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The Fremantle Press Anthology of Western Australian Poetry

Page 13

by John Kinsella


  are almost fully submerged!

  Flowing steadily, let it rise,2

  this raging flood.

  1 Pukapannya is a small island covered with dense trees, near the bank of the De Grey River just below where the De Grey homestead stands. Kurrunya Pool is just downstream from it.

  2 The permissive suffix –mara often expresses an attitude of resignation; here it’s not that the composer wants the flood to keep on rising, but that there is no way he can stop it.

  Pukapannya

  Warntaparri nguru-nguruya nganyjarranga

  Pukapannyakapu!

  Piparu, ngarramanimara, kurlurrumarnunya

  Griffith Watkins (b.1930 d.1969)

  Heatwave

  Except that it is happening to us,

  the 105 reads like a death toll in

  Paraguay.

  Up in the newspaper offices, the girls

  are taking paper and files in and out

  of the air-conditioned rooms, chiming

  softly, their blouses and brown legs

  as cool as dolphins.

  The cadets and copy boys stand around

  the water-cooler playing noughts and

  crosses on the frosted glass.

  In his office, the sub-editor is slashing

  with his red pencil. He reads the heading —

  fresh violence and thinks of the salad he

  had for lunch.

  Out along the river the bandy trees

  are perfectly still, canonizing someone

  we don’t know.

  The glassy water curves like a bottle,

  stabbing out frazzled splinters of light.

  Between two elms, a young man is attempting

  to eat his girl.

  The gulls are standing under the sprinklers,

  geometrically spaced, patient.

  Which the detectives up at the city lock-up are not.

  The prisoner keeps giving them the same answers.

  One of them sends out for cokes, leaving the

  prisoner out of the order.

  But still he won’t change his story.

  ‘Now come on,’ the detective sergeant asks.

  ‘What did you do with it?’

  ‘Do with what?’ the prisoner sneers, and wipes

  the sweat from the top of his lying mouth.

  Down at the beach the sun sits out over

  the reef like the Fat Lady at last November’s Royal Show.

  A wisp of a breeze searches for a shell to hide in.

  Under the shadehouses the families crouch like refugees.

  A girl, tanned better than leather and wearing

  a white bathing suit, comes out of the water.

  The sand snaps at her bare feet.

  Up the coast, a pall of smoke climbs into the

  bleached blue of the sky and tries to make

  itself into the shape of a dragon.

  Over at the zoo the tropical fish don’t care,

  spell coded messages to each other with their tails.

  With the birds, it is different.

  They are suffering even though their keeper

  spends all his time going from cage to cage

  spraying them with a hose.

  The parrots hang upside down and let the water

  trickle into their feathers while the small

  birds flutter through the showers of silver

  drops and make beep noises.

  Those visitors who go beyond the bird cages

  to gloat at the bears, the bored cats and the

  panting monkeys are sadists and deserve

  their own special hell.

  At five the rush starts.

  The glasses of beer move like convoys.

  The cricket scores take second billing to

  the thermometer up at the Weather Bureau.

  The sun still has a sting.

  All the train windows are down and the cars

  are melting into their shadows.

  The sun is reluctant to call it a day.

  While waiting for it to hiss into the sea,

  people, at home, sit on their front verandahs

  and complain.

  After the sun finally sets, its stain is hard

  to eradicate.

  Cars fall down the drives and burp off towards the beaches.

  Sports cars swim along the esplanades like sharks,

  blurting obscenities from their exhausts.

  The sea bulges.

  The whisking waves rattle conquests of shells.

  Lovers come out later when the stars are clever.

  Fishermen cast their rods and stand like sculpture.

  Cigarettes peck the gloom.

  Voices are like fairy floss.

  The night tells its name and is loved like

  a lost child.

  Bar Brawl

  Their hides stretched tight

  particularly over their hollow faces

  where the shallow clefts of muscle broke

  out jigsaws, and their arms going stiff

  with fright, their bodies hanging back on

  their locked knees, they pitched unwillingly

  into each other’s knotted fear.

  Around them the blabbing voices stopped

  as their tension leapt out like electricity

  from hand, jaw and mouth. And crookedly and

  ugly their fists fell out of their shivering

  sleeves, the blows skidding over the soft,

  welcoming flesh, their breaths sucking and their

  eyes glazed — bearing no witness.

  We caught them up and almost reluctantly

  dragged them apart, noting that the struggle

  they gave us was only a token gesture as they

  were both thankful for our interference. When

  they took up their glasses once more, their

  hands shook so violently that they had to put

  them down.

  Ee Tiang Hong (b.1933 d.1990)

  Coming To

  It was a blind corner,

  I remember, I couldn’t think

  to brake somehow, still less in time,

  that moment round the bend —

  a shock of water, overwhelming sea

  where should have been a road,

  a bridge over the river,

  I mean even in flood.

  A sensation of floating,

  car engine dumb as cork,

  I must have passed out

  as under ether, I guess,

  head just above water,

  body vague as sponge,

  below the knees, adrift

  as slush, at one with.

