I could have photographed the turd, had I brought a camera, had I ever owned one. But now I can’t hang around, the trout must be cooling and they’re too polite to start eating without me. The problem is, the turd is bobbing.
I’m waiting for the cistern to refill and every drip is an eternity, I can feel the moments stretching out, and outside I can hear the murmuring voices of my love’s family but I can’t leave that submarine there for the mother to go in and see it wobbling about. She knows I’ve been in the clinic and can see I’m drinking again; I’ve been watching my consumption, as they say, but I can’t stop and she’s gonna take her daughter to one side and …
I’ve been injecting my little girl. ‘What a lovely way to take drugs,’ she says sweetly. She wants to try everything. I don’t argue with that and I won’t patronise her. Anyhow, she’s a determined little blonde thing, and for her friends it’s fashionably exciting. I can tell she’s made up her mind to become an addict.
It took me days to hunt out the best stuff for her, pharmaceutical. It’s been five years for me, but I took it with her to ensure she didn’t make a mistake. Except an ex-boyfriend caught up with us, took me into a doorway and split my face for corrupting her. Yet she skips school to be with me and we take in Kensington Market and Chelsea. I explain their history of fashion and music. The records I tell her to listen to, the books I hold out, the bands I’ve played with, the creative people I tell her of, the deep talks we have, are worth as much as anything she hears at school, I know that.
At last I flush it again.
Girls like her … it is easy to speak of exploitation, and people do. But it is time and encouragement I give them. I know from experience, oh yes, how critical and diminishing parents can be, and I say try, I say yes, attempt anything. And I, in my turn, am someone for them to care for. It breaks my heart but I’ve got, maybe, two years with her before she sees I can’t be helped and she will pass beyond me into attractive worlds I cannot enter.
I pray only that she isn’t pulling up her sleeve and stroking her tracks, imagining her friends being impressed by those mascots, the self-inflicted scars of experience; those girls are dedicated to the truth, and like to show their parents how defiant they can be.
I’m reaching for the door, the water is clear and I imagine the turd swimming towards Ramsgate. But no, no, no, don’t look down, what’s that, the brown bomber must have an aversion to the open sea. The monstrous turd is going nowhere and nor am I while it remains an eternal recurrence. I flush it again and wait but it won’t leave its port and what am I going to do, this must be an existential moment and all my days have converged here. I’m trembling and running with sweat but not yet lost.
I’m rolling up the sleeve of my Italian suit, it’s an old suit, but it’s my best jacket. I don’t have a lot of clothes, I wear what people give me, what I find in the places I end up in, and what I steal.
I’m crying inside too, you know, but what can I do but stick my hand down the pan, into the pissy water, that’s right, oh dark, dark, dark, and fish around until my fingers sink into the turd, get a muddy grip and yank it from the water. For a moment it seems to come alive, wriggling like a fish.
My instinct is to calm it down, and I look around the bathroom for a place to bash it, but not if it’s going to splatter everywhere, I wouldn’t want them imagining I’m on some sort of dirty protest.
By now they must have started eating. And what am I doing but standing here with a giant turd in my fist? Not only that, my fingers seem to adhere to the turd; bits of my flesh are pulled away and my hand is turning brown. I must have eaten something unusual, because my nails and the palms are turning the colour of gravy.
My love’s radiant eyes, her loving softness. But in all ways she is a demanding girl. She insists on trying other drugs, and in the afternoons we play like children, dressing up and inventing characters, until my compass no longer points to reality. I am her assistant as she tests the limits of the world. How far out can she go and still be home in time for tea? I have to try and keep up, for she is my comfort. With her I am living my life again, but too quickly and all at once.
And in the end, to get clear, to live her life, she will leave me; or, to give her a chance, I must leave her. I dream, though, of marriage and of putting the children to bed. But I am told it is already too late for all that. How soon things become too late, and before one has acclimatised!
I glance at the turd and notice little teeth in its velvet head, and a little mouth opening. It’s smiling at me, oh no, it’s smiling and what’s that, it’s winking, yes, the piece of shit is winking up at me, and what’s that at the other end, a sort of tail, it’s moving, yes, it’s moving, and oh Jesus, it’s trying to say something, to speak, no, no, I think it wants to sing. Even though it is somewhere stated that truth may be found anywhere, and the universe of dirt may send strange messengers to speak to us, the last thing I want, right now in my life, is a singing turd.
I want to smash the turd back down into the water and hold it under and run out of there, but the mother – when the mother comes in and I’m scoffing the trout and she’s taking down her drawers I’m gonna worry that the turd lurking around the bend’s gonna flip up like a piranha and attach itself to her cunt, maybe after singing a sarcastic ditty, and she’s going to have an impression of me that I don’t want.
But I won’t dwell on that, I’m going to think constructively where possible even though its bright little eyes are glinting and the mouth is moving and it has developed scales under which ooze – don’t think about it. And what’s that, little wings …
I grab the toilet roll and rip off about a mile of paper and start wrapping it around the turd, around and around, so those eyes are never gonna look at me again, and smile in that way. But even in its paper shroud it’s warm and getting warmer, warm as life, and practically throbbing and giving off odours. I look desperately around the room for somewhere to stuff it, a pipe or behind a book, but it’s gonna reek, I know that, and if it’s gonna start moving, it could end up anywhere in the house.
