Out of the Dark

by Robert W. Chambers

  ‘What have you been doing to it?’ she exclaimed.

  ‘Nothing,’ I growled, ‘it must be this turpentine!’

  ‘What a horrible color it is now,’ she continued. ‘Do you think my flesh resembles green cheese?’

  ‘No, I don’t,’ I said angrily, ‘did you ever know me to paint like that before?’

  ‘No, indeed!’

  ‘Well, then!’

  ‘It must be the turpentine, or something,’ she admitted.

  She slipped on a Japanese robe and walked to the window. I scraped and rubbed until I was tired and finally picked up my brushes and hurled them through the canvas with a forcible expression, the tone alone of which reached Tessie’s ears.

  Nevertheless she promptly began: ‘That’s it! Swear and act silly and ruin your brushes! You have been three weeks on that study, and now look! What’s the good of ripping the canvas? What creatures artists are!’

  I felt about as much ashamed as I usually did after such an outbreak, and I turned the ruined canvas to the wall. Tessie helped me clean my brushes, and then danced away to dress. From the screen she regaled me with bits of advice concerning whole or partial loss of temper, until, thinking, perhaps, I had been tormented sufficiently, she came out to implore me to button her waist where she could not reach it on the shoulder.

  ‘Everything went wrong from the time you came back from the window and talked about that horrid-looking man you saw in the churchyard,’ she announced.

  ‘Yes, he probably bewitched the picture,’ I said yawning. I looked at my watch.

  ‘It’s after six, I know,’ said Tessie, adjusting her hat before the mirror.

  ‘Yes,’ I replied, ‘I didn’t mean to keep you so long.’ I leaned out of the window but recoiled with disgust, for the young man with the pasty face stood below in the churchyard. Tessie saw my gesture of disapproval and leaned from the window.

  ‘Is that the man you don’t like?’ she whispered.

  I nodded.

  ‘I can’t see his face, but he does look fat and soft. Someway or other,’ she continued, turning to look at me, ‘he reminds me of a dream – an awful dream I once had. Or,’ she mused, looking down at her shapely shoes, ‘was it a dream after all?’

  ‘How should I know?’ I smiled.

  Tessie smiled in reply.

  ‘You were in it,’ she said, ‘so perhaps you might know something about it.’

  ‘Tessie! Tessie!’ I protested, ‘don’t you dare flatter by saying that you dream about me!’

  ‘But I did,’ she insisted. ‘Shall I tell you about it?’

  ‘Go ahead,’ I replied, lighting a cigarette.

  Tessie leaned back on the open window-sill and began very seriously.

  ‘One night last winter I was lying in bed thinking about nothing at all in particular. I had been posing for you and I was tired out, yet it seemed impossible for me to sleep. I heard the bells in the city ring, ten, eleven, and midnight. I must have fallen asleep about midnight because I don’t remember hearing the bells after that. It seemed to me that I had scarcely closed my eyes when I dreamed that something impelled me to go to the window. I rose, and raising the sash leaned out. Twenty-fifth Street was deserted as far as I could see. I began to be afraid; everything outside seemed so – so black and uncomfortable. Then the sound of wheels in the distance came to my ears, and it seemed to me as though that was what I must wait for. Very slowly the wheels approached, and, finally, I could make out a vehicle moving along the street. It came nearer and nearer, and when it passed beneath my window I saw it was a hearse. Then, as I trembled with fear, the driver turned and looked straight at me. When I awoke I was standing by the open window shivering with cold, but the black-plumed hearse and the driver were gone. I dreamed this dream again in March last, and again awoke beside the open window. Last night the dream came again. You remember how it was raining; when I awoke, standing at the open window, my night-dress was soaked.’

  ‘But where did I come into the dream?’ I asked.

  ‘You – you were in the coffin; but you were not dead.’

  ‘In the coffin?’

  ‘Yes.’

  ‘How did you know? Could you see me?’

  ‘No; I only knew you were there.’

  ‘Had you been eating Welsh rarebits, or lobster salad?’ I began laughing, but the girl interrupted me with a frightened cry.

  ‘Hello! What’s up?’ I said, as she shrank into the embrasure by the window.

  ‘The – the man below in the churchyard; he drove the hearse.’

