Book Read Free

Desert Gold

Page 31

by Grey, Zane


  Whatever the Indian had listened to or for, presently he satisfied himself, and, with a grunt that might mean anything, he rose and turned away from the rim. Gale followed, rested now and eager to go on. He saw that the great cliff they had climbed was only a stairway up to the huge looming dark bulk of the plateau above.

  Suddenly he again heard the dull roar of falling water. It seemed to have cleared itself of muffled vibrations. Yaqui mounted a little ridge and halted. The next instant Gale stood above a bottomless cleft into which a white stream leaped. His astounded gaze swept backward along this narrow swift stream to its end in a dark, round, boiling pool. It was a huge spring, a bubbling well, the outcropping of an underground river coming down from the vast plateau above.

  Yaqui had brought Gale to the source of Forlorn River.

  Flashing thoughts in Gale's mind were no swifter than the thrills that ran over him. He would stake out a claim here and never be cheated out of it. Ditches on the benches and troughs on the steep walls would carry water down to the valley. Ben Chase had build a great dam which would be useless if Gale chose to turn Forlorn River from its natural course. The fountain head of that mysterious desert river belonged to him.

  His eagerness, his mounting passion, was checked by Yaqui's unusual action. The Indian showed wonder, hesitation, even reluctance. His strange eyes surveyed this boiling well as if they could not believe the sight they saw. Gale divined instantly that Yaqui had never before seen the source of Forlorn River. If he had ever ascended to this plateau, probably it had been to some other part, for the water was new to him. He stood gazing aloft at peaks, at lower ramparts of the mountain, and at nearer landmarks of prominence. Yaqui seemed at fault. He was not sure of his location.

  Then he strode past the swirling pool of dark water and began to ascend a little slope that led up to a shelving cliff. Another object halted the Indian. It was a pile of stones, weathered, crumbled, fallen into ruin, but still retaining shape enough to prove it had been built there by the hands of men. Round and round this the Yaqui stalked, and his curiosity attested a further uncertainty. It was as if he had come upon something surprising. Gale wondered about the pile of stones. Had it once been a prospector's claim?

  "Ugh!" grunted the Indian; and, though his exclamation expressed no satisfaction, it surely put an end to doubt. He pointed up to the roof of the sloping yellow shelf of stone. Faintly outlined there in red were the imprints of many human hands with fingers spread wide. Gale had often seen such paintings on the walls of the desert caverns. Manifestly these told Yaqui he had come to the spot for which he had aimed.

  Then his actions became swift—and Yaqui seldom moved swiftly. The fact impressed Gale. The Indian searched the level floor under the shelf. He gathered up handfuls of small black stones, and thrust them at Gale. Their weight made Gale start, and then he trembled. The Indian's next move was to pick up a piece of weathered rock and throw it against the wall. It broke. He snatched up parts, and showed the broken edges to Gale. They contained yellow steaks, dull glints, faint tracings of green. It was gold.

  Gale found his legs shaking under him; and he sat down, trying to take all the bits of stone into his lap. His fingers were all thumbs as with knife blade he dug into the black pieces of rock. He found gold. Then he stared down the slope, down into the valley with its river winding forlornly away into the desert. But he did not see any of that. Here was reality as sweet, as wonderful, as saving as a dream come true. Yaqui had led him to a ledge of gold. Gale had learned enough about mineral to know that this was a rich strike. All in a second he was speechless with the joy of it. But his mind whirled in thought about this strange and noble Indian, who seemed never to be able to pay a debt. Belding and the poverty that had come to him! Nell, who had wept over the loss of a spring! Laddy, who never could ride again! Jim Lash, who swore he would always look after his friend! Thorne and Mercedes! All these people, who had been good to him and whom he loved, were poor. But now they would be rich. They would one and all be his partners. He had discovered the source of Forlorn River, and was rich in water. Yaqui had made him rich in gold. Gale wanted to rush down the slope, down into the valley, and tell his wonderful news.

  Suddenly his eyes cleared and he saw the pile of stones. His blood turned to ice, then to fire. That was the mark of a prospector's claim. But it was old, very old. The ledge had never been worked, the slope was wild. There was not another single indication that a prospector had ever been there. Where, then, was he who had first staked this claim? Gale wondered with growing hope, with the fire easing, with the cold passing.

  The Yaqui uttered the low, strange, involuntary cry so rare with him, a cry somehow always associated with death. Gale shuddered.

  The Indian was digging in the sand and dust under the shelving wall. He threw out an object that rang against the stone. It was a belt buckle. He threw out old shrunken, withered boots. He came upon other things, and then he ceased to dig.

