The Valley of the Moon
Page 42
"Come on!" he called to Saxon from the street. "Get your things on an' come along. I want to show you something."
He drove down town to a board stable, and took her through to a large, roofed inclosure in the rear. There he led to her a span of sturdy dappled chestnuts, with cream-colored manes and tails.
"Oh, the beauties! the beauties!" Saxon cried, resting her cheek against the velvet muzzle of one, while the other roguishly nuzzled for a share.
"Ain't they, though?" Billy reveled, leading them up and down before her admiring gaze. "Thirteen hundred an' fifty each, an' they don't look the weight, they're that slick put together. I couldn't believe it myself, till I put 'em on the scales. Twenty-seven hundred an' seven pounds, the two of 'em. An' I tried 'em out-that was two days ago. Good dispositions, no faults, an' true-pullers, automobile broke an' all the rest. I'd back 'em to out-pull any team of their weight I ever seen.-Say, how'd they look hooked up to that wagon of ourn?"
Saxon visioned the picture, and shook her head slowly in a reaction of regret.
"Three hundred spot cash buys 'em," Billy went on. "An' that's bed-rock. The owner wants the money so bad he's droolin' for it. Just gotta sell, an' sell quick. An' Saxon, honest to God, that pair'd fetch five hundred at auction down in the city. Both mares, full sisters, five an' six years old, registered Belgian sire, out of a heavy standard-bred mare that I know. Three hundred takes 'em, an' I got the refusal for three days."
Saxon's regret changed to indignation.
"Oh, why did you show them to me? We haven't any three hundred, and you know it. All I've got in the house is six dollars, and you haven't that much."
"Maybe you think that's all I brought you down town for," he replied enigmatically. "Well, it ain't."
He paused, licked his lips, and shifted his weight uneasily from one leg to the other.
"Now you listen till I get all done before you say anything. Ready?"
She nodded.
"Won't open your mouth?"
This time she obediently shook her head.
"Well, it's this way," he began haltingly. "They's a youngster come up from Frisco, Young Sandow they call 'm, an' the Pride of Telegraph Hill. He's the real goods of a heavyweight, an' he was to fight Montana Red Saturday night, only Montana Red, just in a little trainin' bout, snapped his forearm yesterday. The managers has kept it quiet. Now here's the proposition. Lots of tickets sold, an' they'll be a big crowd Saturday night. At the last moment, so as not to disappoint 'em, they'll spring me to take Montana's place. I 'm the dark horse. Nobody knows me-not even Young Sandow. He's come up since my time. I'll be a rube fighter. I can fight as Horse Roberts.
"Now, wait a minute. The winner'll pull down three hundred big round iron dollars. Wait, I 'm tellin' you! It's a lead-pipe cinch. It's like robbin' a corpse. Sandow's got all the heart in the world-regular knock-down-an'-drag-out-an'-hang-on fighter. I've followed 'm in the papers. But he ain't clever. I 'm slow, all right, all right, but I 'm clever, an' I got a hay-maker in each arm. I got Sandow's number an' I know it.
"Now, you got the say-so in this. If you say yes, the nags is ourn. If you say no, then it's all bets off, an' everything all right, an' I'll take to harness-washin' at the stable so as to buy a couple of plugs. Remember, they'll only be plugs, though. But don't look at me while you're makin' up your mind. Keep your lamps on the horses."
It was with painful indecision that she looked at the beautiful animals.
"Their names is Hazel an' Hattie," Billy put in a sly wedge. "If we get 'em we could call it the 'Double H' outfit."
But Saxon forgot the team and could only see Billy's frightfully bruised body the night he fought the Chicago Terror. She was about to speak, when Billy, who had been hanging on her lips, broke in:
"Just hitch 'em up to our wagon in your mind an' look at the outfit. You got to go some to beat it."
"But you're not in training, Billy," she said suddenly and without having intended to say it.
"Huh!" he snorted. "I've been in half trainin' for the last year. My legs is like iron. They'll hold me up as long as I've got a punch left in my arms, and I always have that. Besides, I won't let 'm make a long fight. He's a man-eater, an' man-eaters is my meat. I eat 'm alive. It's the clever boys with the stamina an' endurance that I can't put away. But this young Sandow's my meat. I'll get 'm maybe in the third or fourth round-you know, time 'm in a rush an' hand it to 'm just as easy. It's a lead-pipe cinch, I tell you. Honest to God, Saxon, it's a shame to take the money."
