The Network

by Jason Elliot

  I can’t hear the engine because my ears are ringing so loudly, though it’s the first time I’m aware of it. I slam the door closed and see the rev counter leap as I test the accelerator. Sher Del grabs my shoulder from behind and I turn to him and it’s then I see that his earlobe has been shot away.

  ‘Besyaar khub jang mikonid!’ he says. A huge grin reaches across his face. ‘You fight really well!’

  The empty pickup is in front of us with the brakes off, so that as it emerges it will roll to the edge of the flat ground and draw the enemy’s fire. They won’t know we aren’t in it, at first. And we’re glad we’re not, because as the G surges forward and pushes the pickup onto the open ground we see the rear window of the cab grow cloudy with bullet holes as the rounds tear into it, scattering fragments of its interior into the air.

  Then as we gather speed I throw the G to the right, feeling the power of the engine surge as the pickup rolls away from us, and we circle under the foot of the turret, and suddenly it’s as if a team of people are hammering at the doors and windows with all their might. The windows emit a high-pitched crack but the rounds that hit the doors make a deep thud like stone into mud. The spare wheel on the rear door bursts with a violent hiss of air. Then as we climb the slope that leads to the track beyond the rear of the fort, the back window finally shatters and collapses inwards, torn from the frame of the car by repeated impacts. An AK-round thumps into the seat behind me like the blow of a sledgehammer but is stopped by the layers of Kevlar stitched inside.

  My hand scrambles for the diff-lock switches as we reach the crest of the shoulder, and as I make the turn the wheels judder against the loose surface of the ground. There’s a succession of loud thuds against the roof, and the skyline lurches up like the view from a fighter plane going into a dive, and our weapons clatter forward onto the dashboard. It’s steeper than I thought, and the G pitches down as if it’s not going to stop, and H braces his hand against the windscreen and curses.

  ‘La illaha ill’allah,’ cries Sher Del. There is no God but God.

  And then it happens. The first thing we feel is the compression, as if our ears are being sucked into our heads. Then we hear the blast, which shakes the ground so strongly the force is transmitted to the steering wheel like a blow against the wheels. A deep rolling booming sound, followed almost instantaneously by several more, sweeps over and through us. The gunfire is silenced.

  ‘Hope someone’s taking pictures up there,’ says H, bracing himself against the roof and grimacing as the G yaws dangerously to one side. My thoughts seem to be taking shape in slow motion, and his comment makes no sense to me until I realise he’s talking about satellites. Then it occurs to me that we are actually still alive. Against the odds, we have completed the mission, and the missiles will never be used. I recall the Baroness’s words, I want you to succeed, and suddenly I want to laugh because we really have succeeded. Whoever was planning a catastrophe using the Stingers will now have to come up with a very different plan, and whoever was planning to let it happen will have to wait for a very different catastrophe.

  The wheels are holding like glue onto the rocky slope, but our pace is agonisingly slow. Then there’s a bright flash a few yards ahead and an explosion that scatters a violent cloud of rock and shrapnel against us. Bits fly up from the front of the car, but we’re still moving.

  H clambers with astonishing agility into the back, rests his AK on the rim of the rear door and fires towards the ridgeline above us where the RPG has come from. The sound of the shots is deafening and the interior is thick with cordite smoke. But the ravine is beginning to open up now and the slope is reducing so I take the gearbox out of low range and accelerate.

  As we crash forward, I’m aware of a kind of moaning sound behind me. It’s Momen, chanting prayers. There are warning lights blinking on the dashboard but I can’t look at them. The ground begins to flatten out and with a final bounce we hit the dirt road. I turn towards the head of the valley. H scrambles into the seat behind me.

  ‘Let’s get some distance behind us,’ he says.

