Anything Can Be Dangerous

by Matt Hults

  Stephenie didn’t want to hear it, not a single word. Once Angela started talking everything would be so bad she’d want to scream.

  She felt another tug on her finger. Then the hand slipped away and that was the end of it. The finger tugging was over. If Carrie had been there she was gone now. She was gone to wherever she may be.

  Stephenie was alone. Alone in the room with the cheerful people that didn’t notice Angela’s eyes had turned black and the color was draining from her skin. She was alone in the room with a ghoul that was opening her mouth so horrifically wide that a rat could crawl from her throat with room to spare.

  Now Angela did speak. She did. And when she spoke it wasn’t a woman’s voice Stephenie heard. It was a child’s voice. It was Carrie’s voice. Carrie’s voice was creeping free of that cavernous void that needed to be shut.

  The voice said, “Mom?”

  And Stephenie opened her eyes.

  5

  Angela Mezzo was indeed dead. Her lifeless body was lying awkwardly across the table. Her fingers were wrapped around the coffee mug like she was about to take a drink. The yellow happy face on the mug smiled in spite of the carnage around it.

  Stephenie lifted her stare from Angela, but everywhere she looked there was a new horror waiting to be seen. The restaurant was a killing box, simple as that. It was a killing box that had been exhaustively used.

  She said, “Carrie?” Her voice sounded weak and shrouded in terror. “Where are you?”

  She stepped forward. Her foot brushed against Susan’s corpse. A spike of fear and panic gripped her with such strength she thought she’d faint. She turned quickly and reached for the door. Her foot slipped in the blood, not enough to knock her off balance; just enough to let her know what she was standing in. The walls seemed nearer; the ceiling seemed lower.

  She pushed on the glass. The door opened, the bells sang and out she went.

  She was outside.

  Yes. Outside. Outside was good. The clean air and the open sky eased the claustrophobic feeling that had clutched her so tightly a moment before. She put both hands on her knees and breathed hard, like she had gone running. Her throat felt dry now, the sweat on her neck gave her a little chill.

  This was bad, so very bad.

  She stood up army straight and looked over her right shoulder. The swing was empty. Christina was gone. She looked over her left shoulder. Nothing.

  The reality of the moment came rushing in, hitting her with enough power to knock her right out of her shoes.

  Where is Carrie? Where’s my daughter?

  At first she didn’t know what to do, what to think. The car was empty. The parking lot was empty. So what did that leave?

  It left the restaurant; that’s what it left. It left that fucking slaughterhouse, the gore-zone, the abattoir. And she didn’t want to go in there. She didn’t even want to think about going in there.

  Stephenie stumbled away from the restaurant like she had one too many at the local pub, more anxious now than anything else. She said, “Carrie? Carrie where are you?”

  There was no answer.

  “Carrie?”

  Nothing.

  Carrie was in the restaurant. She had to be. There was nowhere else to hide unless she, she––what? Wandered onto the highway? Sprouted wings and flew away? Disappeared into black-hole void like a spacecraft from a science fiction story?

  She was inside. Goddamn it, she had to be inside somewhere.

  Maybe she’s dead.

  Stephenie spun around quickly, holding a hand at her chest.

  Don’t think this way, she thought. Don’t think she’s dead, not even for a minute. My daughter isn’t dead, just misplaced. Whoever’s responsible for this mess is long gone, which means there’s no danger here. None. So don’t start thinking Carrie is in trouble; it’ll only make matters worse.

  She eyed the door.

  The door looked the way you’d expect an old restaurant door to look: big and grimy with a large glass window. The bottom half had little splotches of dirt and mud clinging to the chipped paint. The glass was tinted dark and nearly impossible to see through. Behind the glass, a thin, dirty curtain hung from a cheap gold colored rod. The curtain needed to be cleaned. The rod needed to have its screws tightened, otherwise it would likely fall from the door before the season’s end.

