Bugaku, Chapter 12.1
Chaconne, Chapter 12.1, 12.2, 12.3
Concerto Barocco, Chapter 11.1, 12.1, 12.2
Dark Red Rose, Chapter 10.1
Don Quixote, Chapter 12.1, 12.2
Duo Concertante, Chapter 12.1
Electronics, Chapter 12.1
Episodes, Chapter 12.1
The Firebird, Chapter 12.1
The Four Temperaments, Chapter 12.1, 12.2, 12.3, 12.4
Funeral March, Chapter 8.1
Harlequinade, Chapter 12.1
Jewels, Chapter 12.1, 12.2
Liebeslieder Walzer, Chapter 12.1, 12.2
Metastaseis and Pithoprakta, Chapter 12.1
A Midsummer Night’s Dream, Chapter 12.1
The Nutcracker, Chapter 11.1, 12.1, epl.1
Orpheus and Eurydice, Chapter 11.1
Le Palais de Cristal, Chapter 10.1, 12.1
Raymonda Variations, Chapter 12.1, epl.1
Serenade, Chapter 9.1, 9.2, 11.1, 12.1, 12.2, 12.3
Seven Deadly Sins, Chapter 12.1
Sleeping Beauty, Chapter epl.1
La Sonnambula, Chapter 12.1
Square Dance, Chapter 12.1
Stars and Stripes, Chapter 12.1
Stravinsky Violin Concerto, Chapter 12.1, 12.2
Symphony in C, Chapter 10.1, 12.1
Tarantella, Chapter 12.1
Theme and Variations, Chapter 12.1
Tombeau de Couperin, Chapter 12.1
The Twelve, Chapter 8.1, 9.1
Union Jack, Chapter 12.1
La Valse, Chapter 11.1, 12.1, 12.2, 12.3
Vienna Waltzes, Chapter 12.1, 12.2
Western Symphony, Chapter 9.1, 12.1
See also New York City Ballet; School of American Ballet
Balanchivadze, Andrei, Chapter 9.1
ballerinas
American-born, Chapter 12.1
Balanchine and, Chapter 12.1, 12.2, 12.3, 12.4, 12.5
Bournonville style of, Chapter 5.1, 5.2
British style of, Chapter 10.1
celebrity of, Chapter 4.1, 9.1
Danish propriety of, Chapter 5.1
danseur displacement by, Chapter 2.1
Degas’s paintings of, Chapter 4.1
eighteenth-century reforms and, Chapter 2.1
French importance of, Chapter 3.1, 4.1
Gardel ballets and, Chapter 3.1, 3.2
Italian technique of, Chapter 6.1, 6.2, 6.3
new Russian generation of, Chapter 8.1
Odette role and, Chapter 7.1
Paris Opera and, Chapter 1.1, 2.1, 2.2, 3.1, 3.2, 4.1
reputations of, Chapter 2.1, 2.2, 5.1
Romantic ballet and, Chapter 3.1, 4.1
Russified names of, Chapter 8.1, 10.1
Soviet ballet and, Chapter 9.1, 9.2
technical brilliance and, Chapter 2.1
Vaganova training of, Chapter 9.1, 9.2
Ballet Caravan, Chapter 11.1
Ballet Club (London), Chapter 10.1
Ballet comique de la Reine, Chapter 1.1, 1.2
ballet d’action, Chapter 2.1, 2.2, 2.3, 2.4, 2.5
Vignanò ballets vs., Chapter 6.1
ballet de cour, Chapter 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 2.1, 2.2, 4.1, 6.1, 6.2
components of, Chapter 12.1
decline and death of, Chapter 1.1, 1.2, 1.3, 1.4, 1.5
Russia and, Chapter 7.1
ballet-féerie, Chapter 7.1, 7.2, 7.3, 7.4
Ballet for the Twentieth Century, Chapter 10.1
ballet héroique, Chapter 3.1
“ballet of the nuns,” Chapter 4.1, 4.2, 4.3, 4.4
Degas paintings of, Chapter 4.1
Ballet Russe de Monte Carlo, Chapter 11.1
Ballets des Champs-Élysees, Chapter 10.1
Ballet Society, Chapter 11.1
Ballets Russes, Chapter itr.1, 6.1, 8.1, 8.2, 8.3, 10.1, 11.1
