The Howling Man

by Beaumont, Charles

  His shoulders hunched forward, and Buck Larsen began to drive; not the way he had been driving for the past two years, but as he used to, when he was young and worried about very little, when he had friends and women.

  You want to impress your girlfriend, he said to the Pontiac.

  I just want to go on eating.

  He made five more passes during the following six laps, and twice he almost made it, but the track was just a little too short, a little too narrow, and he was forced to drop behind each time.

  When he was almost certain that the race was nearing its finish, he realized that other tactics would have to be used. He clung to 14's bumper through traffic on the straight; then, as they dived into the south turn, he hung back for a fraction of a second--long enough to put a bit of space between them. Then he pulled down onto the inside and pushed the accelerator flat. The Chevy jumped forward; in a moment it was nearly even with the Pontiac.

  Buck considered nothing whatever except keeping his car in control; he knew that the two of them were at that spot, right there, where one would have to give, but he didn't consider any of this.

  The two cars entered the turn together, and the crowd screamed and some of the people got to their feet and some closed their eyes. Because neither car was letting off.

  Neither car was slowing.

  Buck did not move his foot on the pedal; he did not look at the driver to his right; he plunged deeper, and deeper, up to the point where he knew that he would lose control, even under the best of conditions; the edge, the final thin edge of destruction.

  He stared straight ahead and fought the wheel through the turn, whipping it back and forth, correcting, correcting.

  Then, it was all over.

  He was through the turn; and he was through first.

  He didn't see much of the accident: only a glimpse, in his rear view mirror, a brief flash of the Pontiac swerving to miss the wall, losing control, going up high on its nose and teetering there . . .

  A flag stopped the race. The other cars had crashed into the Pontiac, and number 14 was on fire. It wasn't really a bad fire, but the automobile had landed on its right side, and the left side was bolted and there were bars on the window, so they had to get it cooled off before they could pull the driver out.

  He hadn't broken any bones. But something had happened to the fuel line and the hood had snapped open and the windshield had collapsed and some gasoline had splashed onto Tommy Linden's shirt. The fumes had caught and he'd burned long enough.

  He was dead before they got him into the ambulance.

  Buck Larsen looked at the girl in the pink dress and tried to think of something to say, but there wasn't anything to say, there never was.

  He collected his money for third place--it amounted to $350--and put the mufflers back on the Chevy and drove away from the race track, out onto the long highway.

  The wind was hot on his face, and soon he was tired and hungry again; but he didn't stop, because if he stopped he'd sleep, and he didn't want to sleep, not yet. He thought one time of number 14, then he lowered the shutters and didn't think any more.

  He drove at a steady 70 miles per hour and listened to the whine of the engine. She would be all right for another couple of runs, he could tell, but then he would have to tear her down.

  Maybe not, though.

  Maybe not.

  * * *

  THE MUSIC OF THE YELLOW BRASS

  * * *

  Even now he could not believe it, so quickly had it happened, so unexpectedly, and after so many years. How many? Juanito tried to remember. Three. No; four. Four years of sleeping in filthy boxcars, on park benches, on the ground with only his dirt-stiffened cape for protection against the angry winds; of stealing, and, when he could not, begging; of running in the path of Impresarios ("Next year!")--and all the long nights, dreaming. And now. Now!

  "How do I look?" he asked.

  "All right," said Enrique COrdoba, shrugging.

  "Just all right? Just that?"

  The older man said, "Look, Juanito, look. You're skinny. A scarecrow."

  "So?" The boy smiled. "In the traje de luces it will be different. No belly for the horn. Huh?"

  "Right."

  "Are you annoyed with me, Enrique?"

  "No."

  "You act that way."

  "And you act like a fool!"

  "Because I'm happy? Because I show it?"

  They walked in silence.

  "I know. You're afraid I'll put on a bad show; that's it. You've worked for me and got me a fight at the Plaza and you're thinking, Maybe he won't do well--"

  "Shut up."

  For another two blocks they walked, not speaking. Then Juanito saw the big white sign, saw the glass doors of the hotel and, beyond, the rich wine-colored rug and the crystal chandeliers, and his heart beat faster.

