Razzle Dazzle

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Razzle Dazzle Page 51

by Michael Riedel


  ice, see ice

  and “I Love New York,” 184–87, 209, 272

  investigation into (1963), 1–15, 47, 53

  landmarked theatres, 96, 261, 359

  megamusicals, 291, 358, 364, 379, 388

  production costs on, 210

  resurgence of, 221, 272

  revitalized by Chorus Line, 157–58, 173

  on the road, 86, 158, 304, 363–64, 400

  saved in Great Depression, 33–34, 35, 42, 84, 96

  Save the Theatres campaign, 249–53, 261–63, 270

  scalpers, 119

  souvenir programs, 13

  stop clause, 34, 59, 63, 212

  theater district migration to, 80–81

  ticket prices, 119, 204, 210, 221, 304

  ticket sales, 211, 253, 402

  and Times Square, see Times Square

  tourist destination, 183, 389, 402

  and unions, 59–60, 90–92, 103, 117, 155, 165, 209–10, 212, 230–31, 253, 390, 391–92, 396

  workshop process, 230, 255, 384–85

  wrecking ball on, 261–63

  younger producers emerging, 377–78, 391–93

  Broadway Association, 244

  Broadway Bound, 222, 358

  Broadway League, 77, 83, 176

  Broadway Theatre, 340, 379

  “Broadway Theatre, The: A Key to the Redevelopment of Times Square” (1977), 182–83