  Stephenie stepped towards the building and wrapped her fingers around the door handle. The handle felt like trucker sweat and french-fry grease. She tightened her grip; then taking a deep, stabilizing breath, she pulled the door open. Bells rang. The carnage became visible before she even stepped inside.

  “Carrie?” She whispered.

  The door closed behind her. The room was awful; it was also very quiet. But there was something, a sound of some kind. She wasn’t sure what the sound was but it was there, no louder than the buzz of an electric heater. It didn’t sound like a heater though. She didn’t know what it sounded like. Scratching? Was that it? Did it sound like something scratching the wall?

  “Carrie? Are you here? Hello? Anybody? Is anybody… alive?”

  No response.

  Stephenie’s eyes found Angela again, but she didn’t want to look at the woman because Angela did one thing very, very well: she made Stephenie nervous––beyond nervous, actually. She made Stephenie feel like she was ready to die of anxiety. So she looked away, looked towards a dead body that was slumped against the counter, because that was better. Sure it was.

  The corpse had a name: Craig Smyth. He was twenty-one, dressed in a nice white shirt. His hands were on his chest. His legs were curled towards his body, suggesting that he recoiled from something terrible in his last moment of life. There was a large wound near Craig’s heart; it separated his ribs and caused a giant puddle on the floor around him. His white shirt was drenched in red.

  Stephenie turned away. She said, “Carrie? Are you––”

  A wet hand slapped the floor, shocking the silence of the room. Stephenie flinched. Her words got caught in her throat as her head snapped towards the corpse once again. She wasn’t sure what she expected to see but she felt like screaming.

  Craig’s arm had shifted; his hand had fallen from his chest. Now it was lying on the floor, surrounded in blood.

  “Don’t freak out,” she whispered, allowing a little moan to escape. But Stephenie knew she might freak out. Oh yes. Freaking out was right around the bend and becoming more appealing all the time.

  She heard the sound again: scratch, scratch.

  It came from behind the counter. Yes, she was sure of it now.

  She moved past Craig, trying not to look at him. And as she rounded the counter’s corner she noticed the countertop had a big hack mark in it, like someone had slammed an axe into it. There was blood around this spot, but that wasn’t really surprising; there was blood everywhere. She moved ahead. Another corpse came into view. It sat on the floor near the stove, leaning against a cupboard door that was missing a hinge. It was another waitress: Jennifer Boyle. The young woman’s open eyes stared at nothing. Her legs were spread wide, creating a V, exposing her skimpy pink underwear, exposing her flesh. Her left arm had been severed near the elbow. Now it sat in a dark red puddle at her side that was easily a quarter of an inch thick. The open hand faced the ceiling like an overturned spider. Blood dribbled from her stump.

  Stephenie looked at Jennifer; she looked at the severed arm. She was about to turn away when she heard that sound again: scratch, scratch. It sounded like, like… like what, a rat dragging its claws against a door? Maybe. She didn’t know. But there was a door beside the corpse, and that’s where the sound was coming from.

  What was in there, a staff bathroom? Closet? Storage room?

  “Carrie?”

  She walked along the path behind the counter, past a pair of coffee makers, towards Jennifer and the door. She could smell greasy food. She could smell coffee as well. There was heat coming from a stove so Stephenie took a moment to turn the elements off.
It seemed like the right thing to do. She placed a foot between Jennifer’s open legs and put a hand on the doorknob. In contrast to the hot stove, the knob felt cold. She turned it quickly and pulled, disregarding the fact that she hated rats. In her books, rats were disgusting.

  The door opened, hitting Jennifer in the leg.

  Stephenie pulled harder, causing Jennifer’s right leg to slide towards her left. The sound of dead skin dragging across the floor was enough to make her stomach churn.

  Want to keep reading?

  Check out the rest of the story here:

  JAMES ROY DALEY - INTO HELL

  * * *

  Preview of:

  PAUL KANE’S - PAIN CAGES

  Ask someone to describe pain…

  And they might say, the feeling they get when they stub their toe on a table, or accidentally hit their thumb with a hammer when they’re banging a nail into the wall. Pain can be more than merely physical, of course: it can hurt when a marriage breaks up or a loved one dies. That’s even harder to put into words.