American performances of, Chapter 11.1
Balanchine and, Chapter 8.1
Bloomsbury group and, Chapter 10.1, 10.2
Cecchetti and, Chapter 6.1, 8.1
dancers’ Russified names and, Chapter 8.1
duration of, Chapter 8.1
final disbandment of, Chapter 8.1
financing of, Chapter 8.1, 8.2
founding of, Chapter 8.1
international bases of, Chapter 8.1
Joffrey revivals from, Chapter 11.1
key players of, Chapter 8.1
legacy of, Chapter 8.1
Petipa’s Giselle and, Chapter 4.1
Russian ballets and, Chapter 8.1, 8.2, 8.3, 8.4, 12.1
spin-offs from, Chapter 8.1, 11.1
See also Diaghilev, Sergei
Ballets Suédois, Chapter 8.1
Ballets USA, Chapter 12.1
Ballet Theatre. See American Ballet Theatre
Balzac, Honoré de, Chapter 4.1, 4.2, 4.3, 9.1
Bartók, Béla, Chapter 10.1
Baryshnikov, Mikhail, Chapter itr.1, 9.1, 11.1
American celebrity of, Chapter 11.1
defection of, Chapter 9.1, 9.2
Barzini, Luigi, Chapter 6.1
Barzun, Jacques, Chapter 4.1
Bastille Opera House, Chapter epl.1
Bauchant, André, Chapter 8.1
Baudelaire, Charles, Chapter 4.1, 4.2
Baum, Morton, Chapter 11.1, 11.2, 11.3, 12.1
Bausch, Pina, Chapter 12.1
Bayadère, La, Chapter itr.1, 7.1, 7.2, 7.3
Ivanov as lead male dancer, Chapter 7.1
Maryinsky/Kirov reconstruction, Chapter epl.1
Baylis, Lilian, Chapter 10.1
Bazhov, Pavel, Chapter 9.1
Beatles, Chapter 10.1, 12.1
Beaton, Cecil, Chapter 10.1, 10.2, 10.3
Beauchamps, Pierre, Chapter 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8, 2.1
five positions of, Chapter 1.1, 1.2
notation system of, Chapter 1.1, 1.2
Beauharnais, Josephine, Chapter 3.1, 3.2
Beaujoyeulx, Balthasar de, Chapter 1.1
Beccari, Filippo, Chapter 7.1
Beccaria, Cesare, Chapter 2.1
Beecham, Sir Thomas, Chapter 10.1
Beethoven, Ludwig van, Chapter 6.1, 6.2, 6.3, 6.4, 8.1, 10.1, 12.1
Begichev, Vladimir, Chapter 7.1
Béjart, Maurice, Chapter 10.1
Bell, Clive, Chapter 10.1
belle danse. See noble style
Bellini, Vincenzo, Chapter 4.1, 6.1, 6.2
Belsky, Igor, Leningrad Symphony, Chapter 9.1
Benois, Alexander, Chapter 7.1, 8.1, 8.2, 8.3, 8.4, 8.5
Béranger, Pierre-Jean, Chapter 4.1
Bergman, Ingmar, Chapter 12.1
Berlin, Chapter 2.1, 5.1, 6.1, 10.1, 10.2, 10.3
Berlin, Isaiah, Chapter 9.1
Berlin Festival (1952), Chapter 11.1
Berners, Lord, Chapter 10.1, 10.2, 12.1
Bernhardt, Sarah, Chapter 10.1
Bernstein, Leonard, Chapter 11.1, 11.2, 12.1, 12.2, 12.3
Fancy Free, Chapter 9.1, 12.1
Mass, Chapter 12.1
On the Town, Chapter 11.1, 12.1
West Side Story, Chapter 12.1
Bevin, Ernest, Chapter 10.1
Biancifiori, Enrico, Chapter 6.1
Bigottini, Emilie, Chapter 3.1
biomechanics, Chapter 8.1
Bismarck, Otto von, Chapter 5.1, 6.1
Bizet, Georges, Chapter 12.1
Black Crook, The, Chapter 11.1, 11.2
black performers, Chapter 11.1, 12.1, 12.2
Blair, David, Chapter 10.1
Blake, William, Chapter 10.1
Blasis, Carlo, Chapter 2.1, 5.1, 6.1, 6.2, 6.3, 6.4, 6.5
Traité élémentaire, Chapter 6.1, 6.2