  On terra firma Australis —

  don’t ask me how I got out, Eddy,

  and Bruce, this isn’t a suicide note,

  Heaven forbid!

  No sailing to Byzantium either,

  thankful just to have survived —

  around an edge of consciousness,

  new faces, fellow Australian.

  And voices, a country woman asking:

  ‘Where y’ from?’

  Her husband stands up tall

  by their four-wheel drive,

  looks me up and down:

  ‘Jesus! What on earth!’

  And so, uncertain, ‘Perth,’

  I said, from down under.

  ‘I mean before that.’

  ‘Oh! Malaysia.

  (O, Malaysia).’

  ‘And you like it here?’

  ‘For sure. It’s all right, really;

  the family, too. They’re safe, ahead,

  I think — we travel separately’ —

  beyond the sometime river

  into the future.

  Perth

  The city has no centre, focal landmark,

  no Place de la Concorde, Padang Merdeka, Tien An Men,

  no particular square, terrace, public park.

  On important days citizens do
not converge,

  as elsewhere, for a common purpose — they feel

  no urge to (there’s no compulsion);

  would rather windsurf, sprawl on a beach, go bush,

  or some place else, even overseas (if it’s

  not too far, not too expensive).

  Alternatively, might as well stay home,

  weed, mow the lawn, try a new recipe, barbecue,

  lounge, have a beer, watch tv (Love you Perth).

  Of course. Or else. Yet sometimes,

  for a while, I’d rather be away

  from family, neighbours, visiting friends;

  be all alone, to daydream, diverge, de-centred.

  But no looking back to brood, and not too far ahead,

  just the opposite foreshore, Bassendean.

  And the Swan, quiet, deathly pale at evening.

  Fay Zwicky (b.1933)

  Kaddish

  For my Father born 1903, died at sea, 1967

  Lord of the divided, heal!

  Father, old ocean’s skull making storm calm and the waves to sleep,

  Visits his first-born, humming in dreams, hiding the pearls that were

  Behind Argus, defunct Melbourne rag. The wireless shouts declarations of

  War. ‘Father,’ says the first-born first time around (and nine years dead),

  Weeping incurable for all his hidden skills. His country’s Medical Journal

  Laid him out amid Sigmoid Volvulus, Light on Gastric Problems, Health Services

  For Young Children Yesterday Today and Tomorrow which is now and now and now and

  Never spoke his name which is Father a war having happened between her birth, his

  Death: Yisborach, v’yistabach, v’yispoar, v’yisroman, v’yisnaseh — Hitler is

  Dead. The Japanese are different. Let us talk of now. The war is ended.

  Strangers found you first. Bearing love back, your first-born bears their praise

  Into the sun-filled room, hospitals you tended, city roofs and yards, ethereal rumours.

  Gray’s Inn Road, Golden Square, St George’s, Birmingham, Vienna’s General, the

  Ancient Alfred in Commercial Road where, tearing paper in controlled strips, your

  First-born waited restless and autistic, shredding life, lives, ours. ‘Have to

  See a patient. Wait for me,’ healing knife ready as the first-born, girt to kill,

  Waited, echoes of letters from Darwin, Borneo, Moratai, Brunei (‘We thought him

  Dead but the little Jap sat up with gun in hand and took a shot at us’,) the heat

  A pressing fist, swamps, insect life (‘A wonderful war’ said his wife who also

  Waited) but wait for me wait understand O wait between the lines unread.

  Your first-born did not. Tested instead the knife’s weight.

  * * *

  Let in the strangers first: ‘Apart from his high degree of medical skill he

  Possessed warmth’ (enough to make broken grass live? rock burst into flower?

  Then why was your first-born cold?) But listen again: ‘It was impossible for

  Him to be rude, rough, abrupt.’ Shy virgin bearing gifts to the proud first and

  Only born wife, black virgin mother. Night must have come terrible to such a

  Kingdom. All lampless creatures sighing in their beds, stones wailing as the

  Mated flew apart in sorrow. Near, apart, fluttered, fell apart as feathered

  Hopes trembled to earth shaken from the boughs of heaven. By day the heart

  Was silent, shook in its box of bone, alone fathered three black dancing imps.

  The wicked, the wise and the simple to jump in the house that Jack built: This

  Is the priest all shaven and shorn who married the man all tattered and torn

  Who kissed the maiden all forlorn who slaughtered the ox who drank the water

  Who put out the fire who burnt the staff who smote the dog who bit the cat who

  Ate the kid my father bought from the angel of death: ‘Never heard to complain,

  Response to inquiry about his health invariably brought a retort causing laughter.’

  Laughter in the shadow of the fountain, laughter in the dying fire, laughter

  Shaking in the box of bone, laughter fastened in the silent night, laughter

  While the children danced from room to room in the empty air.