  Broderick, Matthew, 378, 402, 403

  Brolly, Brian, 348

  Brooks, Mel, 170, 402

  Brooks Atkinson Theatre, 166, 167

  Brown, Joe E., 38

  Brustein, Robert, 122

  Brynner, Yul, 66, 185–86, 187

  Buckley, Betty, 296–97, 298–300, 311

  Burch, Shelly, 257, 258n, 265

  Burgee, John, 246

  Burnett, Barry, 283, 284, 287

  Burton, Richard, 74, 117–18, 119, 248

  Butler, Michael, 75

  Bye Bye Birdie, 66, 70, 167

  Cabaret, 69, 75, 86, 106

  Caesar, Irving, 30

  Caesar, Sid, 71, 369

  Cahan, Cora, 383–84, 389

  Caird, John, 220, 337, 339

  Camelot, 64, 66, 74

  Campbell, George Jr., 121–22

  Campbell Paint Company, 121, 130

  Can-Can, 66

  Cannato, Vincent J., The Ungovernable City, 79

  Cantor, Arthur, 6, 286, 369

  Cantor, Eddie, 256

  Cara, Irene, 208

  Carey, Hugh, 174, 184, 186, 187

  Carnegie Hall, 87

  Carnival!, 12, 70, 193–94, 198

  Carousel, 7, 64

  Carson, Johnny, 49, 327n

  Carter, Jimmy, 171

  Carter, Nell, 208, 235–36

  Casino Theatre, 25

  Casnoff, Philip, 355

  Catena, Gerardo, 123

  Catholic University, 122

  Cat on a Hot Tin Roof, 239, 248

  Cats, 280–305, 374–75

  and Eliot’s poems, 280–82, 286, 289

  and Lloyd Webber, 280–82, 286–94, 299, 301, 305, 319–20n, 350, 400

  and Mackintosh, 280, 282, 286–87, 291–94, 305, 340, 344

  and Nunn, 286, 287, 289, 293, 297–99, 319n, 326, 337, 343

  and rehearsals, 296–300

  and Shuberts, 280, 291–94, 304–5, 311

  success of, 305, 340, 358, 364, 379, 388, 400

  and Tony awards, 311

  CBS, 10, 14, 59, 275, 278, 279

  Celler, Emanuel, 35

  Champion, Gower, 71, 144, 351

  and 42nd Street, 196, 197–99, 201, 202

  and Carnival!, 193–94

  death of, 202–4, 205, 206, 295, 335, 336

  and Merrick, 70, 193–94, 197–99, 200, 202–4

  Champion, Marge, 70, 206

  Chanel, Coco, 132

  Channing, Carol, 67, 70, 77, 108

  Charnin, Martin, 65, 167–70, 273

  Chatfield-Taylor, Adele, 249

  Chauncey, George, Gay New York, 82

  Cher, 153, 274, 297

  Chess, 317, 319–29, 330, 332, 345, 351, 353–57, 376, 401

  Chicago, 209

  Children’s Crusade, The, 312

  Chorus Line, A, 171, 197, 228, 238

  and Bennett, 132–33, 134, 147–58, 185, 209, 223–26, 230, 232, 240, 311–12

  and Breglio, 147, 148–49, 153, 223, 226

  critical reviews, 154–55

  and Hamlisch, 132–33, 149, 150, 151, 152, 385

  and “I Love New York,” 185, 187

  and Jacobs, 132–33, 153–54, 156–58, 223–26

  in London, 224–26

  “One,” 133, 151–52, 185, 311

  and other shows, 209, 240, 255, 268, 311

  and Papp/Public, 133, 147, 149, 150, 151–53, 155–58, 210, 232, 359

  success of, 149, 156–58, 167, 173, 208, 223, 224, 232, 237, 253, 304, 305

  and taped interviews with Broadway “gypsies,” 147–49

  3389th performance of, 311–23

  “What I Did for Love,” 133, 150, 151

  and workshop process, 230

  Cilento, Wayne, 148

  Cineplex Odeon, 378

  Circle Repertory Lincoln Center, 359

  City at 42nd Street, 244–45, 383

  City of Hope Hospital, Los Angeles, 124

  Clear Channel, 401

  Cleese, John, 338

  Close, Glenn, 278, 379

  Clurman, David, 1–14, 47, 53

  Clutterbuck, 191

  Coca, Imogene, 248, 369

  Coco, 132

  Cohen, Alexander H., 46, 47, 108, 115

  and Actors Fund, 279–80

  and Chorus Line, 153

  death of, 280

  and Lefkowitz investigation, 128, 129, 153

  and Little Shop, 304

  and Night of 100 Stars, 279–80

  and Times Square, 177, 181, 247, 252, 380

  and Tony Awards, 219, 221, 272, 275–76, 278–80

  Cohen, Larry, 139–44, 239

  Cohen, Leo, 370–71

  Cohn, Sam, 170, 255, 258, 270–71, 276, 277–78

  Coleman, Cy, 70–71, 140, 143

  Colonial Theatre, Boston, 44

