The Secret Agent

by Joseph Conrad

  Her face was no longer stony. Anybody could have noted the subtle change on her features, in the stare of her eyes, giving her a new and startling expression; an expression seldom observed by competent persons under the conditions of leisure and security demanded for thorough analysis, but whose meaning could not be mistaken at a glance. Mrs. Verloc’s doubts as to the end of the bargain no longer existed; her wits, no longer disconnected, were working under the control of her will. But Mr. Verloc observed nothing. He was reposing in that pathetic condition of optimism induced by excess of fatigue. He did not want any more trouble—with his wife, too—of all people in the world. He had been unanswerable in his vindication. He was loved for himself. The present phase of her silence he interpreted favourably. This was the time to make it up with her. The silence had lasted long enough. He broke it by calling to her in an undertone:

  “Winnie.”

  “Yes,” answered obediently Mrs. Verloc, the free woman. She commanded her wits now, her vocal organs; she felt herself to be in an almost preternaturally perfect control of every fibre of her body. It was all her own, because the bargain was at an end. She was clear-sighted. She had become cunning. She chose to answer him so readily for a purpose. She did not wish that man to change his position on the sofa which was very suitable to the circumstances. She succeeded. The man did not stir. But after answering him she remained leaning negligently against the mantelpiece in the attitude of a resting wayfarer. She was unhurried. Her brow was smooth. The head and shoulders of Mr. Verloc were hidden from her by the high side of the sofa. She kept her eyes fixed on his feet.

  She remained thus mysteriously still and suddenly collected till Mr. Verloc was heard with an accent of marital authority, and moving slightly to make room for her to sit on the edge of the sofa.

  “Come here,” he said in a peculiar tone, which might have been the tone of brutality, but was intimately known to Mrs. Verloc as the note of wooing.

  She started forward at once, as if she were still a loyal woman bound to that man by an unbroken contract. Her right hand skimmed slightly the end of the table, and when she had passed on towards the sofa the carving knife had vanished without the slightest sound from the side of the dish. Mr. Verloc heard the creaky plank in the floor, and was content. He waited. Mrs. Verloc was coming. As if the homeless soul of Stevie had flown for shelter straight to the breast of his sister, guardian, and protector, the resemblance of her face with that of her brother grew at every step, even to the droop of the lower lip, even to the slight divergence of the eyes. But Mr. Verloc did not see that. He was lying on his back and staring upwards. He saw partly on the ceiling and partly on the wall the moving shadow of an arm with a clenched hand holding a carving knife. It flickered up and down. Its movements were leisurely. They were leisurely enough for Mr. Verloc to recognize the limb and the weapon.

  They were leisurely enough for him to take in the full meaning of the portent, and to taste the flavour of death rising in his gorge. His wife had gone raving mad—murdering mad. They were leisurely enough for the first paralyzing effect of this discovery to pass away before a resolute determination to come out victorious from the ghastly struggle with that armed lunatic. They were leisurely enough for Mr. Verloc to elaborate a plan of defence involving a dash behind the table, and the felling of the woman to the ground with a heavy wooden chair. But they were not leisurely enough to allow Mr. Verloc the time to move either hand or foot. The knife was already planted in his breast. It met no resistance on its way. Hazard has such accuracies. Into that plunging blow, delivered over the side of the couch, Mrs. Verloc had put all the inheritance of her immemorial and obscure descent, the simple ferocity of the age of caverns, and the unbalanced nervous fury of the age of bar-rooms. Mr. Verloc, the Secret Agent, turning slightly on his side with the force of the blow, expired without stirring a limb, in the muttered sound of the word “Don’t” by way of protest.

  Mrs. Verloc had let go the knife, and her extraordinary resemblance to her late brother had faded, had become very ordinary now. She drew a deep breath, the first easy breath since Chief Inspector Heat had exhibited to her the labelled piece of Stevie’s overcoat. She leaned forward on her folded arms over the size of the sofa. She adopted that easy attitude not in order to watch or gloat over the body of Mr. Verloc, but because of the undulatory and swinging movements of the parlour, which for some time behaved as though it were at sea in a tempest. She was giddy but calm. She had become a free woman with a perfection of freedom which left her nothing to desire and absolutely nothing to do, since Stevie’s urgent claim on her devotion no longer existed. Mrs. Verloc, who thought in images, was not troubled now by visions, because she did not think at all. And she did not move. She was a woman enjoying her complete irresponsibility and endless leisure, almost in the manner of a corpse. She did not move, she did not think. Neither did the mortal envelope of the late Mr. Verloc reposing on the sofa. Except for the fact that Mrs. Verloc breathed these two would have been perfectly in accord: that accord of prudent reserve without superfluous words, and sparing of signs, which had been the foundation of their respectable home life. For it had been respectable, covering by a decent reticence the problems that may arise in the practice of a secret profession and the commerce of shady wares. To the last its decorum had remained undisturbed by unseemly shrieks and other misplaced sincerities of conduct. And after the striking of the blow, this respectability was continued in immobility and silence.