  The grave of desert prospectors! Gale had seen more than one. Ladd had told him many a story of such gruesome finds. It was grim, hard fact.

  Then the keen-eyed Yaqui reached up to a little projecting shelf of rock and took from it a small object. He showed no curiosity and gave the thing to Gale.

  How strangely Gale felt when he received into his hands a flat oblong box! Was it only the influence of the Yaqui, or was there a nameless and unseen presence beside that grave? Gale could not be sure. But he knew he had gone back to the old desert mood. He knew something hung in the balance. No accident, no luck, no debt-paying Indian could account wholly for that moment. Gale knew he held in his hands more than gold.

  The box was a tin one, and not all rusty. Gale pried open the reluctant lid. A faint old musty odor penetrated his nostrils. Inside the box lay a packet wrapped in what once might have been oilskin. He took it out and removed this covering. A folded paper remained in his hands.

  It was growing yellow with age. But he descried a dim tracery of words. A crabbed scrawl, written in blood, hard to read! He held it more to the light, and slowly he deciphered its content.

  "We, Robert Burton and Jonas Warren, give half of this gold claim to the man who finds it and half to Nell Burton, daughter and granddaughter."

  Gasping, with a bursting heart, overwhelmed by an unutterable joy of divination, Gale fumbled with the paper until he got it open.

  It was a certificate twenty-one years old, and recorded the marriage of Robert Burton and Nellie Warren.

  XX

  DESERT GOLD

  A SUMMER day dawned on Forlorn River, a beautiful, still, hot, golden day with huge sail clouds of white motionless over No Name Peaks and the purple of clear air in the distance along the desert horizon.

  Mrs. Belding returned that day to find her daughter happy and the past buried forever in two lonely graves. The haunting shadow left her eyes. Gale believed he would never forget the sweetness, the wonder, the passion of her embrace when she called him her boy and gave him her blessing.

  The little wrinkled padre who married Gale and Nell performed the ceremony as he told his beads, without interest or penetration, and went his way, leaving happiness behind.

  "Shore I was a sick man," Ladd said, "an' darn near a dead one, but I'm agoin' to get well. Mebbe I'll be able to ride again someday. Nell, I lay it to you. An' I'm agoin' to kiss you an' wish you all the joy there is in this world. An', Dick, as Yaqui says, she's shore your Shower of Gold."

  He spoke of Gale's finding love—spoke of it with the deep and wistful feeling of the lonely ranger who had always yearned for love and had never known it. Belding, once more practical, and important as never before with mining projects and water claims to manage, spoke of Gale's great good fortune in finding of gold—he called it desert gold.

  "Ah, yes. Desert Gold!" exclaimed Dick's father, softly, with eyes of pride. Perhaps he was glad Dick had found the rich claim; surely he was happy that Dick had won the girl he loved. But it seemed to Dick himself that his father
meant something very different from love and fortune in his allusion to desert gold.

  That beautiful happy day, like life or love itself, could not be wholly perfect.

  Yaqui came to Dick to say good-by. Dick was startled, grieved, and in his impulsiveness forgot for a moment the nature of the Indian. Yaqui was not to be changed.

  Belding tried to overload him with gifts. The Indian packed a bag of food, a blanket, a gun, a knife, a canteen, and no more. The whole household went out with him to the corrals and fields from which Belding bade him choose a horse—any horse, even the loved Blanco Diablo. Gale's heart was in his throat for fear the Indian might choose Blanco Sol, and Gale hated himself for a selfishness he could not help. But without a word he would have parted with the treasured Sol.

  Yaqui whistled the horses up—for the last time. Did he care for them? It would have been hard to say. He never looked at the fierce and haughty Diablo, nor at Blanco Sol as he raised his noble head and rang his piercing blast. The Indian did not choose one of Belding's whites. He caught a lean and wiry broncho, strapped a blanket on him, and fastened on the pack.

  Then he turned to these friends, the same emotionless, inscrutable dark and silent Indian that he had always been. This parting was nothing to him. He had stayed to pay a debt, and now he was going home.

  He shook hands with the men, swept a dark fleeting glance over Nell, and rested his strange eyes upon Mercedes's beautiful and agitated face. It must have been a moment of intense feeling for the Spanish girl. She owed it to him that she had life and love and happiness. She held out those speaking slender hands. But Yaqui did not touch them. Turning away, he mounted the broncho and rode down the trail toward the river.

  "He's going home," said Belding.

