The B. M. Bower Megapack

by B. M. Bower

  He moved to the door, laid a fine, well-kept hand upon the knob, and looked at her with a faint smile that had behind it a good deal that puzzled the Little Doctor. “Don’t worry one minute,” he said, dropping his punctilious politeness of the minute before, and becoming again the intensely human Luck Lindsay. “I ‘heap sabe.’ I’ve certainly corrupted the morals and ambitions of some of the boys—looking at it the way you do—but I promise to check the devastation right where it’s at, and save your only son.” He turned then and went out.

  The Little Doctor paid him the tribute of hurrying to the window where she could watch him go down the path. In his walk, in the set of his head, there was still something that puzzled her. She hoped that he was not offended, and she thankfully remembered a good deal that she had left unsaid. She saw him turn and beckon, and then wait until the Kid had joined him from the kitchen. She saw the greeting he gave the Kid, and the adoration on the Kid’s face when he looked up at Luck. The two went away together, and the Little Doctor watched them dubiously. What if the Kid should run away? He had done it once, and it was well within the probabilities that he might do it again, if this present obsession of his were not handled just right. The Kid, she had long ago discovered, could not be driven,—and there were times when he could not be coaxed.

  Luck had been just three days at the Flying U. In those three days he had fitted himself into the place so well that even old Patsy, the cook, called him “Look” as easily as though he had been doing it for years; and Patsy, you must know, was fast acquiring the querulousness of an old age that does not sweeten with the passing years. Patsy had discovered that Luck liked his eggs fried on both sides, and thereafter he painstakingly turned three eggs bottomside up in the frying pan every morning; three and no more, though Cal Emmett remarked pointedly that he had always liked his eggs fried and flopped.

  Three days, and the Old Man frequently left his big, soft-cushioned chair, and went slowly down to the bunk-house whence came much laughter, and listened to the stories that Luck told so well,—with one arm around the unashamed Kid, very likely, while he talked.

  True, they had ranches of their own, those boys of the Flying U. But if you wanted to find them in a hurry, it were wise to ride first into Flying U coulee. That was headquarters, and that was home and always would be; even Andy Green, who was happily married, brought his wife and stayed there days at a time, with small excuse for the coming.

  In three days, then, Luck had chosen his men from among the Happy Family, and had convinced them that their future welfare and happiness depended upon their going back with him to Los Angeles. In three days he had accomplished a good deal; but then, Luck was in the habit of crowding his days with achievement of one sort or another. As a matter of fact, the third day he had looked upon as one given solely to the pleasure of staying at the Flying U while the boys completed their arrangements for leaving with him. He had done all that he had planned to do, and he was in a very good humor with the world, or he had been until the Little Doctor had made his pride writhe under her innocent belittlement of his vocation. To have her boy work in pictures would be a calamity in her eyes; in Luck’s eyes it would be an honor, provided he did the right kind of work in the right kind of pictures.

  Luck’s own personal opinion, however, did not weigh in this case. He had promised the Little Doctor that he would erase the impression he had made upon the Kid’s too vivid imagination; so he led him to a retired place where they would be sheltered from the wind by a great stack of alfalfa hay, and he began in this wise:

  “Old-timer, you’re the luckiest boy I’ve seen in all my travels,—growing up here on the Flying U, with a mother like you’ve got, and a dad like Chip, and a ranch like this to get the swing of while you’re growing; so that in another five years I expect you’ll be running it yourself, and your folks will be larking around having the good time they’ve earned while they were raising you. I’ll bet—”

  “So Doctor Dell went and got around you, did she? I knew that was why she called you into the sett’n room. Forget it, Luck.” The Kid spat manfully into the trodden hay, and pushed his small-size Stetson back so that his curls showed, and set his feet as far apart as was comfortable. “I knew she would,” he added with weary wisdom in his tone. “Doctor Dell can get around anybody when she takes a notion.”