  What ailed the sea that it fled? What ailed the mountains, the romping lambs

  Bought with blood? Tremble, earth, before the Lord of the Crow and the Dove

  Who turned flint into fountain, created the fruit of the vine devoured by the

  Fox who bit the dog that worried the cat that killed the rat that ate up Jack

  Who built the house: Yisgaddal v’yiskaddash sh’meh rabbo — miracle of seed,

  Mystery of rain, the ripening sun and the failing flesh, courses of stars,

  Stress from Sinai.

  Let (roared God)

  Great big Babylon

  Be eaten up by Persia

  Be eaten up by Greece

  Be eaten up by Rome

  Be eaten up by Ottoman

  Be eaten up by Edom

  Be eaten by Australia

  Where Jack’s house shook.

  Be (said Jack’s Dad)

  Submissive to an elder

  Courteous to the young

  Receive all men with

  Cheerfulness and

  Hold your tongue.

  Strangers, remember Jack who did as he was told.

  * * *

  To the goddess the blood of all creatures is due for she gave it,

  Temple and slaughterhouse, maker of curses like worm-eaten peas:

  As the thunder vanishes, so shall the woman drive them away

  As wax melts before flame, so let the ungodly perish before her:

  She is mother of thunder, mother of trees, mother of lakes,

  Secret springs, gate to the underworld, vessel of darkness,

  Bearer, transformer, dark nourisher, shelterer, container of

  Living and dead, coffin of Osiris, dark-egg devourer, engenderer,

  Nurturer, nurse of the world, many-armed goddess girdled by cobras,

  Flame-spewer, tiger-tongued queen of the dead and the violent dancers.

  Mother of songs, dancer of granite, giver of stone —

  Let his wife speak:

  ‘Honour thy father and thy mother’

  So have I done and done and done — no marriage shall ever

  Consume the black maidenhead — my parents are heaven

  Bound. I shall rejoin them;

  Bodies of men shall rejoin severed souls

  At the ultimate blast of invisible grace.

  Below, I burn,

  Naomi of the long brown hair, skull in a Juliet cap.

  Do the dead rot? Then rot as I rot as they rot.

  ‘Honour thy Father’ sing Armistice bells, espressivo.

  The stumbling fingers are groping

  To pitch of perfection.

  I am that pitch

  I am that perfection.

  Papa’s a civilian again, mother is coiled in a corset,

  Dispenses perfection with:

  Castor oil

  Tapestry

  Tablecloths (white)

  Rectal thermometers

  Czerny and prunes

  Sonatinas of Hummel

  The white meat of chicken

  The white meat of fish

  The maids and the lost silver.

  Lord, I am good for nothing, shall never know want.

  Blinded, I burn, am led not into temptation.

  The home is the centre of power.

  There I reign

  Childless. Three daughters, all whores, all —

  Should be devoured by the fires of Gehenna

  Should be dissolved in the womb that bore them

  Should wander the wastelands forever.

  Instead, they dance.

&
nbsp; Whole towns condemn me. Flames from the roofs

  Form my father’s fiery image. He waves, laughs,

  Cools his head among stars, leaves me shorn,

  Without sons, unsanctified, biting on

  Bread of affliction. Naked, I burn,

  Orphaned again in a war.

  The world is a different oyster:

  Mine.

  His defection will not be forgotten.

  * * *

  Blessed be He whose law speaks of the three different characters of children whom

  we are to instruct on this occasion:

  What says the wicked one?

  ‘What do you all mean by this?’

  This thou shalt ask not, and thou hast transgressed, using you and excluding thyself.

  Thou shalt not exclude thyself from:

  The collective body of the family

  The collective body of the race

  The collective body of the nation

  Therefore repeat after me:

  ‘This is done because of what the Eternal did

  For me when I came forth from Egypt.’

  The wicked wants always the last word (for all the good

  It does): ‘Had I been there, I would still not be worth

  My redemption.’ Nothing more may be eaten, a beating will

  Take place in the laundry. Naked.

  ‘Honour thy father and thy mother’

  What says the wise one?

  ‘The testimonies, statutes, the judgments delivered by God I accept.’

  Nonetheless, though thou are wise,

  After the paschal offering there shall be no dessert.

  ‘Honour thy father and thy mother’

  What says the simple one?

  Asks merely: ‘What is this?’

  Is told: ‘With might of hand

  Did our God bring us forth out of Egypt

  From the mansion of bondage.’

  Any more questions? Ask away and be damned.

  ‘Honour thy father and thy mother’

  * * *

  Yisborach, v’yistabach, v’yispoar, v’yisroman, v’yisnaseh, v’yishaddor,

  v’yisalleh, v’yishallol, sh’meh d’kudsho, b’rich hu

  Praise death who is our God

  Live for death who is our God

  Die for death who is our God

  Blessed be your failure which is our God

  Oseh sholom bim’romov, hu yaaseh sholom, olenu v’al kol yisroel, v’imru Omen.

  * * *

  And he who was never born and cannot inquire shall say:

  There is a time to speak

  and a time to be silent

  There is a time to forgive

  and a time in which to be

 

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