There’s a knocking on the door. A voice too – my love. I’m about to reply ‘Oh love, love’ when I hear other, less affectionate raised voices. An argument is taking place. Someone is turning the handle; another person is kicking at the door. Almost on me, they’re trying to smash it in!
I will chuck it out of the window! I rest the turd on the sill and drag up the casement with both hands. But suddenly I am halted by the sky. As a boy I’d lie on my back watching clouds; as a teenager I swore that in a less hectic future I would contemplate the sky until its beauty passed into my soul, like the soothing pictures I’ve wanted to study, bathing in the colours and textures of paint, the cities I’ve wanted to walk, loafing, the aimless conversations I’ve wanted to have – one day, a constructive aimlessness.
Now the wind is in my face, lifting me, and I am about to fall. But I hang on and instead throw the turd, like a warm pigeon, out out into the air, turd-bird awayaway.
I wash my hands in the sink, flush the toilet once more, and turn back to life. On, on, one goes, despite everything, not knowing why or how.
Nightlight
‘There must always be two to a kiss.’
R. L. Stevenson, ‘An Apology for Idlers’
She comes to him late on Wednesdays, only for sex, the cab waiting outside. Four months ago someone recommended her to him for a job but he has no work she can do. He doesn’t even pay himself now. They talk of nothing much, and there are silences in which they can only look at one another. But neither wants to withdraw and something must be moving between them, for they stand up together and lie down beside the table, without speaking.
Same time next week she is at the door. They undress immediately. She leaves, not having slept, but he has felt her dozing before she determinedly shakes herself awake. She collects herself quickly without apology, and goes without looking back. He has no idea where she lives or where she is from.
Now she doesn’t come into the house, but goes straight down into the basement he can’t afford to furnish, where he has thrown blankets and duvets on the carpet. They neither drink nor play music and can barely see one another. It’s a mime show in this room where everything but clarity, it seems, is permitted.
At work his debts increase. What he has left could be taken away, and no one but him knows it. He is losing his hold and does it matter? Why should it, except that it is probably terminal; if one day he feels differently, there’ll be no way back.
For most of his life, particularly at school, he’s been successful, or en route to somewhere called Success. Like most people he has been afraid of being found out, but unlike most he probably has been. He has a small flat, an old car and a shabby feeling. These are minor losses. He misses steady quotidian progress, the sense that his well-being, if not happiness, is increasing, and that each day leads to a recognisable future. He has never anticipated this extent of random desolation.
Three days a week he picks up his kids from school, feeds them, and returns them to the house into which he put most of his money, and which his wife now forbids him to enter. Fridays he has dinner with his only male friend. After, they go to a black bar where he likes the music. The men, mostly in their thirties, and whose lives are a mystery to him, seem to sit night after night without visible discontent, looking at women and at one another. He envies this, and wonders if their lives are without anxiety, whether they have attained a stoic resignation, or if it is a profound uselessness they are stewing in.
On this woman’s day he bathes for an hour. He can’t recall her name, and she never says his. She calls him, when necessary, ‘man’. Soon she will arrive. He lies there thinking how lucky he is to have one arrangement which costs nothing.
Five years ago he left the wife he didn’t know why he married for another woman, who then left him without explanation. There have been others since. But when they come close he can only move backwards, without comprehending why.
His wife won’t speak. If she picks up the phone and hears his voice, she calls for the kids, those intermediaries growing up between immovable hatreds. A successful woman, last year she found she could not leave her bed at all. She will have no help and the children have to minister to her. They are inclined to believe that he has caused this. He begins to think he can make women insane, even as he understands that this flatters him.
Now he has this inexplicable liaison. At first they run tearing at one another with middle-aged recklessness and then lie silently in the dark, until desire, all they have, rekindles. He tells himself to make the most of the opportunity.
When she’s gone he masturbates, contemplating what they did, imprinting it on his mind for ready reference: she on her stomach, him on the boat of her back, his face in her black hair forever. He thinks of the fluffy black hairs, flattened with sweat, like a toff’s parting, around her arsehole.
Walking about later he is both satisfied and unfulfilled, disliking himself for not knowing why he is doing this – balked by the puzzle of his own mind and the impossibility of grasping why one behaves so oddly, and why one ends up resenting people for not providing what one hasn’t been able to ask for. Surely this new thing is a web of illusion, and he is a fool? But he wants more foolishness, and not only on Wednesdays.
The following weeks she seems to sense something. In the space where they lie beneath the level of the street, almost underground – a mouse’s view of the world – she invites him to lie in different positions; she bids him touch different parts of her body. She shows him they can pore over one another.
Something intriguing is happening in this room, week after week. He can’t know what it might be. He isn’t certain she will turn up; he doesn’t trust her, or any woman, not to let him down. Each week she surprises him, until he wonders what might make her stop.