  Luck held his face from smiling. He looked surprised, and disappointed in the Kid, and sorry for the Kid’s parents. At least, he made the Kid feel that he was thinking all these things, which proves how well one may master the art of facial expression. He did not say a word; therefore he put the Kid upon the defensive and set his young wits to devising arguments in his favor.

  “A woman never knows when a fellow begins to grow up. Doctor Dell is the nicest girl in the world, but she needn’t think I’m a baby yet. I can ride a buckin’ horse, and I went on round-up last spring—and made a hand, too! I can swing a rope as good as any of the bunch; you seen me whirl a loop and jump through it, and there’s more stunts than that I can do—it was dinner time, so I had to quit before I showed you.” The Kid paused. He had not yet produced any effect whatever upon that surprised, pitying, disappointed look in Luck’s face, and the Kid began to feel worried.

  “Well, I was just bluffing when I said I’d run away—if she told you that.” He stopped; the look was still there, only it now seemed to have contempt added to it. “I don’t say I know more’n anybody on the ranch, and I don’t say I’m boss of the ranch yet. I do what they tell me, even when I know there ain’t any sense in it. I humor Doctor Dell a whole lot!” Could he never get that look off Luck’s face? The Kid searched his soul anxiously. You couldn’t go on arguing with that kind of a look; it made you feel like you’d been stealing sheep. “Oh, well, if you won’t talk to a feller—” The Kid did not turn away quite soon enough to hide the quiver of his lips. Luck reached out and took a small, grimy hand and pulled the Kid nearer; near enough so that his arm could go around the Kid’s quivering body. He held him close, and the Kid did not struggle. He dropped his face against Luck’s shoulder, and began to fight back his tears.

  “Listen, pardner,” said Luck softly, one hand caressing the Kid’s cheek. “You and I ought to sabe each other better than most folks, because we’re pals. Now, I want you to go with me a heap more than you want to go; just tuck that away in your mind where you won’t lose it. I want you, but I wouldn’t have you without Doctor Dell’s free and willing consent. I need you for my pal; and I could teach you a lot that would be useful to you. But they need you a whole lot worse than I do. They’ve been taking care of you and loving you and planning for you all these eight years, just watching you grow, and being proud of you because you’re what they want you to be: husky and healthy and good all the way through. You couldn’t go off and leave them now; it wouldn’t be right. And, pard, you need them even worse than they need you. I know,—because I had to grow up without any one to love me and look after me; and believe me, old pal, it isn’t any cinch. It’s just pure luck that I didn’t get killed off or go bad. Now, I’d be good to you, if I had you with me, and so would the boys; but we couldn’t take the place of Doctor Dell and Daddy Chip.

  “I’ve talked pictures too much to you. I didn’t know how it was hitting you, or how much you wanted to go. But listen. If I had the chance you’ve got here,—if I had a ranch like this, and cattle, and horses, and a father and mother and uncle like you’ve got,—I never would look a camera in the eye again as long as I live. That’s straight, old-timer. Why, I’m working my head off trying to get enough ahead so that I can have a ranch of my own! So I can slap a saddle on a horse that carries my brand, and ride out after my cattle, and haze them into my corral; so I can have a home that is mine. I never did have one, pardner,—not since I was a heap smaller than you are now,—and a home of his own is what every man wants most, down deep in his heart.

  “It looks fine to be traveling around, and making moving pictures. It is fine if you are cut out for t
hat kind of work, and have got to be working for somebody else to get your start. But remember, pard, I am working and scheming and planning to get just what you’ve got already. You, a kid eight years old, stand right where I’d give all I’ve got to stand. You’ll own your own ranch and your own home. You’ve got folks that love you—not because you hand out the pay envelope on a certain day of the week, but because you belong to them, and they belong to you. Kid, I’m thirty-two years old—and I’ve never known what that felt like. I have never known what it was like to have some one plan for me and with me, unless they were paid for it.”

  The Kid stood very still. “You could live here,” he lifted his head to say gravely after a little silence that was full of thought. “This can be your home. You can be one of the Happy Family. We’d like to have you.”

