Black Gods and Scarlet Dreams

by C. L. Moore

  Black Gods and Scarlet Dreams

  C. L. Moore

  Fantasy Masterworks Volume 31

  Contents

  The Northwest Smith stories:

  Black Thirst

  Dust of the Gods

  Julhi

  Lost Paradise

  Shambleau

  The Cold Gray God

  The Tree of Life

  Yvala

  Scarlet Dream

  Song in a Minor Key

  Jerel of Joiry Stories:

  Black God's Kiss

  Black God's Shadow

  Jirel Meets Magic

  The Dark Land

  Hellsgarde

  About the Author

  eGod

  Black Thirst

  Published in Weird Tales, Vol. 23, No. 4 (April 1934).

  Northwest Smith leant his head back against the warehouse wall and stared up into the black night-sky of Venus. The waterfront was very quiet tonight, very dangerous. He could hear no sound save the eternal, slap-slap of water against the piles, but he knew how much of danger and sudden death dwelt here voiceless in the breathing dark, and he may have been a little homesick as he stared up into the clouds that masked a green star hanging lovely on the horizon — Earth and home. And if he thought of that he must have grinned wryly to himself in the dark, for Northwest Smith had no home, and Earth would not have welcomed him very kindly just then.

  He sat quietly in the dark. Above him in the warehouse wall a faintly lighted window threw a square of pallor upon the wet street. Smith drew back into his angle of darkness under the slanting shaft, hugging one knee. And presently he heard footsteps softly on the street.

  He may have been expecting footsteps, for he turned his head alertly and listened, but it was not a man's feet that came so lightly over the wooden quay, and Smith's brow furrowed. A woman, here, on this black waterfront by night? Not even the lowest class of Venusian street-walker dared come along the waterfronts of Ednes on the nights when the space-liners were not in. Yet across the pavement came clearly now the light tapping of a woman's feet.

  Smith drew farther back into the shadows and waited. And presently she came, a darkness in the dark save for the triangular patch of pallor that was her face. As she passed under the light falling dimly from the window overhead he understood suddenly how she dared walk here and who she was. A long black cloak hid her, but the light fell upon her face, heart-shaped under the little three-cornered velvet cap that Venusian women wear, fell on ripples of half-hidden bronze hair; and by that sweet triangular face and shining hair he knew her for one of the Minga maids — those beauties that from the beginning of history have been bred in the Minga stronghold for loveliness and grace, as racehorses are bred on Earth, and reared from earliest infancy in the art of charming men. Scarcely a court on the three planets lacks at least one of these exquisite creatures, long-limbed, milk-white, with their bronze hair and lovely brazen faces — if the lord of that court has the wealth to buy them. Kings from many nations and races have poured their riches into the Minga gateway, and girls like pure gold and ivory have gone forth to grace a thousand palaces, and this has been so since Ednes first rose on the shore of the Greater Sea.

  This girl walked here unafraid and unharmed because she wore the beauty that marked her for what she was. The heavy hand of the Minga stretched out protectingly over her bronze head, and not a man along the wharf-fronts but knew what dreadful penalties would overtake him if he dared so much as to lay a finger on the milk-whiteness of a Minga maid — terrible penalties, such as men whisper of fearfully over segir-whisky mugs in the waterfront dives of many nations — mysterious, unnamable penalties more dreadful than any knife or gun-flash could inflict.

  And these dangers, too, guarded the gates of the Minga castle. The chastity of the Minga girls was proverbial, a trade boast. This girl walked in peace and safety more sure than that attending the steps of a nun through slum streets by night on Earth.

  But even so, the girls went forth very rarely from the gates of the castle, never unattended.

  Smith had never seen one before, save at a distance. He shifted a little now, to catch a better glimpse as she went by, to look for the escort that must surely walk a pace or two behind, though he heard no footsteps save her own. The slight motion caught her eye. She stopped.

  She peered closer into the dark, and said in a voice as sweet and smooth as cream,

  “How would you like to earn a goldpiece, my man?”