Blitzstein, Marc, Chapter 12.1
Blok, Alexander, Chapter 8.1, 9.1, 9.2, 9.3
The Twelve, Chapter 8.1, 9.1, 9.2
Blok, Lubov, Chapter 9.1
Blondy, Michel, Chapter 2.1
Bloody Sunday (
1905), Chapter 8.1, 8.2, 8.3
Bloomsbury circle, Chapter 10.1, 10.2, 11.1
Blum, Léon, Chapter 10.1
Blum, René, Chapter 10.1
Bock, Jerry, Chapter 12.1
Boerman, Jan, Chapter 10.1
Boileau, Nicolas, Chapter 1.1, 1.2, 12.1
L’art poétique, Chapter 8.1
Bolger, Ray, Chapter 11.1, 12.1
Bolshevik Revolution. See Russian Revolution. See also Russian émigrés
Bolshoi, Chapter itr.1, 7.1, 7.2, 7.3, 7.4, 7.5, 8.1, 8.2, 9.1, 9.2, 9.3, 9.4, 9.5, 11.1
defections from, Chapter 9.1
Grigorovich and, Chapter 9.1, 9.2
new style of, Chapter 9.1
origins of, Chapter 7.1
rise of, Chapter 9.1, 9.2, 9.3, 9.4
Romeo and Juliet and, Chapter 9.1, 9.2, 10.1
Royal Ballet tour and, Chapter 10.1
Second World War and, Chapter 9.1, 9.2
Spartacus and, Chapter 9.1, 9.2
Stalin attendance at, Chapter 9.1
The Stone Flower and, Chapter 9.1
theater renovation of, Chapter epl.1
tours in West (see under Cold War)
war-theme ballets of, Chapter 9.1
Bolshoi Stone Theater (St. Petersburg), Chapter 7.1
Bolshoi Theater school, Chapter 9.1, 9.2
Bonet de Treiches, Chapter 3.1, 3.2
Bonnefous, Jean-Pierre, Chapter 12.1
Boquet, Louis-René, Chapter 2.1, 2.2
Borchsenius, Valborg, Chapter 10.1
Borodin, Alexander, Chapter 7.1, 8.1
Boschetti, Amini, Chapter 6.1
Boucher, François, Chapter 2.1, 2.2, 2.3
Bourbon restoration, Chapter 3.1, 4.1, 6.1
Bournonville, Antoine (father), Chapter 5.1, 5.2, 5.3, 5.4
Bournonville, August, Chapter 2.1, 3.1, 4.1, 5.1, 6.1, 7.1, 9.1
aesthetic ideals of, Chapter 5.1, 5.2, 5.3, 7.1
background and training of, Chapter 5.1
distinctive style of, Chapter 5.1, 9.1, 10.1
influence of, Chapter 5.1, 5.2, 10.1, 12.1, 12.2
on Italian ballet, Chapter 5.1, 6.1
longevity of, Chapter 5.1
memoirs of, Chapter 5.1, 5.2, 5.3, 5.4
morality of, Chapter 5.1, 5.2, 5.3, 5.4
notation system and, Chapter 3.1, 3.2, 5.1
travels and correspondences of, Chapter 5.1, 5.2, 5.3
Vestris method and, Chapter 3.1, 3.2, 3.3, 4.1, 5.1, 5.2, 5.3, 6.1
works: Conservatoriet, Chapter 3.1, 5.1, 5.2
A Fairy Tale in Pictures, Chapter 5.1
A Folk Tale, Chapter 5.1
The King’s Volunteers on Amager, Chapter 5.1
The Lay of Thyrm, Chapter 5.1
The Mountain Hut, Chapter 5.1
Napoli, Chapter 5.1, 5.2, 5.3, 5.4
La Sylphide, Chapter itr.1, 4.1, 5.1, 5.2, 5.3, 5.4
Valdemar, Chapter 5.1, 5.2, 5.3, 5.4
The Valkyr, Chapter 5.1, 10.1
See also Royal Danish Ballet
Bournonville Festivals, Chapter 10.1
Brae, June, Chapter 10.1, 10.2
Brahms, Johannes, Chapter 8.1, 12.1, 12.2
Brando, Marlon, Chapter 12.1, 12.2
Brecht, Bertolt, Chapter 12.1
Breinin, Raymond, Chapter 12.1
Bremer, Fredrika, Chapter 4.1
Brianza, Carlotta, Chapter 6.1, 7.1, 7.2, 8.1
British ballet, Chapter itr.1, 10.1, 10.2, 10.3
as censorship-exempt, Chapter 10.1, 10.2
