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The widower’s two step tn-2

Page 26

by Rick Riordan


  During the conversation I sipped my iced tea and subtly moved Garrett's gift off the table, then into my backpack. Out of sight, etc.

  When the food came Danny sat with us for a while. We ate Texicali burgers heavy with salsa and Monterey Jack and watched the afternoon traffic speed down South Oltorf.

  Dickhead the parrot sat on Garrett's shoulder, holding a tortilla chip in his claw and eating it piece by piece. He hadn't yet learned to dip it in salsa. That would probably take another month.

  After a while Garrett said he had to get back to work and Danny said he had to get back to the kitchen. A few raindrops started splattering the patio.

  "Nice meeting you," Miranda told Garrett.

  Garrett wheeled his chair sideways and the parrot shot its wings out, correcting its balance. "Yeah. And hey, little bro-"

  "Say it and die," I warned.

  Garrett grinned. "Nice meeting you, too, Miranda."

  When we were alone I started shredding the wax paper from the burger basket.

  Miranda put her boot lightly on top of mine.

  Yes, I was wearing the new boots. Just happened to be in front of the closet.

  "Hard to like them sometimes," Miranda said.

  "What?"

  "Older brothers. I wish I'd known-" She stopped herself, probably remembering my injunction to Garrett. "Here you drove all the way to Austin to pick me up, spent half your day."

  "I wanted to."

  She took my hand and squeezed it. "The taping went really well today. I owe that to you."

  "I don't see how."

  She kept a hold on my hand. Her eyes were bright. "I missed you last night, Mr.

  Navarre. You know how long it's been since I missed somebody that much? Can't help but change my singing."

  I stared out at the traffic on Oltorf. "Has Les contacted you, Miranda?"

  Her grip on my hand loosened just slightly. She had trouble maintaining her smile.

  "Why would you think that?"

  "He hasn't then?"

  "Of course not."

  "If you had to get away for a few days," I said, "if you had to go somewhere safe that not too many people knew about, could you do it?"

  She started to laugh, to put the idea away, but something in my expression made her stop. "I don't know. There's the show tonight, then tomorrow is free, but then the tape audition on Friday-you don't seriously think-"

  "I don't know," I said. "Probably it's nothing. But let's say you had to choose between keeping your schedule and being sure you stayed safe."

  "Then I'd keep my schedule and take you along."

  I looked down at the table.

  I turned over the bill and discovered that Danny Young had comped the meal. He'd written "Nothing" in black marker across the green paper. The Zen waiter.

  Miranda turned my palm up so hers was on top.

  Raindrops starting pingpinging more steadily, a slow threequarter time against the metal umbrella.

  "Anyplace else you need to go in Austin?" she asked. "As long as I got you up here?"

  I watched the rain.

  I thought about Kelly Arguello, who would probably have some more paperwork for me. She might be sitting on her porch swing in Clarksville right now, clacking away on her portable computer and watching the raindrops pelt the neighbour’s yard appliances.

  "Nothing that can't wait," I decided.

  45

  Two hours later we were back in San Antonio, in Erainya's neighbourhood. I had promised Jem I'd come by Halloween evening, but it only took Jem a couple of blocks worth of trickortreating to decide that Miranda was the one he really wanted to play with.

  She raced him up each sidewalk. She laughed at his knockknock jokes. She showed the most appreciation for his costume. Jem was tickled to death when Miranda offered to be his Miss Muffett.

  "She's good with kids," Erainya told me.

  Erainya and I were sitting on the hood of Erainya's Lincoln Continental, watching the action.

  There was plenty of it in Terrell Hills that evening. The neighbourhood Anglo kids were travelling in twos or threes, dressed in their storebought princess and ninja outfits, their pumpkin flashlights switched on and their plastic jacko'lanterns stuffed with candy. The bubba esque parents strolled a few feet behind, drinking their Lone Stars, talking on the porches, some of the dads with little portable TVs to keep track of the college football games.

