Croy, duc de, Chapter 3.1
Cuban missile crisis (1962), Chapter 9.1, 9.2
Cubism, Chapter 8.1, 8.2
Cullberg, Birgit, Chapter 12.1
Cunningham, Merce, Chapter itr.1, 9.1, 11.1
Custine, Alphonse de, Chapter 7.1
Daganova, Ella, Chapter 12.1
Dagmar, princess of Denmark, Chapter 5.1
Daguerre, Louis, Chapter 4.1
Dalcroze, Émile Jacques, Chapter 8.1, 12.1
Dalgorouki, Princess, Chapter 3.1
d’Amboise, Jacques, Chapter 12.1, 12.2, 12.3, 12.4
Dance in America (TV series), Chapter 11.1
Dances at a Gathering, Chapter 12.1, 12.2, 12.3, 12.4, 12.5, 12.6, 12.7, 12.8
dandies, Chapter 3.1, 8.1
Danilova, Alexandra, Chapter itr.1, itr.2, 10.1
Danish ballet, Chapter 2.1, 5.1, 12.1. See also Bournonville, August
danseur noble. See noble style
Dante, Chapter 6.1, 7.1
Dantzig, Rudi van, Monument for a Dead Boy, Chapter 10.1
Dash, Comtesse, Chapter 4.1
Dauberval, Jean, Chapter 2.1, 6.1
David, Jacques-Louis, Chapter 3.1
David H. Koch Theater, Chapter epl.1
Debussy, Claude, Chapter 8.1, 8.2, 8.3, 8.4, 12.1
Decembrists, Chapter 7.1, 7.2
Degas, Edgar, Chapter 4.1, 8.1
The Dance Class, Chapter 4.1
Delibes, Léo, Chapter 7.1, 8.1
Deller, Florian Johann, Chapter 2.1
demi-character dancers, Chapter 1.1, 1.2, 3.1, 3.2, 9.1
de Mille, Agnes, Chapter 11.1, 11.2, 11.3, 12.1
Rodeo, Chapter 9.1
Derain, André, Chapter 8.1, 8.2, 8.3
Dervieux, Anne-Victoire, Chapter 2.1, 3.1
Descartes, René, Chapter 1.1, 1.2, 12.1
Deschamps, Mademoiselle, Chapter 2.1, 2.2, 2.3
Desmares, Eugène, Chapter 4.1
Desmarets, Jean, Chapter 1.1
Despréaux, Jena-Étienne, Chapter 3.1, 3.2
notation diagrams, Chapter 3.1, 3.2
Deutsche Oper, Chapter 10.1, 10.2
de Valois, Ninette, Chapter 8.1, 10.1, 10.2, 10.3, 10.4, 10.5, 10.6, 11.1, 12.1, 12.2
background and training of, Chapter 10.1
ballet school of, Chapter 10.1
death of, Chapter 10.1, epl.1
retirement of, Chapter 10.1
Second World War and, Chapter 10.1
The Sleeping Princess, Chapter 10.1
style of, Chapter 10.1
Diaghilev, Sergei, Chapter 6.1, 8.1, 8.2, 10.1, 11.1, 11.2, 12.1, 12.2
Bolshevik takeover and, Chapter 8.1, 8.2
composers and, Chapter 8.1, 8.2, 12.1, 12.2, 12.3. See also Stravinsky, Igor
death of, Chapter 8.1, 10.1
influence on Western ballet of, Chapter 8.1, 8.2, 10.1, 10.2, 11.1, epl.1
male lovers of, Chapter 8.1, 8.2
Russian artists and, Chapter 9.1
Russian roots of, Chapter 8.1, 8.2, 8.3
turn to Western artists by, Chapter 8.1
See also Ballets Russes
Didelot, Charles-Louis, Chapter 7.1, 7.2, 7.3, 7.4
The Fire-Bird, Chapter 7.1
The Prisoner of the Caucasus, Chapter 7.1, 7.2
Psyché et l’Amour, Chapter 7.1
Diderot, Denis, Chapter 2.1, 2.2, 2.3
Encyclopédie, Chapter 1.1, 2.1, 2.2, 2.3
Le Neveu de Rameau, Chapter 2.1
Directory (France), Chapter 3.1
as Nutcracker setting, Chapter 7.1
Donizetti, Gaetano, Chapter 4.1, 6.1, 6.2
Dorat, Jean, Chapter 1.1
Doré, Gustave, Chapter 7.1
Dostoyevsky, Fyodor, Chapter 7.1, 8.1, 8.2
Doubrovska, Felia, Chapter itr.1, itr.2, itr.3, 12.1