  Columbia University riots, 79

  Comden, Betty, 64, 66

  Come Blow Your Horn, 71

  Commodore Hotel, 180

  Company, 69–70, 139, 168, 197, 296, 342

  Con Edison, 178–79, 270

  Cook, Joe, 161

  Cooke, Cardinal Terence, 180

  Cooper, Bradley, 403

  Cooperman, Alvin, 14

  Corman, Roger, 302

  Cort Theatre, 19

  Cory, John, 211

  Cotton Club, 208

  Covenant House, 242

  Coward, Noel, 118, 208

  Coyne, Nancy, 262, 301–2, 355, 356, 363

  Cradle Will Rock, The, 34

  Crawford, Michael, 344–45, 352

  Craymer, Judy, 321, 323, 401–2

  crime, “broken windows” theory of, 381

  Crouse, Russel, 5

  Cukor, George, 163

  Cunningham, Dennis, 267

  Cuomo, Mario, 181, 186, 279, 384

  Dale, Grover, 259, 264

  Dalitz, Moe, 124

  Damn Yankees, 70

  Dancin’, 209

  Danner, Blythe, 53

  Dante, Nicholas, 148, 149

  David, Hal, 75

  David, Larry, 403

  David, Michael, 377

  Davidson, Joan, 251

  Davis, Brad, 334

  Davis, Peter A., Inventing Times Square, 31

  Deal, Borden, 136

  Dear World, 76

  Death of a Salesman, 248

  Deathtrap, 209

  Debuskey, Merle, 221

  DeFilippis Crane Service, 262

  de Filippo, Eduardo, 51

  Dein, David, 287

  Della Bella, Jimmy, 83

  Della Bella,
Phil, 83

  de Mille, Agnes, 135

  Dench, Judi, 288

  Derricks, Cleavant, 274

  De Shields, André, 208

  Detroit Opera House, 161

  Dewhurst, Colleen, 248, 249

  Dewynters, 340, 363

  Dexter, John, 111, 112–14, 116, 118

  Diamond, Neil, 105

  Dickens, Charles, 168, 220

  Dickson, Barbara, 320

  DiFalco, Samuel, 54–55, 56, 89, 123, 124

  Diller, Barry, 258

  DiMaggio, Joe, 38

  Dinkins, David, 380, 382

  Dirtiest Musical in Town, The, 235

  Dirtiest Show in Town, The, 91

  Disney, Roy, 386

  Disney Studios, 384, 385–91

  Beauty and the Beast, 306, 387, 388–89, 401

  King David, 390

  Lion King, 391, 399, 401

  Little Mermaid, 306, 386–87, 388, 401

  Oliver & Company, 385–86

  Disney Theatrical Productions, 395, 401

  Divine, 386

  Dodger Theatricals, 372, 378, 379

  Do I Hear a Waltz?, 65, 69

  Domingo, Placido, 299

  Don’t Play Us Cheap, 86

  Douglas, Melvyn, 248

  Doyle, William, 184–85, 187

  Drabinsky, Garth, 378–79

  Dracula, 185–86, 248, 347

  Dramatist Guild, 5

  Dreamgirls, 268–76, 307, 314, 317

  “And I Am Telling You I’m Not Going,” 237, 238, 240, 261, 265, 274

  and Bennett, 144, 235–41, 273–74, 275, 308, 309, 312, 316

  ideas for, 235–36

  and Jacobs, 237, 241, 270, 271, 272, 275, 308, 313

  success of, 253, 259, 304

  and Tony Awards, 253, 259–60, 268, 270–71, 272–76, 277, 309

  Dreamworks, 401

  Dresser, The, 217

  Drury Lane Theatre, London, 225, 284, 400

  Dubin, Al, 196

  Durst, Douglas, 384

  Durst, Seymour, 177, 181, 182

  Durst Organization, 384

  Dylan, Bob, 75

  Earl Carroll’s Vanities, 161

  Ebb, Fred, 68–69, 75, 378

  Eder, Richard, 234

  Edgar, David, 220

  Ed Sullivan Show, The (TV), 74

  Eichelberger, Ethyl, 334

  81/2, 254

  Eisenberg, Alan, 350, 390, 391

  Eisner, Michael, 386, 388, 389

  Elegy to a Down Queen, 212

  Elephant Man, The, 32n, 209

  Elg, Taina, 265

  Elice, Rick, 295–96, 335, 355, 365

  Eliot, T. S., 298, 311

  Old Possum’s Book of Practical Cats, 280–82, 286, 289, 320, 354

  Eliot, Valerie, 281, 286, 311

  Elizabeth II, queen of England, 400, 402

  Elkins, Hillard, 105

  Ellis, Joshua, 186, 221, 365, 370–73

  Ephron, Nora, 54, 55n

  Epstein, Dasha, 208, 213

  Epstein, Helen, Joe Papp: An American Life, 157

  Equity, see Actors’ Equity Association

  Equus, 110–19, 120, 132

  Erdman, Dennis, 116

  Erlanger, Abe:

