Sweet Days of Discipline

by Fleur Jaeggy

  SWEET DAYS OF DISCIPLINE

  Fleur Jaeggy

  Translated by

  Tim Parks

  Contents

  Title Page

  SWEET DAYS OF DISCIPLINE

  About the Author

  Copyright

  SWEET DAYS OF DISCIPLINE

  At fourteen I was a boarder in a school in the Appenzell. This was the area where Robert Walser used to take his many walks when he was in the mental hospital in Herisau, not far from our college. He died in the snow. Photographs show his footprints and the position of his body in the snow. We didn’t know the writer. And nor did our literature teacher. Sometimes I think it might be nice to die like that, after a walk, to let yourself drop into a natural grave in the snows of the Appenzell, after almost thirty years of mental hospital, in Herisau. It really is a shame we didn’t know of Walser’s existence, we would have picked a flower for him. Even Kant, shortly before his death, was moved when a woman he didn’t know offered him a rose. You can’t help but take walks in the Appenzell. If you look at the small white-framed windows and the busy, fiery flowers on the sills, you get this sense of tropical stagnation, a thwarted luxuriance, you have the feeling that inside something serenely gloomy and a little sick is going on. It’s an Arcadia of sickness. Inside, it seems, in the brightness in there, is the peace and perfection of death, a rejoicing of whitewash and flowers. Outside the windows, the landscape beckons; it isn’t a mirage, it’s a Zwang, as we used to say in school, a duty.

  I was studying French, German and general culture. I wasn’t studying at all. The only thing I remember of French literature is Baudelaire. Every morning I got up at five to go out and walk. I climbed high up the hill and saw a strip of water on the other side, down at the bottom. Lake Constance. I looked at the horizon, and at the lake; I didn’t realise as yet that another school awaited me by that lake. I ate an apple and walked. I was looking for solitude, and perhaps the absolute. But I envied the world.

  It happened one day at lunch. We had all sat down. A girl arrived, a new one. She was fifteen, she had hair straight and shiny as blades and stern staring shadowy eyes. Her nose was aquiline, her teeth when she laughed, and she didn’t often laugh, were sharp. She had a fine, high forehead, the kind of forehead that makes thought tangible, a forehead past generations had endowed with talent, intelligence and charm. She spoke to no one. Her looks were those of an idol, disdainful. Perhaps that was why I wanted to conquer her. She had no humanity. She even seemed repulsed by us all. The first thing I thought was: she had been further than I had. When we rose from the table, I went up to her and said: ‘Bonjour.’ Her Bonjour was brusque. I introduced myself, name and surname, like a recruit, and when she had told me hers it seemed the conversation was over. She left me there in the dining hall, amongst the other chattering girls. A Spanish girl told me something in an excited voice, but I paid no attention. I heard a clamour of different languages. That whole day the new arrival didn’t show her face, but in the evening she appeared punctually for dinner, tall behind her chair. Standing still, it was as if she were veiled. At a nod from the headmistress we all sat down and after a few moments’ silence everyone was talking again. The following day it was she greeted me first.

  In our lives at school, each of us, if we had a little vanity, would establish a façade, a kind of double life, affect a way of speaking, walking, looking. When I saw her writing I couldn’t believe it. We almost all had the same kind of handwriting, uncertain, childish, with round, wide ‘o’s. Hers was completely affected. (Twenty years later I saw something similar in a dedication Pierre Jean Jouve had written on a copy of Kyrie.) Of course I pretended not to be surprised, I barely glanced at it. But secretly I practised. And I still write like Frédérique today, and people tell me I have beautiful, interesting handwriting. They don’t know how hard I worked at it. In those days I didn’t work at all, and I never worked at school, because I didn’t want to. I cut out reproductions of the German expressionists and crime stories from the papers and pasted them in an exercise book. I led her to believe I was interested in art. As a result Frédérique granted me the honour of accompanying her along the corridors and on her walks. At school – though I think it goes without saying – she was top in everything. She already knew everything, from the generations that came before her. She had something the others didn’t have; all I could do was justify her talent as a gift passed on from the dead. You only had to hear her reciting the French poets in class to realise that they had come down to her, were reincarnated in her. We, perhaps, were still innocent. And perhaps innocence has something crude, pedantic and affected about it, as if we were all dressed in plus fours and long socks.

  We came from all over the world, lots of Americans and Dutch. One girl was coloured, as they say today, a little black girl, curly-haired, a doll for us to admire in the Appenzell. She had arrived one day with her father. He was President of an African state. One girl of every nationality was chosen to form a fan shape at the entrance to the Bausler Institute There was a redhead, a Belgian, a Swedish blonde, the Italian girl, the girl from Boston. They all cheered the President, lined up with their flags in their hands, and they truly did represent the world. I was in the third row, the last, next to Frédérique, the hood of my duffel coat pulled over my head. In front – and if the President had had a bow, his arrow would have pierced her heart – stood the headmistress of the school, Frau Hofstetter, tall, heavily built, very dignified, a smile buried in her fat cheeks. Next to her was her husband, Herr Hofstetter, a thin, small, shy man. They raised the Swiss flag. The little black girl took the leading position in the formation. It was cold. She was wearing a dark-blue, bell-shaped coat, a lighter-blue velvet collar. I must confess that the black President cut a good figure at the Bausler Institut. The African head of state trusted the Hofstetter family. There were one or two Swiss girls who weren’t impressed by the pomp with which the President had been received. They said all fathers should be treated as equals. There are always a few subversives tucked away in a boarding school. The first signs of their political thinking emerge, or of what you might call a general vision of the whole. Frédérique had a Swiss flag in her hand and looked as though she were holding a pole. The youngest girl curtsied and offered a bunch of wild flowers. I don’t remember if the black girl ever managed to make friends with anybody. We often saw the headmistress holding her hand and taking her for walks. Yes, Frau Hofstetter in person. Maybe she was afraid we would eat the girl. Or that she wouldn’t stay pure. She never played tennis.

  Frédérique became more and more distant every day. Sometimes I would go to see her in her room. I slept in another house, she was with the older girls. Although there were only a few months between us, I had to stay with the younger girls. I shared my room with a German whose name I’ve forgotten, she was so uninteresting. She gave me a book on the German expressionists. Frédérique’s cupboard was incredibly tidy, I didn’t know how to fold pullovers so that not so much as a centimetre was out of place and I had a low mark for tidiness. I learnt from her. Sleeping in separate houses it was as if there were a generation between us. One day I found a little love note in my pigeon hole, it was from a ten-year-old who begged me to let her become my favourite, to make a pair. Impulsively I answered with an unfriendly no, and I still regret it today. I regretted it then too, immediately, no sooner than I’d told her that I had no use for a sister, that I wasn’t interested in looking after a little favourite. I was getting to be unpleasant because Frédérique was eluding me and I had to conquer her, because it would be too humiliating to lose. I only took a look at the younger girl when it was too late and I had already offended her. She was really pretty, very attractive, and I had lost a
slave, without getting any pleasure out of it.

  The younger girl never spoke to me again from that day on, nor even said hello. As you see, I had yet to learn the art of compromise, I still thought that to get something you had to go straight for your goal, whereas it is only distractions, uncertainty, distance that bring us closer to our targets, and then it is the target which strikes us. Yet I did have a strategy with Frédérique. I had a reasonable amount of experience of boarding school life. I’d been a boarder since I was eight years old. And it’s in the dormitories that you get to know your fellow boarders, by the washbasins, at break time. My first boarding school bed was surrounded by white curtains, and covered with a white piqué bedspread. Even the dresser was white. A pretend room, followed by twelve others. A sort of chaste promiscuity. You could hear the sighs. My room-mate in the Bausler Institut was a German, well-behaved and mean the way stupid girls often can be. In bright white underwear her body was quite attractive, shapely almost, but if by accident I were to touch her I had a feeling of repugnance. Maybe that’s why I got up so early in the morning for my walks. By eleven, during the lessons, I would start feeling sleepy. I looked over to the window, and the window returned my expression and had me dozing off.

  Frédérique and I not only slept in different houses at night, we were also in different classrooms during the day. We didn’t sit close to each other at table, but I could see her. And at last she began to look at me. Maybe I was interesting too. I liked German expressionism and the thought of the life, the crimes I hadn’t yet experienced. I told her that at ten I had insulted a mother superior by calling her a cow. What a simple word, I was ashamed of my simplicity when I told her about it. I was expelled from the convent school. ‘Beg pardon,’ they said. I wouldn’t. Frédérique laughed. She was kind enough to ask me why I’d done it. And gradually I began to talk about myself at eight years old. At the time I used to play football with the boys, then they sent me to that dismal college. At the end of a dismal corridor was a chapel. To the left a door. Inside, a mother superior, ethereal, delicate, who took me under her wing. She caressed me with her slender, soft hands, she sat next to me as if I were a friend. One day she disappeared. In her place arrived a buxom Swiss from Canton Uri. It’s common knowledge that a new leader will hate the predecessors’ favourites. A boarding school is like a harem.

  Frédérique told me I was an aesthete. It was a new word for me, but it immediately made sense. Her handwriting was an aesthete’s handwriting, that much I appreciated. Likewise her scorn for everything was an aesthete’s scorn. Frédérique hid her scorn behind obedience and discipline; she was respectful. I hadn’t as yet learnt to dissemble. I was respectful with the headmistress, Frau Hofstetter, because I was afraid of her. I was ready to curtsey to her. Frédérique never needed to curtsey, because her way of respecting others instilled respect. And I noticed this. Once, perhaps to distract myself from my pursuit of Frédérique, I accepted a date with a boy from a nearby boarding school, the Rosenberg. It was a short date. They saw me. Frau Hofstetter called me to her office. She was broad as a cupboard in a blue tailleur, white blouse, a brooch. She threatened me. I told her he was just a relative. It was true, in fact his mother had written to Frau Hofstetter on purpose to tell her to be careful that I didn’t go to see him. I pretended to cry. She was touched. Where had all the strength I’d had at eight gone, the confidence, the self-control? At eight I hadn’t given a moment’s thought to any of the other girls. They were all the same, all detestable and mean. Even now, I can’t bring myself to say I was in love with Frédérique, it’s such an easy thing to say.

  That day I was afraid they would throw me out. One morning, breakfasts were delicious, I dunked my bread in my coffee. Having slapped my dunking hand, the headmistress made me stand up. At eight I would have picked up my cup and tossed it in her face. Who gave her the right to insult me? Frédérique ate with her elbows pressed against her bust. Never did an elbow of Frédérique’s touch the table. Did she scorn her food too? She was so perfect. When we went for walks together, every day now, the two of us alone, sometimes she would walk in front of me and I would watch her. Everything about her was right, harmonious. Sometimes she put her hand on my shoulder and it was as though it must stay like that forever, through the woods, the mountains, the paths, une amitié amoureuse, as the French say. She said something about a man. I had nothing to say on the subject, only my relative. And a governess. But it wasn’t the same thing. A governess, a nun, a school friend are all of a kind. Frédérique spoke of a man as of a completed parabola. In the evening when I went back to my room with the German girl, I thought it over. Of course we are experts when it comes to women, we who have spent our best years in boarding schools. And when we get out, since the world is divided in two, male and female, we’ll get to know the male side as well. But will it ever have the same intensity? Will conquering men, I wondered, be as difficult as conquering Frédérique?

  Despite the daily walks with Frédérique, the confidences, the tenderness, I felt I hadn’t conquered her yet. My term of comparison for what I was doing was force. I must conquer her, she must admire me. Frédérique did not grant her company to anyone, and sometimes she preferred to be alone rather than with me. And I would get bored. I didn’t read, I looked at myself in the mirror, brushed my hair, a hundred brush strokes, I pretended to love nature. Frédérique, I’d noticed, did not look at herself in the mirror. How enthusiastically I talked to her about trees, mountains, silence and literature. Life was dragging on a bit for me. I’d been seven years in boarding schools already and there was more to come. When you’re in boarding school you imagine how grand and fine the world is, and when you leave you’d sometimes like to hear the sound of the school bell again.

  It’s strange that whenever I went to college there was always a shortage of men round about. Either they were old, or mad, or caretakers. In the Appenzell I recall some ancient men, cripples, a cake shop and a fountain. If you wanted a bit of city life you went to the cake shop; there was never anybody there, but an old man might pass by along the road. For a long time I thought that those of us who had been in boarding school, like Frédérique and myself, would remember it all one day when we were old and disappointed and would be able to live on nothing. The bell rings, we get up. The bell rings again, we go to bed. We retire to our rooms; we saw life pass by beneath our windows, observed it in books and on our walks, watched the seasons change. It was always a reflection, a reflection that seemed to freeze on our windowsills. And perhaps now and then we saw a tall marbly figure stand out stark before us: it is Frédérique passing through our lives and maybe we’d like to go back, but we don’t need anything, anymore. We imagined the world. What else can we imagine now if not our own deaths? The bell rings and it’s all over.

  But to return to our little story: Frédérique would describe the colours of the leaves to me, I remember our conversations as always being surrounded by freshness. The French literature teacher admired her, thought of her as a Brontë, perhaps. And detested me. She wanted it to be her taking the walks with Frédérique. She was an ugly woman, she didn’t know about anything apart from French literature, to which she was devoted. When she spoke, I yawned. As I’ve already said, life was really dragging along slowly for me. Literature for its own sake didn’t amuse me; the important thing was to prepare for my conversations with Frédérique. I had read a few lines of Novalis about suicide and perfection.

  ‘But what’s wrong with you?’ ‘What are you thinking about?’ she asked me. At last she had asked me what I was thinking about. A point in my favour. There was only one thing I was thinking about: getting out into the world. And I would never admit it. Nothing, I answered Frédérique. I’m not thinking about anything. Sometimes, when we were talking together, I thought about her, about her beauty, her intelligence, something perfect there was about her. Years and years have passed and I can still see her face, a face I have looked for in other women and never found. She was entire u
nto herself. Something dangerous. I never had the straightforwardness to tell her, nor to confess my admiration, since from the very first day I always felt, despite a certain inferiority on my part in comparison with her, that before becoming close we would have to go through certain phases. Like in a battle. And I had to conquer her. Everything was so lofty and tense, words, tone and manner were weighed up, it took a certain mental effort. I wonder what would have happened if, after a few weeks, instead of talking we had begun to put our arms round each other. It would have been unthinkable. We never held hands. We would have thought it ridiculous. You saw little girls holding hands along the paths, laughing, playing girlfriends, playing lovers. With us there was a kind of fanaticism that prevented any physical expression.

  The French mistress looked like a sad man, especially in the light, near the window, behind the teacher’s desk. She asked me questions. I didn’t answer. She had short, grey wavy hair, hands like a priest’s, pressed together. Behind her austere gaze it was as if she were trying to beg almost, there was a never-to-be-satisfied supplication, a purity even, the purity of the loser, a mixture of fleeting desperation and stubbornness. They hang on, this kind. They teach right to the end, on their deathbeds. They read a penultimate poem. She was still asking me questions, getting to her feet now. Did she want to beat me? I was vacuous, I was suffering from a sort of loss of will, as often happened towards midday. It had been seven hours since my morning walk. Seven hours is almost as long as a worker works, and they want to do less. She despises me. She must be asking herself why on earth Frédérique spends time with me, I can sense it in her expression. Maybe she understood. I couldn’t read a book. In the bookcase, my section was empty. I leafed through Frédérique’s books, but if anything needed real concentration I didn’t have the energy. As for what might be called spiritual energy, Frédérique took up a great deal. When she talked to me about literature, I was really interested, and I had to be up on a par with her reflections, but even when she talked to me there were moments when I wasn’t there.