The Glory Boys

by Gerald Seymour

  Famy extended the shoulder rest of the M i , locked it in its extended position, checked the magazine was in place, cocked the gun - quickly and fearfully lest the noise of the mechanism would arouse curiosity - and eased off the safety catch.

  Beside him McCoy had pulled the heavy black glove on to his right hand, the metal tube grasped in the grotesque finger-shapes. But no gun; Famy saw he had picked up no weapon.

  'You should have the other Mx with you,' he hissed, amplifying his worry.

  'No need. Your pigeon now, remember? I'm going to give you the clear shot, then it's all yours.'

  it will be a famous success for our people . . . '

  'Keep that fucking nonsense till you've hit the bastard.'

  They heard the swell of applause build behind the blackness of the curtain, prolonged fierce clapping and shouts. Famy went up the back of the car and on to the roof that buckled and heaved under his weight. He needed to steady himself with his free hand, nerves gripping at his legs. McCoy came the other way, climbing over the bonnet and stretching up past the windscreen till both stood together, uncertain of balance on the shifting platform.

  They were exactly above the mark Famy had drawn against the wall, and level with the join of the curtain. The Irishman pushed his face close to Famy's

  'Remember it then. When I've done the window and got the curtain back he'll be forty-five degrees to you. And don't bugger about. If they all start blasting chuck the grenades. Right?'

  He waited for Famy to bring the rifle up to his shoulder in the aim position, waited till it was snug against the shoulder and the right cheek, and then smashed the tubing into the expanse of glass. Famy winced away from the noise as McCoy's fist, protected by the glove, beat at the obstinate and remaining slivers still fastened in the mortar-work of the frame. The hand grabbed for the curtain and pulled it back; instinctively Famy lunged forward, still in the fire posture, raking the brightness of the room for his target.

  Where was he? Where was the whore? Which was the one he sought? Which of the uncomprehending, blank faces that had turned and now stayed motionless and transfixed peering at the source of the commotion? The answer was not long coming. The man who stood at the table while all round him sat, the man who had begun to cower, who knew the blow was near and sought to avoid it, who could not urge his muscles to follow the racing orders of his brain. That one, that one was Sokarev.

  Famy steadied to fire, aiming for the chest where the white shirt and the dark tie disappeared into the greyness of his suit. So big, so easy, through the shape of the gunsight.

  'Speed it up, for Christ's sake,' screamed McCoy, and as the finger closed round the trigger, squeezing as he'd been told, Famy twisted his gaze to the agony of impatience on the Irishman's face.

  When he looked back he saw the man at the far end of the table thrusting a way toward Sokarev, and the man closer to him was wrestling with a coat swinging the billowed shape of it up toward his shoulder.

  Famy fired.

  As the curtain exploded with the noise of the breaking glass, Jimmy's hand moved to the holster under the breast pocket of his jacket. His fingers found the harshness of the handle, fastening on the ridging there to aid his grip. Then there was the protruding gun barrel, barely thirty feet from him. The pistol was coming fast, out in front, arm extended, level with the eyes as he heard the shout from far in the night, and then the first shot. Fractionally later Jimmy pulled the hair trigger, without finesse and conscious of the need not for accuracy but for a volume of shots. Some were to hit the curtain, some to disappear he knew not where.

  Jimmy had fired six times, shouting all the time in the direction of Sorakev.

  'Get him down. Get the bloody man on the floor. Get him under the table.'

  Elkin reached the scientist first, taking off in a leap when still five feet from him to pinion Sokarev to the floor among the tangle of chair and table supports and feet.

  Jimmy saw the chairman sag in his chair and then fall forward, casually and without effort on to the open surface of the table.

  Again and again the rifle at the window fired and with each succeeding shot Jimmy was surer in his knowledge.

  'He's missed, the little mother fucker, and he knows it!'

  It was almost a shout, exhilaration at the contact, half-smile playing on his mouth. But the eyes were cold -

  focused, taking in the scene around him.