  and New Amsterdam Theatre, 24, 25, 81, 256, 383

  and restraint of free trade suit, 26

  and Shubert brothers, 25–26, 28–29, 30–31, 160, 161, 383

  and stock market crash, 31

  and Syndicate, 23–24, 25–26, 28, 30, 160, 383

  Ernst, Morris, 4–5

  Ethel Barrymore Theatre, 156

  Etting, Ruth, 228

  Eugene O’Neill Theater Center, Waterford, Connecticut, 254

  Eugene O’Neill Theatre, 71

  Eula, Joe, 106

  Every Little Step (documentary), 134

  Evita, 209, 281, 282, 288, 291, 341, 343, 400

  Eyen, Tom, 91, 235–39, 272

  Eyerman, Edward, 54–55

  Eyerman, Nancy Mae (Shubert), 49–50, 54–55, 56

  Family Affair, A, 68

  Fanny, 12, 191

  Fantasticks, The, 67–68, 90

  Farrow, Mia, 194

  Feingold, Michael, 301

  Felker, Clay, 184

  Feller, Peter, 348

  Fellini, Federico, 70, 254, 263

  Fences, 358

  Fenton, James, 337–38

  Ferber, Edna, 5

  Ferrer, José, 250, 369

  Feuer, Cy, 46, 70, 196

  Fiddler on the Roof, 67, 70, 71, 76, 86, 305, 377

  Field, Arthur N., 54

  Fields, Dorothy, 71, 140, 143, 144

  Fields, W. C., 256

  Fierstein, Harvey, 358, 361

  Fifth Amendment, 8, 11, 14

  Finn, William, 369

  Fiorello!, 34, 66–67

  First Amendment, 79, 179, 181

  Firth, Peter, 113, 115

  Fisch, Violet, 56

  Fischer, Bobby, 319

  Fisher, Jules, 251, 315, 335

  Fisher Theatre, 159, 160

  Fiske, Minnie Maddern, 26

  Five Finger Exercise, 111

  Flaxman, John, 86

  Flora the Red Menace, 69

  Foley Vaughan, Edward, 44–45, 47, 55, 130

  Follies:

  as a classic, 69–70

  as a flop, 69, 98

  and Bennett, 139–40, 240

  as concept musical, 168, 197, 342

  and Prince, 69, 92, 139, 140, 168, 214

  and Rich, 214, 240

  and Sondheim, 69–70, 96, 139, 168, 214, 342

  Fonda, Henry, 248

  Forbes, Peggy, 17–18

  Ford, Gerald R., 174–75, 184

  Ford Center for the Performing Arts, 378

  Ford Foundation, 244–45

  Forrest Theater, Philadelphia, 90–91

  42nd Street, 196–206, 207, 208, 215, 292, 294–95, 304, 335, 345

  42nd Street Development Project, 80, 383–84, 389–90

  46th Street Theater, 222, 259–60, 261, 265, 267, 270

  Fosse, Bob, 136, 197, 253, 277

  and Cabaret, 69

  death of, 335–36

  and jazz dancing, 70

  and Pippin, 100–101

  and Sweet Charity, 70–71, 165

  at the top of his game, 71, 144, 351

  and total control, 70, 335

  Fox, Robert:

  and Bennett, 224, 227, 308, 321, 323, 325

  and Chess, 321, 323, 325, 326–29, 354–56, 357

  and Jacobs, 308, 321, 326, 328–29, 355

  and Nickleby, 326

  Francis, Arlene, 31, 108

  Fratti, Mario, 254–55

  Frey, Leonard, 334

  Friedman, Bernard, 58, 85

  Friendly, Bill, 205

  Frohman, Charles, 23, 25, 30

  Frontier Casino, Las Vegas, 123

  Funny Girl, 69, 70, 203

  Funny Thing Happened on the Way to the Forum, A, 69, 70

  Furth, George, 140, 147

  Gaiety Burlesque, 373

  Garber, Victor, 312

  Gardenia, Vincent, 229

  Garland, Judy, 61–62, 165

  Garver, Jack, 61

  Gatchell, Tyler, 280

  Gavert, Paul, 299–300

  Geffen, David:

  and Ashman, 388

  and Bennett, 238, 321–22

  and Cats, 280, 296–97

  and Chorus Line, 153, 238

  and Dreamgirls, 238, 275

  and Little Shop, 302, 303

  and Smile, 384–85

  Gelb, Arthur, 93, 215, 332

  Gennaro, Peter, 136

  George Abbott Theatre, 18

  George White’s Scandals, 161

  Gerald Schoenfeld Theatre, 397

  Gerard, Jeremy, 329–33, 336, 346, 353

  Gere, Richard, 262

  Gershwin, George, 29, 309

  Gershwin, Ira, 309

  Gersten, Bernard:

  and Ballroom, 232
–33, 235

  and Bennett, 146–47, 232–33, 235

  and Chorus Line, 151, 153, 210, 232

  and Jacobs, 233

  and Larry, 52

  and Papp/Public, 52, 146–47, 151, 158, 210, 232

  and Times Square, 384

  Gibson, William, 140

  Gielgud, John, 46, 111

  Gill, Brendan, 246

  Gillette, Anita, 194

  Giuliani, Rudolph, 79, 81, 389, 402

  Glaser, Milton, 184–85

  Godby, Derek, 76

  Godspell, 100

  Goldberger, Paul, 245, 246, 252, 371

  Goldberg, Whoopi, 398

  Goldenberg, Billy, 229

  Goldman, Irving, 55–57

  corruption of, 97–98, 108–9, 121–23, 127, 130

  and coup, 88–90, 92–93, 95, 98

  as cultural affairs commissioner, 108–9, 123

  death of, 131

  forced out, 130–31

  and Nederlander, 217

  and politics, 107–9, 123

  and Shubert Foundation, 57, 90, 95, 104, 125

  Times and Post investigations, 122–24, 129

  Goldman, James, 68, 140

  Goldman, William, 68, 76

  The Season, 6, 73

  Goldstein, Al, 181

  Goodspeed Opera House, East Haddam, Connecticut, 168, 169

  Gordon, Max, 57

  Gorki Theater, Leningrad, 219

  Gothic Color, 56, 89, 121, 122, 124

  Gottfried, Martin, 118–19, 155, 209, 214, 224

  Gould, Milton, 127

  Goulet, Robert, 75–76

  Grand Central Terminal, 248

  Grand Opera House, Syracuse, 21, 23

  Grand Tour, The, 76, 196

  Gratz, Roberta Brandes, 249, 250, 252, 263

  Gray, Harold, Little Orphan Annie, 167, 169

  Grease, 185, 311

  Great Depression, 31, 33–34, 35, 42, 82, 84, 96, 161–62, 168, 383

  Green, Abel, 94

  Green, Adolph, 64, 66

  Grey, Joel, 69

  Guare, John, 249

  Gutfreund, John, 244–45

  Guys and Dolls, 65, 66, 378

  Gypsy, 34, 68, 69, 189, 240, 335

  Hahn, Don, 387

  Hair, 74–75

  Hairspray, 399

  Hall, Kitty, 18–19

  Halpern, Kenneth, 249

  Hamlisch, Marvin:

  and Bennett, 132–33, 149, 151

  and Chorus Line, 132–33, 149, 150, 151, 152, 385

  Oscars to, 149

  and Papp, 151

  and Smile, 384, 385

  and They’re Playing Our Song, 209

  Hammerstein, Oscar I, 80, 81

  Hammerstein, Oscar II, 167, 351

  and Carousel, 64

  death of, 65

  and King and I, 64

  and Oklahoma!, 64

  and Rodgers, 8, 46, 64, 74

  and Sound of Music, 46, 65, 146

  and South Pacific, 64

  and TV, 74

  Hare, David, 367–68

  Harney, Ben, 274

  Harnick, Sheldon, 65, 66–67, 76, 77

  Harris, Joseph, 165

  Hart, Bernie, 10

  Hart, Charles, 344

  Hart, Lorenz, 351

  Hart, Moss, 10, 162

  Hartke, Father Gilbert, 122

  Harwood, Ronald, 217

 

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