Complete Works of Joseph Conrad (Illustrated)

by Joseph Conrad

  General Feraud only lowered his head in sign of assent. The two veterans looked at each other. Later in the day, when they found themselves alone out of their moody friend’s earshot, the cuirassier remarked suddenly, “Generally speaking, I can see with my one eye as far as most people; but this beats me. He won’t say anything.”

  “In this affair of honour I understand there has been from first to last always something that no one in the army could quite make out,” declared the chasseur with the imperfect nose. “In mystery it began, in mystery it went on, in mystery it is to end, apparently.”

  General D’Hubert walked home with long, hasty strides, by no means uplifted by a sense of triumph. He had conquered, yet it did not seem to him that he had gained very much by his conquest. The night before he had grudged the risk of his life which appeared to him magnificent, worthy of preservation as an opportunity to win a girl’s love. He had known moments when, by a marvellous illusion, this love seemed to be already his, and his threatened life a still more magnificent opportunity of devotion. Now that his life was safe it had suddenly lost its special magnificence. It had acquired instead a specially alarming aspect as a snare for the exposure of unworthiness. As to the marvellous illusion of conquered love that had visited him for a moment in the agitated watches of the night, which might have been his last on earth, he comprehended now its true nature. It had been merely a paroxysm of delirious conceit. Thus to this man, sobered by the victorious issue of a duel, life appeared robbed of its charm, simply because it was no longer menaced.

  Approaching the house from the back, through the orchard and the kitchen garden, he could not notice the agitation which reigned in front. He never met a single soul. Only while walking softly along the corridor, he became aware that the house was awake and more noisy than usual. Names of servants were being called out down below in a confused noise of coming and going. With some concern he noticed that the door of his own room stood ajar, though the shutters had not been opened yet. He had hoped that his early excursion would have passed unperceived. He expected to find some servant just gone in; but the sunshine filtering through the usual cracks enabled him to see lying on the low divan something bulky, which had the appearance of two women clasped in each other’s arms. Tearful and desolate murmurs issued mysteriously from that appearance. General D’Hubert pulled open the nearest pair of shutters violently. One of the women then jumped up. It was his sister. She stood for a moment with her hair hanging down and her arms raised straight up above her head, and then flung herself with a stifled cry into his arms. He returned her embrace, trying at the same time to disengage himself from it. The other woman had not risen. She seemed, on the contrary, to cling closer to the divan, hiding her face in the cushions. Her hair was also loose; it was admirably fair. General D’Hubert recognized it with staggering emotion. Mademoiselle de Valmassigue! Adele! In distress!

  He became greatly alarmed, and got rid of his sister’s hug definitely. Madame Leonie then extended her shapely bare arm out of her peignoir, pointing dramatically at the divan. “This poor, terrified child has rushed here from home, on foot, two miles — running all the way.”

  “What on earth has happened?” asked General D’Hubert in a low, agitated voice.

  But Madame Leonie was speaking loudly. “She rang the great bell at the gate and roused all the household — we were all asleep yet. You may imagine what a terrible shock. . . . Adele, my dear child, sit up.”

  General D’Hubert’s expression was not that of a man who “imagines” with facility. He did, however, fish out of the chaos of surmises the notion that his prospective mother-in-law had died suddenly, but only to dismiss it at once. He could not conceive the nature of the event or the catastrophe which would induce Mademoiselle de Valmassigue, living in a house full of servants, to bring the news over the fields herself, two miles, running all the way.

  “But why are you in this room?” he whispered, full of awe.

