The Crusader's gold jh-2

by David Gibbins

  “That’s the Kukulkan Pyramid, the focal point of Chichen Itza.” Jeremy led them past the pyramid as he talked. “But that building over there is where most of the sacrifices took place,” he said. “The Temple of the Warriors. You can see the stone altar at the top where the living victims were tied down and had their hearts ripped out.”

  “Delightful.” Costas grunted. “But I thought all that kind of stuff was exaggerated by the Spanish.”

  “Nope.” Jeremy led them to the north side of the precinct, past a structure where Jack saw a carved stone glyph that looked strikingly familiar. Jeremy saw him hesitate and called back. “The eagle-god. It’s exactly the same as the jade pendant from L’Anse aux Meadows. I’m sure it came from here.” He stopped beside the next building, a wide stone platform about his height, and waited for the other two to catch up. “You asked about sacrifice. This one’s my favourite. It’s called the Tzompantli, the platform of the Skulls. The rotting heads of enemies were exhibited here, and just in case you needed reminding they were carved round the platform edge.” They saw that the sides of the platform were covered with hundreds of leering skulls, their jaws gaping and eyes wide open in terror and anguish. “To cap it all, you have to imagine that all the buildings here, the pyramid and the Temple of the Warriors, this platform, were painted red.”

  “With human blood, I assume.” Costas traced his finger over one of the skulls and grimaced. “I know we had our bad episodes-the Roman Colosseum, the Spanish Inquisition and all that-but genocide and mass murder were never institutionalised, never part of our way of life. For these people it was normal. You’re born here, you get sacrificed. There was something deeply dysfunctional about this society.”

  “The Maya had quite a lot going for them,” Jeremy replied cautiously. “Amazing architecture and art, phenomenal economic organisation. States that would easily have vied with the early city-states of the Near East.”

  “Four thousand years before the Maya,” Jack said.

  “And the Maya had no bronze,” Costas added.

  “Or iron, or wheels.”

  “Right.” Jeremy smiled wryly. “This society was the pinnacle of what was going on in the Americas before the Spanish conquest. But everything went apeshit when the Toltecs showed up. They were the horror warriors of ancient Mesoamerica, the SS of their day. Everything you’ve heard about the Aztecs, those accounts of mass human sacrifice recorded by the Spanish conquistadors in the sixteenth century, magnify that several times and put it back five hundred years. Imagine the heart of darkness, apocalypse now, this is the place. The Maya themselves weren’t exactly averse to human sacrifice, but when the Toltecs arrived they turned this place into a death camp.”

  “No wonder Reksnys settled here,” Costas murmured. “He would have felt right at home.”

  “The fact is, for medieval Europeans this place would have been their vision of hell,” Jack said. “For the Vikings it would have exceeded their worst nightmares about the end of the world, about Ragnarok. For any prisoner brought here it would have been a one-way ticket to Dante’s Inferno.”

  “There’s something else I want you to see,” Jeremy said, walking briskly on. “Follow me.” They passed the Platform of the Skulls and out of the central precinct, and then followed Jeremy along a wide processional way that led down a shallow gradient and through the jungle to the north. After about two hundred metres they scrambled down an irregular rocky slope and stood on the edge of an eroded platform. In front of them was a vast sinkhole, some fifty metres across and twenty metres deep, its rim overhung with lush greenery and the limestone walls receding inwards through a series of striated ledges. The pool at the bottom was a putrid green, covered with a dense layer of algae and fallen vegetation. There was no access point to the water, and they could see that for anyone unfortunate enough to slip off the platform there would be no escape.

  “The Cenote of Sacrifice at Chichen Itza,” Jack murmured. “I’ve always wanted to see this.”

  “Cenote?” Costas said.

  “A Spanish word, from the Mayan dzonot, meaning ‘sacred well, well of sacrifice,’” Jeremy explained. “I was telling you about it on the beach. The whole of the Yucatan was once a coral reef, then it became a limestone plateau during the Ice Age when the sea level lowered. Over millions of years rainwater percolated into the limestone and created a huge labyrinth of caves and tunnels, filled with stalagtites and stalagmites. Then at the end of the Ice Age, eight thousand years ago, the sea level rose again and the system flooded. Caves with ceilings that remained above water eventually collapsed, creating sinkholes like this one.”