  ‘Nonsense,’ I said, but Tessie’s eyes were wide with terror. I went to the window and looked out. The man was gone. ‘Come, Tessie,’ I urged, ‘don’t be foolish. You have posed too long; you are nervous.’

  ‘Do you think I could forget that face?’ she murmured. ‘Three times I saw the hearse pass below my window, and every time the driver turned and looked up at me. Oh, his face was so white and – and soft! It looked dead – it looked as if it had been dead a long time.’

  I induced the girl to sit down and swallow a glass of Marsala. Then I sat down beside her, and tried to give her some advice.

  ‘Look here, Tessie,’ I said, ‘you go to the country for a week or two, and you’ll have no more dreams about hearses. You pose all day, and when night comes your nerves are upset. You can’t keep this up. Then again, instead of going to bed when your day’s work is done, you run off to picnics at Sulzer’s Park, or go to the Eldorado or Coney Island, and when you come down here next morning you are fagged out. There was no real hearse. That was a soft-shell crab dream.’

  She smiled faintly.

  ‘What about the man in the churchyard?’

  ‘Oh, he’s only an ordinary unhealthy, everyday creature.’

  ‘As true as my name is Tessie Rearden, I swear to you, Mr Scott, that the face of the man below in the churchyard is the face of the man who drove the hearse!’

  ‘What of it?’ I said. ‘It’s an honest trade.’

  ‘Then you think I did see the hearse?’

  ‘Oh, I said diplomatically, ‘if you really did, it might not be unlikely that the man below drove it. There is nothing in that.’

  Tessie rose, unrolled her scented handkerchief and taking a bit of gum from a knot in the hem, placed it in her mouth. Then drawing on her gloves she offered me her hand, with a frank, ‘Good-night, Mr Scott,’ and walked out.

  II

  The next morning, Thomas, the bellboy, brought me the Herald and a bit of news. The church next door had been sold. I thanked Heaven for it, not that I, being a Catholic, had any repugnance for the congregation next door, but because my nerves were shattered by a blatant exhorter, whose every word echoed through the aisle of the church as if it had been my own rooms, and who insisted on his r’s with a nasal persistence which revolted my every instinct. Then, too, there was a fiend in human shape, an organist, who reeled off some of the grand old hymns with an interpretation of his own, and I longed for the blood of a creature who could play the ‘Doxology’ with an amendment of minor chords which one hears only in a quartet of very young undergraduates. I believe the minister was a good man, but when he bellowed: ‘And the Lorrrd said unto Moses, the Lorrrd is a man of war; the Lorrrd is my name. My wrath shall wax hot and I will kill you with my sworrrd!’ I wondered how many centuries of purgatory it would take to atone for such a sin.

  ‘Who bought the property?’ I asked Thomas.

  ‘Nobody that I knows, sir. They do say the gent wot owns this ’ere ’Amilton flats was lookin’ at it. ’E might be a bildin’ more studios.’

  I walked to the window. The young man with the unhealthy face stood by the churchyard gate, and at the mere sight of him the same overwhelming repugnance took possession of me.

  ‘By the way, Thomas,’ I said, ‘who is that fellow down there?’

  Thomas sniffed. ‘That there worm, sir? ’E’s night-watchman of the church, sir. ’E maikes me tired-a-sittin’ out all night
on them steps and lookin’ at you insultin’ like. I’d a punched ’is ’ed, sir – beg pardon, sir—’

  ‘Go on, Thomas.’

  ‘One night a comin’ ’ome with ’Arry, the other English boy, I sees ’im a sittin’ there on them steps. We ’ad Molly and Jen with us, sir, the two girls on the tray service, an’ ’e looks so insultin’ at us that I up and sez: “Wat you looking hat, you fat slug?” – beg pardon, sir, but that’s ’ow I sez, sir. Then ’e don’t say nothin’ and I sez: “Come out and I’ll punch that puddin’ ’ed.” Then I hopens the gate and goes in, but ’e don’t say nothin’, only looks insultin’ like. Then I ’its ’im one, but, ugh! ’is ’ed was that cold and mushy it ud sicken you to touch ’im.’

  ‘What did he do then?’ I asked, curiously.

  ‘’Im? Nawthin’.’

  ‘And you, Thomas?’

  The young fellow flushed with embarrassment and smiled uneasily.