  “Of course, I ran up to see, and this child . . . I did not notice it . . . she followed me. It’s that absurd Chevalier,” went on Madame Leonie, looking towards the divan. . . . “Her hair is all come down. You may imagine she did not stop to call her maid to dress it before she started. . . Adele, my dear, sit up. . . . He blurted it all out to her at half-past five in the morning. She woke up early and opened her shutters to breathe the fresh air, and saw him sitting collapsed on a garden bench at the end of the great alley. At that hour — you may imagine! And the evening before he had declared himself indisposed. She hurried on some clothes and flew down to him. One would be anxious for less. He loves her, but not very intelligently. He had been up all night, fully dressed, the poor old man, perfectly exhausted. He wasn’t in a state to invent a plausible story. . . . What a confidant you chose there! My husband was furious. He said, ‘We can’t interfere now.’ So we sat down to wait. It was awful. And this poor child running with her hair loose over here publicly! She has been seen by some people in the fields. She has roused the whole household, too. It’s awkward for her. Luckily you are to be married next week. . . . Adele, sit up. He has come home on his own legs. . . . We expected to see you coming on a stretcher, perhaps — what do I know? Go and see if the carriage is ready. I must take this child home at once. It isn’t proper for her to stay here a minute longer.”

  General D’Hubert did not move. It was as though he had heard nothing. Madame Leonie changed her mind. “I will go and see myself,” she cried. “I want also my cloak. — Adele — ” she began, but did not add “sit up.” She went out saying, in a very loud and cheerful tone: “I leave the door open.”

  General D’Hubert made a movement towards the divan, but then Adele sat up, and that checked him dead. He thought, “I haven’t washed this morning. I must look like an old tramp. There’s earth on the back of my coat and pine-needles in my hair.” It occurred to him that the situation required a good deal of circumspection on his part.

  “I am greatly concerned, mademoiselle,” he began, vaguely, and abandoned that line. She was sitting up on the divan with her cheeks unusually pink and her hair, brilliantly fair, falling all over her shoulders — which was a very novel sight to the general. He walked away up the room, and looking out of the window for safety said, “I fear you must think I behaved like a madman,” in accents of sincere despair. Then he spun round, and noticed that she had followed him with her eyes. They were not cast down on meeting his glance. And the expression of her face was novel to him also. It was, one might have said, reversed. Those eyes looked at him with grave thoughtfulness, while the exquisite lines of her mouth seemed to suggest a restrained smile. This change made her transcendental beauty much less mysterious, much more accessible to a man’s comprehension. An amazing ease of mind came to the general — and even some ease of manner. He walked down the room with as much pleasurable excitement as he would have found in walking up to a battery vomiting death, fire, and smoke; then stood looking down with smiling eyes at the girl whose marriage with him (next week) had been so carefully arranged by the wise, the good, the admirable Leonie.

  “Ah! mademoiselle,” he said, in a tone of courtly regret, “if only I could be certain that you did not come here this morning, two miles, running all the way, merely from affection for your mother!”

  He waited for an answer imperturbable but inwardly elated. It came in a demure murmur, eyelashes lowered with fascinating effect. “You must not be mechant as well as mad.”

  And then General D’Hubert made an aggressive movement towards the divan which nothing could check. That piece of furniture was not exactly in the line of the open door. But Madame Leonie, coming back wrapped up in a light cloak and carrying a lace shawl on her arm for Adele to hide her incriminating hair under, had a swift impression of her brother getting up from his knees.

  “Come along, my dear child,” she cried from the doorway.

  The general, now himself again in the fullest sense, showed the readiness of a resourceful cavalry officer and
the peremptoriness of a leader of men. “You don’t expect her to walk to the carriage,” he said, indignantly. “She isn’t fit. I shall carry her downstairs.”

  This he did slowly, followed by his awed and respectful sister; but he rushed back like a whirlwind to wash off all the signs of the night of anguish and the morning of war, and to put on the festive garments of a conqueror before hurrying over to the other house. Had it not been for that, General D ‘Hubert felt capable of mounting a horse and pursuing his late adversary in order simply to embrace him from excess of happiness. “I owe it all to this stupid brute,” he thought. “He has made plain in a morning what might have taken me years to find out — for I am a timid fool. No self-confidence whatever. Perfect coward. And the Chevalier! Delightful old man!” General D’Hubert longed to embrace him also.

  The Chevalier was in bed. For several days he was very unwell. The men of the Empire and the post-revolution young ladies were too much for him. He got up the day before the wedding, and, being curious by nature, took his niece aside for a quiet talk. He advised her to find out from her husband the true story of the affair of honour, whose claim, so imperative and so persistent, had led her to within an ace of tragedy. “It is right that his wife should be told. And next month or so will be your time to learn from him anything you want to know, my dear child.”

