by Bill Bryson
Des Moines’s greatest commercial institution was Younker Brothers, the principal department store downtown. Younkers was enormous. It occupied two buildings, separated at ground level by a public alley, making it the only department store I’ve ever known, possibly the only one in existence, where you could be run over while going from menswear to cosmetics. Younkers had an additional outpost across the street, known as the Store for Homes, which housed its furniture departments and which could be reached by means of an underground passageway beneath Eighth Street, via the white goods department. I’ve no idea why, but it was immensely satisfying to enter Younkers from the east side of Eighth and emerge a short while later, shopping completed, on the western side. People from out in the state used to come in specially to walk the passageway and to come out across the street and say, ‘Hey. Whoa. Golly.’
Younkers was the most elegant, up to the minute, briskly efficient, satisfyingly urbane place in Iowa. It employed twelve hundred people. It had the state’s first escalators – ‘electric stairways’ they were called in the early days – and first air conditioning. Everything about it – its silkily swift revolving doors, its gliding stairs, its whispering elevators, each with its own white-gloved operator – seemed designed to pull you in and keep you happily, contentedly consuming. Younkers was so vast and wonderfully rambling that you seldom met anyone who really knew it all. The book department inhabited a shadowy, secretive balcony area, reached by a pokey set of stairs, that made it cosy and club-like – a place known only to aficionados. It was an outstanding book department, but you can meet people who grew up in Des Moines in the 1950s who had no idea that Younkers had a book department.
But its sanctum sanctorum was the Tea Room, a place where doting mothers took their daughters for a touch of elegance while shopping. Nothing about the Tea Room remotely interested me until I learned of a ritual that my sister mentioned in passing. It appeared that young visitors were invited to reach into a wooden box containing small gifts, each beautifully wrapped in white tissue and tied with ribbon, and select one to take away as a permanent memento of the occasion. Once my sister passed on to me a present she had acquired and didn’t much care for – a die-cast coach and horses. It was only two and a half inches long, but exquisite in its detailing. The doors opened. The wheels turned. A tiny driver held thin metal reins. The whole thing had obviously been hand-painted by some devoted, underpaid person from the defeated side of the Pacific Ocean. I had never seen, much less owned, such a fine thing before.
From time to time after that for years I besought them to take me with them when they went to the Tea Room, but they always responded vaguely that they didn’t like the Tea Room so much any more or that they had too much shopping to do to stop for lunch. (Only years later did I discover that in fact they went every week; it was one of those secret womanly things moms and daughters did together, like having periods and being fitted for bras.) But finally there came a day when I was perhaps eight or nine that I was shopping downtown with my mom, with my sister not there, and my mother said to me, ‘Shall we go to the Tea Room?’
I don’t believe I have ever been so eager to accept an invitation. We ascended in an elevator to a floor I didn’t even know Younkers had. The Tea Room was the most elegant place I had ever been – like a state room from Buckingham Palace magically transported to the Middle West of America. Everything about it was starched and classy and calm. There was light music of a refined nature and the tink of cutlery on china and of ice water carefully poured. I cared nothing for the food, of course. I was waiting only for the moment when I was invited to step up to the toy box and make a selection.
When that moment came, it took me for ever to decide. Every little package looked so perfect and white, so ready to be enjoyed. Eventually, I chose an item of middling size and weight, which I dared to shake lightly. Something inside rattled and sounded as if it might be die cast. I took it to my seat and carefully unwrapped it. It was a miniature doll – an Indian baby in a papoose, beautifully made but patently for a girl. I returned with it and its disturbed packaging to the slightly backward-looking fellow who was in charge of the toy box.
‘I seem to have got a doll,’ I said, with something approaching an ironic chuckle.
He looked at it carefully. ‘That’s surely a shame because you only git one try at the gift box.’
‘Yes, but it’s a doll,’ I said. ‘For a girl.’
‘Then you’ll just have to git you a little girl friend to give it to, won’tcha?’ he answered and gave me a toothy grin and an unfortunate wink.
Sadly, those were the last words the poor man ever spoke. A moment later he was just a small muffled shriek and a smouldering spot on the carpet.
Too late he had learned an important lesson. You really should never fuck with the Thunderbolt Kid.
Footnote
Excerpt
*1In fact like most other people in America. The leading food writer of the age, Duncan Hines, author of the hugely successful Adventures in Eating, was himself a cautious eater and declared with pride that he never ate food with French names if he could possibly help it. Hines’s other proud boast was that he did not venture out of America until he was seventy years old, when he made a trip to Europe. He disliked much of what he found there, especially the food.
Bill Bryson's first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither here Nor there he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hamemrfest, the northernmost town on the continent, to istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before.
Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and eyeballs in a German restaurant, window-shopping in the sex shops of the Reeperbahn or disputing his hotel bill in Copenhagen, Bryson takes in the sights, dissects the culture and illuminates each place and person with his hilariously caustic observations. He even goes to Liechtenstein.
