnest discussions of tactics and techniques in mutually incomprehensible tong
ues; the drum beat of bodies colliding with the tatami and the cymbal slaps of palms offsetting the impact with ukemi landings. I’ve always loved the cacophony of the daidojo. I’ve stood in it when it’s empty, too, and its solemn daytime stillness, its enormous sense of patience and potential, has its own magic, but it’s the sound of evening training that imbues the space with purpose, that brings the dormant hall to life.

  On training nights the bleachers are usually empty, though nor is it unusual to see a few people sitting here and there and watching the judoka practicing below: a student, waiting for a friend; a parent, wondering whether to enroll a child; a martial arts enthusiast, making a pilgrimage to the birthplace of modern judo. So I wasn’t unduly concerned one summer night at the sight of two extra large Caucasians sitting together in the stands, thickly muscled arms crossed over the railing, leaning forward like carrion birds on a telephone line. I logged them the way I reflexively log anything out of place in my environment, giving no sign that I had particularly noticed them or particularly cared, and continued randori with the partner I happened to be training with, a stocky kid with a visiting college team who I hadn’t yet let score against me.

  My play had reached a level at which for the most part I was able to anticipate an opponent’s attack in the instant before he launched it, subtly adjust my position accordingly, and frustrate his plan without his knowing exactly why he’d been unable to execute. After a while of this invisible interference, often an opponent would try to force an opening, or muscle a throw, or would otherwise over-commit himself, at which point, depending on my mood, I might throw him. Other times, I was content merely to flow from counter to counter, preventing battles rather than fighting them. A different approach than what had characterized my younger days at the Kodokan, when my style had more to do with aggression and bravado than it did with elegance and efficiency. As the offspring of a Japanese father and Caucasian American mother, I once wore a heavy chip on my shoulder. My appearance was always Japanese enough, but appearances have almost nothing to do with prejudice in Japan. In fact, the society’s worst animus is reserved for ethnic Koreans, and burakumin—descendents of leather workers—and those others guilty of hiding their impurities behind seemingly Japanese faces. Of course, my formative years are long behind me now. These days, with my dark hair increasingly shot through with gray, I no longer pine for a country that might welcome me as its own. It took time, but I’ve learned not to engage in those conflicts I’ve always lost before.

  From their size, close-cropped hair, and Oakley wrap-around shades, favored these days by Special Forces and their private sector counterparts, I made the visitors as military, maybe serving, maybe ex. That in itself was unremarkable: the Kodokan is hardly unknown among the American soldiers, Marines, and airmen stationed in Japan. Plenty of them come to visit, and even to train. Still, I prefer to assume the worst, especially when the assumption costs me little. I let the college kid throw me with tai-otoshi, the throw he’d been trying for all night and obviously his money move. In my former line of work, being underestimated was something to cultivate. I might have been out of the life, but I wasn’t out of the habit.

  I was careful when I left that night, my alertness at a higher than usual pitch. I checked the places I would set up if I’d been trying to get to me: behind the concrete pillars flanking the building’s entrance on Hakusan-dori; the parked cars along the busy, eight-lane street; the entrance to the Mita-sen subway line to my left. I saw only oblivious sarariman commuters, their interchangeable dark suits limp and rumpled from the diesel-laced humidity, their brows beaded with sweat but their expressions relieved at the prospect of a few undemanding hours at home before the next day’s corporate exertions. Several riders on motor scooters went by, the two-stroke engines of their machines whining in and then fading out as they passed, but they weren’t wearing the full-face helmets favored by motorcycle drive-by gunners and they never even slowed or looked at me. A woman rode a bicycle past me on the sidewalk, a chubby-cheeked toddler secured in a basket attached to the handlebars, his arms outstretched and his tiny hands balled into fists at what I didn’t know. No one felt out of place, and I saw no sign of the soldiers. If they didn’t show up again, I’d classify their one-night presence as a nonevent.

  But they did show up again, the following night. And this time, they stayed only briefly, probably just long enough to scan through the scores of judoka and confirm the presence of their target. If I hadn’t been doing my own frequent, unobtrusive scans of the spectator seats, I would have missed their appearance entirely.