One Wednesday the cab doesn’t draw up. He stands at the window in his dressing gown and slippers for three hours, feeling in the first hour like Casanova, in the second like a child awaiting its mother, and during the third like an old man. Is she sick, or with her husband? He lies on the floor where she usually lies, in a fever of desire and longing, until, later, he feels a presence in the room, a hanging column of air, and sits up and cries out at this ghost.
He assumes he is toxic. For him, lacking disadvantages has been a crime in itself. He grasps the historical reasons for this, since his wife pointed them out. Not that this prevented her living off him. For a while he did try to be the sort of man she might countenance. He wept at every opportunity, and communicated with animals wherever he found them. He tried not to raise his voice, though for her it was ‘liberating’ to get wild. Soon he didn’t know who he was supposed to be. They both got lost. He dreaded going home. He kept his mouth shut, for fear of what would come out; this made her search angrily for a way in.
Now he worries that something has happened to this new woman and he has no way of knowing. What wound or hopelessness has made her want only this?
Next week she does come, standing in the doorway, coat-wrapped, smiling, in her early thirties, about fifteen years younger than him. She might have a lover or husband; might be unemployed; might be disillusioned with love, or getting married next week. But she is tender. How he has missed what they do together.
The following morning he goes downstairs and smells her on the sheets. The day is suffused with her, whoever she is. He finds himself thinking constantly of her, pondering the peculiar mixture of ignorance and intimacy they have. If sex is how you meet and get to know people, what does he know of her? On her body he can paint only imaginary figures, as in the early days of love, when any dreams and desires can be flung onto the subject, until reality upsets and rearranges them. Not knowing, surely, is beautiful, as if everything one learns detracts from the pleasures of pure imagination. Fancy could provide them with more satisfaction than reality.
But she is beginning to make him wonder, and when one night he touches her and feels he has never loved anything so much – if love is loss of the self in the other then, yes, he loves her – he begins to want confirmation of the notions which pile up day after day without making any helpful shape. And, after so many years of living, the expensive education, the languages he imagined would be useful, the books and newspapers studied, can he be capable of love only with a silent stranger in a darkened room? But he dismisses the idea of speaking, because he can’t take any more disappointment. Nothing must disturb their perfect evenings.
You want sex and a good time, and you get it; but it usually comes with a free gift – someone like you, a person. Their arrangement seems an advance, what many people want, the best without the worst, and no demands – particularly when he thinks, as he does constantly, of the spirit he and his wife wasted in dislike and sniping, and the years of taking legal and financial revenge. He thinks often of the night he left.
*
He comes in late, having just left the bed of the woman he is seeing, who has said she is his. The solid bulk of his wife, her back turned, is unmoving. His last night In the morning he’ll talk to the kids and go, as so many men he knows have done, people who’d thought that leaving home was something you did only once. Most of his friends, most of the people he knows, are on the move from wife to wife, husband to husband, lover to lover. A city of love vampires, turning from person to person, hunting the one who will make the difference.
He puts on the light in the hall, undresses and is about to lie down when he notices that she is now lying on her back and her eyes are open. Strangely she looks less pale. He realises she is wearing eyeshadow and lipstick. Now she reaches out to him, smiling. He moves away; something is wrong. She throws back the covers and she is wearing black and red underwear. She has never, he is certain, dressed like this before.
‘It’s too late,’ he wants to cry.
He picks up his clothes, rushes to the door and closes it behind him. He doesn’t know what he is doing, only th
at he has to get out. The hardest part is going into the children’s room, finding their faces in the mess of blankets and toys, and kissing them goodbye.
This must have turned his mind, for, convinced that people have to take something with them, he hurries into his study and attempts to pick up his computer. There are wires; he cannot disconnect it. He gathers up the television from the shelf. He’s carrying this downstairs when he turns and sees his wife, still in her tart garb, with a dressing gown on top, screaming, ‘Where are you going? Where? Where?’
He shouts, ‘You’ve had ten years of me, ten years and no more, no more!’
He slips on the step and falls forward, doubling up over the TV and tripping down the remaining stairs. Without stopping to consider his injuries, he flees the house without affection or dislike and doesn’t look back, thinking only, strange, one never knows every corner of the houses one lives in as an adult, not as one knew one’s childhood house. He leaves the TV in the front garden.
*
The woman he sees now helps kill the terrible fear he constantly bears that his romantic self has been crushed. He feels dangerous but wants to wake up in love. Soft, soft; he dreams of opening a door and the person he will love is standing behind it.
This longing can seize him at parties, in restaurants, at friends’ and in the street. He sits opposite a woman in the train. With her the past will be redeemed. He follows her. She crosses the street. So does he. She is going to panic. He grabs her arm and shouts, ‘No, no, I’m not like that!’ and runs away.
He doesn’t know how to reach others, but disliking them is exhausting, Now he doesn’t want to go out, since who is there to hold onto? But in the house his mind devours itself; he is a cannibal of his own consciousness. He is starving for want of love. The shame of loneliness, a dingy affliction! There are few creatures more despised than middle-aged men with strong desires, and desire renews itself each day, returning like a recurring illness, crying out, more life, more!
Love in a Blue Time Page 14