  "Home!" whispered Ladd; and Dick knew the ranger felt the resurging tide of memory. Home—across the cactus and lava, through solemn lonely days, the silent, lonely nights, into the vast and red-hazed world of desolation.

  "Thorne, Mercedes, Nell, let's climb the foothill yonder and watch him out of sight," said Dick.

  They climbed while the others returned to the house. When they reached the summit of the hill Yaqui was riding up the far bank of the river.

  "He will turn to look—to wave good-by?" asked Nell.

  "Dear he is an Indian," replied Gale.

  From that height they watched him ride through the mesquites, up over the river bank to enter the cactus. His mount showed dark against the green and white, and for a long time he was plainly in sight. The sun hung red in a golden sky. The last the watchers saw of Yaqui was when he rode across a ridge and stood silhouetted against the gold of desert sky—a wild, lonely, beautiful picture. Then he was gone.

  Strangely it came to Gale then that he was glad. Yaqui had returned to his own—the great spaces, the desolation, the solitude—to the trails he had trodden when a child, trails haunted now by ghosts of his people, and ever by his gods. Gale realized that in the Yaqui he had known the spirit of the desert, that this spirit had claimed all which was wild and primitive in him.

  Tears glistened in Mercedes's magnificent black eyes, and Thorne kissed them away—kissed the fire back to them and the flame to her cheeks.

  That action recalled Gale's earlier mood, the joy of the present, and he turned to Nell's sweet face. The desert was there, wonderful, constructive, ennobling, beautiful, terrible, but it was not for him as it was for the Indian. In the light of Nell's tremulous returning smile that strange, deep, clutching shadow faded, lost its hold forever; and he leaned close to her, whispering: "Lluvia d'oro"—"Shower of Gold."

  End of the Project Gutenberg EBook of Desert Gold, by Zane Grey

  *** END OF THIS PROJECT GUTENBERG EBOOK DESERT GOLD ***

  ***** This file should be named 502-h.htm or 502-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/5/0/502/

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks. Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.net/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm

  electronic work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all

  the terms of this agreement, you must cease using and return or destroy

  all copies of Project Gutenberg-tm electronic works in your possession.

  If you paid a fee for obtaining a copy of or access to a Project

  Gutenberg-tm electronic work and you do not agree to be bound by the

  terms of this agreement, you may obtain a refund from the person or

  entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. "Project Gutenberg" is a registered trademark. It may only be

  used on or associated in any way with an electronic work by people who

  agree to be bound by the terms of this agreement. There are a few

  things that you can do with most Project Gutenberg-tm electronic works

  even without complying with the full terms of this agreement. See

  paragraph 1.C below. There are a lot of things you can do with Project

  Gutenberg-tm electronic works if you follow the terms of this agreement

  and help preserve free future access to Project Gutenberg-tm electronic

  works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"

  or PGLAF), owns a compilation copyright in the collection of Project

  Gutenberg-tm electronic works. Nearly all the individual works in the

  collection are in the public domain in the United States. If an

  individual work is in the public domain in the United States and you are

  located in the United States, we do not claim a right to prevent you from

  copying, distributing, performing, displaying or creating derivative

  works based on the work as long as all references to Project Gutenberg

  a
re removed. Of course, we hope that you will support the Project

  Gutenberg-tm mission of promoting free access to electronic works by

  freely sharing Project Gutenberg-tm works in compliance with the terms of

  this agreement for keeping the Project Gutenberg-tm name associated with

  the work. You can easily comply with the terms of this agreement by

  keeping this work in the same format with its attached full Project

  Gutenberg-tm License when you share it without charge with others.

  1.D. The copyright laws of the place where you are located also govern

  what you can do with this work. Copyright laws in most countries are in

  a constant state of change. If you are outside the United States, check

  the laws of your country in addition to the terms of this agreement

  before downloading, copying, displaying, performing, distributing or

  creating derivative works based on this work or any other Project

  Gutenberg-tm work. The Foundation makes no representations concerning

  the copyright status of any work in any country outside the United

  States.

  1.E. Unless you have removed all references to Project Gutenberg:

  1.E.1. The following sentence, with active links to, or other immediate

  access to, the full Project Gutenberg-tm License must appear prominently

  whenever any copy of a Project Gutenberg-tm work (any work on which the

  phrase "Project Gutenberg" appears, or with which the phrase "Project

  Gutenberg" is associated) is accessed, displayed, performed, viewed,

  copied or distributed:

  This eBook is for the use of anyone anywhere at no cost and with

 

‹ Prev