  We race up the valley, savouring the sweetness of our escape. After half a mile the slopes steepen on both sides as we draw closer to its head. Then, just as we’re beginning to feel like we’re finally beyond the reach of our enemies, a black shape plunges across the track a hundred yards ahead of us, blocking the way. I recognise the pickup from earlier outside the fort and wonder for a moment whether it’s just an unpleasant coincidence that we’ve now run into each other. Perhaps they’re lost. But the truck’s bonnet pitches sharply downwards. The driver is braking hard, because that’s exactly where he wants to be: directly in front of us.

  ‘Jesus Christ,’ yells H. ‘Ambush front!’

  ‘I can’t turn.’ The slopes are too steep. ‘Can’t stop either.’

  We see two men jump from the cab of the pickup and run into cover. Two others position themselves behind the bonnet. One has an AK and the other readies an RPG. The AK doesn’t worry me too much. We hear the crack and thump of rounds smashing into the G head on, but it’ll put up with a few more. What worries me is the RPG. If I stop or reverse, we’ll be sitting ducks.

  H realises this too, and turns to me. ‘Give it all you’ve got.’

  I don’t know what the minimum arming distance for an RPG round is. When a round is fired from the launcher, it won’t explode if it hits a target that’s too close because it doesn’t have time to arm itself. It will simply bounce off, leaving a trail of smoke from the propellant. But I don’t know what that distance is. I think it’s thirty feet, but it might be five. It seems a pity to be killed having come so close to escaping, but there’s nothing more to do. I can only hope that seeing us hurtling towards him will make our enemy think twice about lingering in our path.

  I push my foot to the floor and hear the transmission kick into lower gear. There’s a roar from the engine as the full power of the cylinders burns its way to the wheels, and we feel the front of the G lift as if it’s struggling to take off. We must be doing sixty miles an hour but it feels like we’re driving through treacle. Five or six seconds pass. It feels like a year.

  I don’t know if the RPG is ever fired. I aim the G for the rear of the pickup, where it’s lightest and will do the least damage to us, and the impact, when it comes, is surprisingly mild. As we spin to a halt beyond it, everything is still happening in slow motion. H dives and rolls from the passenger door and I follow him automatically, just as we’ve trained for. We fire over the bonnet of the G, and I distinctly feel a round pass by my ear with a watery thud. Our enemies, now that we have passed behind them, are unprotected. An injured man staggers into view and falls backwards as I fire. Another shape falls, as if in a clownish dance. H darts from the cover of the car and signals me to do the same to the left, and we advance in turn towards our enemies’ final hiding places. In the folds of rock about twenty yards away I see a flicker of motion, and fire at it. The hammer of the AK falls on an empty chamber, so I throw it aside and pull the Browning from my hip. Sweat blurs my vision and I cannot be sure where the movement has come from. I fire three rounds from the Browning until it too falls silent as the magazine empties. There is nothing but rock. I turn my head momentarily as I hear a double tap from H’s weapon, and then a strange stillness descends.

  On H’s hand signal we withdraw back to the G.

  A plume of steam is rising from somewhere under the bonnet. The windscreen is opaque and the bodywork is perforated with bullet holes. The engine’s still running but it’s faltering now and making a high-pitched wheezing sound like a man with a bullet in his lungs. H’s shirt is stained with blood where a round has nicked the muscles between his neck and shoulder, but he hasn’t noticed it.

  We cover about two miles driving on the rims of the wheels, and then the engine finally dies. H and I remove the weapons and the gold, and from the back the others pull Aref’s body and lay it on the ground. Then we soak the hand-stitched leather seats with die
sel as if in a demonic funeral rite, and push the G from the track, pointing it down a slope, where it tumbles and eventually cartwheels onto a boulder-filled arena far below us.

  ‘It was a bit ugly, anyway,’ says H.

  ‘Would have cost a fortune to service.’

  ‘Especially the way you drive.’

  The sun spreads its liquid gold over the landscape. We carry Aref’s body in a pattu up a nearby hillside to where a cluster of poplars is swaying, and bury it in a shallow grave, over which the other men kneel and pray.

  Afterwards, the Afghan guard from the fort comes up to me.

  ‘I’m going,’ he says. ‘Back to my village.’