  Nothing moved in the parlour till Mrs. Verloc raised her head slowly and looked at the clock with inquiring mistrust. She had become aware of a ticking sound in the room. It grew upon her ear, while she remembered clearly that the clock on the wall was silent, had no audible tick. What did it mean by beginning to tick so loudly all of a sudden? Its face indicated ten minutes to nine. Mrs. Verloc cared nothing for time, and the ticking went on. She concluded it could not be the clock, and her sullen gaze moved along the walls, wavered, and became vague, while she strained her hearing to locate the sound. Tic, tic, tic.

  After listening for some time Mrs. Verloc lowered her gaze deliberately on her husband’s body. Its attitude of repose was so homelike and familiar that she could do so without feeling embarrassed by any pronounced novelty in the phenomena of her home life. Mr. Verloc was taking his habitual ease. He looked comfortable.

  By the position of the body the face of Mr. Verloc was not visible to Mrs. Verloc, his widow. Her fine, sleepy eyes, travelling downward on the track of the sound, became contemplative on meeting a flat object of bone which protruded a little beyond the edge of the sofa. It was the handle of the domestic carving knife with nothing strange about it but its position at right angles to Mr. Verloc’s waistcoat and the fact that something dripped from it. Dark drops fell on the floorcloth one after another, with a sound of ticking growing fast and furious like the pulse of an insane clock. At its highest speed this ticking changed into a continuous sound of trickling. Mrs. Verloc watched that transformation with shadows of anxiety coming and going on her face. It was a trickle, dark, swift, thin. . . . Blood!

  At this unforeseen circumstance Mrs. Verloc abandoned her pose of idleness and irresponsibility.

  With a sudden snatch at her skirts and a faint shriek she ran to the door, as if the trickle had been the first sign of a destroying flood. Finding the table in her way she gave it a push with both hands as though it had been alive, with such force that it went for some distance on its four legs, making a loud, scraping racket, whilst the big dish with the joint crashed heavily on the floor.

  Then all became still. Mrs. Verloc on reaching the door had stopped. A round hat disclosed in the middle of the floor by the moving of the table rocked slightly on its crown in the wind of her flight.

  XII

  Winnie Verloc, the widow of Mr. Verloc, the sister of the late faithful Stevie (blown to fragments in a state of innocence and in the conviction of being engaged in a humanitarian enterprise), did not run beyond the door of the parlo
ur. She had indeed run away so far from a mere trickle of blood, but that was a movement of instinctive repulsion. And there she had paused, with staring eyes and lowered head. As though she had run through long years in her flight across the small parlour, Mrs. Verloc by the door was quite a different person from the woman who had been leaning over the sofa, a little swimmy in her head, but otherwise free to enjoy the profound calm of idleness and irresponsibility. Mrs. Verloc was no longer giddy. Her head was steady. On the other hand, she was no longer calm. She was afraid.

  If she avoided looking in the direction of her reposing husband it was not because she was afraid of him. Mr. Verloc was not frightful to behold. He looked comfortable. Moreover, he was dead. Mrs. Verloc entertained no vain delusions on the subject of the dead. Nothing brings them back, neither love nor hate. They can do nothing to you. They are as nothing. Her mental state was tinged by a sort of austere contempt for that man who had let himself be killed so easily. He had been the master of a house, the husband of a woman, and the murderer of her Stevie. And now he was of no account in every respect. He was of less practical account than the clothing on his body, than his overcoat, than his boots—than that hat lying on the floor. He was nothing. He was not worth looking at. He was even no longer the murderer of poor Stevie. The only murderer that would be found in the room when people came to look for Mr. Verloc would be—herself!

  Her hands shook so that she failed twice in the task of refastening her veil. Mrs. Verloc was no longer a person of leisure and irresponsibility. She was afraid. The stabbing of Mr. Verloc had been only a blow. It had relieved the pent-up agony of shrieks strangled in her throat, of tears dried up in her hot eyes, of the maddening and indignant rage at the atrocious part played by that man, who was less than nothing now, in robbing her of the boy. It had been an obscurely prompted blow. The blood trickling on the floor off the handle of the knife had turned it into an extremely plain case of murder. Mrs. Verloc, who always refrained from looking deep into things, was compelled to look into the very bottom of this thing. She saw there no haunting face, no reproachful shade, no vision of remorse, no sort of ideal conception. She saw there an object. That object was the gallows. Mrs. Verloc was afraid of the gallows.

  She was terrified of them ideally. Having never set eyes on that last argument of men’s justice except in illustrative wood-cuts to a certain type of tales, she first saw them erect against a black and stormy background, festooned with chains and human bones, circled about by birds that peck at dead men’s eyes. This was frightful enough, but Mrs. Verloc, though not a well-informed woman, had a sufficient knowledge of the institutions of her country to know that gallows are no longer erected romantically on the banks of dismal rivers or on windswept headlands, but in the yards of jails. There within four high walls, as if into a pit, at dawn of day, the murderer was brought out to be executed, with a horrible quietness and, as the reports in the newspapers always said, “in the presence of the authorities.” With her eyes staring on the floor, her nostrils quivering with anguish and shame, she imagined herself all alone amongst a lot of strange gentlemen in silk hats who were calmly proceeding about the business of hanging her by the neck. That—never! Never! And how was it done? The impossibility of imagining the details of such quiet execution added something maddening to her abstract terror. The newspapers never gave any details except one, but that one with some affectation was always there at the end of a meagre report. Mrs. Verloc remembered its nature. It came with a cruel burning pain into her head, as if the words “The drop given was fourteen feet” had been scratched on her brain with a hot needle. “The drop given was fourteen feet.”