Dowell, Anthony, Chapter 10.1
dram-balet, Chapter 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, 9.7, 10.1
Grigorovich challenge to, Chapter 9.1, 9.2
“thaw” generation and, Chapter 9.1
Vaganova technique and, Chapter 9.1
Dresden, Chapter 2.1
Drigo, Riccardo, Chapter 7.1, 7.2, 8.1, 12.1
Drury Lane Theater, Chapter 2.1, 2.2, 2.3
Duchamp, Marcel, Chapter 12.1
Dudin, Hélène, Chapter itr.1
Dudinskaya, Natalya, Chapter 9.1
Dukes, Ashley, Chapter 10.1, 12.1
Dumas, Alexandre (fils), Chapter 10.1
Dumas, Alexandre (père), Chapter 4.1
Duncan, Irma, Chapter 12.1
Duncan, Isadora, Chapter 8.1, 8.2, 8.3, 8.4, 9.1, 10.1, 10.2, 10.3, 10.4, 11.1, 12.1
MacMillan ballet on, Chapter 10.1
Dunham, Katherine, Chapter 11.1
Duport, Louis, Chapter 5.1, 5.2, 7.1
Dupré, Louis, Chapter 2.1, 3.1, 3.2
Durazzo, Giacomo, Chapter 2.1, 2.2
Ebreo, Guglielmo, Chapter 1.1
Ed Sullivan Show, Chapter 11.1, 11.2, 12.1
Edwards, Misia, Chapter 8.1. See also Misia Sert
Egorova, Lubov, Chapter 10.1
Eisenhower, Dwight D., Chapter 11.1, 11.2, 11.3
Eisenstein, Sergei, Chapter 8.1, 8.2, 9.1, 9.2
electric stage lights, Chapter 6.1, 6.2
Elgar, Edward, Chapter 10.1
Enigma Variations, Chapter 10.1
Elias, Brian, Chapter 10.1
Eliot, T. S., Chapter 10.1, 11.1
Elmhirst, Leonard and Dorothy, Chapter 12.1
Elssler, Fanny, Chapter 4.1, 4.2, 4.3, 5.1, 6.1, 7.1
émigrés. See Russian émigrés
Engel, Johann Jacob, Chapter 2.1
English ballet. See British ballet
English Civil War, Chapter 2.1, 2.2
Enlightenment. See French Enlightenment
Era, Antonietta dell’, Chapter 7.1
etiquette, court, Chapter itr.1, 1.1, 1.2
costume symbols of, Chapter 2.1
dance linked with, Chapter 1.1, 1.2, 1.3, 1.4, 2.1, 2.2, 12.1, epl.1
English politeness vs., Chapter 2.1, 2.2
Enlightenment disdain for, Chapter 2.1
Italian states and, Chapter 6.1, 6.2
makeup and, Chapter 1.1
Napoleon’s observance of, Chapter 3.1
new styles and, Chapter 3.1
Noverre defense of, Chapter 2.1
Paris Opera and, Chapter 2.1, 3.1
relaxed rules of, Chapter 1.1
Russia and, Chapter 7.1, 12.1
Eurythmics, Chapter 8.1, 10.1, 10.2
Excelsior, Chapter 6.1, 10.1
documentation of, Chapter 6.1, 6.2, 6.3
Kiralfy brothers and, Chapter 11.1
performers of, Chapter 6.1, 6.2, 7.1, 7.2, 7.3
revivals of, Chapter 10.1
updated effects for, Chapter 6.1, 6.2
expressionism, Chapter itr.1, 10.1, 10.2, 10.3, 11.1, 11.2
Fabergé, Chapter 7.1
Fadeyechev, Nikolai, Chapter 9.1
fairy tales, Chapter 1.1, 7.1, 7.2, 7.3, 9.1. See also ballet-féerie
Farrell, Suzanne, Chapter 12.1, 12.2, 12.3, 12.4, 12.5, 12.6, 12.7, 12.8
fascism, Chapter 6.1, 10.1, 10.2, 10.3, 10.4
Fauré, Gabriel, Chapter 10.1, 12.1
Favart, Charles-Simon, Chapter 2.1
Favart, Madame (actress), Chapter 2.1
Fedorovitch, Sophie, Chapter 10.1, 10.2
fencing, Chapter 1.1, 1.2, 1.3, 7.1
Fénelon, François, Chapter 3.1
Ferraris, Amalia, Chapter 7.1
Ferri, Alessandra, Chapter 10.1
Festival of Britain, Chapter 10.1