  I take several of the gold sovereigns from the belt and give them to him. He looks at them, pockets them and says nothing. Then he embraces us in turn and walks away.

  Manny is in poor shape. The blast at the fort has blinded and deafened him, though I can’t tell for how long. We agree to walk to where the map indicates a tiny village, and follow an animal track that leads up towards the neighbouring valley. For nearly two hours we trudge in silence. H and I take turns to support Manny, who walks with difficulty.

  Then we descend towards the village beyond, as if into a tranquil and unconnected world where violence is unknown. The silent houses are surrounded by a patchwork of green fields in gently differing shades. An old man, working in the irrigation ditches that run between them, leaves his work and walks up to us as we approach, guiding us without asking for any explanation to the tiny settlement, beside which a glittering stream is flowing.

  I press a gold sovereign into the hand of the old man.

  ‘For your help,’ I say. Then I give him another. ‘For your silence.’

  ‘Aqelmand ra eshara kafee ast,’ he croaks. A sign is sufficient to a wise man.

  ‘Give it to the poor, then.’

  He lights a fire in the courtyard of his simple home and brings us tea as we wash the dust and grime from our bodies beside the stream. He gathers our clothes to wash them, and brings us his own spare garments. I tie a strip of fabric around Manny’s eyes so that they can rest and hope that the damage is not too great.

  We move inside, and the old man brings us a platter of rice. I eat a few mouthfuls. Then I feel the onset of fatigue like an advancing unstoppable tide and, leaning back against the wall, close my eyes for a few seconds.

  I wonder, when the morning light wakes me, where I am. I sit up in a panic and feel pains flare up all over my body. Someone has thrown a blanket over me, and the others are sleeping in a row next to me. Only H is absent.

  I walk outside, shielding my eyes from the sun, which is already high. I realise that my ears are still ringing, but that there’s no other sound. It’s ten o’clock and already warm, and our clothes are dry and swaying gently from a rope stretched across the yard. I open a rickety outer door and walk a little way towards the river, where I catch sight of H. He’s already dressed, but his chest is bare, and he’s splashing water over the wound on his shoulder and pressing on the muscle experimentally. I call to him, quietly.

  He turns and looks at me. He says nothing but smiles. Everything in our friendship seems contained in it. An Afghan proverb springs suddenly into my memory, and I hear myself repeating it quietly to myself.

  Yak roz didi dost, roze dega didi bradar. One day there is friendship, the next there is brotherhood.

  The silence is broken by a single shot. I don’t see where it comes from because I am watching H, whose body suddenly jerks, then wavers at the water’s edge. He looks down slowly at his chest, where a dark stain has suddenly appeared, and looks up again in bewilderment. There’s another shot a few seconds later, and H’s body topples backwards into the water. I open my mouth but no sound comes out.

  A momentary paralysis lifts, and I turn in the direction of the shot. A man is standing thirty yards away. His clothes are filthy and torn, and I realise it can only be the fourth man from the black pickup. I can see his face and the look of coldness on it as he swings his weapon towards me and takes aim. There’s a faint click. A scowl crosses his face as he throws the empty magazine to the ground and reaches for another in his webbing.

  Then a raging energy enters me and I run across the open ground towards him. I’m already halfway to him as he sends the magazine home and draws back the bolt. I see the muzzle swing up and see his head tilt as he takes aim at me, and I realise I will die, but I’ll die trying.

  I hear the shot but feel nothing. Something is happening I don’t understand. Another shot rings out, and then another and another, and the man’s weapon falls from his hands as he tumbles back under the rounds from H’s Browning. The man is dead by the time I reach him.

  I look back towards H, who’s standing in the water with his pistol at his side, and for a second I wonder if it’s all been an illusion and he’s fine after all. But as I run back to him he sinks to his knees, and the water flowing behind him is red, as if someone has been pouring wine into it.

  I catch him as his body falls sideways and yell to the others, and I carry him to the wall of the house. Sher Del and Momen have run out and tear strips of cloth to press against H’s chest where the blood is gushing as if from a broken tap. I prop him against the wall.