  These words affected her physically, too. Her throat became convulsed in waves to resist strangulation; and the apprehension of the jerk was so vivid that she seized her head in both hands as if to save it from being torn off her shoulders. “The drop given was fourteen feet.” No! that must never be. She could not stand that. The thought of it even was not bearable. She could not stand thinking of it. Therefore Mrs. Verloc formed the resolution to go at once and throw herself into the river off one of the bridges.

  This time she managed to refasten her veil. With her face as if masked, all black from head to foot except for some flowers in her hat, she looked up mechanically at the clock. She thought it must have stopped. She could not believe that only two minutes had passed since she had looked at it last. Of course not. It had been stopped all the time. As a matter of fact, only three minutes had elapsed from the moment she had drawn the first deep, easy breath after the blow, to this moment when Mrs. Verloc formed the resolution to drown herself in the Thames. But Mrs. Verloc could not believe that. She seemed to have heard or read that clocks and watches always stopped at the moment of murder for the undoing of the murderer. She did not care. “To the bridge—and over I go.” . . . But her movements were slow.

  She dragged herself painfully across the shop, and had to hold on to the handle of the door before she found the necessary fortitude to open it. The street frightened her, since it led either to the gallows or to the river. She floundered over the doorstep head forward, arms thrown out, like a person falling over the parapet of a bridge. This entrance into the open air had a foretaste of drowning; a slimy dampness enveloped her, entered her nostrils, clung to her hair. It was not actually raining, but each gas-lamp had a rusty little halo of mist. The van and horses were gone, and in the black street the curtained window of the carters’ eating-house made a square patch of soiled blood-red light glowing faintly very near the level of the pavement. Mrs. Verloc, dragging herself slowly towards it, thought that she was a very friendless woman. It was true. It was so true that, in a sudden longing to see some friendly face, she could think of no one else but of Mrs. Neale, the charwoman. She had no acquaintances of her own. Nobody would miss her in a social way. It must not be imagined that the Widow Verloc had forgotten her mother. This was not so. Winnie had been a good daughter because she had been a devoted sister. Her mother had always leaned on her for support. No consolation or advice could be expected there. Now that Stevie was dead the bond seemed to be broken. She could not face the old woman with the horrible tale. Moreover, it was too far. The river was her present destination. Mrs. Verloc tried to forget her mother.

  Each step cost her an effort of will which seemed the last possible. Mrs. Verloc had dragged herself past the red glow of the eating-house window. “To the bridge—and over I go,” she repeated to herself with fierce obstinacy. She put out her hand just in time to steady herself against a lamp-post. “I’ll never get there before morning,” she thought. The fear of death paralyzed her efforts to escape the gallows. It seemed to her she had been staggering in that street for hours. “I’ll never get there,” she thought. “They’ll find me knocking about the streets. It’s too far.” She held on, panting under her black veil.

  “The drop given was fourteen feet.”

  She pushed the lamp-post away from her violently, and found herself walking. But another wave of faintness overtook her like a great sea, washing away her heart clean out of her breast. “I will never get there,” she muttered, suddenly arrested, swaying lightly where she stood. “Never.”

  And perceiving the utter impossibility of walking as far as the nearest bridge, Mrs. Verloc thought of a flight abroad.

  It came to her suddenly. Murderers escaped. They escaped abroad. Spain or California. Mere names. The vast world created for the glory of man was only a vast blank to Mrs. Verloc. She did not know which way to turn. Murderers had friends, relations, helpers—they had knowledge. She had nothing. She was the most lonely of murderers that ever struck a mortal blow. She was alone in London: and the whole town of marvels and mud, with its maze of streets and its mass of lights, was sunk in a hopeless night, rested at the bottom of a black abyss from which no unaided woman could hope to scramble out.

  She swayed forward, and made a fresh start blindly, with an awful dread of falling down; but at the end of a few steps, unexpecte
dly, she found a sensation of support, of security. Raising her head, she saw a man’s face peering closely at her veil. Comrade Ossipon was not afraid of strange women, and no feeling of false delicacy could prevent him from striking an acquaintance with a woman apparently very much intoxicated. Comrade Ossipon was interested in women. He held up this one between his two large palms, peering at her in a businesslike way till he heard her say faintly, “Mr. Ossipon!” and then he very nearly let her drop to the ground.

  “Mrs. Verloc!” he exclaimed. “You here!”

  It seemed impossible to him that she should have been drinking. But one never knows. He did not go into that question, but attentive not to discourage kind fate surrendering to him the widow of Comrade Verloc, he tried to draw her to his breast. To his astonishment she came quite easily, and even rested on his arm for a moment before she attempted to disengage herself. Comrade Ossipon would not be brusque with kind fate. He withdrew his arm in a natural way.