  But these are all just shadows, echoes of something much greater.

  Pain, true pain is impossible to describe, no matter how hard anyone tries. It can rip apart a person’s soul, leaving them a shell of what they once were. And if it is hard to endure, it is certainly much harder to watch.

  For some.

  This story is about pain, in all its forms. We enter this world screaming and crying as we fight to take our first breath––being struck on the back to rouse us into consciousness. Most of us leave this world the same way: with a jolt. If we’re lucky it will be quick, if we’re not…

  This story is about pain.

  True pain.

  One

  The piercing screams wake me.

  Not straight away, but slowly. They sound as if they’re coming from a million miles away. The closer to consciousness I draw, though, the louder they are, like someone turned up the volume on a stereo: surround sound, sub woofers, the works. Then that I realize they’re not part of some strange dream, but coming from the real world.

  From somewhere nearby.

  I open my eyes, or at least I try to. I never would have thought it could be so difficult; the amount of times I’ve taken this simple action for granted. But now… Actually, I can’t tell whether they’re open or shut because it’s still so dark and I can’t really feel my eyelids. My guts are doing somersaults; I feel like I need to be sick.

  And all the time the screaming continues.

  My face––my whole body––is pressed up against a hard, solid surface. I’m lying on a smooth but cold floor, curled up like a cat in front of a fireplace, though nowhere near as contented. I try to lift my head. I thought it was difficult to open my eyes, but this is something else entirely. Jesus, it hurts––a shockwave traveling right down the length of my neck and spine. Instinctively I try to clutch at my back, but I can’t move my hand either. Must have been one hell of a bender last night. And the screaming? Had to be a TV somewhere, someone watching a really loud horror film with no thought for anyone else. Wait, had I turned it on after managing to get back home in God alone knows what state?

  This is the weirdest hangover ever. I have some of the symptoms––head feels like it’s caving in, aching all over, stomach churning… But my tongue doesn’t feel like someone’s been rubbing it with sandpaper; I’m not thirsty from dehydration. Maybe someone slipped something into my glass?

  Maybe you took something voluntarily. Wouldn’t be the first time.

  There’s movement to my left and my head whips sideways. I immediately regret it as stars dance across my field of vision. I still can’t see anything, even after the universe of stars fade. Now I realize some sick son of a bitch has put a blindfold over my eyes.

  More movement, this time to the right. I try to lift my hands to pull down the material, but again they won’t budge, neither of them. My fingertips brush against metal and now I know why. It’s not because of any fucking hangover: I’m handcuffed. My fingers explore further and find a chain attached to the cuffs. The manacles?

  When I hear the screams again, the terror racked up a notch, it dawns on me that I’m in a whole world of trouble. Maybe my groggy condition made me slow on the uptake, I don’t know, or perhaps I just couldn’t acknowledge the shouts of agony as real. But they are; there’s no doubting that now. And I’m definitely suffering from the after-effects of drugs, just not in the way I thought. Drugs designed to knock me out rather than get me high.

  More movement, this time a swishing sound in front of and behind me at the same time. How is that possible? My heart’s pumping fast, breathing coming in heavy gasps. I try to say something but all that comes out are a series of odd grunts.

  “Sshh,” whispers a voice; can’t tell whether it’s a man or a woman, but they’re close. “Keep quiet, and stay still!”

  The advice seems sound, but I’ve never been one for taking any kind of orders. I pull at the chains holding my hands in front of me. Now I realize my feet are shackled too.

  “Do as he says,” comes another hushed voice, this one definitely a woman, “or you’re going to get yourself killed.”

  “And us with him,” spits the first person.

  Killed? What the fuck? So many questions: where am I? Who are these people talking to me? Why can I feel heat on my face? Smell something burning? No… cooking. Like roasting meat on a barbeque.

  Struggling again, I scrape my face against the floor, trying to pull down the blindfold. The screams reach fever pitch, mixed with pleas for help. The cloying smell is in my nose, down my throat; I gag.

