Hex In The City n-4

by Simon R. Green

  Hex In The City

  ( Nightside - 4 )

  Simon R Green

  Введите сюда краткую аннотацию

  Simon R Green

  Hex In The City

  One - The Psychenauts

  You can find anything in the Nightside, from the sacred to the profane and back again, but I don't recommend attending the auctions there unless you've got a strong stomach and nerves of steel. I don't normally go to auctions any more, even though most people are afraid to bid against me. I always end up saddled with a crateful of junk, just to get the one thing I do want. One time I accidentally acquired a Pookah, and for a few months I was followed around the Nightside by a Playboy Bunny Girl invisible to everyone except me. Fun, but distracting.

  However, when you work as a private investigator in the Nightside, that hidden magical heart of London, where gods and monsters walk side by side, and sometimes attend the same self-help groups, some cases almost in evitably lead you to the most unpleasant places. The head auctioneer of the Night side's Great Auction Hall hired me to stand watch over one particularly contentious auction, to keep the bidders in line. It sounded straight forward enough, which should have been a warning. Nothing's ever straight forward in my life.

  I turned up nice and early, so I could look the place over. It had been several years since I was last there, and in between I'd left the Nightside on the run, with a bullet in my back, and reluctantly returned to stage a semi-triumphant comeback. The doorman at the Hall took one look at me and didn't want to let me in, but I gave him my name, and he turned satisfyingly pale and stepped back to wave me in. A good, or rather bad, reputation will get you into places that a battalion of troops wouldn't.

  The head auctioneer stopped pacing nervously up and down and came striding across the great empty Hall to greet me. She grudged me a brief smile and crushed my hand in an over-firm handshake. Lucretia Grave was a short, sturdy woman in an old-fashioned tweedy outfit, surmounted by a monocle screwed firmly into one dark, beady eye. She appeared to be in her early fifties, with a brutal bulldog face and grey hair scraped back into a really severe bun on the back of her head. She looked like she could punch her weight. She glared at me like it was all my fault, and got stuck right in.

  "About time you got here, Taylor, old thing. I haven't felt safe in me own Hall since the damned thing arrived. I've had piles that gave me less problems. I know we say we'll auction anything you can find, capture, or manhandle through the doors, but some things are just more trouble than they're worth. I wouldn't have anything to do with the bloody thing, if I wasn't on commission. I've been playing the doggies again, you know how it is. Rotten animals only have to hear I've put good money on them and they immediately develop back problems and heart conditions. Still, you mark my words, old thing; this particular item is going to go for serious money." She scowled unhappily and sniffed loudly. "It's days like this I wish I was back at me old job, at Christie's. I'd go back in a second if only I could be sure the police weren't still looking for me."

  I was about to ask, politely but very firmly, what the hell we were talking about, when we were interrupted by a whole bunch of six-foot-tall teddy bears, carrying in the various items up for auction that session. The bears swept straight past us, carrying the items carefully in their soft, padded arms, talking in low, growly voices. The bears all looked like they'd seen a lot of rough handling, and as they passed Lucretia Grave a few muttered loudly about the need to get unionised. They set out each object in its own glass display case, treating every item with great care and respect.

  "I'd better check everything's where it's supposed to be," Grave said heavily. "They all mean well, but they're bears of very little brain. Typical bloody management, trying to save money again. You have a look around, old thing, get the feel of the place, don't touch anything."

  And off she strode, like a tug-boat under full steam, to hector the bears. I let her go. It was either that or throw her to the floor, tie her up, and sit on her till I got some useful answers out of her; and I couldn't be bothered. I looked around. The Great Auction Hall had started out life as a thirteenth-century tithe barn, and had changed remarkably little down the years. The walls were a creamy grey stone, in large close-fitting blocks held together by artistry and tradition rather than mortar, rising up to soaring wooden rafters that came together in a complex latticework half-hidden in shadows. There were only slit windows in the walls, and the floor was unpolished wood, covered in sawdust. Fluorescent rods provided almost painfully bright light. There were no comforts or luxuries, but then, people didn't come here to admire the scenery. The Great Auction Hall was a place of serious business.

  I walked past the rows of cheap wooden folding seats, set up to face the no-frills auctioneer's stand, and looked over the various items in their display cases. It was the usual mixture, the famous and the infamous, of dubious value and debatable provenance. You could buy anything in the Nightside, whatever your interests or pleasure, but no-one guaranteed it was necessarily what it seemed to be. You could get lucky, or you could get dead, with precious little room in between. And just because you owned a thing, it didn't mean you could always hang on to it...

  The first item was a heavy thigh-bone, identified as the weapon with which Cain slew Abel. There was a letter of confirmation from the ancient city of Enoch, but you took such things with a pinch of salt in the Nightside. Next in line were three different Maltese Falcons (buyer beware), a cast-brass head of JFK that supposedly spoke prophecy, Nostradamus's quill pen, one of Baron Frankenstein's scalpels, a small lacquered wooden box that claimed it held the ashes of Joan of Arc, and a Yeti's-foot umbrella stand. The rest was just junk and tat, stuff only a collector could love. Certainly nothing I'd give house-room.

  I've never believed in acquiring objects of power. They always let you down. Either the batteries run out at the worst possible moment, or you go blank on the activating word; and you can never find the instruction manual when you need it. More trouble than they're worth. And far too many of them turn out to be just bits and pieces that have hung around long enough to acquire a reputation. Not unlike me, I suppose.

  I paused to study myself in a tall standing mirror in an ornate silver frame. (It was labelled The Mirror of Dorian Gray; make of that what you will.) The reflection didn't look anything special; though I supposed I did at least look like a private eye. Tall, dark, and interesting-looking, wrapped in a long white trench coat that hadn't seen a laundry anywhen recent. A bit tired and battered round the edges, maybe, but that's life in the Nightside for you. I tend to get the cases no-one else wants, the kind other investigators have the good sense to turn down, and I like it that way. I have a gift for finding things, whether they want to be found or not, a hunger for the truth, and a stubborn streak that keeps me in the game long after anyone with any sense would have legged it for the horizon.

  My father drank himself to death, after finding out my mother wasn't human. No-one knows who or what my mother really was, but everyone in the Nightside's got an opinion. There are those who treat me like the Antichrist, and others who see me as a King in waiting. And, an unknown group of enemies have been sending agents to kill me ever since I was a small child.

  I try not to let it go to my head.

  Lucretia Grave came stomping back to join me. She was wearing the monocle in the other eye now. I wondered whether I was supposed to say something, but decided not to. Some conversations you just know aren't going to go anywhere useful. Grave started in on me again as though we'd never stopped talking.

  "We get all kinds of stuff coming through here on a regular basis, old sport, things you wouldn't believe, even for the Nightside. Some silly sod put his soul up for auc
tion just the other week, but it didn't make the reserve. Ah yes, I've seen it all come and go, and known more than my fair share of tears and curses. Property is the curse of the thinking classes. Now, Taylor, old boy; the Hall is of course surrounded by heavy-duty wards and protections at all times, protecting us from fire, theft, substitution, and any and all outside influences, and the whole place is guaranteed neutral ground by the Authorities themselves, and respected as such even by really hard cases like the Collector. As I understand it, the Hall was the cause of so many disputes by so many high rollers that the Authorities just stepped in and took over the business themselves, to make sure all deeds were kept and honoured ... So we should be safe enough..."

  "But?" I said.

  "But, today we're auctioning something rather special, even for us. That's why you're here, old thing. If everything does all go to Hell in a handcart, and I for one wouldn't be at all surprised if it did, you get to stick your hand up and say, Stop thief. What you do after that is your problem. Only don't look to me for help, because I shall have headed for the nearest exit. And don't look to the bears, either. They mean well, but they've only got sawdust where their balls should be. If all else fails, I suppose you can always use your famous gift to track down wherever the thief's taken it..."

  "Why did you hire me?" I asked, genuinely interested.

  Grave sniffed loudly. "Our insurance people insisted we hire someone, and you were the best... our budget could stretch to."

  I was still looking for a response to that when we were approached by a familiar figure. It was Deliverance Wilde, fashion consultant and style guru to the Faerie of the Un-seeli Court. Tall, loudly Jamaican, sharp and bitter and a defiant chain-smoker. If anyone ever found the nerve to object, she blew the smoke into their faces. She was currently wearing an elegantly tailored suit of a vivid lavender shade, which contrasted interestingly with her blue-black skin, topped by a very feathery hat. I raised an eyebrow at the new look, but as always Wilde got her retaliation in first.

  "Don't show your ignorance, darling. Lavender is this season's colour, whether it likes it or not."

  She struck a studiedly casual pose before me, head tilted back to better show off her high cheekbones and sensual mouth. Deliverance Wilde treated the whole world like a catwalk. Yet her eyes had trouble meeting mine, and the hand holding her cigarette wasn't as steady as it might have been. Wilde was nervous about something. Now, it might just have been the strain of meeting me. I do tend to make people nervous; it's part of my carefully crafted reputation. But Wilde wasn't really focussed on me, or even Grave. Instead, she glared about the Auction Hall, shooting quick puffs of smoke in every direction.

  "I always hate coming back to the Nightside," she said abruptly. "Vulgar, darlings, utterly vulgar. I prefer to spend my time with the Faerie. They're so ... delightfully shallow and superficial."

  Lot you know, I thought, but had the sense not to say it aloud. Wilde had been known to stub her cigarette out on people who annoyed her.

  "I only come back here to attend the fashion shows and stock up on ciggies," she continued remorselessly. "And to carry out the odd spot of business, of course." She looked at me directly for the first time. "I'm glad you're here, John. It means the Auction Hall is taking this event seriously. As they should. I have got my hands on ... something rather special."

  Lucretia Grave snorted loudly. "I should say so, old dear. Unique, priceless, and bloody dangerous with it. Some things should be left alone, or at the very least prodded with a stick from a safe distance,"

  "Would somebody please tell me what it is we're talking about?" I said, and something in my voice made them both sit up and take notice. Wilde took a last drag on her cigarette, dropped it on the floor, and ground it out under her boot. Grave glared at her. Wilde immediately lit up another, on principle, and fixed me with a thoughtful gaze.

  "I have hit the big time at last, darling. I found my little prize accidentally, while looking for something else, but then, isn't that always the way? I was off on my travels, looking for Something Different with which to pique the interest of those notoriously fickle and demanding Faerie, and I ended up in Tokyo, investigating reports of this marvellous new firm that specialised in creating these utterly amazing bonsai volcanoes, complete with regular eruptions and lava flows. But by the time I got there, the firm was gone, and their shop was just this big smoking hole in the ground. I could have told them more bang for your buck was a really bad idea for a slogan ... Anyway, I got side-tracked to China, where I found... that."

  And she indicated one of the smaller display cases with a dramatic gesture and a sprinkling of ash because she'd forgotten the cigarette in her hand. She muttered a series of baby swear words and brushed the ash off the top of the case, while I leaned forward for a closer look. Behind the glass was a single butterfly, not particularly big or small, or especially pretty. In fact, it looked distinctly ordinary. It hung in mid air, in mid-flight, wings extended, surrounded by the faint shimmer of a stasis field. The butterfly had been frozen in a moment of Space and Time, like an insect preserved in amber. I looked back at Wilde, but again she got in first while I was still raising an eyebrow.

  "Yes, it's rare, but not in the way you think. The explanation's a bit complex, but try and keep up. Chaos theory says that if a butterfly flaps its wings over China, we end up with a storm over America. Since everything in the world is connected, or at least on speaking terms. So, if you could identify and track down that particular butterfly ... Well, I have, and there it is. The little troublemaker. A wonderfully unique item, which I intend to let go for an equally unique price. Oh, the Collector is going to be so jealous!"