"But I hate to think of you all battered up," she temporized. "If I didn't love you so, it might be different. And then, too, you might get hurt."
Billy laughed in contemptuous pride of youth and brawn.
"You won't know I've been in a fight, except that we'll own Hazel an' Hattie there. An' besides, Saxon, I just gotta stick my fist in somebody's face once in a while. You know I can go for months peaceable an' gentle as a lamb, an' then my knuckles actually begin to itch to land on something. Now, it's a whole lot sensibler to land on Young Sandow an' get three hundred for it, than to land on some hayseed an' get hauled up an' fined before some justice of the peace. Now take another squint at Hazel an' Hattie. They're regular farm furniture, good to breed from when we get to that valley of the moon. An' they're heavy enough to turn right into the plowin', too."
The evening of the fight at quarter past eight, Saxon parted from Billy. At quarter past nine, with hot water, ice, and everything ready in anticipation, she heard the gate click and Billy's step come up the porch. She had agreed to the fight much against her better judgment, and had regretted her consent every minute of the hour she had just waited; so that, as she opened the front door, she was expectant of any sort of a terrible husband-wreck. But the Billy she saw was precisely the Billy she had parted from.
"There was no fights" she cried, in so evident disappointment that he laughed.
"They was all yellin' 'Fake! Fake!' when I left, an' wantin' their money back."
"Well, I've got YOU," she laughed, leading him in, though secretly she sighed farewell to Hazel and Hattie.
"I stopped by the way to get something for you that you've been wantin' some time," Billy said casually. "Shut your eyes an' open your hand; an' when you open your eyes you'll find it grand," he chanted.
Into her hand something was laid that was very heavy and very cold, and when her eyes opened she saw it was a stack of fifteen twenty-dollar gold pieces.
"I told you it was like takin' money from a corpse," he exulted, as he emerged grinning from the whirlwind of punches, whacks, and hugs in which she had enveloped him. "They wasn't no fight at all. D 'ye want to know how long it lasted? Just twenty-seven seconds-less 'n half a minute. An' how many blows struck? One. An' it was me that done it. Here, I'll show you. It was just like this-a regular scream."
Billy had taken his place in the middle of the room, slightly crouching, chin tucked against the sheltering left shoulder, fists closed, elbows in so as to guard left side and abdomen, and forearms close to the body.
"It's the first round," he pictured. "Gong's sounded, an' we've shook hands. Of course, seein' as it's a long fight an' we've never seen each other in action, we ain't in no rush. We're just feelin' each other out an' fiddlin' around. Seventeen seconds like that. Not a blow struck. Nothin'. An' then it's all off with the big Swede. It takes some time to tell it, but it happened in a jiffy, in fess In a tenth of a second. I wasn't expectin' it myself. We're awful close together. His left glove ain't a foot from my jaw, an' my left glove ain't a foot from his. He feints with his right, an' I know it's a feint, an' just hunch up my left shoulder a bit an' feint with my right. That draws his guard over just about an inch, an' I see my openin'. My left ain't got a foot to travel. I don't draw it back none. I start it from where it is, corkscrewin' around his right guard an' pivotin' at the waist to put the weight of my shoulder into the punch. An' it connects!-Square on the point of the chin, sideways. He drops deado. I walk back to my cor
ner, an', honest to God, Saxon, I can't help gigglin' a little, it was that easy. The referee stands over 'm an' counts 'm out. He never quivers. The audience don't know what to make of it an' sits paralyzed. His seconds carry 'm to his corner an' set 'm on the stool. But they gotta hold 'm up. Five minutes afterward he opens his eyes-but he ain't seein' nothing. They're glassy. Five minutes more, an' he stands up. They got to help hold 'm, his legs givin' under 'm like they was sausages. An' the seconds has to help 'm through the ropes, an' they go down the aisle to his dressin' room a-helpin' 'm. An' the crowd beginning to yell fake an' want its money back. Twenty-seven seconds-one punch-n' a spankin' pair of horses for the best wife Billy Roberts ever had in his long experience."
All of Saxon's old physical worship of her husband revived and doubled on itself many times. He was in all truth a hero, worthy to be of that wing-helmeted company leaping from the beaked boats upon the bloody English sands. The next morning he was awakened by her lips pressed on his left hand.
"Hey!-what are you doin'?'" he demanded.