distinctive features of, Chapter itr.1, 10.1
eighteenth-century and, Chapter 2.1
government subsidy of, Chapter 10.1
internationalization of, Chapter epl.1
as national art, Chapter 10.1, 10.2
Second World War and, Chapter 10.1
See also Royal Ballet
Broadway musicals, Chapter 11.1
Balanchine and, Chapter 11.1, 12.1
Robbins and, Chapter 12.1, 12.2
Brown, Ernest, Chapter 10.1
Browne, Leslie, Chapter 11.1
Brugnoli, Amalia, Chapter 4.1, 4.2, 4.3
Bruhn, Erik, Chapter 9.1, 9.2, 9.3, 10.1, 10.2
Brussels, Chapter 10.1
Bruyère, Jean de la, Chapter 1.1, 1.2, 1.3, 1.4
Buckle, Richard, Chapter 10.1
Burgess, Guy, Chapter 9.1
Burke, Edmund, Chapter 2.1
Burney, Charles, Chapter 6.1
Bussell, Darcey, Chapter 10.1
Byron, Lord, Chapter 4.1
Cahusac, Louis de, Chapter 2.1
Calin, Mickey, Chapter 12.1, 12.2
Calzabigi, Ranieri de’, Chapter 2.1, 2.2, 6.1, 6.2
Camargo, La, Chapter 1.1, 2.1, 2.2, 2.3, 2.4
Camargo Society, Chapter 10.1, 10.2, 10.3
Campra, André, Chapter 1.1
L’Europe Galante, Chapter 1.1, 1.2
Canova, Antonio, Chapter 6.1, 6.2, 6.3
Cupid and Psyche, Chapter 12.1
Danzatrici, Chapter 6.1, 6.2
Terpsichore, Chapter 6.1
Cardin, Pierre, Chapter 9.1
carmagnole, Chapter 3.1
Carné, Marcel, Chapter 10.1
Carter, Elliot, Chapter 11.1
Castiglione, Baldesar, Book of the Courtier, Chapter 6.1
Cathedral of Our Lady of the Sign (N.Y.C.), Chapter 12.1, 12.2
Catherine II (the Great), empress of Russia, Chapter 7.1, 7.2
Catherine de Medici, queen of France, Chapter 1.1, 1.2, 1.3
Catholic Church, Chapter 1.1, 1.2, 1.3, 1.4, 1.5
Italian unification and, Chapter 6.1
Jesuits and, Chapter 1.1, 1.2, 1.3, 2.1
theater injunctions of, Chapter 1.1, 5.1, 6.1, 6.2, 6.3
Caverley, Thomas, Chapter 2.1
Cavos, Catterino, Chapter 7.1, 7.2, 7.3
Cecchetti, Enrico, Chapter 10.1, 10.2
background and career of, Chapter 6.1
British ballet and, Chapter 10.1, 10.2
Excelsior and, Chapter 6.1, 6.2
Italian technique and, Chapter 8.1
Sleeping Beauty roles of, Chapter 7.1
Ulanova technique and, Chapter 9.1
celestial harmonies, Chapter 1.1, 1.2
Chaadaev, Peter, Chapter 7.1
Chaboukiani, Vakhtang, Chapter 9.1, 9.2, 9.3
Chagall, Marc, Chapter 12.1
Chaliapin, Feodor, Chapter 8.1, 8.2
Chanel, Coco (Gabrielle), Chapter 8.1, 8.2
Chaplin, Charlie, Chapter 8.1, 8.2
Charles I, king of England, Chapter 2.1
Charles II, king of England, Chapter 2.1, 2.2
Charles IV, Holy Roman emperor, Chapter 6.1
Charles IX, king of France, Chapter 1.1, 1.2
Charles X, king of France, Chapter 3.1, 4.1
Charles Eugene, duke of Württemberg, Chapter 2.1, 2.2, 2.3
Chase, Lucia, Chapter 11.1, 11.2, 12.1, 12.2, 12.3
Chateaubriand, François-René de, Chapter 3.1, 4.1, 4.2, 4.3, 4.4, 4.5, 5.1
Chekhov, Anton, Chapter 9.1
Chernyshevsky, Nikolai, Chapter 7.1
Chopin, Frédéric, Chapter 8.1, 8.2, 8.3, 12.1, 12.2
Chopiniana. See Sylphides, Les
choreodrama, Chapter 6.1, 6.2
Christiansen, Lew, Chapter 11.1
Christina, queen of Sweden, Chapter 1.1
Cicéri, Pierre, Chapter 4.1, 4.2, 4.3
Cimarosa, Domenico, Chapter 6.1
City Center (N.Y.C.), Chapter 11.1, 11.2, 12.1
Civilization (TV series), Chapter 10.1
civil rights movement, Chapter 12.1, 12.2
claque, Chapter 4.1, 4.2, 5.1, 5.2
Clark, Kenneth, Chapter 10.1
Clermont, comte de, Chapter 2.1
Clift, Montgomery, Chapter 12.1
Cocteau, Jean, Chapter 8.1, 10.1, 10.2
Colbert, Jean-Baptiste, Chapter 1.1
Cold War, Chapter itr.1, 8.1, epl.1
&
nbsp; American cultural boom and, Chapter 11.1
American tours and, Chapter 9.1, 9.2, 11.1, 11.2
Soviet tours and, Chapter 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, 9.7, 9.8, 9.9, 10.1, 11.1, 11.2, 12.1
Collier, Jeremy, Chapter 2.1
Collins, Janet, Chapter 11.1
Comden, Betty, Chapter 12.1
comédie-ballet, Chapter 1.1, 1.2
Comédie Française, Chapter 2.1, 7.1
Comédie Italienne, Chapter 2.1, 2.2, 2.3, 3.1
Comerio, Luca, Chapter 6.1
comic dancer, Chapter 1.1, 1.2, 3.1
comic opera, Chapter 2.1, 2.2, 3.1, 3.2, 3.3, 7.1
commedia dell’arte, Chapter 1.1, 1.2, 2.1, 2.2, 2.3, 2.4, 2.5, 6.1, 8.1, 12.1
Confrérie de Saint-Julien des Ménestriers, Chapter 1.1
Connolly, Cyril, Chapter 10.1
Constant, Benjamin, Chapter 4.1
constructivism, Chapter 8.1, 8.2, 8.3
contrapposto, Chapter 1.1
Copenhagen, Chapter 5.1, 5.2, 5.3, 5.4, 5.5, 5.6
Bournonville Festivals, Chapter 10.1
“Little Mermaid” statue, Chapter 5.1
new opera house, Chapter epl.1
Copland, Aaron, Chapter 12.1
Billy the Kid, Chapter 9.1, 11.1, 12.1
Fanfare, Chapter 11.1
Coppini, Achille, Chapter 6.1
Coralli, Jean, Giselle, Chapter 4.1
Corella, Angel, Chapter epl.1
Corneille, Pierre, Chapter 1.1, 1.2
Les Horaces, Chapter 2.1, 2.2, 2.3, 2.4
corps de ballet
Berlin ballet spectacle and, Chapter 5.1
first modern, Chapter 3.1
Fokine choreography and, Chapter 8.1
Paris Opera and, Chapter 4.1
Serenade and, Chapter 12.1
Swan Lake lakeside scene and, Chapter 7.1
costume balls, Chapter 4.1
costumes, Chapter 2.1, 2.2, 3.1, 3.2, 6.1
Balanchine works and, Chapter 9.1, 12.1, 12.2, 12.3, 12.4, 12.5, 12.6, 12.7
Ballets Russes and, Chapter 8.1, 8.2, 8.3, 8.4, 8.5, 8.6, 8.7, 8.8
Boquet designs and, Chapter 2.1
French court and, Chapter 1.1, 1.2, 1.3, 2.1
Neapolitan Catholic code for, Chapter 5.1
reform realism and, Chapter 2.1, 2.2
shortened ballerina skirt and, Chapter 2.1
Taglioni’s Sylphide and, Chapter 4.1
Coulon, Jean-François, Chapter 3.1, 4.1, 4.2
Couperin, François, Chapter 12.1
courante, Chapter 1.1, 1.2
Courbet, Gustave, Chapter 4.1
court dance. See ballet de cour
Covent Garden, Chapter 9.1, 10.1, 10.2, epl.1
Sadler’s Wells opening at, Chapter 10.1
Cranko, John, Chapter 10.1, 10.2, 10.3, 10.4
Eugene Onegin, Chapter 10.1
Romeo and Juliet, Chapter 10.1
Crawford, Cheryl, Chapter 12.1
Crimean War, Chapter 7.1
Cripps, Sir Stafford, Chapter 10.1
Croce, Arlene, Chapter epl.1
Cromwell, Oliver, Chapter 2.1
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