  "Relax," whispered Enrique.

  They went into the hotel. At a thick ivory door, the older man seemed to hesitate. Then, in solid motions, he rapped his horny knuckles against the wood, once, twice.

  "Enter!"

  The door opened to a vast, luxurious room hung in bright tapestries and decorated with puntillas and capes and swords of antique silver, and, over the bar, the head of a bull.

  Juanito tried to swallow, but could not. He looked once at the people, who were talking loudly and moving, then directed his blurred gaze toward Enrique.

  A voice said: "Hola!"

  Enrique did not smile. Instead, he nodded and touched his brow. "I hope that we're not late, Don Aifredo."

  Juanito felt the approach of the giant Impresario. A heavy hand touched his shoulder. "Hola, Matador. Are you afraid to look at us?"

  "No, Señor."

  Don Aifredo, Alfredo Camara, who had stepped around him as though he were a cockroach yesterday, was grinning widely. His face was shiny with sweat and there were sacks beneath his large wet eyes. He leaned forward. "How is it, then? Are you in shape?" he asked. "All ready for tomorrow?"

  "Yes, Señor."

  The hand thumped Juanito's back. "Good!" Then Don Alfredo turned and cried, in a high, squeaking voice: "Attention! Attention!"

  The people in the room stopped talking. Juanito recognized some of them: Francesco Perez, who only last week cut both ears and the tail; Manolo Lombardini, the idol of the season; the great Garcia, who never smiled and never left a ring without a smear of blood across his thighs . . .

  "You've heard me talk of my new discovery," said Don Alfredo. "Well, here he is. Juan Galvez!"

  There was applause; the first applause that Juanito had ever heard. A sweet, exciting sound!

  "So, at last you see him. But you do not truly see him, as I have, facing the horns. Then he is most fearsome, most beautiful. Eh, Señor COrdoba?"

  Enrique nodded again.

  "So close, my friends! It is a marvel. I know. Would I allow him in the Plaza otherwise?"

  Some of the men laughed. Others did not.

  Don Alfredo pointed to a girl in a black dress and snapped his fingers. She poured tequila into two glasses and gave the glasses to Enrique and Juanito.

  "The other is his manager, also his mozo de espada: Enrique COrdoba. He came to me a month ago, to plead for his boy. 'We are filled up!' I told him; and, you know, 'Come again next year--'"

  Garcia chuckled and shook his head.

  "But wait, this fellow is persistent. Most persistent. 'Don Alfredo,' he says, 'I ask only that you watch my boy work out. In the Plaza. Watch and you will see that he is a star.' What they all say, huh? But, as it happened, Perez was going to be there--to work off a hangover, isn't that so, Francesquito?"

  The great Matador made a motion with his hands. "No." he said, "that isn't so. You're a liar and a bandit."

  "Unkind!"

  As Juanito listened to the exchange, standing there with the fat hand clamped upon him, his eyes wandered past Perez to the corner of the room.

  A woman was there, a young woman, in a bright red dress of velvet
which showed off her smooth skin and her high, large breasts.

  She was staring.

  "Like all toreros!" roared Don Alfredo. "An eye for beauty. Hey!"

  The woman walked toward them, slowly, her hips moving beneath the velvet dress.

  "This," said the Impresario, "is Andrée. I think she has noticed you, Galvez!"

  With a grunt, Enrique moved away.

  "Well, young fellow, don't you want to make the lady's acquaintance?"

  The woman smiled. Again, Juanito could not swallow. He touched her outstretched hand.

  The Impresario's high voice shrieked: "A shy torero! God deliver me!"

  The woman came closer. "I am happy to meet you at last señor Galvez," she said.

  "Yes, but you will be happier tomorrow night! For then he'll be the talk of Mexico!"

  Juanito imitated her motions with the glass. The tequila was like fire in his throat. It made his eyes water.

  "He weeps at the thought," cried Garcia solemnly.

  "It shows he is sensitive," answered the Impresario. "Listen, everybody: I'm not through with the introduction! Where was I?"

  "Robbing a blind grandmother," said Perez. "You were forced to kick her senseless--"

  "Quite! Now listen; we had access to a novillo. Small, but dangerous. Right, Francesquito?"