Fêtes Chinoises, Chapter 2.1
Fêtes de l’Amour et de Bacchus, Chapter 1.1
Feuillet, Raoul Auger, Chapter 1.1, 1.2, 7.1
Feuillet notation, Chapter 1.1, 1.2, 1.3, epl.1
obsolescence of, Chapter 3.1
Weaver translation of, Chapter 2.1
Filipov, Alexa
nder, Chapter 9.1
Fiorillo, Tiberio, Chapter 2.1
Firebird, The (Fokine), Chapter 8.1, 8.2, 8.3, 8.4
Balanchine version, Chapter 12.1
Béjart version, Chapter 10.1
Fire-Bird, The (Didelot), Chapter 7.1
First World War, Chapter 8.1, 8.2, 8.3, 8.4, 10.1, 10.2, 10.3, 12.1, 12.2, 12.3
Flaubert, Gustave, Chapter 4.1
Fogliazzi, Maria Teresa, Chapter 2.1
Fokine, Mikhail, Chapter 7.1, 8.1, 8.2, 8.3, 9.1, 9.2, 9.3, 10.1, 12.1
artistic background of, Chapter 8.1
Ballets Russes and, Chapter 8.1, 8.2, 8.3, 8.4, 8.5, 10.1
Ballet Theatre and, Chapter 11.1, 12.1
critique of Excelsior by, Chapter 6.1
critique of Faune by, Chapter 8.1
emigration to America of, Chapter 8.1, 8.2
new approach of, Chapter 8.1, 8.2, 9.1
as Robbins influence, Chapter 12.1, 12.2
works: Cléopatre, Chapter 8.1
The Dying Swan, Chapter 8.1, 9.1, 12.1
Firebird, Chapter 8.1, 8.2, 8.3, 8.4, 12.1
Giselle, Chapter 8.1
Petrouchka, Chapter 8.1, 9.1, 12.1
The Polovtsian Dances, Chapter 8.1
Schéhérazade, Chapter 8.1
Le Spectre de la Rose, Chapter 8.1
Les Sylphides, Chapter itr.1, 8.1, 9.1
Folies Bergère, Chapter 4.1
Fonteyn, Margot, Chapter 9.1, 10.1, 10.2, 10.3, 10.4, 10.5, 10.6, 10.7, 11.1
background and training of, Chapter 10.1
celebrity of, Chapter 4.1, 10.1, 10.2, 10.3, 10.4, 10.5
Cinderella role of, Chapter 10.1
death of, Chapter 10.1
farewell performance by, Chapter 10.1
on Les Rendezvous, Chapter 10.1
Nureyev dance partnership with, Chapter 10.1, 10.2, 12.1
Ondine “shadow dance” of, Chapter 10.1
style and technique of, Chapter 10.1
Ford Foundation, Chapter 11.1
Foregger, Nikolai, Chapter 8.1
Fornaroli, Cia, Chapter 10.1
Forsythe, William, Chapter 10.1
Fosse, Bob, Chapter 12.1
Fouché, Joseph, Chapter 3.1
Foucquet, Nicolas, Chapter 1.1
Fountain of Bakhchisarai, The, Chapter 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, 9.7, 9.8
Fouqué, Friedrich de la Motte, Chapter 10.1
Fracci, Carla, Chapter 10.1
Fragonard, Jean-Honoré, Chapter 3.1
Franck, César, Chapter 10.1
Franco-Prussian War, Chapter 5.1, 6.1, 8.1
Frederick II (the Great), king of Prussia, Chapter 2.1
Frederik VI, king of Denmark, Chapter 5.1, 5.2, 5.3, 5.4
Frederik VIII, king of Denmark, Chapter 5.1
free-dance, Chapter 8.1, 8.2, 8.3, 9.1, 10.1, 11.1
Free Music School, Chapter 7.1
French Academy. See Académie Française
French ballet, Chapter itr.1, 1.1, 2.1
aristocracy and, Chapter 1.1, 1.2, 1.3, 2.1, 2.2, 2.3, 3.1
as Blasis influence, Chapter 6.1
as Bournonville influence, Chapter 5.1, 5.2, 5.3, 5.4, 10.1
end of innovative period of, Chapter 1.1, 5.1, 5.2, 5.3
end of royal authority and, Chapter 3.1
Enlightenment reform and (see French Enlightenment)
hierarchies and, Chapter 1.1, 1.2
Italy and, Chapter 6.1, 6.2