  The two Branch men along the same wall as Jimmy had begun to fire, not standing but crouched in the taught posture, classic but slower. He's not going to take it, too much for him, it'll finish him, the little rat, thought Jimmy.

  He saw Sokarev far under the table, Elkin covering him, saw Mackowicz bring the Uzi to his shoulder, rid himself of that useless coat, and he began to make for the door.

  He had reached it, elbowing aside the policemen, shouting for the door to be opened above the nerve-shattering noise of the long burst fired by Mackowicz, when from the corner of his eye he saw the puny, dark grey and rounded shape loop its way from the window toward the top table.

  Mackowicz far back in the room shouted the one terrifying choked word, 'Grenade!'

  It bounced, seemingly consumed with inertia, on to the floor between the table and the front row of the audience's seats, made a gentle parabola before bouncing again and then rolling unevenly, toward the shelter of the table where Elkin protected Sokarev. Mackowicz jumped for it. There was a moment when he was airborne and Jimmy could see the grenade wobbling, nearly stationary, then it disappeared beneath the big body. Stillness, fractional but complete. Then Mackowicz was lifted high toward the ceiling, Jimmy did not see him fall — he was through the door, now unlocked and running toward the main entrance.

  The detonation of the grenade was still battering in Jimmy's ears as he went down the corridor through the confusion of the milling policemen. Because the shots and explosion had come from inside the lecture room every man, in or out of uniform, saw it as his duty to crowd as close as physically possible to the source of the gunfire.

  Behind Jimmy as he shouldered his way through the advancing charge came a cry for 'Stretchers.' He knew where to go. He dug his heels into the soft gravel immediately outside the doorway, ran out into the night and to his left and then swerved again to get himself along the side of the building and to the marksman's position. In the shadows far in front he saw two men jump from the roof of a parked car and start to run for the low boundary wall that separated the university precincts from Malet Street and the free-flowing traffic. Still sprinting, Jimmy fired -

  stupid really — carried away with the cowboy game, only one shot, and the magazine was expended. There was a shot in return, wide and high and to the right, barely close enough for him to distinguish the 'crack' that signalled its incoming. As his finger moved uselessly on the trigger, bringing home the message of his wastefulness, he slowed, couldn't get close now, not with an empty bloody shooter.

  Across the road he heard the frantic, piercing sound of dispute, and the noise, belatedly, of a car revving. Jimmy was panting now, out of condition, not enough time in the gym, striving to fill his lungs with air.

  'Helen. Helen. Where in God's name are you?'

  It seemed deep eternity before the car pulled up sharply alongside him.

  'Get out. Get out of the bloody thing.' His voice came in short staccato bursts. She hesitated, disorientated by the distant noise of gunfire and now the heaving wild-eyed form of Jimmy.

  'Get out, you stupid bitch. Get out of the bloody car.'

  She began to unfasten the clasp of her safety belt worn across her body. Always in position, however far she went, reflex. Jimmy wrenched open the door, took hold of the collar of her coat and pulled her from the wheel. One action, out of the seat and clear of the door. The background cacophony; of police whistles blowing, of a radio screeching with static, of orders bellowed. Jimmy had taken her place and the car was already spinning in a one-hundred-and-eighty-degree half-circle as he headed for the
one gap in the wall and toward where he had seen the running men and heard the starting car.

  Seventy yards in front the Cortina struck out into the main stream. It was a laboured movement, that of a winged animal, one certain in the knowledge that it must escape but with its limbs damaged and impaired. Jimmy heaved with relief. He was in contact, the vacuum space between the cars would lessen. He cut right from the centre of the road to avoid a racing police car, light revolving, siren at volume, travelling in the other direction. Flashed his headlights, but it was past him, his gesture unseen by driver or navigator. No system of communication from Helen's car, no radio telephone. He pulled out again, avoided the bus that lumbered in front and cursed that the girl had purchased a slow-acceleration family car. But the gap would close.