  There was something queer in Luck’s voice when he murmured a reply. There was something in his face which no one but the Kid had ever seen. The Kid’s arm crept around Luck’s neck, and tightened there and stayed. Luck’s hand went up to the curls and hovered there caressingly. And they talked, in tones lowered to the cadence of deep-hidden hopes and longings revealed in sacred confidence.

  The Little Doctor, shamelessly eavesdropping because she was a mother fighting for her fledgling, tiptoed away from the corner of the stack, and went back to the house, wiping her eyes frequently with the corner of her handkerchief that was not embroidered. She went into her room and stayed there a long while, and before she came out she had recourse to rosewater and talcum and other first aids to swollen eyelids.

  Whatever she may have thought, whatever she may have overheard beyond what has been recorded, her manner toward Luck was so unobtrusively tender that Chip looked at her once or twice with a puzzled, husbandly frown. Also, the Kid felt something special in his Doctor Dell’s good-night kiss; something he did not understand at all, since he had not yet told her that he was going to be a good boy and stay at home and take care of her and the ranch.

  CHAPTER FIVE

  A BUNCH OF ONE-REELERS FROM BENTLY BROWN

  The Manager of the Acme Film Company cleared his throat with a rasping noise that sounded very loud, coming as it did after fifteen minutes of complete silence. Luck, smoking a cigarette absent-mindedly by the window while he stared out across two vacant lots to a tawdry apartment house,—and saw a sage-covered plain instead of what was before his eyes,—started from his daydream and glanced at Martinson inquiringly. “Well, what do you think of it?” he asked.

  Martinson cleared his throat again, and shuffled the typed sheets in his hands. “Seems to lack action, don’t it?” he hazarded reluctantly. “Of course, this is a rough draft; I realize that. I suppose you’ll strengthen up the plot, later on. Chance for some good cattle-stealing complications, I should think. But I’d boil it down to two reels, Luck, if I were you. There’s a lot of atmosphere you couldn’t get, anyway—”

  “I can get every foot of that atmosphere,” Luck put in crisply.

  “Oh, I suppose—but you don’t want that much. Too expensive, where it doesn’t carry the action along. I’d put in some dance-hall scenes; you haven’t enough interiors. Make your lead a victim of card sharps, why don’t you, and have his sister come there after him? You could get some great dramatic action—have her meet the heavy there—”

  “After the tried-and-tested recipe. Sure, Mart! We can take the middle out of that Her-Brother’s-Honor film and use that; and if you’re afraid the public may recognize it, we’ll run it backwards. Or we can mix it with some Western-Girl’s-Romance film, or take—”

  “Now, Luck, wait a minute. Wait-a-minute!” Martinson’s hand went up in the approved gesture of stopping another’s speech. “You can give it an original twist. You know you can; you always have.”

  Luck swore, accustomed though he was to the makeshifts of the business. The street cars had stopped running the night before, while he was still hammering that scenario out on the typewriter; the street cars had stopped running, and the steam heat had been turned off in the hotel where he lived, and he had finished with an old Mexican serape draped about his person for warmth. But his enthusiasm had not cooled, though his room grew chill. He had gone to bed when the typing was done, and had dreamed scene after scene vividly while he slept. Still glowing with the pride of creation, he had read the script while his breakfast coffee had cooled, and he had been the first man in the office, so eager was he to share his secret and see Martinson’s eyes gleam with impatience to have the story filmed.

  Knowing this, you will know also why he swore. Martinson thrust out his under lip at the oath, and tossed the script neatly into the clear space on the desk. “Oh, if that’s the way you feel about it!” His tone was trenchant. “Sorry I offered any suggestions. There are some good bits, if they’re worked up right, and I naturally supposed you wanted my opinion.”

  “I did. I never saw you square up to anything but the same old dime-novel West before. I wanted to see how it would hit you.”