  A flash of perversity twisted Smith's reply out of its usual slovenly dialect, and he said in his most cultured voice, in his most perfect High Venusian,

  “Thank you, no.”

  For a moment the woman stood quite still, peering through the darkness in a vain effort to reach his face. He could see her own, a pale oval in the window light, intent, surprised. Then she flung back her cloak and the dim light glinted on the case of a pocket flash as she flicked the catch. A beam of white radiance fell blindingly upon his face.

  For an instant the light held him — lounging against the wall in his spaceman's leather, the burns upon it, the tatters, ray-gun in its holster low on his thigh, and the brown scarred face turned to hers, eyes the colorless color of pale steel narrowed to the glare. It was a typical face. It belonged here, on the waterfront, in these dark and dangerous streets. It belonged to the type that frequents such places, those lawless men who ride the spaceways and live by the rule of the ray-gun, recklessly, warily outside the Patrol's jurisdiction. But there was more than that in the scarred brown face turned to the light. She must have seen it as she held the flash unwavering, some deep-buried trace of breeding and birth that made the cultured accents of the High Venusian not incongruous. And the colorless eyes derided her.

  “No,” she said, flicking off the light. “Not one gold-piece, but a hundred. And for another task that I meant.”

  “Thank you,” said Smith, not rising. “You must excuse me.”

  “Five hundred,” she said without a flicker of emotion in her creamy voice.

  In the dark Smith's brows knit. There was something fantastic in the situation. Why—?

  She must have sensed his reaction almost as he realized it himself, for she said,

  “Yes, I know. It sounds insane. You see — I knew you in the light just now. Will you? — can you? — I can't explain here on the street. . . .”

  Smith held the silence unbroken for thirty seconds, while a lightning debate flashed through the recesses of his wary mind. Then he grinned to himself in the dark and said,

  “I'll come.” Belatedly he got to his feet. “Where?”

  “The Palace Road on the edge of the Minga. Third door from the central gate, to the left. Say to the door-warden — „Vaudir'.”

  “That is—?”

  “Yes, my name. You will come, in half an hour?”

  An instant longer Smith's mind hovered on the verge of refusal. Then he shrugged.

  “Yes.”

  “At the third bell, then.” She made the little Venusian gesture of parting and wrapped her cloak about her. The blackness of it, and the softness of her footfalls, made her seem to melt into the darkness without a sound, but Smith's trained ears heard her footsteps very softly on the pavement as she went on into the dark.

  He sat there until he could no longer detect any faintest sound of feet on the wharf. He waited patiently, but his mind was a little dizzy with surprise. Was the traditional inviolability of the Minga a fraud? Were the close-guarded girls actually allowed sometimes to walk unattended by night, making assignations as they pleased? Or was it some elaborate hoax? Tradition for countless centuries had declared the gates in the Minga wall to be guarded so relentlessly by strange
dangers that not even a mouse could slip through without the knowledge of the Alendar, the Minga's lord. Was it then by order of the Alendar that the door would open to him when he whispered “Vaudir” to the warden? Or would it open? Was the girl perhaps the property of some Ednes lord, deceiving him for obscure purposes of her own? He shook his head a little and grinned to himself. After all, time would tell.

  He waited a while longer in the dark. Little waves lapped the piles with sucking sounds, and once the sky lit up with the long, blinding roar of a space-ship splitting the dark.

  At last he rose and stretched his long body as if he had been sitting there for a good while.

  Then he settled the gun on his leg and set off down the black street. He walked very lightly in his spaceman's boots.

  A twenty-minute walk through dark byways, still and deserted, brought him to the outskirts of that vast city-within-a-city called the Minga. The dark, rough walls of it towered over him, green with the lichen-like growths of the Hot Planet. On the Palace Road one deeply-sunk central gateway opened upon the mysteries within. A tiny blue light burned over the arch.