  "Always," said Perez.

  "When you were through, remember? I saw this Cördoba. How he got through the guards, I could not guess. Anyway: 'Let my boy show you!' he said; 'Only watch him for a few minutes!' I demurred. 'Suicide!' I told him. But, like I said, he is persistent. To shut him off, I granted his wish." Camara turned to the woman. "Andrée, do you know what happened then?"

  "No. Tell me."

  "This boy, Juan Galvez, sprang into the ring with the dirtiest capote I have ever seen, and right off--right off, with an experienced bull!--he made a perfect Chicuelina!"

  "No."

  "Yes! Then another, then a half-veronica--God, how excited he made me! Like a spectator. My mouth was open."

  The girl next to Lombardini giggled.

  "Silence. For ten minutes he worked this novillo; then--"

  "Then?"

  "He was tossed. Of course." Don Aifredo shrugged. "But it was not his fault: the bull by this time knew man from cape. However, do you think he was fazed by it, this Galvez? He was not fazed by it! Up again and some of the finest passes I have witnessed since the time of El Gallo!"

  The woman in the velvet dress turned. "Ole," she said, softly.

  "So, well, you can see, all of you, why I did not hesitate to put him on the same bill with Perez and Lombardini." The large man snorted. "And if you two charlots are not careful, the little boy will steal all the glory, too!"

  Juanito's body tingled. Even to be in the same room with these men to whom he had seen before only as gods in gold thread, that was enough; but to hear these words.

  "Great caution, Galvez," said Garcia, wagging his finger, "or the ears I cut will be yours."

  Everyone laughed. Then the Impresario released his grip. "I tell you what," he said. "You and Andrée get acquainted. Enjoy yourselves."

  "Yes, Señor."

  "Good." Camara slapped Juanito's arm, hard, and wandered back to the crowd of people. Surprisingly, Enrique was drinking. In long swallows. Drinking, then filling up, and drinking more.

  "What shall I call you?" asked the woman whose name was Andrée.

  "Whatever you like."

  "Juanito?"

  "If you wish."

  A fast tune began to play on the phonograph; couples began to dance.

  "Don Alfredo tells me you have style."

  "I try. You--follow the bulls?"

  "Oh yes," she said. "It's a passion."

  They looked at one another, silently, for a moment; then Juanito said, "Excuse me, please," and walked to the other side of the room.

  "Enrique, let's go home," he said.

  "What? Why?"

  "I'm tired."

  Enrique shook his head. "It would be an insult to Don Alfredo," he said. "Do you want to offend the man who's giving you your big break?"

  "No, of course not. But--"

  "Then, relax. It's early: only nine. Drink a little, talk to the woman."

  "You said women were bad for me."

  "Only the bunis. This one is all right. She's got class. Don't you like her?"

  Juanito knew that she was staring at him. "Yes," he said. "She is very beautiful."

  "Then what?"

  "I don't know."

  "Aah! Take your sad face away from here, then, so I can enjoy myself!"

  Juanito stepped back. So long he had known this man, so well; but never had he seen this mood upon Enrique. Perhaps, he thought, it is his way of being excited. Certainly; yes!

  "Care to dance?"

  The woman, Andrée, was moving slightly in time to the music. Young, Juanito decided. Not so young as his own nineteen years, maybe. But not much over. The flesh was firm everywhere, and everywhere smooth: incredibly smooth!

  "If you don't," she said. "I'll tell Don Alfredo and he'll be angry. Now, take my arms."

  "I'm sorry, but I--"

  "No, no! You're doing fine. Just twirl me a little, this way; now back, so. Wonderful!"

  The music grew louder and faster and soon Juanito was remembering the steps that whore from Tijuana had taught him. He was beginning to like the nearness of the woman, though it still frightened him, and he particularly liked it when she clapped her hands and threw her head back and then touched her hips to his.

  "Well done!" cried a voice, Don Alfredo's.

  "Yes!" said Andrée. "He is light on my feet!"

  Juanito got the joke and laughed. From the corner of his eye, he watched the other men, the great Matadors, and saw that they were dancing, also, with their women.