  “What about the earth tremors?”

  “We’re just south of a huge meteorite impact site, the Chicxulub crater, which underlies much of the north Yucatan.”

  “The one that wiped out the dinosaurs?” Costas said, looking around him with mock alarm. “Anything bad that didn’t happen here?”

  Jeremy grinned. “The dinosaur disaster’s true. The rim is marked by a ring of cenotes, many of them collapsed into sinkholes. Nobody really knows why, but the crater underneath has some kind of de-stabilising effect on the limestone.”

  “A cave-diver’s paradise.”

  “It’s incredible,” Jeremy enthused. “Divers have explored systems fifty, a hundred kilometres long. Some of them are underwater rivers that run out into the sea. Below the slime it’s crystal clear, like swimming in an aquarium filled with spectacular calcite formations. But it’s also lethal. It put me off learning to dive when I was here as a student. More divers have died here than almost anywhere else in the world.”

  “The Toltecs would have approved,” Jack said.

  “Let me guess,” Costas said. “They sacrificed humans here as well.”

  “The Well of Sacrifice was first dredged for artefacts in the 1930s, but then in the 1950s it was one of the first archaeological sites to be explored using scuba equipment,” Jack replied. “There have been other expeditions. Cousteau came here. The deepest deposits are still unexplored, but masses of artefacts have come up-pottery vessels, gold, jade. Almost all of it was thrown into the well intact, ritually deposited. And they found human skeletons. Hundreds of them.”

  “It’s the same story all over the Yucatan,” Jeremy added. “Cenotes were the source of fresh water for the Maya, but also entrances to the underworld. They sacrificed warriors, maidens, children. That little building over there is the temazcal, a kind of sauna where victims were ritually purified. The stone ledges we’ve just come down were spectator seating, where the Toltec elite could sit and watch.”

  “I guess variety is the spice of life,” Costas murmured distastefully. “Once you’ve seen a few thousand hearts ripped out back there at the temple, you might want a change of scene.”

  An official appeared sweating and panting behind them on the processional way, waving a cellphone and beckoning for Jeremy to take it. Jeremy hesitated, knowing that he had been mistaken for the leader. He looked towards Jack, who smiled and gestured for him to go. As Jeremy clambered up with the official to find higher ground for better reception, Jack turned back and peered over the edge of the platform. The pool looked strangely benign, but for a moment his breath tightened as he felt the terror of the victims a thousand years ago poised at the edge of the underworld.

  “You say there’s still stuff down there.” Costas wiped the sheen of sweat from his face, then looked questioningly at Jack.

  “Most of the artefacts and bones higher up have been lifted, but there are still deeply buried deposits where you might find heavier objects.”

  “Are you thinking what I’m thinking?”

  “Your sub-bottom borer,” Jack replied with a grin. “Maybe if things work out in the Golden Horn, we could approach the Mexican authorities and suggest a shift to operations here.”

  “Do you think there’s a chance?”

  Jack rubbed his chin and squinted against the glare off the rock. “From what Jeremy’s been telli
ng us, this is the place where trophies of war might have been presented to the gods. Let’s imagine Harald and his crew made it ashore somewhere north of here, then were captured.”

  “God, I hope not,” Costas said. “That would have been a major letdown after all they’d been through.”

  “For the Vikings who weren’t lucky enough to die in battle, there was only one fate. The warriors would have their hearts ripped out back there at the temple. Any retainers who survived might have been enslaved. Maybe your friend who somehow made the trek back to the cairn.”

  “The scars on his wrists and ankles,” Costas said. “Shackles.”

  Jack nodded. “Others might have been brought here to this very spot for sacrifice. A spectacular procession from the temple to the cenote, the climax of the ritual of victory. Just like a Roman emperor’s triumph. Crushing the Vikings would have been a big deal for the Toltecs, victory over blond, bearded giants with their fearsome weapons of iron. They’d come here like foreign gods, and the Toltecs had vanquished them. The spoils of war would have been presented to the gods.”