"Kissing Hazel and Hattie good morning," she answered demurely. "And now I 'm going to kiss you good morning…… And just where did your punch land? Show me."
Billy complied, touching the point of her chin with his knuckles. With both her hands on his arm, she shored it back and tried to draw it forward sharply in similitude of a punch. But Billy withstrained her.
"Wait," he said. "You don't want to knock your jaw off. I'll show you. A quarter of an inch will do."
And at a distance of a quarter of an inch from her chin he administered the slightest flick of a tap.
On the instant Saxon's brain snapped with a white flash of light, while her whole body relaxed, numb and weak, volitionless, sad her vision reeled and blurred. The next instant she was herself again, in her eyes terror and understanding.
"And it was at a foot that you struck him," she murmured in a voice of awe.
"Yes, and with the weight of my shoulders behind it," Billy laughed. "Oh, that's nothing.-Here, let me show you something else."
He searched out her solar plexus, and did no more than snap his middle finger against it. This time she experienced a simple paralysis, accompanied by a stoppage of breath, but with a brain and vision that remained perfectly clear. In a moment, however, all the unwonted sensations were gone.
"Solar Plexus," Billy elucidated. "Imagine what it's like when the other fellow lifts a wallop to it all the way from his knees. That's the punch that won the championship of the world for Bob Fitzsimmons."
Saxon shuddered, then resigned herself to Billy's playful demonstration of the weak points in the human anatomy. He pressed the tip of a finger into the middle of her forearm, and she knew excruciating agony. On either side of her neck, at the base, he dented gently with his thumbs, and she felt herself quickly growing unconscious.
"That's one of the death touches of the Japs," he told her, and went on, accompanying grips and holds with a running exposition. "Here's the toe-hold that Notch defeated Hackenschmidt with. I learned it from Farmer Burns.-An' here's a half-Nelson.-An' here's you makin' roughhouse at a dance, an' I 'm the floor manager, an' I gotta put you out."
One hand grasped her wrist, the other hand passed around and under her forearm and grasped his own wrist. And at the first hint of pressure she felt that her arm was a pipe-stem about to break.
"That's called the 'come along.'-An' here's the strong arm. A boy can down a man with it. An' if you ever get into a scrap an' the other fellow gets your nose between his teeth-you don't want to lose your nose, do you? Well, this is what you do, quick as a flash."
Involuntarily she closed her eyes as Billy's thumb-ends pressed into them. She could feel the fore-running ache of a dull and terrible hurt.
"If he don't let go, you just press real hard, an' out pop his eyes, an' he's blind as a bat for the rest of his life. Oh, he'll let go all right all right."
He released her and lay back laughing.
"How d'ye feel?" he asked. "Those ain't boxin' tricks, but they're all in the game of a roughhouse."
"I feel like revenge," she said, trying to apply the "come along" to his arm.
When she exerted the pressure she cried out with pain, for she had succeeded only in hurting herself. Billy grinned at her futility. She dug her thumbs into his neck in imitation of the Japanese death touch, then gazed ruefully at the bent ends of her nails. She punched him smartly on the point of the chin, and again cried out, this time to the bruise of her knuckles.
"Well, this can't hurt me," she gritted through her teeth, as she assailed his solar plexus with her doubled fists.
By this time he was in a roar of laughter. Under the sheaths of muscles that were as armor, the fatal nerve center remained impervious.
"Go on, do it some more," he urged, when she had given up, breathing heavily. "It feels fine, like you was ticklin' me with a feather."
"All right, Mister Man," she threatened balefully. "You can talk about your grips and death touches and all the rest, but that's all man's game. I know something that will beat them all, that will make a strong man as helpless as a baby. Wait a minute till I get it. There. Shut your eyes. Ready? I won't be a second."
He waited with closed eyes, and then, softly as rose petals fluttering down, he felt her lips on his mouth.
"You win," he said in solemn ecstasy, and passed his arms around her.
CHAPTER XIV
In the morning Billy went down town to pay for Hazel and Hattie. It was due to Saxon's impatient desire to see them, that he seemed to take a remarkably long time about so simple a transaction. But she forgave him when he arrived with the two horses hitched to the camping wagon.
"Had to borrow the harness," he said. "Pass Possum up and climb in, an' I'll show you the Double H Outfit, which is some outfit, I'm tellin' you."