  ‘Mr Scott, sir, I ain’t no coward an’ I can’t make it out at all why I run. I was in the 5th Lawncers, sir, bugler at Tel-el-Kebir, an’ was shot by the wells.’

  ‘You don’t mean to say you ran away?’

  ‘Yes, sir; I run.’

  ‘Why?’

  ‘That’s just what I want to know, sir. I grabbed Molly an’ run, an’ the rest was as frightened as I.’

  ‘But what were they frightened at?’

  Thomas refused to answer for a while, but now my curiosity was aroused about the repulsive young man below and I pressed him. Three years’ sojourn in America had not only modified Thomas’s cockney dialect but had given him the American’s fear of ridicule.

  ‘You won’t believe me, Mr Scott, sir?’

  ‘Yes, I will.’

  ‘You will lawf at me, sir?’

  ‘Nonsense!’

  He hesitated. ‘Well, sir, it’s Gawd’s truth that when I ’it ’im ’e grabbed me wrists, sir, and when I twisted ’is soft, mushy fist one of ’is fingers come off in me ’and.’

  The utter loathing and horror of Thomas’s face must have been reflected in my own for he added:

  ‘It’s orful, an’ now when I see ’im I just go away. ’E makes me hill.’

  When Thomas had gone I went to the window. The man stood beside the church-railing with both hands on the gate, but I hastily retreated to my easel again, sickened and horrified, for I saw that the middle finger of his right hand was missing.

  At nine o’clock Tessie appeared and vanished behind the screen with a merry ‘Good morning, Mr Scott’. When she had reappeared and taken her pose upon the model-stand I started a new canvas much to her delight. She remained silent as long as I was on the drawing, but as soon as the scrape of the charcoal ceased and I took up my fixative she began to chatter.

  ‘Oh, I had such a lovely time last night. We went to Tony Pastor’s.’

  ‘Who are “we”?’ I demanded.

  ‘Oh, Maggie, you know, Mr Whyte’s model, and Pinkie McCormack – we call her Pinkie because she’s got that beautiful red hair you artists like so much – and Lizzie Burke.’

  I sent a shower of spray from the fixative over the canvas, and said: ‘Well, go on.’

  ‘We saw Kelly and Baby Barnes the skirt-dancer and – and all the rest. I made a mash.’

  ‘Then you have gone back on me, Tessie?’

  She laughed and shook her head.

  ‘He’s Lizzie Burke’s brother, Ed. He’s a perfect gen’l’man.’

  I felt constrained to give her some parental advice concerning mashing, which she took with a bright smile.

  ‘Oh, I can take care of a strange mash,’ she said, examining her chewing gum, ‘but Ed is different. Lizzie is my best friend.’

  Then she related how Ed had come back from the stocking mill in Lowell, Massachusetts, to find her and Lizzie grown up – and what an accomplished young man he was – and how he thought nothing of squandering half a dollar for ice-cream and oysters to celebrate his entry as clerk into the woollen department of Macy’s. Before she finished I began to paint, and she resumed the pose, smiling and chattering like a sparrow. By noon I had the study fairly well rubbed in and Tessie came to look at it.

  ‘That’s better,’ she said.

  I thought so too, and ate my lunch with a satisfied feeling that all was going well. Tessie spread her lunch on a drawing table opposite me and we drank our claret from the same bottle and lighted our cigarettes from the same match. I was very much attached to Tessie. I had watched her shoot up into a slender but exquisitely formed woman from a frail, awkward child. She had posed for me during the last three years, and among all my models she was my favorite. It would have troubled me very much indeed had she become ‘tough’ or ‘fly’, as the phrase goes, but I never noticed any deterioration of her manner, and felt at heart that she was all right. She and I never discussed morals at all, and I had no intention of doing so, partly because I had none myself, and partly because I knew she would do what she liked in spite of me. Still I did hope she would steer clear of complications, because I wished her well, and then also I had a selfish desire to retain the best model I had. I knew that mashing, as she termed it, had no significance with girls like Tessie, and that such things in America did not resemble in the least the same things in Paris. Yet having lived with my eyes open, I also knew that somebody would take Tessie away some day, in one manner or another, and though I professed to myself that marriage was nonsense, I sincerely hoped that, in this case, there would be a priest at the end of the vista. I am a Catholic. When I listen to high mass, when I sign myself, I feel that everything, including myself, is more cheerful, and when I confess, it does me good. A man who lives as much alone as I do, must confess to somebody. Then, again, Sylvia was Catholic, and it was reason enough for me. But I was speaking of Tessie, which is very different. Tessie also was Catholic and much more devout than I, so, taking it all in all, I had little fear for my pretty model until she should fall in love. But then I knew that fate alone would decide her future for her, and I prayed inwardly that fate would keep her away from men like me and throw into her path nothing but Ed Burkes and Jimmy McCormicks, bless her sweet face!