  “Well, it don’t.” Martinson waited a minute while that sunk in. When he spoke again, his manner was that of a man who has dismissed a disagreeable subject, and has taken up important business.

  “We’ve made quite a haul since you left. A bunch of one-reelers from Bently Brown. You’ll eat ’em up, Luck,—all those stories of his featuring the adventures of the XY cowboys. You’ve read ’em; everybody has, according to him. They’ll be cheap to put on, because the same sets and the same locations will do for the lot. Same cast, too. He blew in here temporarily hard up and wanting to unload, and we got the whole series for next to nothing.” He opened a desk drawer, and took out a bundle of folded scripts tied with a dingy blue tape. Martinson was a matter-of-fact man; he really did not understand just how much Luck’s new story meant to its author. If he had, he surely would not have been quite so brisk and so frankly elated over that untidy lot of Bently Brown scenarios.

  “I had all the synopses numbered and put on top here,” he went on, “so you can run them over and see what they’re like. A small company will do, Luck. That’s one point that struck me. Two or three die, on an average, in the first four hundred feet of every story; so you can double a lot. I’ve had Clements go over them and start the carpenters on the street set where most of the exterior action takes place; we’re behind on releases, you know, and these ought to be rushed. You’d better go over and see how he’s making out; you may want to make some changes.”

  Luck hesitated so long that Martinson was on the edge of withdrawing the proffered scripts. But he took them finally, and ran his eye disparagingly over the titles. “Bently Brown!” he said, as though he were naming something disagreeable. “I’m to film Bently Brown’s blood-and-battle stuff, am I?” He grinned, with the corners of his mouth tipped downward so that you never would have suspected it of ever producing Luck’s famous smile. “I might turn them into comedy,” he suggested. “I expect I could get a punch by burlesquing—”

  “Punch!” Martinson pushed his chair back impetuously. “Punch? Why, my godfrey, man, that stuff’s all punch!”

  Luck curved a palm over his too-expressive mouth while he skimmed the central idea from two or three synopses. Martinson watched him uneasily. Martinson claimed to keep one finger pressed firmly upon the public pulse—wherever that may be found—and to be ever alert for its warning flutterings. Martinson claimed to know a great deal about what the public liked in the way of moving pictures. He believed in Luck’s knowledge of the West, but he did not believe that the public would stand for the real West at all; the public, he maintained, wanted its West served hot and strong and reeking with the smoke of black powder. So—

  “Well, the market demands that sort of thing,” he declared, arguing against that curved palm and the telltale wrinkles around Luck’s eyes. “It’s all tommyrot, of course. I don’t say it’s good; I say it’s the stuff that goes. We’re here to make what the public will pay to look at.” Martinson, besides keeping his finger on the public p
ulse and attending to the marketing of the Acme wares and watching that expenses did not run too high, found a little time in which to be human. “I know, Luck,” the human side of him observed sympathetically; “it’s just made-to-order melodrama, but business is simply rotten, old man. We’ve just got to release films the market calls for. There’s no art-for-art’s-sake in the movie business, and you know it. Now, personally, I like that scenario of yours—”

  “Forget it!” said Luck crisply, warning him off the subject. To make the warning keener-edged, he lifted the typed sheets over which he had worked so late the night before, glanced at the top one, gave a snort, and tore them twice down the length of them with vicious twists of his fingers. He did not mean to be spectacular; he simply felt that way at that particular moment, and he indulged the impulse to destroy something. He dropped the fragments into Martinson’s waste basket, picked up the bundle of scripts and his hat, and went out with his mouth pulled down at the corners and with his neck pretty stiff.

  He went swinging across the studio yard and on past the great stage where the carpenters halted their work while they greeted him, and looked after him and spoke of him when he had passed. Early idlers—extras with high hopes and empty pockets—sent him wistful glances which he did not see at all; though he did see Andy Green and his wife (who had been Rosemary Allen). These two stood hesitating just within the half-open, high board gate fifty yards away. Luck waved his hand and swerved toward them.