  “The menorah would have been a pretty spectacular sacrifice.”

  “How much did you reckon it weighed? Three hundred, maybe three hundred and fifty pounds?”

  “That’s an awful lot of gold to throw away.”

  “It is an awful lot.” Jack looked at the shimmer of green on the pool below them, then back at Costas. “And the Toltecs did like their gold.”

  Jeremy reappeared over the limestone ridge and began to make his way down towards them. He was tottering slightly, and he sat down heavily on a rock. They could see he was ashen-faced.

  “The heat’s getting to you.” Costas looked at him with concern, and passed over his water bottle. “Drink this and let’s get into the shade.”

  “It’s not that.” Jeremy’s voice was hoarse, barely audible, and he let the bottle slip from his fingers. “I just spoke to Ben. I’m afraid I’ve got some bad news.” He looked up at Jack, his face stricken. “The worst.”

  Jack felt a cold dread grip his stomach. He had tried to prepare himself. He had hoped they would beat the odds.

  “It’s from Iona.” Jeremy looked bewildered, blinking the sweat out of his eyes. His voice was barely a whisper. “It’s Father O’Connor. He’s been murdered. And Maria’s missing.”

  17

  Later,how much later she could not tell, Maria surfaced from a terrifying pit of darkness, her mind clawing its way out of some unremembered horror. She seemed exhausted beyond belief, spent by her struggle against the faceless demon of her dreams, yet she felt weighed down by the heaviness that follows deep sleep. For what seemed an eternity she lay motionless, drifting in and out of consciousness, waiting for her body to respond. She sensed her breathing, felt the hardness of the surface beneath her, a crick in her neck. She was lying in a foetal position on her right side, her hands tucked between her legs. Slowly she opened her eyes. It was dark, but not as dark as her dreams. From the corner of one eye she saw a flickering, a candle. The wall in front of her was covered with shapes, colours. She saw splashes of red.

  Her breathing stopped. She went rigid. O’Connor’s study. She shut her eyes tightly, yearning for that darkness again, anything to blot out a reality she scarcely believed, a horror she tried desperately to push back into her dreams.

  She felt a burning pain in her left cheek. A light touch seemed to play across it, a hint of a breeze. Suddenly she shrieked and sat bolt upright, her heart pounding and the blood rushing in her ears, frantically slapping at her face as she scrabbled backwards. She hit a wall, her breath coming in ragged gulps, then heard the flutter of wings swoop over her and disappear.

  She raised her hand and felt a sticky wetness on her cheek, then looked up. The candle revealed a pointed ceiling, high-sided, made of small stone blocks covered with patches of plaster. It looked old, decayed. At the apex she could make out a line of darker shapes, hanging in a row.

  They had been feeding on her.

  She began to retch, folding her arms tight against her stomach and leaning to one side. She smelled the metallic breath again. She tried to throw up, retching over and over, desperate for something to expiate the revulsion she felt, the stain of death and violation that overwhelmed all her thoughts, that was all she could remember of what had gone before.

  She gave up, tried to calm herself, panting. She closed her eyes, her bleeding cheek pressed hard against the damp wall, desperately seeking strength. She was pouring sweat, rivulets of it dripping over the caked blood on her face. She looked down. She was only wearing her khaki trousers and a T-shirt, torn and soiled. Someone had stripped off her sweater. Her watch was missing. She was burning hot, feverishly hot. She suddenly felt terribly dehydrated, desperate for a drink, and began to lick the sweat and blood off her lips.

  She pushed herself upright again, swallowed hard and forced herself to look around. Everything looked damp, covered in green slime. She was in a rectangular chamber about ten metres long and five metres wide. There was some kind of entranceway at one end, a deep cut into darkness.