  Smith went softly through the dimness to the left of it, counting two tiny doors half hidden in deep recesses. At the third he paused. It was painted a rusty green, and a green vine spilling down the wall half veiled it, so that if he had not been searching he would have passed it by.

  Smith stood for a long minute, motionless, staring at the green panels deep-sunk in rock. He listened. He even sniffed the heavy air. Warily as a wild beast he hesitated in the dark. But at last he lifted his hand and tapped very lightly with his fingertips on the green door.

  It swung open without a sound. Pitch-blackness confronted him, an archway of blank dark in the dimly seen stone wall. And a voice queried softly, “Qu’a to’ vat? ”

  “Vaudir,” murmured Smith, and grinned to himself involuntarily. How many romantic youths must have stood at these doors in nights gone by, breathing hopefully the names of bronze beauties to doormen in dark archways! But unless tradition lied, no man before had ever passed. He must be the first in many years to stand here invited at a little doorway in the Minga wall and hear the watchman murmur “Come.”

  Smith loosened the gun at his side and bent his tall head under the arch. He stepped into blackness that closed about him like water as the door swung shut. He stood there with quickened heartbeats, hand on his gun, listening. A blue light, dim and ghostly, flooded the place without warning and he saw that the doorman had crossed to a switch at the far side of the tiny chamber wherein he stood. The man was one of the Minga eunuchs, a flabby creature, splendid in crimson velvet. He carried a cloak of purple over his arm, and made a splash of royal colors in the dimness. His side-long eyes regarded Smith from under lifted brows, with a look that the Earthman could not fathom. There was amusement in it, and a touch of terror and a certain reluctant admiration.

  Smith looked about him in frank curiosity. The little entry was apparently hollowed out of the enormously thick wall itself. The only thing that broke its bareness was the ornate bronze door set in the far wall. His eyes sought the eunuch's in mute inquiry.

  The creature came forward obsequiously, murmuring, “Permit me—” and flung the purple cloak he carried over Smith's shoulders. Its luxurious folds, faintly fragrant, swept about him like a caress. It covered him, tall as he was, to the very boot-soles. He drew back in faint distaste as the eunuch lifted his hands to fasten the jeweled clasp at his throat. “Please to draw up the hood also,” murmured the creature without apparent resentment, as Smith snapped the fastening himself. The hood covered his sun-bleached hair and fell in thick folds about his face, casting it into deep shadow.

  The eunuch opened the bronze inner door and Smith stared down a long hallway curving almost imperceptibly to the right. The paradox of elaborately decorated simplicity was illustrated in every broad polished panel of the wall, so intricately and exquisitely carved that it gave at first the impression of a strange, rich plainness.

  His booted feet sank sensuously into the deep pile of the carpet at every step as he followed the eunuch down the hall. Twice he heard voices murmuring behind lighted doors, and his hand lay on the butt of the ray-gun under the folds of his robe, but no door opened and the hall lay empty and dim before them. So far it had been amazingly easy. Either tradition lied about the impregnability of the Minga, or the girl Vaudir had bribed with incredible lavishness or — that thought again, uneasily — it was with the Alendar's consent that he walked here unchallenged. But why?

  They came to a door of silver grille at the end of the curved corridor, and passed through it into another hallway slanting up, as exquisitely voluptuous as the first. A flight of stairs wrought from dully gleaming bronze curved at the end of it. Then came another hall lighted with rosy lanterns that swung from the arched ceiling, and beyond another stairway, this time of silvery metal fretwork, spiraling down again.

  And in all that distance they met no living creature. Voices hummed behind closed doors, and once or twice strains of music drifted faintly to Smith's ears, but either the corridors had been cleared by a special order, or incredible luck was attending them. And he had the uncomfortable sensation of eyes upon his back more than once. They passed dark hallways and open, unlighted doors, and sometimes the hair on his neck bristled with the feeling of human nearness, inimical, watching.