  Then there were the kids imported from the South Side travelling in groups of ten or twenty, unloaded from their parents' old station wagons into the rich gente neighbourhoods to gather up what food they could. They dressed in old sheets and maybe some smeared face paint, sometimes a plastic dimestore mask. The bigger kids, fifteen or sixteen years old, did their best to cover their hairy arms and their faces.

  They let their younger siblings do the asking. The parents always stayed well back on the sidewalk, and always said thank you. No Lone Stars. No portable TVs.

  Then there were the oddball loners like Jem. He was skipping awkwardly along in his bulbous homemade spider costume, the black fur coming off on the boxwood hedges and the wire arms flailing and catching on the paper skeletons people had hung from their mesquite trees. By the third block he didn't have much costume left, but nobody seemed to mind. Especially not Jem.

  I watched Miranda chasing Jem back down another sidewalk. Both of them jumped over a mesquite that grew flat across the front yard in the shape of a wave.

  Jem showed off the pralines and watermelon slice candy he'd scored, then kept running with Miranda close behind.

  "Way to go, Bubba," I told him.

  Miranda flashed me a smile. She went after Jem like she'd been doing it all her life. Or all of Jem's, anyway.

  Erainya muttered something in Greek.

  "What?" I asked.

  "I said you look like a Turk, honey. Why so sour?"

  She was wearing the standard black Tshirt dress. When I'd asked her why no costume she'd said, "What, I need to look like a witch, too?" Her arms were crossed and she was grabbing her sharp elbows. Her expression was a little softer than usual, but I suspected that was just because she was tired.

  Over Erainya's objections, Jem had told me about their flush job at six that morning.

  He loves the canI useyourphonesoIcanlocatethisboy'sparents routine.

  According to Jem the skipped husband's girlfriend opened the door right away and even offered them a Coke. Erainya had collected an easy day's fee from the wife's lawyer.

  "I'm not sour," I protested.

  Erainya tightened up her body a little more, extended one finger toward me like she was going to jab me with it. "You got a nice lady with you, next week you get to come back to work with me-what's the trouble?"

  "It's nothing."

  Erainya nodded, but not like she believed me. "You had it out with Barrera?"

  I nodded.

  "He give you reasons why people might be dying over this business with Sheckly?"

  "Yes. And reasons why it was over my head."

  We watched Jem wiggle his spider arms for the guy at the next front porch. The guy laughed and gave Jem an extra handful of candy from the large wicker basket he was holding. The guy also watched Miranda appreciatively from behind as she walked down the sidewalk. I wondered how much force it would take to fit the wicker basket onto his head.

  "Don't listen to him," Erainya said. "Don't let him cut you down."

  I looked at her, not sure if I'd heard correctly.

  She examined her talon fingernails critically. "I'm not saying you did good, honey, getting involved the way you did. I'm not saying I like your procedures. But I'll say this just once-you should do P.I. work."

  It was hard to read her expression in the dark.

  "Erainya? That you?"

  She frowned defensively. "What? All I'm saying is don't let Barrera treat you second class, honey. Cops make the worst P.I. s, no matter what he tells you. Cops know how to react, how to be tough. That's it. Most
of them don't know the first thing about opening people up.

  They don't know about listening and untangling problems. They don't have the ganis or the sensitivity for that kind of work. You got ganis"

  "Thanks. I think."

  Erainya kept frowning. Her eyes drifted over to Miranda, who was racing Jem down the steps of the last porch on the block. "How bad is the girl mixed up with this case?"

  "I wish I knew."

  "Is somebody going to get hurt here?"

  "Not if I can help it."

  Erainya hugged her elbows and, just once, kicked the tire of the Lincoln with her heel, hard. "You could do worse, honey."

  Jem and Miranda came back at full tilt, Jem running past me and Miranda running right into me, grabbing my forearms to stop herself.

  She had a little praline crumble at the corner of her mouth. Sneaking some of the loot.

  "Hey," she said.

  Jem said he was ready to drive to another neighbourhood now.