  I nose at the ground like a horse eating hay, and the blindfold slips a fraction. I can see a little through my right eye; there isn’t a lot of light, but I see metal bars in front of me, all around me. A glimpse of the cages on either side: a man, no more than forty, cowering in the corner of his. A woman––the one who’d told me I’d get myself killed––is transfixed by something right in front of her, tears tracking down her cheeks.

  I follow her gaze and wish I hadn’t.

  I see the shape, the thing in yet another of these round cages. It’s smoking, charred almost black, but here and there are patches of pink. A tuft or two of singed hair at the top of what must have been its head. Its eyeballs have melted, the liquid running down its cheeks, viscous and thick; flesh pulled taut over teeth that gleam so brightly they could have been used in a toothpaste commercial. This hunk of burnt flesh I’m looking at is––was––a person. That makes the stench even more pungent; just that bit more sickening.

  I notice the screaming has stopped. It must have been coming from inside that cage as the flames did their worst before petering out.

  It feels like I’m watching the body for hours, but it can’t be more than a minute.

  Then, without any warning, the burnt figure lurches forward. No screams this time––its vocal chords are jelly––but its body rattles against the bars of the cage, which swings, suspended above the ground (as we all are).

  Flesh, and what’s left of the person’s clothes, have stuck to the bottom of the cage, coming away from its body like molten plastic and revealing more raw pinkness. It makes only one last-ditch attempt for freedom before collapsing, never to move again.

  This time I really do throw up, seeing stars again as the blindfold slips back over my eye. Too late, I’ve seen it now… I can’t ever forget.

  When I pass out I barely notice the transition––darkness replaced by darkness, black with black.

  But I still see that body, hanging. A scorched mess that had once been human.

  The ghosts of its screams following me back now into the void.

  Interlude:

  Twenty Years Ago

  This happened to me when I was ten; still holding on to childhood for grim death, in no particular hurry to be an adult.

  I grew up on a council estate away from the city––farms and fields within walking distance. The houses were
all uniform grey, there was a small park that the older kids wrecked periodically, and the council failed to keep any of the streets tidy. Old women gossiped over fences while young girls left school and became baby-making machines so they could live off benefits for the next twenty or thirty years.

  Mum and Dad were still together back then. She worked part-time in a bookies and he worked on the busses. At family gatherings I’d sometimes hear my Uncle Jim telling people Mum could have done so much better than Dad. “With her looks, she could have had her pick.”

  He was right about my Mum, though. She was beautiful in a kind of film star way, all blonde hair and curls like Marilyn Monroe or Jean Harlow, and even at that age she’d lost none of the glamour. Sure, Dad was boring, but I like to think she ended up with him because he was a kind man with a kind face. In the end she did ‘do better’ as my Uncle would have called it, running off with owner of the bookies. She ended up with money, but was as miserable as sin. And, we suspected, the guy beat her. While my Dad wallowed in a tiny flat, getting drunk until his liver just gave up the ghost. But that’s another story, and long after this one.

  I first saw The Monster one Bank Holiday. Dad was working overtime, but Mum had the day off. I was an only child, so had to amuse myself a lot of the time. That day I was getting under my mother’s feet while she was trying to watch some musical on TV.

  “Christopher Edward Warwick, do you have to make such a row!” she finally bawled. I couldn’t really blame her: I’d turned the whole house into a spaceship and was busy piloting it into the deeper reaches of the Galaxy, battling one-eyed aliens with veiny skins.

  She sent me out to play with the other kids, but that wasn’t really my thing. I ended up wandering off to explore what the locals called ‘The Cut’––I never understood why, because it didn’t look like anyone had cut the grass down there in centuries. Maybe it was because a pitiful excuse for a canal ran the length of it like a wound. Here I could pretend that I was in the jungle where giant snakes and lions lived, and down by the water there were man-eating crocodiles (in actual fact you were more likely to find used condoms and fag ends).