  For all of twenty minutes they walked through curved corridors and up and down spiral stairs until even Smith's keen senses were confused and he could not have said at what height above the ground he was, or in what direction the corridor led into which they at last emerged. At the end of that time his nerves were tense as steel wire and he restrained himself only by force from nervous, over-the-shoulder glances each time they passed an open door.

  An air of languorous menace brooded almost visibly over the place, he thought. The sound of soft voices behind doors, the feel of eyes, of whispers in the air, the memory of tales half heard in waterfront dives about the secrets of the Minga, the nameless dangers of the Minga. . . .

  Smith gripped his gun as he walked through the splendor and the dimness, every sense assailed by voluptuous appeals, but his nerves strained to wire and his flesh crawled as he passed unlighted doors. This was too easy. For so many centuries the tradition of the Minga had been upheld, a byword of impregnability, a stronghold guarded by more than swords, by greater dangers than the ray-gun — and yet here he walked, unquestioned, into the deepest heart of the place, his only disguise a velvet cloak, his only weapon a holstered gun, and no one challenged him, no guards, no slaves, not even a passer-by to note that a man taller than any dweller here should stride unquestioned through the innermost corridors of the inviolable Minga. He loosened the ray-gun in its sheath.

  The eunuch in his scarlet velvet went on confidently ahead. Only once did he falter. They had reached a dark passageway, and just as they came opposite its mouth the sound of a soft, slithering scrape, as of something over stones, draggingly, reached their ears. He saw the eunuch start and half glance back, and then hurry on at a quicker pace, nor did he slacken until they had put two gates and a length of lighted corridor between them and that dark passage.

  So they went on, through halls half lighted, through scented air and empty dimness where the doorways closed upon murmurous mysteries within or opened to dark and the feel of watching eyes. And they came at last, after endless, winding progress, into a hallway low-ceiled and paneled in mother-of-pearl, pierced and filigreed with carving, and all the doors were of silver grille. And as the eunuch pushed open the silver gate that led into this corridor the thing happened that his taut nerves had been expecting ever since the start of the fantastic journey. One of the doors opened and a figure stepped out and faced them.

  Under the robe Smith's gun slid soundlessly from its holster. He thought he saw the eunuch's back stiffen a little, and his step falter, but only for an instant. It was a girl who had come out, a slave-girl in a single white ga
rment, and at the first glimpse of the tall, purple-robed figure with hooded face, towering over her, she gave a little gasp and slumped to her knees as if under a blow. It was obeisance, but so shocked and terrified that it might have been a faint.

  She laid her face to the very carpet, and Smith, looking down in amazement on the prostrate figure, saw that she was trembling violently.

  The gun slid back into its sheath and he paused for a moment over her shuddering homage.

  The eunuch twisted round to beckon with soundless violence, and Smith caught a glimpse of his face for the first time since their journey began. It was glistening with sweat, and the sidelong eyes were bright and shifting, like a hunted animal's. Smith was oddly reassured by the sight of the eunuch's obvious panic. There was danger then — danger of discovery, the sort of peril he knew and could fight. It was that creeping sensation of eyes watching, of unseen things slithering down dark passages, that had strained his nerves so painfully. And yet, even so, it had been too easy. . . .

  The eunuch had paused at a silver door half-way down the hall and was murmuring something very softly, his mouth against the grille. A panel of green brocade was stretched across the silver door on the inside, so they could see nothing within the room, but after a moment a voice said, “Good!” in a breathing whisper, and the door quivered a little and swung open six inches. The eunuch genuflected in a swirl of scarlet robes, and Smith caught his eye swiftly, the look of terror not yet faded, but amusement there too, and a certain respect. And then the door opened wider and he stepped inside.

  He stepped into a room green as a sea-cave. The walls were paneled in green brocade, low green couches cireled the room, and, in the center, the blazing bronze beauty of the girl Vaudir. She wore a robe of green velvet cut in the startling Venusian fashion to loop over one shoulder and swathe her body in tight, molten folds, and the skirt of it was slit up one side so that at every other motion the long white leg flashed bare.