  Later on, when the married couple came on a visit to the mother of the bride, Madame la Generale D’Hubert communicated to her beloved old uncle the true story she had obtained without any difficulty from her husband.

  The Chevalier listened with deep attention to the end, took a pinch of snuff, flicked the grains of tobacco from the frilled front of his shirt, and asked, calmly, “And that’s all it was?”

  “Yes, uncle,” replied Madame la Generale, opening her pretty eyes very wide. “Isn’t it funny? C’est insense — to think what men are capable of!”

  “H’m!” commented the old emigre. “It depends what sort of men. That Bonaparte’s soldiers were savages. It is insense. As a wife, my dear, you must believe implicitly what your husband says.”

  But to Leonie’s husband the Chevalier confided his true opinion. “If that’s the tale the fellow made up for his wife, and during the honeymoon, too, you may depend on it that no one will ever know now the secret of this affair.”

  Considerably later still, General D’Hubert judged the time come, and the opportunity propitious to write a letter to General Feraud. This letter began by disclaiming all animosity. “I’ve never,” wrote the General Baron D’Hubert, “wished for your death during all the time of our deplorable quarrel. Allow me,” he continued, “to give you back in all form your forfeited life. It is proper that we two, who have been partners in so much military glory, should be friendly to each other publicly.”

  The same letter contained also an item of domestic information. It was in reference to this last that General Feraud answered from a little village on the banks of the Garonne, in the following words:

  “If one of your boy’s names had been Napoleon — or Joseph — or even Joachim, I could congratulate you on the event with a better heart. As you have thought proper to give him the names of Charles Henri Armand, I am confirmed in my conviction that you never loved the Emperor. The thought of that sublime hero chained to a rock in the middle of a savage ocean makes life of so little value that I would receive with positive joy your instructions to blow my brains out. From suicide I consider myself in honour debarred. But I keep a loaded pistol in my drawer.”

  Madame la Generale D’Hubert lifted up her hands in despair after perusing that answer.

  “You see? He won’t be reconciled,” said her husband. “He must never, by any chance, be allowed to guess where the money comes from. It wouldn’t do. He couldn’t bear it.”

  “You are a brave homme, Armand,” said Madame la Generale, appreciatively.

  “My dear, I had the right to blow his brains out; but as I didn’t, we can’t let him starve. He has lost his pension and he is utterly incapable of doing anything in the world for himself. We must take care of him, secretly, to the end of his days. Don’t I owe him the most ecstatic moment of my life? . . . Ha! ha! ha! Over the fields, two miles, running all the way! I couldn’t believe my ears! . . . But for his stupid ferocity, it would have taken me years to find you out. It’s extraordinary how in one way or another this man has managed to fasten himself on my deeper feelings.”

  IL CONDE

  A PATHETIC TALE

  “Vedi Napoli e poi mori.”

  The first time we got into conversation was in the National Museum in Naples, in the rooms on the ground floor containing the famous collection of bronzes from Herculaneum and Pompeii: that marvellous legacy of antique art whose delicate perfection has been preserved for us by the catastrophic fury of a volcano.

  He addressed me first, over the celebrated Resting Hermes which we had been looking at side by side. He said the right things about that wholly admirable piece. Nothing profound. His taste was natural rather than cultivated. He had obviously seen many fine things in his life and appreciated them: but he had no jargon of a dilettante or the connoisseur. A hateful tribe. He spoke like a fairly intelligent man of the world, a perfectly unaffected gentleman.

  We had known each other by sight for some few days past. Staying in the same hotel — good, but not extravagantly up to date — I had noticed him in the vestibule going in and out. I judged he was an old and valued client. The bow of the hotel-keeper was cordial in its deference, and he acknowledged it with familiar courtesy. For the servants he was Il Conde. There was some squabble over a man’s parasol — yellow silk with white lining sort of thing — the waiters had discovered abandoned outside the dining-room door. Our gold-laced door-keeper recognized it and I heard him directing one of the lift boys to run after Il Conde with it. Perhaps he was the only Count staying in the hotel, or perhaps he had the distinction of being the Count par excellence, conferred upon him because of his tried fidelity to the house.