  Tessie sat blowing rings of smoke up to the ceiling and tinkling the ice in her tumbler.

  ‘Do you know that I also had a dream last night?’ I observed.

  ‘Not about that man?’ she asked, laughing.

  ‘Exactly. A dream similar to yours, only much worse.’

  It was foolish and thoughtless of me to say this, but you know how little tact the average painter has.

  ‘I must have fallen asleep about 10 o’clock,’ I continued, ‘and after a while I dreamt that I awoke. So plainly did I hear the midnight bells, the wind in the tree-branches, and the whistle of steamers from the bay, that even now I can scarcely believe I was not awake. I seemed to be lying in a box which had a glass cover. Dimly I saw the street lamps as I passed, for I must tell you, Tessie, the box in which I reclined appeared to lie in a cushioned wagon which jolted me over a stony pavement. After a while I became impatient and tried to move but the box was too narrow. My hands were crossed on my breast so I could not raise them to help myself. I listened and then tried to call. My voice was gone. I could hear the trample of the horses attached to the wagon and even the breathing of the driver. Then another sound broke upon my ears like the raising of a window sash. I managed to turn my head a little, and found I could look, not only through the glass cover of my box, but also through the glass panes in the side of the covered vehicle. I saw houses, empty and silent, with neither light nor life about any of them excepting one. In that house a window was open on the first floor and a figure all in white stood looking down into the street. It was you.’

  Tessie had turned her face away from me and leaned on the table with her elbow.

  ‘I could see your face,’ I resumed, ‘and it seemed to me to be very sorrowful. Then we passed on and turned into a narrow black lane. Presently the horses stopped. I waited and waited, closing
my eyes with fear and impatience, but all was silent as the grave. After what seemed to me hours, I began to feel uncomfortable. A sense that somebody was close to me made me unclose my eyes. Then I saw the white face of the hearse-driver looking at me through the coffin lid—’

  A sob from Tessie interrupted me. She was trembling like a leaf. I saw I had made an ass of myself and attempted to repair the damage.

  ‘Why, Tess,’ I said, ‘I only told you this to show you what influence your story might have on another person’s dreams. You don’t suppose I really lay in a coffin, do you? What are you trembling for? Don’t you see that your dream and my unreasonable dislike for that inoffensive watchman of the church simply set my brain working as soon as I fell asleep?’

  She laid her head between her arms and sobbed as if her heart would break. What a precious triple donkey I had made of myself! But I was about to break my record. I went over and put my arm about her.

  ‘Tessie, dear, forgive me,’ I said; ‘I had no business to frighten you with such nonsense. You are too sensible a girl, too good a Catholic to believe in dreams.’

  Her hand tightened on mine and her head fell back upon my shoulder, but she still trembled and I petted her and comforted her.

  ‘Come, Tess, open your eyes and smile.’

  Her eyes opened with a slow languid movement and met mine, but their expression was so queer that I hastened to reassure her again.

  ‘It’s all humbug, Tessie. You surely are not afraid that any harm will come to you because of that?’

  ‘No,’ she said, but her scarlet lips quivered.

  ‘Then what’s the matter? Are you afraid?’

  ‘Yes. Not for myself.’

  ‘For me, then?’ I demanded gayly.

  ‘For you,’ she murmured in a voice almost inaudible. ‘I – I care for you.’

  At first I started to laugh but when I understood her, a shock passed through me and I sat like one turned to stone. This was the crowning bit of idiocy I had committed. During the moment which elapsed between her reply and my answer I thought of a thousand responses to that innocent confession. I could pass it by with a laugh. I could misunderstand her and reassure her as to my health. I could simply point out that it was impossible she could love me. But my reply was quicker than my thoughts, and I might think and think now when it was too late, for I had kissed her on the mouth.