  She thought of the buildings she knew at Iona, the old chapel on the north side, the refectory. She quickly dismissed all of them. The floor where she was now was natural rock, limestone by the look of it, smoothed in places but nothing like the granite bedrock at Iona. In the centre was a circular slab of wood, like a lid, as if this were a well-hood. The lid looked like an exotic hardwood, darker even than old oak. At the other end of the chamber was a mass of fallen masonry, clogging the space from ceiling to floor. From the white patches in the rubble she could see where stones had been recently removed, flung out on to the floor. Where the wall protruded from the rubble it was covered with wooden boards, a crude protective screen that extended for three metres or so towards the centre of the chamber opposite her.

  Maria raised herself, pushing up against the wall behind, feeling woozy and unstable. She stood for a moment while a wave of dizziness passed, then hesitantly stepped to where she had seen the splashes of colour. The heat was stifling, like walking in a sauna. One thing was for sure, she was no longer in the western isles of Scotland. The walls looked as old as the monastery, but everything else told her she was almost inconceivably far removed from Iona. It was a possibility her mind simply refused to analyse any further.

  She tottered across to the wall opposite. The single candle that provided the only illumination stood on a small flat stone in front of her. She picked it up, throwing shadows in a demented dance all round the chamber, then held it with both hands to stop it shaking. She peered at the wall.

  Her jaw dropped in amazement.

  She blinked hard. She knew her body was on its last reserves, that she had been without food and drink for hours, days. She could be hallucinating. She looked again.

  The red splashes were truly there. They were blood. But they were not real blood, as in O’Connor’s study. This was a different kind of horror. She saw blood spurting out of necks, blood gushing from bodies gouged open, blood spilling in a livid slipway down a stepped slope.

  It was a fresco, a wall-painting of unimaginable barbarity, a mass execution. Naked victims were being led up one side of a high temple. At the top, one was splayed out and held down on an altar, the executioner’s hands plunged into his innards, another figure holding up a ripped-out heart. Maria felt her stomach convulse again. The executioner was a fearsome giant, stripped to the waist, with a sloping, flat forehead and hooked nose, wearing a loincloth and an elaborate headdress. Above him were stylised symbols. Jaguars, birds, garish monsters. The symbol directly above the executioner looked familiar. Maria flashed back to the moment the nightmare began, when she had been in her study at Iona, peering at the picture of the eagle-god pendant Jack had sent her.

  She blinked hard, trying to register what she was seeing. She took a few faltering steps back, the candle wavering in her hands. To the right she could see the victims assembled, like prisoners after a battle.
The wall-painting was clearly a narrative, a progression of scenes in a story, going from right to left. She looked at the ceiling again. She tried to marshal her thoughts, to think like someone whose mind was highly trained. As if in another lifetime, she remembered her tutorials years before when she and Jack were undergraduates together, on the history of architecture. Corbel vaulting. One major civilisation had built all their vaults this way, had never learned to make an arch. One civilisation, famous for its architecture, infamous for its cruelty.

  She looked back at the wall. Corbelled vaulting. Narrative scenes from right to left. Fearsome warriors with flat foreheads. The symbols, glyphs. Human sacrifice on a temple altar, sacrifice on a prodigious scale. She began to think the unthinkable.

  The Maya.

  She staggered back, hit by a wave of dizziness, then rallied her strength and took a few steps to the right, until she was standing beside the wooden lid. She held the candle up against the wall. She was midway between two scenes, the first of the paintings. The scene at the outset showed a naval engagement, long canoes full of warriors, one with a square sail. The next scene showed a bloody battle, this time on land. Warriors dressed identically to the executioner were battling other warriors, those who would soon become prisoners. All had sloping foreheads, but the vanquished were even bigger, giants. All were stripped to the waist. In the foreground were the dead of both sides, some dismembered, some in a river, seemingly underground. The victors were wielding clubs and maces, the vanquished swords and axes.

  Maria stopped herself. Swords and axes.

  She looked more closely. She began to tremble, and made herself steady the candle. The sloping heads of the vanquished were not foreheads, but the nose-guards of helmets. They were stripped to the waist but wore leggings, not the kilts and loincloths of the victors. They were bearded. They were blond. They had broadswords and huge, single-bitted axes.