  A Latino family of twelve walked by, the parents saying pretty much the same thing in Spanish. The father looked emptyeyed, like he'd been driving around since way before sunset. The kids looked tired, the mother a combination of hungry and uneasy, doing her best to skirt her kids around the Bubba fathers with the portable TVs and the little blond kids with costumes that cost more than all her family's shoes put together.

  Erainya frowned down into Jem's candy bag, carefully chose a Sweetarts, the sourest thing she could find, and looked back up at me reprovingly.

  Then she ruffled Jem's balding furry headpiece and told him to get in the car.

  46

  "We ain't going to make it."

  Miranda didn't sound concerned, exactly. More like she was getting a taste for tardiness and wasn't quite sure if she liked it or not. She'd never been late to a gig before. Somebody else had always driven. Somebody responsible. No side trips to trickor treat with fouryearolds.

  "I thought this was supposed to be impromptu," I said. "Drop in on Robert Earle. Sing a couple of songs. Casual."

  "This took Milo about a month to arrange, Tres. Century's got A amp; R folks coming from Nashville and everything. Milo will not be thrilled."

  She tried to fix her makeup again, not an easy task in a moving VW at night, even with the top up. She'd wait until we passed under a highway light, then check her lips in the two seconds her face was illuminated in the visor mirror. She looked fine.

  During the next lighted moment I checked my watch.

  Nine o'clock exactly. At Floore Country Store, two miles farther up the road, Robert Earle Keen would just be starting his first set, expecting to be pleasantly surprised halfway through by his old buddy, Miranda Daniels. Milo would be pacing by the entrance. Probably with brass knuckles.

  We zipped along with the front trunk rattling and the left rear wheel wobbling on its bad disc. I patted the VW's dashboard.

  "Not this trip. Break down on the way home, please."

  Of course I told the VW that every trip. VWs are gullible that way.

  Miranda put away her makeup. She stared out at the ragged black line of huisache trees blurring past. "I like your brother Garrett. I like Jem and Erainya."

  "Yeah. They grow on you."

  She circled her hands around her knees.

  "Thirty," she speculated.

  "Hey-" I warned.

  She smiled. "Is Garrett right?"

  "Hardly ever."

  "I mean about the way you feel-that you think you should've settled into a steadier job by now?"

  The flashing yellow light that indicated the turnoff for John T. Floore's popped over the hill on the horizon.

  "Don't let Garrett fool you," I told her. "Behind the tiedye and the marijuana, he's the most Catholic person left in my family. He believes in moral guilt."

  Miranda nodded. "I imagine that's a yes."

  We turned left across traffic.

  The Floore Country Store sat with its back to the highway, its face to Old Bandera Road and miles and miles of ranchland. A million years ago when John T. Floore opened the place it really had been a country store-the only option for a meal or groceries or a beer this side of an Edsel ride into San Antonio.

  The "store" side of the business had long ago become a sideline to the bar and the country music, but a sign above the exit still read: Don't forget your bread.

  Tonight the lights of Floore's back acre were blazing. Pickup trucks lined both sides of Old Bandera Road. The limegreen cinderblock front of the bar was even more thoroughly covered with plywood signs than it had been on my last visit. Some advertised beer, some bands, some politics. WILLIE NELSON EVERY SATURDAY

  NIGHT, one of them said.

  We drove past, looking for a parking space. From the road, Robert Earle Keen's music sounded like random booming and throbbing, a tape played backward very loud.

  There was a crowd of cowboyhatted folks at the door.

  I doubled back, drove past the farm equipment repair shop, and parked on the opposite side of the bridge that went over Helotes Creek.

  Milo had apparently been watching for my car, because by the time we got Miranda's guitar out of the trunk and started walking across the bridge he was already in the middle coming toward us, scowling like the troll from the Billy Goats Gruff.

  "Come on," he told Miranda, taking her guitar from me without meeting my eyes.

  "Sorry," Miranda tried.

  But Milo had already turned and started back toward the bar.

  Miranda cleared a path for us pretty neatly. The old man at the door tipped his hat to her. Several people in line backed up to let her through, then had to back up even more for Milo. A greasylooking Bexar County deputy with a greying Elvis haircut told her howdy, then escorted us across the bar room and out the back door.