  (Wilde and the Collector had a thing going once. It didn't work out. No-one ever thought it would, but you just can't tell some people.)

  "The butterfly theory is nothing new, really," said Grave, in her most academic and tweedy voice. Auctioneers always sound like failed scholars. Probably because most of them are. "The ancient Romans had people called Augurs who could predict the future by studying the flight of birds."

  Wilde gave her a withering look. "They also had a tendency to cut open goats, then accuse people of treason over which way the goat's liver was pointing. And give themselves lead poisoning with their choice of plumbing materials."

  "Let us all make a valiant effort to stick to the point, please," I said. "Isn't the whole butterfly thing just a metaphor? There isn't a real butterfly, as such."

  Wilde hit me with her most withering smile. "Metaphors can be as real as anything else in the Night-side, darling. Symbols can have their own identity here. So, whatever lucky person takes possession of this butterfly at auction will possess the power to identify all such butterflies; the first domino in the line that will produce future events. The owner should then be able to predict and possibly even control the way the future turns out. The possibilities are endless! In theory, anyway. Trust me on this, John darling; I am going to be rich, rich, rich!"

  "If it's so potentially powerful, why are you so ready to give it up?" I asked.

  Wilde struck her best Why am I beset by fools of no vision pose. "John. Darling. I am not stupid enough to try and keep anything this earth-shattering for myself. I'd have to spend all my time fighting off major players who wanted to take it away from me. And you can bet the Faerie wouldn't deign to get involved, the ungrateful little shits. No, an auction, on famously neutral ground, is the best way to make a substantial profit on this little beauty." She blew a kiss at the butterfly in its case. "And then I shall take all the money and run, all the way back to the Unseeli Court, and not show my head again until the last of the shooting's died down."

  "Given the clear potential for things to get really nasty really quickly, I'm surprised the Authorities haven't stepped in to confiscate the butterfly," I said, frowning. "Walker doesn't normally approve of anything that threatens to upset his precious status quo."

  "Walker might like to think he's in charge of things roun
d here," Wilde said dismissively, "but the Authorities have always understood that free enterprise has to come first."

  "Philistines," said Grave, polishing her monocle furiously.

  "Or," I said, "perhaps the Authorities don't believe this butterfly is the real thing, either."

  Wilde smiled widely and blew a perfect smoke ring. "Don't care was made to care, darling."

  By now the bidders had started filing in and were already squabbling over who had rights to seats in the front row. I politely excused myself to Wilde and Grave, and took a stroll round the perimeter of the Hall while I watched the crowd assemble noisily. Most were just anonymous faces, there to represent people or interests who didn't care to be publicly identified, or just the usual hopeful souls in search of a bargain. Some were clearly celebrity spotters, there to see history being made by the butterfly's sale. It ended up as quite a large crowd, filling all the seats and leaning against the walls. The teddy bears had to bring in more chairs, grumbling audibly under their breath as they did so. (There were human staff on hand to pass out the glossy sale brochures; apparently the bears considered doing so beneath their dignity.) The crowd buzzed with talk, of a more or less friendly kind, and there was much craning of necks to look at the butterfly, or spot rival bidders. Lucretia Grave stepped up behind her auctioneer's podium and gestured for silence with her gavel as Wilde stood proudly behind her butterfly's display case. I lurked at the back of the Hall, watching the crowd.

  And then everything stopped as a huge shaggy Yeti stomped into the Hall. It was a good eight feet tall, with vast, rolling muscles under its grubby white pelt. Everyone shrank back as the great creature lumbered down the aisle, grabbed the Yeti's-foot umbrella stand, glared menacingly at one and all, then stomped out again. No-one felt like trying to stop it. After a discreet pause, to be sure the Yeti was gone and wouldn't be coming back, the auction finally got under way.