  I am one of them, he thought, remembering the endless dream.

  They accept me, I am one of them!

  Andrée was perspiring now. Her rich black hair, like tiny slender strips of dark metal, hung about her face; her eyes were ponds in which the lights were swimming; and her lips, to Juanito, were the softest and fullest in all the world, half-open always, revealing the whitest and straightest of teeth, the most quickly darting tongue that ever hid in the warm night of a girl's mouth . . .

  "More tequila, torero?"

  He started to say no, no more, but in a flash the woman was gone, and in a flash, back again.

  "To us," she said.

  Juanito drank. Then, as his limbs were losing all their weight, the music slowed, and the woman pressed her body close to his and put her face next to his.

  "Andrée," he said.

  She made a catlike sound in her throat.

  "Andrée, who are you with?"

  She pulled her head back lazily. "With you," she murmured.

  "No. That isn't what I mean. Whose . . . woman are you?"

  Only the deep sound again, from her throat.

  "Garcia's?"

  "Don't worry," she said. "You didn't steal me."

  "Perez's?"

  "I'm here as Don Alfredo's guest. He is a relative."

  "Oh."

  "'Oh'? You sound disappointed, Señor Galvez. Tell me, does the fruit always taste better when it's stolen?"

  Juanito blushed hotly. "No," he said, "No, no."

  "Then why are you so afraid to take a bite?"

  Her flesh burned against his, then, and his mind began to swirl. He saw the bull's head, dead eyes staring blindly down . . . "Forgive me," he said, and made for the corner where Enrique had been drinking. As he walked he saw that most of the other guests had departed. Of the Matadors, only Lombardini remained, asleep on the floor.

  A clock read ten minutes until midnight.

  "Hey, torero! Are you lost?"

  Don Alfredo thrust out a pudgy hand. He came close, smelling of liquor and colognes.

  "I didn't know it was so late," said Juanito, looking away from the fat, glistening face. "Have you seen
Enrique?"

  "Your manager? The ugly one?"

  "Enrique, my mozo."

  "He is gone," said Don Alfredo Camara, grinning. "Too much tequila."

  Juanito felt a tightening in his chest. On this night of all nights, for Enrique to desert him! To go without a word! "When did he leave?"

  "An hour ago. Two hours. Why?"

  Once more, Juanito could not find the words.

  "He was going to take you with him," said the large man, lighting a fresh cigarette from the one he had been smoking, "but I pointed out, how unfair! I told him we'd take care of you. And . . . have we?"

  "Yes, Señor."

  "So, then, everything is okay." The fingers dug into Juanito's arm. "Take it from one who knows, you must be calm, relaxed, the night before the big fight. So important. Believe me."

  "Yes, Señor."

  "The going home early is an old wive's tale, a fantasy. It doesn't work. You try to sleep, but instead you dream about the next afternoon. It grows real in your mind. So real. You hear the crowd screaming and you see the toril gate opening . . . so? No sleep at all. Next day you're a wreck. Logical, Juan Galvez? Reasonable?"

  Juanito nodded. It went against everything he'd ever heard, against Enrique's advice, but it sounded right, somehow. Certainly it was true that he would dream

  "I apologize, Don Alfredo."

  "For what? Go, now, go back and have some fun. Get yourself exhausted. Then sleep soundly!"

  Juanito watched as the Impresario turned and weaved his way back to the couch and sprawled, giggling, over the woman in the black dress.

  "Your keeper is missing?"

  The words were mocking. He wheeled. Andrée was smiling at him, her body still moving to the music.

  "Enrique is not my keeper," he said, in a slow, even voice.

  "No? Who then?"

  He took a step toward her. "No one." He pulled her quickly to him and pressed with all his strength. "No one," he repeated, angrily. "No one. You understand?"

  Her eyes were big. When she tried to slip from his grasp, Juanito pressed harder. "Yes," she said, finally. His hands moved up to her hair; slowly he forced her lips to his, then, feeling a river of strange new sensations sweeping over him, he released the woman.

  She stared at him, a difference in her eyes. Then she walked to the ivory closet door and returned.