  The twenty or thirty picnic tables in the gravel lot were all jammed. So was the cement dance area. At one of the tables by the back of the building, Tilden Sheckly sat with several of his cowboy buddies. I caught his eye and his standard easy grin as we walked past.

  The only illumination on the dance floor was from outdoor bulbs on telephone poles, coloured Christmas lights, and neon beer signs along the fence. Up on the green plywood stage, Robert Earle was singing about bass fishing. He'd gotten a beard and a classier outfit and a bigger band since the last time I'd seen him play.

  Miranda turned to Milo. "Where-"

  Milo nodded over to another picnic bench by the chainlink fence, about fifty feet from Sheckly, where a few young guys in slacks and white dress shirts were sitting. Not locals. One of them was even drinking a wine cooler. Definitely not locals.

  "Just be yourself," Milo advised. "Do the numbers we talked about. Robert Earle's going to start you with a duet on 'Love's a Word.' Okay?"

  Miranda nodded, glanced at me, then at the A 8c R men across the yard. She tried for a smile.

  Milo handed her over to the deputy with the Elvis haircut. He walked her up to the stage. Robert Earle had just finished his bassfishing song and was announcing over the applause that he'd just found out one of his oldest friends in the whole world was in the audience. He said he surely wanted to invite her up to do a little music.

  A spattering of applause started up again, getting a little more enthusiastic when people saw Miranda coming up the steps. Apparently the crowd recognized her.

  Milo waited long enough to make sure she'd gotten onstage safely and that her mike was working. Robert Earle started kidding with her about the last time they'd played together-something about eating mescal worms and forgetting the words to "Ashes of Love." Miranda kidded him back. If she was nervous she hid it well.

  Milo shot me a quick, disapproving look. He walked past me, toward the table where the important people sat.

  I stared at his back for a few seconds, then decided I might as well go inside and buy myself a birthday beer.

  The interior bar was a walnut box that amazingly managed to hold the elbows of the bartender and six or seven cu
stomers without falling apart. Nobody was in costume, unless you count kicker clothes. Nobody had pumpkins or candy. Beers were displayed in a glass refrigerator case along with thick black wrinkly curlicues that according to one sign were dried sausage. $3.50 per ring.

  I bought a can of Budweiser and no dried sausage. I walked outside again. I crunched over the gravel toward Sheckly's picnic table.

  Onstage Robert Earle was plucking out an acoustic intro. Miranda was starting to sway. Without a guitar, her hands were loose at her sides, her fingers tapping lightly on the folds of her skirt.

  When Sheckly noticed me coming he mumbled something to his lackeys and a round of laughter started up. The skin of Sheckly's left cheek, where Allison had landed the horseshoe, was corpse yellow, stained with Mercurochrome. The cut itself was covered with a line of beige squares that looked like strapping tape.

  The man sitting next to him was almost as ugly, even without flesh wounds. He had pale skin, orange hair, a thick unintelligent face. Elgin Garwood.

  "Hey, son," Sheck said. "Good to see you."

  I slid onto the opposite bench, next to one of the cowboys.

  "Surprised to see you here," I told Sheck. "Not minding the shop tonight?"

  He spread his hands. "Sunday's my day to get out. I like to see the other clubs, keep tabs on who's playing."

  I gestured toward the table of stonyfaced A 8c R men. Milo was sitting with them now, trying to look self assured, smiling and gesturing proudly toward the stage.

  "Especially when reps from the record company come looking at Miranda," I told Sheck. "Keeps Milo on his toes, wondering if you'll come over and ruin the night."

  Sheck grinned. "Hadn't thought of that."

  Elgin was glaring at me.

  I gave him a smile. "They let you off surveillance tonight, Garwood, or did Frank just get tired of your clown act?"

  Elgin rose real slowly, keeping his eyes on me. "Get up, you son of a bitch."

  The other cowboys glanced at Sheck, looking for a cue. Over by the fence, one of the Bexar County deputies on security was frowning in our direction.

 

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