Saxon's delight was unbounded and almost speechless as they drove out into the country behind the dappled chestnuts with the cream-colored tails and manes. The seat was upholstered, high-backed, and comfortable; and Billy raved about the wonders of the efficient brake. He trotted the team along the hard county road to show the standard-going in them, and put them up a steep earthroad, almost hub-deep with mud, to prove that the light Belgian sire was not wanting in their make-up.
When Saxon at last lapsed into complete silence, he studied her anxiously, with quick sidelong glances. She sighed and asked:
"When do you think we'll be able to start?"
"Maybe in two weeks… or, maybe in two or three months." He sighed with solemn deliberation. "We're like the Irishman with the trunk an' nothin' to put in it. Here's the wagon, here's the horses, an' nothin' to pull. I know a peach of a shotgun I can get, second-hand, eighteen dollars; but look at the bills we owe. Then there's a new '22 Automatic rifle I want for you. An' a 30-30 I've had my eye on for deer. An' you want a good jointed pole as well as me. An' tackle costs like Sam Hill. An' harness like I want will cost fifty bucks cold. An' the wagon ought to be painted. Then there's pasture ropes, an' nose-bags, an' a harness punch, an' all such things. An' Hazel an' Hattie eatin' their heads off all the time we're waitin'. An' I 'm just itchin' to be started myself."
He stopped abruptly and confusedly.
"Now, Billy, what have you got up your sleeve?-I can see it in your eyes," Saxon demanded and indicted in mixed metaphors.
"Well, Saxon, you see, it's like this. Sandow ain't satisfied. He's madder 'n a hatter. Never got one punch at me. Never had a chance to make a showin', an' he wants a return match. He's blattin' around town that he can lick me with one hand tied behind 'm, an' all that kind of hot air. Which ain't the point. The point is, the fight-fans is wild to see a return-match. They didn't get a run for their money last time. They'll fill the house. The managers has seen me already. That was why I was so long. They's three hundred more waitin' on the tree for me to pick two weeks from last night if you'll say the word. It's just the same as I told you before. He's my meat. He still thinks I 'm a rube,
an' that it was a fluke punch."
"But, Billy, you told me long ago that fighting took the silk out of you. That was why you'd quit it and stayed by teaming."
"Not this kind of fightin'," he answered. "I got this one all doped out. I'll let 'm last till about the seventh. Not that it'll be necessary, but just to give the audience a run for its money. Of course, I'll get a lump or two, an' lose some skin. Then I'll time 'm to that glass jaw of his an' drop 'm for the count. An' we'll be all packed up, an' next mornin' we'll pull out. What d'ye say? Aw, come on."
Saturday night, two weeks later, Saxon ran to the door when the gate clicked. Billy looked tired. His hair was wet, his nose swollen, one cheek was puffed, there was skin missing from his ears, and both eyes were slightly bloodshot.
"I 'm darned if that boy didn't fool me," he said, as he placed the roll of gold pieces in her hand and sat down with her on his knees. "He's some boy when he gets extended. Instead of stoppin' 'm at the seventh, he kept me hustlin' till the fourteenth. Then I got 'm the way I said. It's too bad he's got a glass jaw. He's quicker'n I thought, an' he's got a wallop that made me mighty respectful from the second round-an' the prettiest little chop an' come-again I ever saw. But that glass jaw! He kept it in cotton wool till the fourteenth an' then I connected.
"-An', say. I 'm mighty glad it did last fourteen rounds. I still got all my silk. I could see that easy. I wasn't breathin' much, an' every round was fast. An' my legs was like iron. I could a-fought forty rounds. You see, I never said nothin', but I've been suspicious all the time after that beatin' the Chicago Terror gave me."
"Nonsense!-you would have known it long before now," Saxon cried. "Look at all your boxing, and wrestling, and running at Carmel."
"Nope." Billy shook his head with the conviction of utter knowledge. "That's different. It don't take it outa you. You gotta be up against the real thing, fightin' for life, round after round, with a husky you know ain't lost a thread of his silk yet-then, if you don't blow up, if your legs is steady, an' your heart ain't burstin', an' you ain't wobbly at all, an' no signs of queer street in your head-why, then you know you still got all your silk. An' I got it, I got all mine, d'ye hear me, an' I ain't goin' to risk it on no more fights. That's straight. Easy money's hardest in the end. From now on it's horsebuyin' on commish, an' you an' me on the road till we find that valley of the moon."