  The Cortina went through the traffic lights on red and was in Goodge Street, long, Georgian and geometric, heading south. Jimmy followed, was faintly aware of a car skidding to an emergency stop to avoid collision, and settled himself easily into the seat. Not good yet, Jimmy, had you with your Y-fronts on your knees, not often it goes that way, but it'll get better, and the little bastards up front'll wonder what hit them. The PPK rested on his lap.

  Another magazine was in his jacket, right pocket. He would wait for an opportunity to reload.

  They had run from the window close together, Famy with his head bent round, covering the area behind them, the small rifle ready to fire, ready to head off pursuit, McCoy leading with his right arm pressed hard against the upper shoulder. When Famy had turned once to fire away into the distance McCoy had savagely pulled him forward, destroying his aim.

  it's distance we have to have. Hang on here and we're screwed.' The words sobbed out, but with little tone as they emerged from the clamped and pain-creased mouth.

  When they reached the Cortina McCoy had thrust his left hand across his body into the opposite trouser pocket and pulled clear the laden key ring. It took him several seconds to select the one he wanted, small and bright and fresh-cut. He tossed it to Famy.

  'You drive,' he said, and flung open the passenger door, left unlocked when they had parked the bare forty minutes earlier. Should have left the keys in the ignition.

  Famy had the rifle to his shoulder. It was small, a child's toy, too insignificant to be a killing weapon. The people who had paused on the far pavement did not believe in it and now stood and watched - not with great fear, nor petrified beyond movement, but curious. Famy was jolted from the image by McCoy's words.

  'Come on, you stupid bloody eejit. You'll have to drive.'

  Still Famy held the rifle up, peering over its sights, watchful of pursuit.

  'Shift yourself, you bastard.'

  Famy lowered the rifle, and held it at his side, as a man who walks with a stick, and is resting. 'I cannot,' he said.

  McCoy seemed not to have heard him. 'Don't piss about. Get behind the bloody wheel.'

  'I cannot drive.' Famy said it slowly. Humiliation, abject and total.

  'Course you can bloody drive,' McCoy's voice rose in exasperation and temper.

  'I don't know how. I have never driven.'

  McCoy waved his right arm in Famy's face. 'Can't you see, there's a bloody great bullet in there? Stop farting about and move the car off.'

  it is impossible. I have never driven. I cannot.'

  The monotonous recitation slid home to McCoy. The obscenity he yelled at the Arab was vicious and wounding.

  McCoy ran round the car and draped himself into the driving seat. He laid his right arm along the wheel for support and from the street light Famy could see his face whitened. With his left hand McCoy inserted the key into the ignition, and then put the car into gear. By pushing his whole body forward he was able to turn the wheel toward the direction of the road before he could bring his left hand into play again with the gear stick.

  Famy wondered whether the Irishman would faint. He wound down the passenger window and looked back across the road, rifle aimed again. In his jacket pocket were three grenades — he could run his fingers over them.

  Grip-bag in the rear, where it had been left, more ammunition, more grenades, needed the reassurance, and then the car was moving. He cringed as they went through the lights, bracing himself for an impact that did not happen.

  And another car came through the lights, clearly visible to him, unmistakable.

  'Another car followed us,' near-panic, near-hysteria.

  'What am I supposed to do about it?'

  'I cannot see it now, not as an individual car, there are just lights.'

  'Forget it,' said McCoy, if it gets close blast it. If not forget it.'

  McCoy could tell that his concentration was slipping, felt the weakness drifting uncontrollably over him. The wound itself fascinated him. Little to see, but he glanced obsessively at it. Just the neatly driven hole that lay in the centre of the blood patch where the cloth had darkened and stained on the upper forearm. The pain ebbed, rising only when he tried to use the hand, and then sliding into numbness when he rested his fingers on the wheel.

  'Did you get the bastard?' McCoy said.

  They were on the move now. If he did not have to go fast, and drive under pressure, then he could manage. If there was pursuit . . . There was a vagueness, an absence of care, caused by the loss of blood, but that was the option that he did not care to consider.

  'I don't know.' Famy's reply was little more than a whisper.