  I continued training until eight and then showered after as usual, not wanting to do anything out of the ordinary, anything that might suggest I’d spotted something and was preparing for it. But I was preparing, and as a plan unspooled in my mind and adrenaline snaked out through my trunk and limbs, and as the presence of danger and the certainty of how I would deal with it settled into place with an awful, familiar clarity, I had to acknowledge to myself that I’d been preparing my whole life, and that whatever intervals of quiet I had ever briefly indulged were as meaningful and relevant as dreams. Only the preparation was real—the preparation, and the purpose it always enabled.

  Ben Treven and Daniel Larison sat on stools at the window counter of a Douter coffee shop fifty yards south of the Kodokan on Hakusan-dori, sipping black coffee and waiting for the two Blackwater contractors to return. Treven had wanted to join them, to get a firsthand look at the man whom up until the week before he’d thought to be a myth, but Larison had insisted there was no upside to sending in more than two of them, and Treven knew he was right. It bothered him how easily and naturally Larison had established himself as the alpha of the team, but he also had to admit that Larison, in his mid-forties ten years Treven’s senior, had seen more of the shit even than Treven had, and had survived heavier opposition. He told himself if he kept his mouth shut he might learn something, and he supposed it was true. But after ten years in the Intelligence Support Activity, the deliberately blandly named covert arm of the military’s Joint Special Operations Command, he wasn’t used to running into people who acted like his tactical superiors, and even fewer he thought might be right about it.

  Treven was facing the window in the direction of the Kodokan, and saw the Blackwater guys, who he knew only as Beckley and Krichmond, approaching before Larison did. He nodded his head slightly. “Here they come.”

  Larison had instructed all of them to use their mobile phones as little as possible and to keep them shut off, with the batteries removed, except at previously agreed-upon intervals. The units were all rented, of course, and all under false identities, but good security involved multiple layers. The CIA’s careless use of cell phones in the Abu Omar rendition from Milan had led to the issuance of arrest warrants from an Italian judge for a bunch of CIA officials, including the Milan station chief, and Treven figured Larison was applying the lessons of that op to this one. Still, the current precautions struck him as excessive—they weren’t here to kill or kidnap Rain, after all, only to contact him. On the other hand, just as for sending only the two Blackwater guys into the Kodokan for the initial recon, he supposed there was no real downside to the extra care.

  The Blackwater guys came in and stood so they were facing Treven and Larison and had a view of the street. Treven had seen plenty of foreigners in this section of the city, but even so he knew they were all conspicuous. Treven’s blond hair and green eyes had always been somewhat of a surveillance liability, of course, but he figured that to the average Japanese, such features wouldn’t much distinguish him from Larison, with his dark hair and olive skin, or from any other Caucasian foreigner, for that matter. What the natives would notice, and remember, was the collective size of the four of them. Treven, a heavyweight wrestler in high school and linebacker for Stanford before dropping out, was actually the smallest of the group. Larison was obviously into weights, and, if Hort could be believed, maybe steroids, too. And the Blackwater guy
s could almost have been pro wrestlers. Treven wondered if Hort had selected them in the hope their size might intimidate Rain when they made contact. He doubted it would make a difference. Size only mattered in a fair fight, and from what he’d heard of Rain, the man wasn’t stupid enough ever to allow a fight to be fair.

  “He’s there,” the man called Beckley said. “Training, just like last night.”

  Larison nodded. “Maybe we should switch off now,” he said in his low, raspy voice. “Two nights in a row, he’s probably spotted you. Treven and I can take the point.”

  “He didn’t spot us,” Krichmond said. “We were in the stands, he barely even glanced our way.”

  Beckley grunted in agreement. “Look, if the guy were that surveillance conscious, he wouldn’t be showing up at the same location at the same time every night in the first place. He didn’t see us.”

  Larison took a sip of coffee. “He any good? The judo, I mean.”

  Krichmond shrugged. “I don’t know. Seemed like he had his hands full with the kid he was training with.”

  Larison took another sip of coffee and paused as though thinking. “You know, it probably doesn’t really matter that much whether he saw you or not. We know he’s here, we can just brace him on his way out.”

  “Yeah, we could,” Krichmond said, his tone indicating the man found the idea hopelessly unambitious. “But what kind of leverage do we have then? We found him at the Kodokan. Tomorrow he could just go and train somewhere else. Or give up training, period. We want him to feel pressured, isn’t that what Hort said? So let’s show him we know where he lives. Brace him there, make him feel we’re into his life in a big way. That’s how you get people to play ball—by getting them by the balls.”