  Having conversed at the Museo — (and by the by he had expressed his dislike of the busts and statues of Roman emperors in the gallery of marbles: their faces were too vigorous, too pronounced for him) — having conversed already in the morning I did not think I was intruding when in the evening, finding the dining-room very full, I proposed to share his little table. Judging by the quiet urbanity of his consent he did not think so either. His smile was very attractive.

  He dined in an evening waistcoat and a “smoking” (he called it so) with a black tie. All this of very good cut, not new — just as these things should be. He was, morning or evening, very correct in his dress. I have no doubt that his whole existence had been correct, well ordered and conventional, undisturbed by startling events. His white hair brushed upwards off a lofty forehead gave him the air of an idealist, of an imaginative man. His white moustache, heavy but carefully trimmed and arranged, was not unpleasantly tinted a golden yellow in the middle. The faint scent of some very good perfume, and of good cigars (that last an odour quite remarkable to come upon in Italy) reached me across the table. It was in his eyes that his age showed most. They were a little weary with creased eyelids. He must have been sixty or a couple of years more. And he was communicative. I would not go so far as to call it garrulous — but distinctly communicative.

  He had tried various climates, of Abbazia, of the Riviera, of other places, too, he told me, but the only one which suited him was the climate of the Gulf of Naples. The ancient Romans, who, he pointed out to me, were men expert in the art of living, knew very well what they were doing when they built their villas on these shores, in Baiae, in Vico, in Capri. They came down to this seaside in search of health, bringing with them their trains of mimes and flute-players to amuse their leisure. He thought it extremely probable that the Romans of the higher classes were specially predisposed to painful rheumatic affections.

  This was the only personal opinion I heard him express. It was based on no special erudition. He kn
ew no more of the Romans than an average informed man of the world is expected to know. He argued from personal experience. He had suffered himself from a painful and dangerous rheumatic affection till he found relief in this particular spot of Southern Europe.

  This was three years ago, and ever since he had taken up his quarters on the shores of the gulf, either in one of the hotels in Sorrento or hiring a small villa in Capri. He had a piano, a few books: picked up transient acquaintances of a day, week, or month in the stream of travellers from all Europe. One can imagine him going out for his walks in the streets and lanes, becoming known to beggars, shopkeepers, children, country people; talking amiably over the walls to the contadini — and coming back to his rooms or his villa to sit before the piano, with his white hair brushed up and his thick orderly moustache, “to make a little music for myself.” And, of course, for a change there was Naples near by — life, movement, animation, opera. A little amusement, as he said, is necessary for health. Mimes and flute-players, in fact. Only unlike the magnates of ancient Rome, he had no affairs of the city to call him away from these moderate delights. He had no affairs at all. Probably he had never had any grave affairs to attend to in his life. It was a kindly existence, with its joys and sorrows regulated by the course of Nature — marriages, births, deaths — ruled by the prescribed usages of good society and protected by the State.

  He was a widower; but in the months of July and August he ventured to cross the Alps for six weeks on a visit to his married daughter. He told me her name. It was that of a very aristocratic family. She had a castle — in Bohemia, I think. This is as near as I ever came to ascertaining his nationality. His own name, strangely enough, he never mentioned. Perhaps he thought I had seen it on the published list. Truth to say, I never looked. At any rate, he was a good European — he spoke four languages to my certain knowledge — and a man of fortune. Not of great fortune evidently and appropriately. I imagine that to be extremely rich would have appeared to him improper, outre — too blatant altogether. And obviously, too, the fortune was not of his making. The making of a fortune cannot be achieved without some roughness. It is a matter of temperament. His nature was too kindly for strife. In the course of conversation he mentioned his estate quite by the way, in reference to that painful and alarming rheumatic affection. One year, staying incautiously beyond the Alps as late as the middle of September, he had been laid up for three months in that lonely country house with no one but his valet and the caretaking couple to attend to him. Because, as he expressed it, he “kept no establishment there.” He had only gone for a couple of days to confer with his land agent. He promised himself never to be so imprudent in the future. The first weeks of September would find him on the shores of his beloved gulf.