  "Course you bloody know. Either you saw him go down or you didn't. You know when you've hit a man, the way he goes.' McCoy said it with patronizing knowledge. Seen at first hand - the way a man was raised in the air, thrown up rag-doll and the way he then slumped out of control, unable to protect his head. There was a lapse of the co-ordination that maintained the living.

  it was difficult to know.' Famy paused. He studied the road in front, the thinning traffic of late evening in central London, then glanced behind. Only a myriad of jumbled lights, some stationary, some on the move, none so close as to threaten danger. Famy wanted to explain, wanted the other man to understand, 'I was about to fire at Sokarev when you shouted. There was distraction. As I fired there was a man across the room who began to shoot.

  One of the men pulled Sokarev under the table, I was firing all the time he did that, but he was on the ground and then was gone from my sight. The man who sat beside Sokarev, he was hit. . . '

  'Big deal, they'll be singing and dancing in Beirut if you've drilled a Brit geriatric.'

  McCoy was almost amused at the other man's discom-fiture. And it was a failure, that much had penetrated to him, through the cloud and the haze. Without his wound he would have felt savage hatred at being associated with the fiasco, but the injury dissipated his anger, rendered it obsolete.

  ' . . . There was shooting from the wall facing us. Three or four men. And the bodyguard near the table, another one, not the one that went to Sokarev, he had the small machine-gun. He had stared to fire when I threw the grenade. The grenade would have taken Sokarev, but the man fell on it. Then I could see nothing. He just exploded, and then there was smoke. The men who were shooting had an aim by then, one could not stay at the window.'

  'One of those bastards took me.' There was finality in McCoy's words. To Famy it seemed the pain of the inquest was over, and the car was still moving. McCoy could cope with the disability. Famy watched the cars behind and those alongside but could find nothing to sustain his earlier anxiety. He put the M1 on the floor, under his legs, easy to reach but invisible to any driver who might glance at them casually from an adjacent car.

  McCoy said, the trace of a smile playing at the side of his mouth, 'I thought this was the one where you stood up and had yourself counted, where you took Sokarev, or they took you. Bugged out early, didn't we?'

  it was impossible to continue shooting with all the firing from the wall.'

  'Hand gun stuff, not accurate at that range. Lucky shot that hit me.'

  'You started to run, and you were pulling at m
e.'

  'But it's not my war, remember? You could have stayed.

  You were the bloody marksman. I'm just the chauffeur.

  So, why did you do the scamper?'

  'I couldn't see any more . . . only the smoke . . . I couldn't aim.' But Famy knew they were just words. There was no recollection of making a decision to run. He was already moving long before the awareness of it. There had never been a moment when he had the choice, choice of life and death.

  They had swung to the west now, and the traffic was lighter as they navigated a by-pass route which avoided the heart of the city. McCoy was able to keep the speedometer flickering a path between twenty and thirty miles an hour.

  'They won't react well, your masters. Won't have wanted you hanging about able to fight another day and Mr Bloody Sokarev coming out clean.' McCoy was turning the screw. Knew it, and enjoyed the process. Retribution for his pain.

  Famy stayed silent.

  'My crowd wouldn't take kindly to it - not with all the investment. If it's cocked then it would have been better it had never started. Victory for them, bad news in your parish.'

  McCoy was talking as if to himself, softly and winning no response.

  'The Provies have their own way if it doesn't work out.

  If it's yellow, if the bugger sprinted to save his neck, then it's court martial. Not as formal as all that, nothing pompous. Half a dozen guys, in a barn or in a garage.

  Sentence comes a bit formal, though. Hood and a pistol-shot behind the ear. Leave a note on them too, so the next lot know why.'

  Famy had his eyes closed, lids tightly drawn together, but was unable to shut out the message as McCoy expanded.

  if it's just because they didn't think, mucked the scene, then it's easier. Call it knee-capping. Bullet through each, from the back. They walk again, but they never run, and they , stand out from the crowd because they're on sticks for weeks. The Proddies, the other mob, they're worse . ..

  use a Black and Decker. It's a drill, used for putting holes in the wall. Takes longer than a bullet — obvious isn't it?