Lully’s changes in, Chapter 1.1
Napoleonic influence on, Chapter 3.1
nonrecorded repertory of, Chapter itr.1
popular fare replacing, Chapter 4.1
Revolution’s changes in, Chapter 3.1, 3.2, 3.3, 3.4, 3.5, epl.1
Russian ballet and, Chapter 5.1, 7.1, 7.2, 7.3, 7.4, 10.1
three genres of, Chapter 1.1, 3.1, 3.2
twentieth-century status of, Chapter 10.1, 10.2
Vestris method and, Chapter 3.1, 3.2
See also Paris Opera; Romantic ballet
French Enlightenment, Chapter 2.1, 2.2, 2.3, 2.4, 5.1
ballet’s legacy from, Chapter 2.1
Noverre and, Chapter 2.1, 2.2, 2.3
pantomime and, Chapter 2.1
reaction against, Chapter 4.1, 4.2, 12.1
Tudor as heir to, Chapter 12.1
French opera, Chapter 1.1, 1.2
ballet placement within, Chapter 1.1, 2.1, 2.2, 2.3, 2.4, 4.1, 6.1
Gluck and, Chapter 2.1, 2.2
Meyerbeer and, Chapter 4.1, 4.2
Moderns’ defense of, Chapter 1.1, 1.2, 1.3
See also comic opera
French Revolution, Chapter 2.1, 2.2, 3.1, 3.2, 3.3, 3.4, 3.5, 4.1, 4.2, 4.3, 4.4, 5.1, 5.2, 5.3, 6.1, 7.1, 8.1, epl.1
Freud, Sigmund, Chapter 8.1, 12.1, 12.2
Fr⊘lich, Johannes Frederik, Chapter 5.1
Fuller, Loïe, Chapter 12.1
Fuseli, Henry, Chapter 6.1
Gabin, Jean, Chapter 10.1
Gade, Niels, Chapter 5.1, 5.2
Gallini, Giovanni Andrea, Chapter 2.1
gambling, Chapter 2.1, 6.1, 6.2
García Lorca, Federico, Chapter 10.1
Gardel, Maximilien, Chapter 2.1, 3.1, 3.2, 3.3, 3.4, 3.5, 3.6, 3.7, epl.1
Ninette à la coeur, Chapter 3.1
La rosière, Chapter 3.1, 3.2
Gardel, Pierre, Chapter 3.1, 3.2, 3.3, 3.4, 3.5, 5.1, 6.1, 6.2, 7.1
Alfred le Grand, Chapter 3.1
La Dansomanie, Chapter 3.1, 4.1
L’Offrande à la Liberté, Chapter 3.1, 3.2
Psyché, Chapter 3.1, 3.2, 3.3
La Rosière républicaine (1794), Chapter 3.1
Télémaque dans l’Iˇle de Calipso, Chapter 3.1, 3.2, 3.3, 3.4
Garibaldi, Giuseppe, Chapter 6.1, 6.2
Garrick, David, Chapter 2.1, 2.2, 2.3, 2.4, 2.5, 6.1
gas lights, Chapter 4.1, 4.2, 5.1
Gauguin, Paul, Chapter 8.1, 8.2, 8.3, 8.4, 11.1
Gautier, Théophile, Chapter 4.1, 4.2, 4.3, 4.4, 4.5, 4.6, 6.1, 8.1, 8.2
love for Grisi of, Chapter 4.1, 7.1
on Russian court ball, Chapter 7.1, 7.2, 7.3
works: Giselle, Chapter 4.1, 4.2
La Péri, Chapter 4.1, 4.2
Le roman de la Momie, Chapter 7.1
Gay, John, Chapter 2.1
Gayevski, Vadim, Chapter 9.1
Gerdt, Pavel, Chapter 7.1
German ballet, Chapter 6.1, 10.1
German expressionism, Chapter 10.1, 10.2, 11.1
German modern dance, Chapter 10.1, 12.1, 12.2, 12.3
German opera, Chapter 6.1, 6.2, 6.3
German Romanticism, Chapter 4.1, 5.1
Gershwin, George and Ira, Chapter 11.1
Gesamtkunstwerk, Chapter 8.1
gestures, Chapter 6.1, 6.2, 9.1
dram-ballet and, Chapter 9.1, 9.2
Neapolitan, Chapter 6.1
Viganò dance based on, Chapter 6.1, 6.2
Geva (Gevergeyeva), Tamara, Chapter 8.1
Gide, André, Chapter 8.1
Giselle, Chapter 3.1, 4.1, 4.2, 4.3, 9.1, 10.1, 11.1
balletic significance of, Chapter 4.1
Ballets Russes/Petipa version, Chapter 4.1
Danish transposition of, Chapter 5.1
Fokine version, Chapter 8.1
Fonteyn-Nureyev dance partnership and, Chapter 10.1
Gorsky version, Chapter 9.1
Italian version, Chapter 6.1
Petipa version, Chapter 4.1, 7.1, 10.1
Robbins Cage and, Chapter 12.1
Romanticism and, Chapter 3.1, 4.1, 4.2
Russian production, Chapter itr.1, 4.1, 7.1, 7.2, 9.1, 9.2
as story ballet, Chapter 2.1
story of, Chapter 4.1
Vic-Wells production, Chapter 10.1, 10.2
Glass, Philip, Chapter 12.1
Glazunov, Alexander, Chapter 7.1, 8.1, 8.2
Raymonda, Chapter 7.1
Glière, Reinhold, Chapter 9.1
Glinka, Mi
khail, Chapter 8.1, 12.1
Gluck, Christoph Willibald, Chapter 2.1, 2.2, 2.3, 2.4, 6.1, 12.1
Alceste, Chapter 2.1
Le festin de pierre, ou Don Juan, Chapter 2.1
Les Horaces et les Curiaces, Chapter 2.1, 2.2, 2.3
Orfeo ed Euridice, Chapter 2.1, 4.1, 12.1
Semiramis, Chapter 2.1
Gluck-Sandor, Senia, Chapter 12.1, 12.2, 12.3
Goebbels, Joseph, Chapter 10.1
Goethe, Johann Wolfgang von, Chapter 4.1, 4.2, 4.3
Gogol, Nikolai, Chapter 7.1
Goleizovsky, Kasyan, Chapter 8.1, 8.2, 8.3, 9.1
Golovin, Alexander, Chapter 8.1, 8.2, 8.3
Golts, Nikolai, Chapter 7.1, 7.2
Goncharov, George, Chapter 10.1
Goncharova, Natalya, Chapter 8.1, 8.2, 8.3
Goncourt brothers, Chapter 4.1
Gorsky, Alexander, Chapter 7.1, 9.1, 9.2, 9.3, 11.1
Giselle, Chapter 9.1
Gossec, François-Joseph, Chapter 3.1, 3.2
Gounod, Charles, Chapter 8.1
Goussier, Jean-Louis, Chapter 1.1
Graham, Martha, Chapter itr.1, 9.1, 10.1, 11.1, 11.2, 11.3
Grahn, Lucile, Chapter 5.1, 5.2
Grand Tour, Chapter 2.1, 6.1
Grant, Duncan, Chapter 10.1
Graves, Robert, Chapter 12.1
Gray, Terence, Chapter 10.1
Great Chain of Being, Chapter 1.1, 1.2, 12.1
Green, Adolph, Chapter 12.1
Greffuhle, Comtesse, Chapter 8.1
Grétry, André-Ernest-Modest, Chapter 3.1
Griboyedov, Alexander, Chapter 7.1, 7.2, 7.3
Woe from Wit, Chapter 7.1, 12.1
Grigorovich, Yuri, Chapter 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, epl.1
Ivan the Terrible, Chapter 9.1
The Legend of Love, Chapter 9.1
Spartacus, Chapter 9.1, 9.2, 9.3, 9.4
The Stone Flower, Chapter 9.1, 9.2, 9.3, 9.4
Swan Lake, Chapter 9.1
Grimm, Baron von, Chapter 2.1, 2.2, 3.1
Grisi, Carlotta, Chapter 4.1, 4.2, 4.3, 5.1
advanced technique of, Chapter 5.1
St. Petersburg Giselle and, Chapter 7.1, 7.2
Grisi, Ernesta, Chapter 4.1
grotteschi, Chapter 2.1, 2.2, 4.1, 4.2, 6.1, 6.2, 6.3, 6.4, 6.5, 6.6
Grundtvig, N. F. S., Chapter 5.1, 5.2
Guimard, Madeleine, Chapter 2.1, 3.1, 3.2, 3.3, 3.4
Guitry, Sacha, Chapter 10.1
Gurdjieff, G. I., Chapter 11.1
Gustav III, King of Sweden, Chapter 2.1, 4.1, 5.1
Hamburg State Opera, Chapter 10.1
Hamilton, Emma, Chapter 6.1
Hamilton, Sir William, Chapter 6.1
Handel, George Frideric, Chapter 2.1
Harlequin, Chapter 2.1, 2.2
Harnick, Sheldon, Chapter 12.1
Hartmann, J. P. E., Chapter 5.1
Hayden, Melissa, Chapter 4.1, 9.1, 12.1, 12.2, 12.3
Haydn, Franz Joseph, Chapter 6.1, 11.1
Hébert, Jacques, Chapter 3.1
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