Complete Works of F. Scott Fitzgerald UK (Illustrated)

by F. Scott Fitzgerald

  “That’s all. I think the worst thing to contemplate is this — it’s all happened before, how soon will it happen again? Fifty years after Waterloo Napoleon was as much a hero to English school children as Wellington. How do we know our grandchildren won’t idolize Von Hindenburg the same way?”

  “What brings it about?”

  “Time, damn it, and the historian. If we could only learn to look on evil as evil, whether it’s clothed in filth or monotony or magnificence.”

  “God! Haven’t we raked the universe over the coals for four years?”

  Then the night came that was to be the last. Tom and Amory, bound in the morning for different training-camps, paced the shadowy walks as usual and seemed still to see around them the faces of the men they knew.

  “The grass is full of ghosts to-night.”

  “The whole campus is alive with them.”

  They paused by Little and watched the moon rise, to make silver of the slate roof of Dodd and blue the rustling trees.

  “You know,” whispered Tom, “what we feel now is the sense of all the gorgeous youth that has rioted through here in two hundred years.”

  A last burst of singing flooded up from Blair Arch — broken voices for some long parting.

  “And what we leave here is more than this class; it’s the whole heritage of youth. We’re just one generation — we’re breaking all the links that seemed to bind us here to top-booted and high-stocked generations. We’ve walked arm and arm with Burr and Light-Horse Harry Lee through half these deep-blue nights.”

  “That’s what they are,” Tom tangented off, “deep blue — a bit of color would spoil them, make them exotic. Spires, against a sky that’s a promise of dawn, and blue light on the slate roofs — it hurts... rather — “

  “Good-by, Aaron Burr,” Amory called toward deserted Nassau Hall, “you and I knew strange corners of life.”

  His voice echoed in the stillness.

  “The torches are out,” whispered Tom. “Ah, Messalina, the long shadows are building minarets on the stadium — “

  For an instant the voices of freshman year surged around them and then they looked at each other with faint tears in their eyes.

  “Damn!”

  “Damn!”

  The last light fades and drifts across the land — the low, long land, the sunny land of spires; the ghosts of evening tune again their lyres and wander singing in a plaintive band down the long corridors of trees; pale fires echo the night from tower top to tower: Oh, sleep that dreams, and dream that never tires, press from the petals of the lotus flower something of this to keep, the essence of an hour.

  No more to wait the twilight of the moon in this sequestered vale of star and spire, for one eternal morning of desire passes to time and earthy afternoon. Here, Heraclitus, did you find in fire and shifting things the prophecy you hurled down the dead years; this midnight my desire will see, shadowed among the embers, furled in flame, the splendor and the sadness of the world.

  INTERLUDE

  May, 1917-February, 1919

  A letter dated January, 1918, written by Monsignor Darcy to Amory, who is a second lieutenant in the 171st Infantry, Port of Embarkation, CampMills, Long Island.

  MY DEAR BOY:

  All you need tell me of yourself is that you still are; for the rest I merely search back in a restive memory, a thermometer that records only fevers, and match you with what I was at your age. But men will chatter and you and I will still shout our futilities to each other across the stage until the last silly curtain falls plump! upon our bobbing heads. But you are starting the spluttering magic-lantern show of life with much the same array of slides as I had, so I need to write you if only to shriek the colossal stupidity of people....

  This is the end of one thing: for better or worse you will never again be quite the Amory Blaine that I knew, never again will we meet as we have met, because your generation is growing hard, much harder than mine ever grew, nourished as they were on the stuff of the nineties.

  Amory, lately I reread Aeschylus and there in the divine irony of the “Agamemnon” I find the only answer to this bitter age — all the world tumbled about our ears, and the closest parallel ages back in that hopeless resignation. There are times when I think of the men out there as Roman legionaries, miles from their corrupt city, stemming back the hordes... hordes a little more menacing, after all, than the corrupt city... another blind blow at the race, furies that we passed with ovations years ago, over whose corpses we bleated triumphantly all through the Victorian era....

  And afterward an out-and-out materialistic world — and the Catholic Church. I wonder where you’ll fit in. Of one thing I’m sure — Celtic you’ll live and Celtic you’ll die; so if you don’t use heaven as a continual referendum for your ideas you’ll find earth a continual recall to your ambitions.

  Amory, I’ve discovered suddenly that I’m an old man. Like all old men, I’ve had dreams sometimes and I’m going to tell you of them. I’ve enjoyed imagining that you were my son, that perhaps when I was young I went into a state of coma and begat you, and when I came to, had no recollection of it... it’s the paternal instinct, Amory — celibacy goes deeper than the flesh....

  Sometimes I think that the explanation of our deep resemblance is some common ancestor, and I find that the only blood that the Darcys and the O’Haras have in common is that of the O’Donahues... Stephen was his name, I think....

  When the lightning strikes one of us it strikes both: you had hardly arrived at the port of embarkation when I got my papers to start for Rome, and I am waiting every moment to be told where to take ship. Even before you get this letter I shall be on the ocean; then will come your turn. You went to war as a gentleman should, just as you went to school and college, because it was the thing to do. It’s better to leave the blustering and tremulo-heroism to the middle classes; they do it so much better.

  Do you remember that week-end last March when you brought Burne Holiday from Princeton to see me? What a magnificent boy he is! It gave me a frightful shock afterward when you wrote that he thought me splendid; how could he be so deceived? Splendid is the one thing that neither you nor I are. We are many other things — we’re extraordinary, we’re clever, we could be said, I suppose, to be brilliant. We can attract people, we can make atmosphere, we can almost lose our Celtic souls in Celtic subtleties, we can almost always have our own way; but splendid — rather not!

  I am going to Rome with a wonderful dossier and letters of introduction that cover every capital in Europe, and there will be “no small stir” when I get there. How I wish you were with me! This sounds like a rather cynical paragraph, not at all the sort of thing that a middle-aged clergyman should write to a youth about to depart for the war; the only excuse is that the middle-aged clergyman is talking to himself. There are deep things in us and you know what they are as well as I do. We have great faith, though yours at present is uncrystallized; we have a terrible honesty that all our sophistry cannot destroy and, above all, a childlike simplicity that keeps us from ever being really malicious.

  I have written a keen for you which follows. I am sorry your cheeks are not up to the description I have written of them, but you will smoke and read all night —

  At any rate here it is:

  A Lament for a Foster Son, and He going to the War Against the King of Foreign.

  “Ochone

  He is gone from me the son of my mind

  And he in his golden youth like Angus Oge

  Angus of the bright birds

  And his mind strong and subtle like the mind of Cuchulin on

  Muirtheme.

  Awirra sthrue

  His brow is as white as the milk of the cows of Maeve

  And his cheeks like the cherries of the tree

  And it bending down to Mary and she feeding the Son of God.

  Aveelia Vrone

  His hair is like the golden collar of the Kings at Tara

  And his eyes like the four gray
seas of Erin.

  And they swept with the mists of rain.

  Mavrone go Gudyo

  He to be in the joyful and red battle

  Amongst the chieftains and they doing great deeds of valor

  His life to go from him

  It is the chords of my own soul would be loosed.

  A Vich Deelish

  My heart is in the heart of my son

  And my life is in his life surely

  A man can be twice young

  In the life of his sons only.

  Jia du Vaha Alanav

  May the Son of God be above him and beneath him, before him and

  behind him

  May the King of the elements cast a mist over the eyes of the

  King of Foreign,

  May the Queen of the Graces lead him by the hand the way he can

  go through the midst of his enemies and they not seeing him

  May Patrick of the Gael and Collumb of the Churches and the five

  thousand Saints of Erin be better than a shield to him

  And he got into the fight.

  Och Ochone.”

  Amory — Amory — I feel, somehow, that this is all; one or both of us is not going to last out this war.... I’ve been trying to tell you how much this reincarnation of myself in you has meant in the last few years... curiously alike we are... curiously unlike. Good-by, dear boy, and God be with you. THAYER DARCY.

  EMBARKING AT NIGHT

  Amory moved forward on the deck until he found a stool under an electric light. He searched in his pocket for note-book and pencil and then began to write, slowly, laboriously:

  “We leave to-night...

  Silent, we filled the still, deserted street,

  A column of dim gray,

  And ghosts rose startled at the muffled beat

  Along the moonless way;

  The shadowy shipyards echoed to the feet

  That turned from night and day.

  And so we linger on the windless decks,

  See on the spectre shore

  Shades of a thousand days, poor gray-ribbed wrecks...

  Oh, shall we then deplore

  Those futile years!

  See how the sea is white!

  The clouds have broken and the heavens burn

  To hollow highways, paved with gravelled light

  The churning of the waves about the stern

  Rises to one voluminous nocturne,

  ... We leave to-night.”

  A letter from Amory, headed “Brest, March 11th, 1919,” to Lieutenant T. P. D’Invilliers, Camp Gordon, Ga.

  DEAR BAUDELAIRE: —

  We meet in Manhattan on the 30th of this very mo.; we then proceed to take a very sporty apartment, you and I and Alec, who is at me elbow as I write. I don’t know what I’m going to do but I have a vague dream of going into politics. Why is it that the pick of the young Englishmen from Oxford and Cambridge go into politics and in the U. S. A. we leave it to the muckers? — raised in the ward, educated in the assembly and sent to Congress, fat-paunched bundles of corruption, devoid of “both ideas and ideals” as the debaters used to say. Even forty years ago we had good men in politics, but we, we are brought up to pile up a million and “show what we are made of.” Sometimes I wish I’d been an Englishman; American life is so damned dumb and stupid and healthy.

  Since poor Beatrice died I’ll probably have a little money, but very darn little. I can forgive mother almost everything except the fact that in a sudden burst of religiosity toward the end, she left half of what remained to be spent in stained-glass windows and seminary endowments. Mr. Barton, my lawyer, writes me that my thousands are mostly in street railways and that the said Street R.R. s are losing money because of the five-cent fares. Imagine a salary list that gives $350 a month to a man that can’t read and write! — yet I believe in it, even though I’ve seen what was once a sizable fortune melt away between speculation, extravagance, the democratic administration, and the income tax — modern, that’s me all over, Mabel.

  At any rate we’ll have really knock-out rooms — you can get a job on some fashion magazine, and Alec can go into the Zinc Company or whatever it is that his people own — he’s looking over my shoulder and he says it’s a brass company, but I don’t think it matters much, do you? There’s probably as much corruption in zinc-made money as brass-made money. As for the well-known Amory, he would write immortal literature if he were sure enough about anything to risk telling any one else about it. There is no more dangerous gift to posterity than a few cleverly turned platitudes.

  Tom, why don’t you become a Catholic? Of course to be a good one you’d have to give up those violent intrigues you used to tell me about, but you’d write better poetry if you were linked up to tall golden candlesticks and long, even chants, and even if the American priests are rather burgeois, as Beatrice used to say, still you need only go to the sporty churches, and I’ll introduce you to Monsignor Darcy who really is a wonder.

  Kerry’s death was a blow, so was Jesse’s to a certain extent. And I have a great curiosity to know what queer corner of the world has swallowed Burne. Do you suppose he’s in prison under some false name? I confess that the war instead of making me orthodox, which is the correct reaction, has made me a passionate agnostic. The Catholic Church has had its wings clipped so often lately that its part was timidly negligible, and they haven’t any good writers any more. I’m sick of Chesterton.

  I’ve only discovered one soldier who passed through the much-advertised spiritual crisis, like this fellow, Donald Hankey, and the one I knew was already studying for the ministry, so he was ripe for it. I honestly think that’s all pretty much rot, though it seemed to give sentimental comfort to those at home; and may make fathers and mothers appreciate their children. This crisis-inspired religion is rather valueless and fleeting at best. I think four men have discovered Paris to one that discovered God.

  But us — you and me and Alec — oh, we’ll get a Jap butler and dress for dinner and have wine on the table and lead a contemplative, emotionless life until we decide to use machine-guns with the property owners — or throw bombs with the Bolshevik God! Tom, I hope something happens. I’m restless as the devil and have a horror of getting fat or falling in love and growing domestic.

  The place at Lake Geneva is now for rent but when I land I’m going West to see Mr. Barton and get some details. Write me care of the Blackstone, Chicago.

  S’ever, dear Boswell,

  SAMUEL JOHNSON.

  BOOK TWO — The Education of a Personage

  CHAPTER 1. The Debutante

  The time is February. The place is a large, dainty bedroom in the Connage house on Sixty-eighth Street, New York. A girl’s room: pink walls and curtains and a pink bedspread on a cream-colored bed. Pink and cream are the motifs of the room, but the only article of furniture in full view is a luxurious dressing-table with a glass top and a three-sided mirror. On the walls there is an expensive print of “Cherry Ripe,” a few polite dogs by Landseer, and the “King of the Black Isles,” by Maxfield Parrish.

  Great disorder consisting of the following items: (1) seven or eight empty cardboard boxes, with tissue-paper tongues hanging panting from their mouths; (2) an assortment of street dresses mingled with their sisters of the evening, all upon the table, all evidently new; (3) a roll of tulle, which has lost its dignity and wound itself tortuously around everything in sight, and (4) upon the two small chairs, a collection of lingerie that beggars description. One would enjoy seeing the bill called forth by the finery displayed and one is possessed by a desire to see the princess for whose benefit — Look! There’s some one! Disappointment! This is only a maid hunting for something — she lifts a heap from a chair — Not there; another heap, the dressing-table, the chiffonier drawers. She brings to light several beautiful chemises and an amazing pajama but this does not satisfy her — she goes out.

  An indistinguishable mumble from the next room.

  Now, we are getting w
arm. This is Alec’s mother, Mrs. Connage, ample, dignified, rouged to the dowager point and quite worn out. Her lips move significantly as she looks for IT. Her search is less thorough than the maid’s but there is a touch of fury in it, that quite makes up for its sketchiness. She stumbles on the tulle and her “damn” is quite audible. She retires, empty-handed.

  More chatter outside and a girl’s voice, a very spoiled voice, says: “Of all the stupid people — “

  After a pause a third seeker enters, not she of the spoiled voice, but a younger edition. This is Cecelia Connage, sixteen, pretty, shrewd, and constitutionally good-humored. She is dressed for the evening in a gown the obvious simplicity of which probably bores her. She goes to the nearest pile, selects a small pink garment and holds it up appraisingly.

  CECELIA: Pink?

  ROSALIND: (Outside) Yes!

  CECELIA: Very snappy?

  ROSALIND: Yes!

  CECELIA: I’ve got it!

  (She sees herself in the mirror of the dressing-table and commences to shimmy enthusiastically.)

  ROSALIND: (Outside) What are you doing — trying it on?

  (CECELIA ceases and goes out carrying the garment at the right shoulder.

  From the other door, enters ALEC CONNAGE. He looks around quickly and in a huge voice shouts: Mama! There is a chorus of protest from next door and encouraged he starts toward it, but is repelled by another chorus.)

  ALEC: So that’s where you all are! Amory Blaine is here.

  CECELIA: (Quickly) Take him down-stairs.

  ALEC: Oh, he is down-stairs.

  MRS. CONNAGE: Well, you can show him where his room is. Tell him I’m sorry that I can’t meet him now.

  ALEC: He’s heard a lot about you all. I wish you’d hurry. Father’s telling him all about the war and he’s restless. He’s sort of temperamental.

  (This last suffices to draw CECELIA into the room.)