  ‘Did I get him?’ he asks. He’s trying to smile.

  ‘Yes,’ I say.

  ‘Good. I thought there might be one more. Everyone else alright?’

  ‘They’re fine,’ I say.

  His eyes roll up then back again, like the bubbles in a spirit level. He’s dying.

  ‘Do me a favour? Help me up the hill, can you? I want to look at the view.’

  I pick him up. The others stay behind because they know what’s going to happen. I carry him across the stream and through the line of poplars beyond, where the dappled light falls across his face as he tries to keep his head up. He’s struggling to hum a tune, but the sound only comes out as my feet fall against the ground, pushing the air from his lungs in tiny bursts. Then he coughs convulsively, and a trail of blood descends from his lips, and there is nothing I can do now but watch the life flow from him.

  ‘Here’s a good spot,’ I say. I lower him to the ground and lean him against a slope that allows him to look across the valley, and sit next to him, wiping the tears that are streaming from my eyes. I can’t stop them.

  ‘It’s nice here,’ he says. His head lolls forward, then corrects itself. ‘I think I might stay a while.’

  We sit for a few minutes in silence as the mystery of death draws in. Then, as gently as if he has fallen asleep, his head comes to rest on my shoulder, and I have the distinct sense that something has been released, like a river that has finally reached the sea.

  We wash his body in the stream and carry it into the old man’s courtyard. Two women from the village come to wrap him in white cloth. I dig the grave myself, concealing in it the boot which contains the tracker, though I have no idea how long it will give out a signal. The four of us carry him to the grave, Manny walking with one hand on my shoulder as a guide, and we’re watched from below by the old man, a few villagers who have emerged from their houses and some brightly dressed, curious children.

  Sher Del and Momen offer prayers over the grave in turn, and as the first handful of dark soil falls onto the whiteness of the fabric, the grief is just too strong and I have to turn my eyes away.

  I look up through a blur of tears, and my gaze falls on an eagle soaring high overhead in the centre of the lapis-blue sky. It seems to be circling us, and I watch its silhouette turning effortlessly through the pure clear air until the sound of the men’s prayers brings me back. When I look up again, the eagle is gone.

  We agree to stay together, though I give Sher Del and Momen the choice.

  ‘Together,’ Sher Del says, ‘we will be stronger.’

  We’ve still got the silk maps, the pistols, enough gold to sponsor a minor coup, and between us a healthy stock of stories to keep us entertained along the way. If we ste
er clear of the main tracks and roads we’re unlikely to be seen, and should be able to make our way to Kandahar within a few days and blend into the life of the city. From there we can split up and travel invisibly on public transport back to Kabul.

  The old man gives me his own shalwar kameez to wear, and we roll our things into a pattu, which Sher Del throws over his shoulder as we prepare to set off, resembling nothing more than an impoverished team of weary native travellers.

  I look up once more and search the air to see if the eagle has returned, but it’s gone now, and the sky is magnificently empty.

  In memory of

  H

  1949–2001

  A Sqn 22 SAS

  BEYOND THE LAST BLUE MOUNTAIN BARRED WITH SNOW

  Acknowledgements

  With special thanks to:

  His Master’s Voice

  Lola Beaumont

  RayF, J & B

  Mephisto

  DE &

  ‘C’

  A Note on the Author

  Jason Elliot is a prize-winning British travel writer, whose works include An Unexpected Light: Travels in Afghanistan, a New York Times bestseller and winner of the Thomas Cook/Daily Telegraph Travel Book Award, and Mirrors of the Unseen: Journeys in Iran. The Network is his first novel.

  First published in Great Britain 2010

  Copyright © 2010 by Jason Elliot

  This electronic edition published 2010 by Bloomsbury Publishing Plc

  The right of Jason Elliot to be identified as the author of this work has been

  asserted by her in accordance with the Copyright, Designs and Patents Act, 1988

  All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise