Complete Works of F. Scott Fitzgerald UK (Illustrated)

by F. Scott Fitzgerald

  He lifted her and then laid her back among the pillows.

  “I’ll be with you in a minute,” he said gently. “Can you wait for just a minute?”

  He passed into the lighted living-room, and she heard him thumbing the pages of a telephone directory; then she listened as he called a number.

  “Hello, is Mr. Lacy there? Why — yes, it is pretty important — if he hasn’t gone to sleep.”

  A pause. Jaqueline could hear restless sparrows splattering through the leaves of the magnolia over the way. Then her husband at the telephone:

  “Is this Mr. Lacy? Oh, this is Mather. Why — why, in regard to that matter we talked about this afternoon, I think I’ll be able to fix that up after all.” He raised his voice a little as though some one at the other end found it difficult to hear.”James Mather’s son, I said — About that little matter this afternoon — “

  “THE SENSIBLE THING”

  At the Great American Lunch Hour young George O’Kelly straightened his desk deliberately and with an assumed air of interest. No one in the office must know that he was in a hurry, for success is a matter of atmosphere, and it is not well to advertise the fact that your mind is separated from your work by a distance of seven hundred miles.

  But once out of the building he set his teeth and began to run, glancing now and then at the gay noon of early spring which filled Times Square and loitered less than twenty feet over the heads of the crowd. The crowd all looked slightly upward and took deep March breaths, and the sun dazzled their eyes so that scarcely any one saw any one else but only their own reflection on the sky.

  George O’Kelly, whose mind was over seven hundred miles away, thought that all outdoors was horrible. He rushed into the subway, and for ninety-five blocks bent a frenzied glance on a car-card which showed vividly how he had only one chance in five of keeping his teeth for ten years. At 137th Street he broke off his study of commercial art, left the subway, and began to run again, a tireless, anxious run that brought him this time to his home--one room in a high, horrible apartment-house in the middle of nowhere.

  There it was on the bureau, the letter--in sacred ink, on blessed paper--all over the city, people, if they listened, could hear the beating of George O’Kelly’s heart. He read the commas, the blots, and the thumb-smudge on the margin--then he threw himself hopelessly upon his bed.

  He was in a mess, one of those terrific messes which are ordinary incidents in the life of the poor, which follow poverty like birds of prey. The poor go under or go up or go wrong or even go on, somehow, in a way the poor have--but George O’Kelly was so new to poverty that had any one denied the uniqueness of his case he would have been astounded.

  Less than two years ago he had been graduated with honors from The Massachusetts Institute of Technology and had taken a position with a firm of construction engineers in southern Tennessee. All his life he had thought in terms of tunnels and skyscrapers and great squat dams and tall, three-towered bridges, that were like dancers holding hands in a row, with heads as tall as cities and skirts of cable strand. It had seemed romantic to George O’Kelly to change the sweep of rivers and the shape of mountains so that life could flourish in the old bad lands of the world where it had never taken root before. He loved steel, and there was always steel near him in his dreams, liquid steel, steel in bars, and blocks and beams and formless plastic masses, waiting for him, as paint and canvas to his hand. Steel inexhaustible, to be made lovely and austere in his imaginative fire . . .

  At present he was an insurance clerk at forty dollars a week with his dream slipping fast behind him. The dark little girl who had made this mess, this terrible and intolerable mess, was waiting to be sent for in a town in Tennessee.

  In fifteen minutes the woman from whom he sublet his room knocked and asked him with maddening kindness if, since he was home, he would have some lunch. He shook his head, but the interruption aroused him, and getting up from the bed he wrote a telegram.

  “Letter depressed me have you lost your nerve you are foolish and just upset to think of breaking off why not marry me immediately sure we can make it all right--”

  He hesitated for a wild minute, and then added in a hand that could scarcely be recognized as his own: “In any case I will arrive to-morrow at six o’clock.”

  When he finished he ran out of the apartment and down to the telegraph office near the subway stop. He possessed in this world not quite one hundred dollars, but the letter showed that she was “nervous” and this left him no choice. He knew what “nervous” meant--that she was emotionally depressed, that the prospect of marrying into a life of poverty and struggle was putting too much strain upon her love.

  George O’Kelly reached the insurance company at his usual run, the run that had become almost second nature to him, that seemed best to express the tension under which he lived. He went straight to the manager’s office.

  “I want to see you, Mr. Chambers,” he announced breathlessly.

  “Well?” Two eyes, eyes like winter windows, glared at him with ruthless impersonality.

  “I want to get four days’ vacation.”

  “Why, you had a vacation just two weeks ago!” said Mr. Chambers in surprise.

  “That’s true,” admitted the distraught young man, “but now I’ve got to have another.”

  “Where’d you go last time? To your home?”

  “No, I went to--a place in Tennessee.”

  “Well, where do you want to go this time?”

  “Well, this time I want to go to--a place in Tennessee.”

  “You’re consistent, anyhow,” said the manager dryly. “But I didn’t realize you were employed here as a travelling salesman.”

  “I’m not,” cried George desperately, “but I’ve got to go.”

  “All right,” agreed Mr. Chambers, “but you don’t have to come back. So don’t!”

  “I won’t.” And to his own astonishment as well as Mr. Chambers’ George’s face grew pink with pleasure. He felt happy, exultant--for the first time in six months he was absolutely free. Tears of gratitude stood in his eyes, and he seized Mr. Chambers warmly by the hand.

  “I want to thank you,” he said with a rush of emotion. “I don’t want to come back. I think I’d have gone crazy if you’d said that I could come back. Only I couldn’t quit myself, you see, and I want to thank you for--for quitting for me.”

  He waved his hand magnanimously, shouted aloud, “You owe me three days’ salary but you can keep it!” and rushed from the office. Mr. Chambers rang for his stenographer to ask if O’Kelly had seemed queer lately. He had fired many men in the course of his career, and they had taken it in many different ways, but none of them had thanked him--ever before.

  II

  Jonquil Cary was her name, and to George O’Kelly nothing had ever looked so fresh and pale as her face when she saw him and fled to him eagerly along the station platform. Her arms were raised to him, her mouth was half parted for his kiss, when she held him off suddenly and lightly and, with a touch of embarrassment, looked around. Two boys, somewhat younger than George, were standing in the background.

  “This is Mr. Craddock and Mr. Holt,” she announced cheerfully. “You met them when you were here before.”

  Disturbed by the transition of a kiss into an introduction and suspecting some hidden significance, George was more confused when he found that the automobile which was to carry them to Jonquil’s house belonged to one of the two young men. It seemed to put him at a disadvantage. On the way Jonquil chattered between the front and back seats, and when he tried to slip his arm around her under cover of the twilight she compelled him with a quick movement to take her hand instead.

  “Is this street on the way to your house?” he whispered. “I don’t recognize it.”

  “It’s the new boulevard. Jerry just got this car to-day, and he wants to show it to me before he takes us home.”

  When, after twenty minutes, they were deposited at Jonquil’s house, George felt
that the first happiness of the meeting, the joy he had recognized so surely in her eyes back in the station, had been dissipated by the intrusion of the ride. Something that he had looked forward to had been rather casually lost, and he was brooding on this as he said good night stiffly to the two young men. Then his ill-humor faded as Jonquil drew him into a familiar embrace under the dim light of the front hall and told him in a dozen ways, of which the best was without words, how she had missed him. Her emotion reassured him, promised his anxious heart that everything would be all right.

  They sat together on the sofa, overcome by each other’s presence, beyond all except fragmentary endearments. At the supper hour Jonquil’s father and mother appeared and were glad to see George. They liked him, and had been interested in his engineering career when he had first come to Tennessee over a year before. They had been sorry when he had given it up and gone to New York to look for something more immediately profitable, but while they deplored the curtailment of his career they sympathized with him and were ready to recognize the engagement. During dinner they asked about his progress in New York.

  “Everything’s going fine,” he told them with enthusiasm. “I’ve been promoted--better salary.”

  He was miserable as he said this--but they were all so glad.

  “They must like you,” said Mrs. Cary, “that’s certain--or they wouldn’t let you off twice in three weeks to come down here.”

  “I told them they had to,” explained George hastily; “I told them if they didn’t I wouldn’t work for them any more.”

  “But you ought to save your money,” Mrs. Cary reproached him gently. “Not spend it all on this expensive trip.”

  Dinner was over--he and Jonquil were alone and she came back into his arms.

  “So glad you’re here,” she sighed. “Wish you never were going away again, darling.”

  “Do you miss me?”

  “Oh, so much, so much.”

  “Do you--do other men come to see you often? Like those two kids?”

  The question surprised her. The dark velvet eyes stared at him.

  “Why, of course they do. All the time. Why--I’ve told you in letters that they did, dearest.”

  This was true--when he had first come to the city there had been already a dozen boys around her, responding to her picturesque fragility with adolescent worship, and a few of them perceiving that her beautiful eyes were also sane and kind.

  “Do you expect me never to go anywhere”--Jonquil demanded, leaning back against the sofa-pillows until she seemed to look at him from many miles away--”and just fold my hands and sit still--forever?”

  “What do you mean?” he blurted out in a panic. “Do you mean you think I’ll never have enough money to marry you?”

  “Oh, don’t jump at conclusions so, George.”

  “I’m not jumping at conclusions. That’s what you said.”

  George decided suddenly that he was on dangerous grounds. He had not intended to let anything spoil this night. He tried to take her again in his arms, but she resisted unexpectedly, saying:

  “It’s hot. I’m going to get the electric fan.”

  When the fan was adjusted they sat down again, but he was in a super-sensitive mood and involuntarily he plunged into the specific world he had intended to avoid.

  “When will you marry me?”

  “Are you ready for me to marry you?”

  All at once his nerves gave way, and he sprang to his feet.

  “Let’s shut off that damned fan,” he cried, “it drives me wild. It’s like a clock ticking away all the time I’ll be with you. I came here to be happy and forget everything about New York and time--”

  He sank down on the sofa as suddenly as he had risen. Jonquil turned off the fan, and drawing his head down into her lap began stroking his hair.

  “Let’s sit like this,” she said softly, “just sit quiet like this, and I’ll put you to sleep. You’re all tired and nervous and your sweetheart’ll take care of you.”

  “But I don’t want to sit like this,” he complained, jerking up suddenly, “I don’t want to sit like this at all. I want you to kiss me. That’s the only thing that makes me rest. And anyways I’m not nervous--it’s you that’s nervous. I’m not nervous at all.”

  To prove that he wasn’t nervous he left the couch and plumped himself into a rocking-chair across the room.

  “Just when I’m ready to marry you you write me the most nervous letters, as if you’re going to back out, and I have to come rushing down here--”

  “You don’t have to come if you don’t want to.”

  “But I do want to!” insisted George.

  It seemed to him that he was being very cool and logical and that she was putting him deliberately in the wrong. With every word they were drawing farther and farther apart--and he was unable to stop himself or to keep worry and pain out of his voice.

  But in a minute Jonquil began to cry sorrowfully and he came back to the sofa and put his arm around her. He was the comforter now, drawing her head close to his shoulder, murmuring old familiar things until she grew calmer and only trembled a little, spasmodically, in his arms. For over an hour they sat there, while the evening pianos thumped their last cadences into the street outside. George did not move, or think, or hope, lulled into numbness by the premonition of disaster. The clock would tick on, past eleven, past twelve, and then Mrs. Cary would call down gently over the banister--beyond that he saw only to-morrow and despair.

  III

  In the heat of the next day the breaking-point came. They had each guessed the truth about the other, but of the two she was the more ready to admit the situation.

  “There’s no use going on,” she said miserably, “you know you hate the insurance business, and you’ll never do well in it.”

  “That’s not it,” he insisted stubbornly; “I hate going on alone. If you’ll marry me and come with me and take a chance with me, I can make good at anything, but not while I’m worrying about you down here.”

  She was silent a long time before she answered, not thinking--for she had seen the end--but only waiting, because she knew that every word would seem more cruel than the last. Finally she spoke:

  “George, I love you with all my heart, and I don’t see how I can ever love any one else but you. If you’d been ready for me two months ago I’d have married you--now I can’t because it doesn’t seem to be the sensible thing.”

  He made wild accusations--there was some one else--she was keeping something from him!

  “No, there’s no one else.”

  This was true. But reacting from the strain of this affair she had found relief in the company of young boys like Jerry Holt, who had the merit of meaning absolutely nothing in her life.

  George didn’t take the situation well, at all. He seized her in his arms and tried literally to kiss her into marrying him at once. When this failed, he broke into a long monologue of self-pity, and ceased only when he saw that he was making himself despicable in her sight. He threatened to leave when he had no intention of leaving, and refused to go when she told him that, after all, it was best that he should.

  For a while she was sorry, then for another while she was merely kind.

  “You’d better go now,” she cried at last, so loud that Mrs. Cary came down-stairs in alarm.

  “Is something the matter?”

  “I’m going away, Mrs. Cary,” said George brokenly. Jonquil had left the room.

  “Don’t feel so badly, George.” Mrs. Cary blinked at him in helpless sympathy--sorry and, in the same breath, glad that the little tragedy was almost done. “If I were you I’d go home to your mother for a week or so. Perhaps after all this is the sensible thing--”

  “Please don’t talk,” he cried. “Please don’t say anything to me now!”

  Jonquil came into the room again, her sorrow and her nervousness alike tucked under powder and rouge and hat.

  “I’ve ordered a taxicab,” she said impersonally. �
�We can drive around until your train leaves.”

  She walked out on the front porch. George put on his coat and hat and stood for a minute exhausted in the hall--he had eaten scarcely a bite since he had left New York. Mrs. Cary came over, drew his head down and kissed him on the cheek, and he felt very ridiculous and weak in his knowledge that the scene had been ridiculous and weak at the end. If he had only gone the night before--left her for the last time with a decent pride.

  The taxi had come, and for an hour these two that had been lovers rode along the less-frequented streets. He held her hand and grew calmer in the sunshine, seeing too late that there had been nothing all along to do or say.

  “I’ll come back,” he told her.

  “I know you will,” she answered, trying to put a cheery faith into her voice. “And we’ll write each other--sometimes.”

  “No,” he said, “we won’t write. I couldn’t stand that. Some day I’ll come back.”

  “I’ll never forget you, George.”

  They reached the station, and she went with him while he bought his ticket. . . .

  “Why, George O’Kelly and Jonquil Cary!”

  It was a man and a girl whom George had known when he had worked in town, and Jonquil seemed to greet their presence with relief. For an interminable five minutes they all stood there talking; then the train roared into the station, and with ill-concealed agony in his face George held out his arms toward Jonquil. She took an uncertain step toward him, faltered, and then pressed his hand quickly as if she were taking leave of a chance friend.

  “Good-by, George,” she was saying, “I hope you have a pleasant trip.

  “Good-by, George. Come back and see us all again.”

  Dumb, almost blind with pain, he seized his suitcase, and in some dazed way got himself aboard the train.